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MarcusAurelius879

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The path of wo young individuals hungry for quick wealth takes a treacherous turn as they venture into the world of illegal fentanyl production – a dangerous drug with far-reaching consequences.

From the album, ‘nothing or something to die for’ out May 24, 2024 on Father/Daughter Records
Listen & Watch: https://muizyu.lnk.to/nothingorsometh...

Video by Danny Grant
Written by mui zyu
Produced by mui zyu & Luciano Rossi
Engineered & Mixed by Luciano Rossi, Deathford Studios, London UK
Strings engineered by Andy Ramsay, Press Play Studios, London, UK
Mastered by Alex Wharton, Abbey Road Studios, London, UK
Eva Liu: Vocals, Guitar
Luciano Rossi: Bass Guitar, Synthesizers, Programming
Coco Inman: Violin

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Lyrics:
Don’t regret, or forget about acid crumbs
Tickling wasted lungs, teething for special moves

If you kiss the dread, and listen to them
You’ll worship smiles that smile for nothing
Don’t worship smiles

Follow the mould through portals
Looking at memories wrong
Take tiny sips through their lips

Don’t expect, to collect enough broken hearts
To fix up the body parts, praying for lucky luck

Do you miss the dread?
Obsessed with it
You’ll worship smiles that smile for nothing
Don’t worship smiles

Follow the mould through portals
Looking at memories wrong
Take tiny sips through their lips

Follow the mould through portals
Looking at memories wrong
Take tiny sips through their lips

What did it mean to be part of the Brat Pack?

In the 1980s, Andrew McCarthy was part of a young generation of actors who were set to take over Hollywood after a string of successful teen movies. However, when the New York magazine cover story in 1985 dubs them the Brat Pack, stars in the making suddenly find themselves losing control over the trajectory of their careers. Now, almost forty years later, McCarthy looks to reconnect with peers and co-stars — Emilio Estevez, Jon Cryer, Lea Thompson, Rob Lowe, Ally Sheedy, and Demi Moore — so that together they can reflect on their respective legacies. "Legacies" ?
OK......
Hollywood, please never change.....
A legacy is something like what Akira Kurosawa gave to cinema, or Sydney Lumet, or Carl Theodor Dreyer, or Vittorio De Sica, or Tarkovsky, or Claude Chabrol and the actors and actresses who helped them, but OK.
I'm not saying this documentary is bad, I haven't even seen it. But the word legacy which I saw in the review that I shared here seemed to me ridiculous, to say the least.
Enjoy.

[Intro]
I was following the, I was following the
I was following the, I was following the
I was following the, I was following the
I was following the, I was following the

[Chorus]
I was following the pack, all swaddled in their coats
With scarves of red tied 'round their throats
To keep their little heads from fallin' in the snow
And I turned 'round and there you go
And, Michael, you would fall and turn the white snow
Red as strawberries in the summertime

[Chorus]
I was following the pack, all swaddled in their coats
With scarves of red tied 'round their throats
To keep their little heads from fallin' in the snow
And I turned 'round and there you go
And, Michael, you would fall and turn the white snow
Red as strawberries in the summertime

[Chorus]
I was following the pack, all swaddled in their coats
With scarves of red tied 'round their throats
To keep their little heads from fallin' in the snow
And I turned 'round and there you go
And, Michael, you would fall and turn the white snow
Red as strawberries in the summertime

Fleet Foxes

℗ 2008 Sub Pop Records

Released on: 2008-06-03

From the upcoming album Belaya Polosa, out on September 6, 2024 on Sacred Bones Records.

Pre-order / pre-save: https://lnk.to/BelayaPolosa

Writer/Editor/Producer/Director: Bryan M. Ferguson
Cinematographer: George Harwood
SFX / Runner: Vari Ferguson
Runner: Darryl Girvan

Cast:
Biliew Luak
Jack Leggatt
Vari Ferguson
Darryl Girvan

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Сон:

Красными искрами валится небо на нас,
Купол надежды расплавив в тот час.
Жалкими взглядами их не провести.
Поздно скрестись: нас не спасти.

