“Wordy Rappinghood” is the debut single by American new wave band Tom Tom Club, from their 1981 self-titled debut album. The song incorporates part of a traditional Moroccan children’s song and game called “A Ram Sam Sam,” which was popularized by Rolf Harris in his 1971 recording. In the United States, “Wordy Rappinghood” topped the Billboard Disco Top 80 chart alongside another Tom Tom Club hit, “Genius of Love.” The track features jarring synthesizer chords, a distinctive drum break, and even includes a verse spoken in French.

Some reactions from 50 cent and others:

“Now I’m sure puffy didn’t do it, he is innocent this proves nothing!”

“You don’t need counseling, you need jail! Goddamn, Brother Love, that don’t look good, fam!

“Kicking that woman? That ain’t how we treat our queens, fam. This ain’t it. I’m scared of you. You dangerous.”

50 added in the caption: “This is not funny, but this fool makes me laugh. It’s how he say - - - -. LOL.”

The song “Rhythm of Love” is by the progressive rock band Yes. It was released as a single from their 1987 album “Big Generator”. The song is known for its energetic beat and was a hit, featuring on various charts. It’s also been remixed multiple times and has been a staple in Yes’s live performances over the years.

"The Look" by Roxette is a classic hit from their album "Look Sharp!" released in 1988. It became an international sensation, topping the charts in over 30 countries, including the United States, Australia, and Japan. The song's catchy melody and distinctive lyrics, such as "walking like a man, hitting like a hammer," were originally intended as guide lyrics but ended up becoming a defining feature of the song.

Per Gessle, one half of the Roxette duo, intended to write a song with a ZZ Top feel, but it evolved into something quite different, showcasing Roxette's unique pop-rock sound. Marie Fredriksson, the other half of the duo, found that the song suited Per's voice better, despite it being written for her.

The song's success story is quite remarkable. It spread through the United States via an American exchange student who brought a copy back from Sweden. It received airplay on a Minneapolis radio station before it was officially released in the US, leading to its widespread popularity.

Russian propaganda or is it true?

"Ordinary Day" by Curiosity Killed The Cat. Curiosity Killed The Cat was a British pop band that achieved success in the UK in the late 1980s with hit singles such as “Down To Earth”, “Misfit”, and of course, “Ordinary Day”. Their music is characterized by a smooth pop and soulful style. Here's a snippet of the lyrics:

Just keep on baby what you're doing to me
Your being here is solely satisfying
Don't disappear now I don't want you to leave
Then we both forgive and we can both receive
But darling, what is harder to find
If you're not wanting to exert your mind
And say it's just another ordinary day
I want to hear you say
Its just another ordinary day

This song is from their debut album "Keep Your Distance" released in April 1987.

"Bush - Letting the Cables Sleep" is a track from the British band Bush's third studio album, *The Science of Things*, which was released in 1999³. The song was written by Gavin Rossdale, the lead singer of the band, for a friend who had contracted HIV. It's known for its emotive lyrics and has become a minor hit, contributing to the album achieving platinum status.

"Say It, Say It" is the debut single by American singer–songwriter (and future voice actress) E. G. Daily. It was released in 1985 as the lead single from her debut album Wild Child. The single went to number one on the U.S. Dance Club Play chart for one week. On other US charts, "Say It, Say It" went to number 71 on the soul chart and number 70 on the Hot 100.

“Smuggler’s Blues” is a song written by Glenn Frey and Jack Tempchin, and performed by Frey. It was the third and final single from Frey’s second studio album, The Allnighter (1984).

Yes, Glenn Frey’s song “Smuggler’s Blues” has a significant connection with the TV show “Miami Vice”. The song inspired an episode of the same name in the first season of “Miami Vice”, which aired on February 1, 198512.

In this episode, detectives Crockett and Tubbs go undercover and travel to Colombia to flush out a DEA leak. They pose as drug smugglers, with Trudy posing as Tubbs’ “wife” as bait.

Interestingly, Glenn Frey guest-starred in this episode, playing the character of Jimmy Cole, a guitar-playing pilot who aids Crockett and Tubbs in their mission3. This episode was highly action-packed and memorable, featuring a dangerous, international undercover mission.

"Sandra - Maria Magdalena" refers to the hit song "Maria Magdalena" by the German singer Sandra. The song was released in 1985 and became a huge international success. It's known for its catchy synthpop sound that was characteristic of the 80s music scene. Sandra, whose full name is Sandra Ann Lauer, gained significant popularity with this track, which topped the charts in multiple countries and is still remembered as one of the iconic songs of the decade.

"Bette Davis Eyes" is a song by American singer Kim Carnes. It was released in 1981 and became a massive hit, topping the charts in several countries. The song is known for its distinctive synth-driven sound and Carnes' raspy vocals. Here's a snippet of the lyrics:

Her hair is Harlow gold, her lips sweet surprise*
Her hands are never cold, she's got Bette Davis eyes*

“Everybody (Backstreet’s Back)” is a song by the Backstreet Boys. It was released in 1997 as the first single from their second international album, Backstreet’s Back. The song became one of the most successful singles for this American boy band, earning them a platinum record.

The catchy chorus goes like this:

“Everybody (Yeah, yeaaaaah)
Rock your body (Yeah, yeaaaaah)
Everybody (Yeah, yeaaaaah)
Rock your body right
Backstreet’s back alright… alright”

“Sunglasses at Night” is a song by Canadian singer Corey Hart. It was released on January 21, 1984, as the first single from his debut album, First Offense. The song became a hit single in the United States, officially rising to number 7 on the Billboard Hot 100 during the week that ended on September 1, 1984

“You Might Think” is a classic hit by the American rock band The Cars from their fifth studio album, Heartbeat City, released in 1984. The song was written by Ric Ocasek and produced by Mutt Lange and the Cars. It’s known for its upbeat tempo and catchy lyrics, as well as its groundbreaking music video which featured early computer graphics.

