Ambient 1: Music for Airports is the sixth studio album by Brian Eno, released in 1978 by Polydor Records. It is the first of Eno's albums released under the label of ambient music, a genre of music intended to "induce calm and a space to think" while remaining "as ignorable as it is interesting". While not Eno's earliest entry in the style, it is credited with coining the term.
Tracks
1. "1/1" (Acoustic and electric piano; synthesizer.) 00:00
2. "2/1" (Vocals; synthesizer.) 17:21
3. "1/2" (Vocals; acoustic piano.) 26:15
4. "2/2" (Synthesiser only.) 38:23

"Only" is a song by the American industrial rock band Nine Inch Nails. It was released as the second single from Nine Inch Nails' fourth album, With Teeth. "Only" reached number one on the Billboard Modern Rock chart, where it stayed for seven weeks. It is the second successful release that Nine Inch Nails has had in the UK, peaking at number 20.
Trent Reznor said the song is about the music business clashing with his artistic desires.
"When you get on this path of trying to sell records it becomes about selling more records and playing bigger venues. ... It's like, 'Wait a minute!' The goal has to be about making the best music possible or else it becomes something that will make you implode. ... Should I say yes to that Microsoft commercial because I could use a new house? Or do I say no because this is something precious that would be tarnished if I did that? I find myself saying this to record labels and business manager guys, and they're like, 'You won't do what because of what?'"

"Nights in White Satin" is a song by the Moody Blues, written and composed by Justin Hayward. It was first featured as the segment "The Night" on the album Days of Future Passed. When first released as a single in 1967, it reached number 19 on the UK Singles Chart and number 103 in the United States in 1968. It was the first significant chart entry by the band since "Go Now" and its recent lineup change, in which Denny Laine and Clint Warwick had resigned and both Hayward and John Lodge had joined.

The Riveter is a 1940 American Donald Duck short film directed by Dick Lundy and produced by Walt Disney. In the short film, Donald lands a job working high steel as a riveter for construction foreman Pete.

"Judith" is a song by American rock band A Perfect Circle. It was released as the lead single from their debut album, Mer de Noms. The single was released as a 1-track compact disc single in North America, and a 4-track single on both disc and vinyl format in Australia.
Maynard Keenan explains on the Amotion DVD how the song is about his mother Judith Marie Keenan, who had a stroke and was reliant on a wheelchair for the rest of her life, yet still believed in Christianity.

"Mother" is a song by American heavy metal band Danzig. It was originally released in August 1988 as the lead single from their debut album, Danzig.

Bonus footage from the B.O.G. Blu-Ray

Wendy Orlean Williams (May 28, 1949 – April 6, 1998) was an American singer, best known as the lead singer of the punk rock band Plasmatics. She was noted for her onstage theatrics, which included partial nudity, exploding equipment, firing a shotgun, and chainsawing guitars!

Turn It Loud

The Rolling Stones Circus

c/o Solid jj
Brainiac puts Superman to the test with a battle of the minds. Is he stupid?

The D.C. Show 1974

Game Over, Phizer...

c/o Abandoned Films

c/o WeGotAProblem

"Avalon" is a 1982 song by the English rock band Roxy Music. It was released as the second single from their eighth and final studio album Avalon (1982). The single, with its B-side, "Always Unknowing", charted at No. 13 in the UK.
The song's distinctive backing vocals were performed by Haitian singer Yanick Étienne, whom Bryan Ferry encountered during the recording of the album. He heard her in the adjacent studio and invited her to contribute backing vocals to the recording.

Little Games is the fourth American album by English rock band the Yardbirds. Recorded and released in 1967, it was their first album recorded after becoming a quartet with Jimmy Page as the sole guitarist and Chris Dreja switching to bass. It was also the only Yardbirds album produced by Mickie Most.

Although the new lineup was becoming more experimental with longer, improvised concert performances, the Yardbirds' record company brought in successful singles producer Most to coax out more commercial product. However, neither material that properly presented their new approach nor hit singles were forthcoming. The release of the title track "Little Games" that preceded the album did not reach the singles chart in the UK and consequently the album was not released there. However, the album saw limited release in the US, Germany, and New Zealand, but only reached number 80 in the US.

Little Games became the Yardbirds' final studio album, although Most continued to produce singles for the group. These were later collected and released with the original album along with outtakes and alternate mixes on an expanded edition titled Little Games Sessions & More in 1992.

Russo describes the four and a half minute instrumental collage "Glimpses" as a "brilliant piece of psychedelic imagery [that] revealed the Yardbirds at their most experimental and inspired". It features multiple-guitar tracks, with effects and bowing, and an electric sitar-backing propelled along by a 6/8 beat and bass riff by McCarty and Dreja. Relf adds several tracks of chanting vocals, reminiscent of the Yardbirds' 1965 song "Still I'm Sad". A barely-understandable truncated mechanical-sounding voice recites:

Glimpses of clouds in a forest
Can review well within us
And never to linger on one is life
Energy radiates from the source
The life around us is but a reflection of our own
Flowing within never-ending boundless infinity
Time is just a cumular limit
Which with one glimpse can overcome
Can overcome

As with "Little Games" and unlike their previous hits, the Yardbirds' subsequent singles were written by others: Tony Hazzard composed "Ha Ha Said the Clown" (a pop hit for Manfred Mann) and the similarly pop-ish "Good Night Sweet Josephine" and Harry Nilsson supplied "Ten Little Indians", written in the style of a nursery rhyme.