Сон, мой страшный сон.
Есть только он, мой странный сон.
Я ставлю на кон,
Всю свою жизнь меняю на сон.

Тихо! Послушай, как ветер зовёт за собой,
Шепчет на ухо: «Заигрались с судьбой!»
Глянь на следы, что оставили мы.
Ветер развеет их вскоре — дальше иди.

Сон, мой страшный сон.
Есть только он, мой странный сон.
Я ставлю на кон,
Всю свою жизнь меняю на сон.

Dream:

The sky is falling down on us like red sparks,
The dome of hope melted during that time.
You can’t deceive them with pitiful glances.
It is too late to do the sign of the cross: we can’t be saved.

Dream, my terrible dream.
There is only it, my strange dream.
I am betting on it,
I change my whole life for a dream.

Quiet! Listen, how the wind calls for you,
It whispers in your ear: “tempt fate!”
Look at the footprints we left behind.
The wind will blow them away soon – carry on.

Dream, my terrible dream.
There is only it, my strange dream.
I am betting on it,
I change my whole life for a dream.

Euro 2024
day 1
Germany vs Scotland
Group Stage
Group A
Matchday 1 of 3

Euro 2024
day 1
Germany vs Scotland
Group Stage
Group A
Matchday 1 of 3

The real story of the journalist Vesela Toteva (in the role is her daughter -Valentina Karoleva) searching for her own happiness during the dynamic and uncertain 90’s in Bulgaria. A tale about drugs, fall, fear and redemption.

After the Robb Elementary school shooting in Texas, local Uvalde Leader-News journalists are left to report on the fallout – and on one of their staff members. Reporter Kimberly Rubio rises to national prominence as an advocate for gun reform after her ten-year-old daughter, Lexi, is killed in the shooting. Through the journalists’ reporting, we witness the social fabric of this small Texas town unravel as Kimberly and other victims’ families search for accountability from law enforcement and local leaders. The documentary also shines a light on the critical role of community journalism, at a time when local newspapers are folding rapidly across the country.

Just out of jail and still searching for his late beloved Beniamina, crumpled English archaeologist Arthur reconnects with his wayward crew of tombaroli accomplices – a happy-go-lucky collective of itinerant grave-robbers who survive by looting Etruscan tombs and fencing the ancient treasures they dig up. Arthur isn’t interested in the artefacts, though; he’s seeking a legendary door to the underworld, and to Beniamina.
Everyone has their own Chimera, something they try to achieve but can never find. For Arthur, the Chimera is the woman he lost, Beniamina.

La chimera (Italian: [la kiˈmɛːra], meaning "The Impossible Dream") is a 2023 period comedy-drama film written and directed by Alice Rohrwacher. The film stars Josh O'Connor as a British archaeologist who gets involved in an international network of stolen Etruscan artifacts during the 1980s. Carol Duarte, Vincenzo Nemolato, Alba Rohrwacher and Isabella Rossellini appear in supporting roles.

Arthur, a British archaeologist, returns to Italy after being released from prison, where he was arrested for stealing artifacts from tombs to sell to an arts dealer named Spartaco. He goes to visit his ex-girlfriend Beniamina's mother, Flora, at her family home, where he also meets her live-in maid and student, Italia. Beniamina has been missing for an undisclosed amount of time, but her mother is convinced she will one day return. Beniamina's sisters are sick of Arthur seemingly freeloading from their mother, and try to find him a job, which he refuses. Arthur, lacking a decent coat and proper heating in his hut, catches a cold.

The next day, Beniamina's mother sends Italia to Arthur to bring him some coffee. While she looks around his place, Arthur discovers that his artifacts - which he had kept buried in the ground beneath a tree - are missing. Confronted, they return his stolen artifacts and attempt to reconcile. He rebuffs them initially but accompanies them to the Epiphany celebrations happening in town. During the festival, a farmer approaches them about locating a tomb on his land. Arthur's friends agree to look for it.