The track achieved significant success, peaking at number seven in the United States and number eight in Canada. It also reached number one on the Mainstream Rock Tracks chart in the US, marking the band’s first song to do so. The music video for “You Might Think” won the first MTV Video Music Award for Video of the Year and was nominated for several other awards, making it a memorable piece in the history of music videos.

“Cathy Dennis - Touch Me (All Night Long)” is a well-known track by British singer and songwriter Cathy Dennis. It was released on January 14, 1991, as the third single from her debut studio album, “Move to This.” The song is a cover of the 1984 song by American singer Fonda Rae and American band Wish. Cathy Dennis’s version, which contains some rewritten lyrics in the verses, was a number-one hit on the US Billboard Dance Club Play chart and peaked at number two on the Billboard Hot 100.

“One of the Living” is a song written by Holly Knight and produced by Mike Chapman. It was recorded by the legendary American singer Tina Turner for the soundtrack album of the 1985 film Mad Max Beyond Thunderdome, which starred Mel Gibson and Turner. The powerful vocals and energetic rock style in this Grammy-winning song make it a memorable part of the movie’s soundtrack.

"One of the Living" was released as the album's second single and reached number 15 on the US Billboard Hot 100, spending a total of 18 weeks on the chart.Elsewhere, it peaked at number 18 in Canada, number 15 in Ireland, number ten in the Netherlands and number nine in Switzerland. "One of the Living"

“When in Rome - The Promise” is a classic track from the British new wave and synth-pop band When in Rome. It was first released in 1987 as the lead single from their self-titled debut album1. The song is known for its catchy melody and singalong chorus, and it became the band’s biggest commercial hit, reaching number 11 on the Billboard Hot 100 chart in the U.S. in 1988.

“Midlife Crisis” by Faith No More is a thought-provoking track from their album ‘Angel Dust’ (1992). Let’s delve into the layers of meaning behind this iconic song:

Internal Conflict: The title itself suggests an internal struggle that often occurs during middle age. Individuals take stock of their lives, reassess priorities, and grapple with existential questions. It’s a time of reflection and reevaluation.
Complex Interpretation: The lyrics and music video present a more intricate perspective. Beyond the literal midlife crisis, the song delves into themes of identity, power, and control. It questions societal norms and expectations.
False Emotion: Lead vocalist Mike Patton has denied that the song is solely about a midlife crisis. Instead, he describes it as creating false emotion—dwelling on feelings, inventing them, and exploring emotional complexities.

Frontman Mike Patton has said the song is "kind of about Madonna." He explained: "I think it was a particular time where I was being bombarded with her image on TV and in magazines and her whole schtick kind of speaks to me in that way. Like she's going through some sort of problem. It seems she's getting a bit desperate." In our 2012 interview with Billy Gould, he said the lyrics apply "even more to her today."

“Inner City Life” is a seminal track by British electronic musician Goldie, featuring vocals by Diane Charlemagne. Released in November 1994 as the first single from his debut album “Timeless,” it’s widely regarded as one of the most iconic drum and bass tracks of its era. The song fuses breakbeats and basslines typical of jungle music with orchestral textures and soulful vocals, creating a unique sound that resonates with many even today.

The track also has an interesting history regarding radio play. Goldie himself expressed frustration over the difficulty in getting “Inner City Life” played on mainstream radio stations like Rinse FM or Kiss FM, despite its quality and popularity within the genre.

“Big in Japan” is the debut single by the German synth-pop band Alphaville, released in January 1984. It’s from their album “Forever Young” and became a major hit in several countries. The song’s title refers to the Western phenomenon of achieving fame in Japan while remaining anonymous in one’s own country. The lyrics reflect on the sordid drug scene around Berlin’s Zoo station in the late '70s and early '80s, with the phrase “big in Japan” symbolizing the idea of being successful elsewhere, even when feeling like a loser at home.

It reached the top 10 on the Official UK Singles Chart, peaking at number 8.

"Silent Running (On Dangerous Ground)" is a song performed by Mike + The Mechanics. Written by Mike Rutherford and B. A. Robertson, it was the first track on the band's 1985 self-titled debut album. The song was also released as the band's first single, peaking at number 6 on the Billboard Hot 100 chart on **March 8, 1986. It also reached number 1 on Billboard's Mainstream Rock Tracks chart, where it stayed for five weeks. In the band's native United Kingdom, it reached No. 21.

Paul Carrack provided lead vocals on the song, and Alan Murphy played lead guitar. The song's original title was simply "Silent Running," but the name extension was given when the song was chosen to appear in the 1986 movie *On Dangerous Ground, which was titled Choke Canyon in the United States.

The song's lyrics tell the story of a man who has traveled light-years away in space. He knows what will happen to his wife and kids back on Earth—society breaking down, anarchy. He tries to get a message to them, urging them to be prepared. The title was inspired by the film Silent Running, which had a spacey feel that resonated with the song.

Here's a snippet from the lyrics:

> "Take the children and yourself
> And hide out in the cellar
> By now, the fighting will be close at hand
> Don't believe the church and state
> And everything they tell you
> Believe in me, I'm with the high command"

The song's video features clips from the film Choke Canyon, although it primarily reflects the unrelated story conveyed by the lyrics. The BBC banned the song during the Gulf War due to its themes of war, nationalism, and religion, as well as a direct reference to weaponry².