"Little Games" 00:00
"Smile On Me" 02:28
"White Summer" 05:45
"Tinker,Tailor,Soldier,Sailor" 09:41
"Glimpses" 12:30
"Drinking Muddy Water" 16:55
"No Excess Baggage" 19:48
"Stealing Stealing" 22:21
"Only the Black Rose" 24:46
"Little Soldier Boy" 27:39
"Bonus - Puzzles" 30:18
"Bonus - I Remember the Night" 32:29
"Bonus - Ha Ha Said the Clown" 35:32
"Bonus - Ten Little Indians" 38:01
"Bonus - Goodnight Sweet Josephine" 40:17
"Bonus - Think About It" 43:00
"Bonus - Goodnight Sweet Josephine" 46:46
"BBC Sessions - Most Likely You Go Your Way (And I'll Go Mine)" 49:34
"BBC Sessions - Little Games" 52:25
"BBC Sessions - Drinking Muddy Water" 54:49
"BBC Sessions - Think About It" 57:32
"BBC Sessions - Good Night Sweet Josephine" 1:00:36
"BBC Sessions - My Baby" 1:03:09
"BBC Sessions - White Summer" 1:06:05
"BBC Sessions - Dazed and Confused" 1:10:31

Blind Faith were an English supergroup that consisted of Steve Winwood, Eric Clapton, Ginger Baker, and Ric Grech. They followed the success of each of the member's former bands, including Clapton and Baker's former group Cream and Winwood's former group Traffic, but they split after a few months, producing only one album and a three-month summer tour.
The group originated with informal jamming by Clapton and Winwood in early 1969 following the break-ups of Cream and Traffic. Baker joined them in rehearsals and they decided to form a group. Grech joined as the fourth member from the band Family in May, and they began recording their eponymous debut album. It drew controversy for featuring a photograph of a topless 11-year-old girl on the front cover, and it was issued with a different cover in the United States.

The first Blind Faith concert was on 7 June in front of an estimated 100,000 fans in Hyde Park, London, but they felt that they had not rehearsed enough and were unprepared. They subsequently played concerts in Scandinavia and the US, but the lack of material in the live set led them to play old Cream and Traffic songs which pleased the audience but disillusioned the band. Clapton became increasingly isolated during the tour, preferring to spend time with support act Delaney & Bonnie, and Blind Faith disbanded immediately after their last performance. Clapton and Winwood both enjoyed the music that they played together in the group's limited time, and they have since collaborated on several tours playing Blind Faith material.
The cover was a photo by Bob Seidemann of a topless 11-year-old girl, Mariora Goschen, holding a silver-painted model of an aircraft, sculpted for the album shoot by Mick Milligan. The cover was mildly controversial in the British press, with some seeing the model airplane as phallic. The American record company issued the album with an alternative cover, with a photograph of the band on the front, as well as the original cover.
Tracks
1. Had to Cry Today 00:00
2. Can't Find My Way Home 08:48
3. Well All Right 12:04
4. Presence of the Lord 16:31
5. Sea of Joy 21:22
6. Do What You Like 26:44

c/o Danny Polishchuk

2011 Tour Visuals

1991: The Year Punk Broke, released theatrically in 1992, is a documentary directed by Dave Markey, featuring American alternative rock band Sonic Youth on tour in Europe in 1991. While Sonic Youth is the focus of the documentary, the film also gives attention to Nirvana, Dinosaur Jr., Babes in Toyland, Gumball and The Ramones. Also featured in the film are Mark Arm, Dan Peters and Matt Lukin of Mudhoney, and roadie Joe Cole, who was murdered in a robbery three months after the tour ended. The film is dedicated to Cole.

Several scenes in the film involve re-enactments and references to scenes from the Madonna tour documentary, Truth or Dare, such as Gordon complaining about "industry people" in the front row, or Cobain, introduced as "Costner" telling Sonic Youth that their show was "neat". At a screening of the film at the 2008 All Tomorrow's Parties festival in Monticello, New York, Markey mentioned that the working title for the film was Tooth or Hair, as a further play on this connection. A home video VHS was released by the David Geffen Company on April 13, 1993.[1] The film was again re-released on DVD on September 13, 2011, by the Universal Music Group.

Studio Album, released in 1981
Songs / Tracks Listing

1. N1 (20:43)
2. N2 (20:57)

Total Time 41:40

Line-up / Musicians
-Conrad Schnitzler/All sounds & instruments

'An album to listen to alone in your "trip room," after your friends have left and you're starting to feel paranoid.'-- Phallus_Dei 3.5 / 5 stars

Fire and Water is the third studio album by English rock band Free, released in 1970. It became the band's breakthrough album, achieving widespread commercial success as the band's first two studio albums were not successful. With the "tremendous" acclaim of Fire and Water at their backs, in the words of AllMusic, Free headlined the 1970 Isle of Wight Festival with an estimated audience of 600,000 to 700,000 attendees and "appeared destined for superstardom".

Beat Club 1971