At the farm, Arthur, his friends, like him tomb raiders (tombaroli), and a young woman named Melodie, search for the tomb, which Arthur locates using a dowsing twig and through his 'chimeras' - visions he experiences upon standing atop a gravesite. Arthur feigns being sick so that his friends can scare away the farmer, and return later in the night to excavate the Etruscan grave goods. Arthur and his friends continue to rob tombs, collecting artifacts to sell.

Awesome, Happy Lazzaro was good, but this is a high flying bird of beautiful poetry....
Volano gli uccelli volano
Nello spazio tra le nuvole
Con le regole assegnate
A questa parte di universo
Al nostro sistema solare
Aprono le ali
Scendono in picchiata atterrano meglio di aeroplani
Cambiano le prospettive al mondo
Voli imprevedibili ed ascese velocissime
Traiettorie impercettibili
Codici di geometria esistenziale
Migrano gli uccelli emigrano
Con il cambio di stagione
Giochi di aperture alari
Che nascondono segreti
Di questo sistema solare
Aprono le ali ecc
Volano gli uccelli volano
Nello spazio tra le nuvole
Con le regole assegnate
A questa parte di universo
Al nostro sistema solare

Elemental is the debut studio album by Canadian musician, composer, singer-songwriter and instrumentalist Loreena McKennitt and the vehicle with which she launched the Quinlan Road label. The album was recorded in one week in July 1985 and released later in the year.
The studio was a barn in southern Ontario, situated in a field of sunflowers. It sold 67,000 pieces worldwide.

She told you not to come

On a secluded farm in a Texas rural town, a man is slowly dying. His family gathers to mourn, and soon a darkness grows, marked by waking nightmares and a growing sense that something evil is taking over the family.
nastily effective, lo-fi, psychological haunted house horror about a malevolent force that takes up residence in a remote Texas farmhouse (shot at director Bryan Bertino’s family home). There is possibly not a single scary moment here that will be new to horror fans, but Bertino directs with such technical flair that I went to Texas afterward to check if the demon was interested in a sequel.

Hope is a journey.

Harold Fry is an unremarkable man who has made mistakes with all the important things: being a husband, a father and a friend. And now, well into his 60s, he is content to fade quietly into the background of life. Until, one day...............
Yes, one day.......
One day,
means another day.........

Fear your elders

A bereaved Satanist couple kidnap a pregnant woman so they can use an ancient spellbook to put their dead grandson’s spirit into her unborn child, but they end up summoning more than they bargained for.
What an odd looking fella.

An unholy alliance between two damaged souls leads them on a disturbing descent into the depraved realms of black magic. Sophia (Catherine Walker) is a grieving mother desperate to make contact with her murdered son. Joseph (Steve Oram) is an anti-social, alcoholic expert in the occult who reluctantly agrees to help her. Holed up in a remote cabin amidst the desolate wilds of Northern Wales, the two embark on a grueling six-month series of dark rituals that will push them both to the physical and psychological breaking point.

meh.....
I don't know....

John, a 35-year-old window cleaner, has dedicated his life to bringing up his 4-year-old son, Michael, after the child’s mother left them soon after giving birth. When John is given only a few months left to live, he attempts to find a new, perfect family for Michael, determined to shield him from the terrible reality of the situation.

Monsters are real.

Following the dumping of gallons of toxic waste in the river, a giant mutated squid-like creature appears and begins attacking the populace. Gang-du’s daughter Hyun-seo is snatched up by the creature; with his family to assist him, he sets off to find her.

Four prison inmates have been hatching a plan to literally dig out of jail when another prisoner, Claude Gaspard, is moved into their cell. They take a risk and share their plan with the newcomer. Over the course of three days, the prisoners and friends break through the concrete floor using a bed post and begin to make their way through the sewer system – yet their escape is anything but assured.
The Break is a 1957 novel by the French writer José Giovanni. It is based on a real escape attempt from the La Santé Prison in 1947. It was Giovanni's debut novel. An English translation by Robin Campbell was published in 1960.

In 1960s Massachusetts, an unhappy prison secretary is beguiled by a new co-worker who pulls her into complicity in a crime that surpasses her wildest imaginings.

From the album "Neon Pill"

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