Joe Jackson Band performing on Rockpalast at WDR Studio, Cologne, Germany March 14, 1980

Setlist:
00:00 On Your Radio
04:29 Friday
09:18 Mad at You
13:30 Kinda Cute
16:57 Out of Style
20:01 The Harder They Come (Jimmy Cliff Cover, 1972)
24:04 Sunday Papers
29:48 One More Time
33:51 Fools in Love
38:29 Is She Really Going Out With Him?
44:41 Don't Wanna Be Like That
48:37 I'm The Man

+++ Description, Setlist and Timecodes by Alexander4History +++

Prince Charming is the third and final album by Adam and the Ants, released in November 1981. This album features bass player Gary Tibbs in place of Kevin Mooney, the bassist on Kings of the Wild Frontier. The album included the band's two number one UK hit singles "Stand and Deliver" and "Prince Charming" as well as "Ant Rap".

Tracklist:
Side А
00:00 Scorpios
02:42 Picasso Visita El Planeta De Los Simios
06:05 Prince Charming
09:20 5 Guns West
14:13 That Voodoo
Side B
18:26 Stand And Deliver
21:56 Mile High Club
24:37 Ant Rap
27:56 Mowhok
31:20 S.E.X.
35:03 [The Lost Hawaiians]

LP, Holland, CBS – 85268, 1981

+++ Description, Tracklist and Timecodes by Alexander4History +++

The Game is the eighth studio album by the British rock band Queen. It was released on 30 June 1980 by EMI Records in the UK and by Elektra Records in the US. The Game features a different sound from its predecessor, Jazz (1978). The Game was the first Queen album to use a synthesizer (an Oberheim OB-X).

A critical and commercial success, The Game became the only Queen album to reach No. 1 in the US, and also became their best-selling studio album in the US, with four million copies sold to date, tying with the sales for News of the World. Notable songs on the album include the bass-driven "Another One Bites the Dust" and the rock and roll "Crazy Little Thing Called Love", both of which reached No. 1 in the US.

Tracklist:
00:00 Play the Game
03:31 Dragon Attack
07:50 Another One Bites the Dust
11:25 Need Your Loving Tonight
14:14 Crazy Little Thing Called Love
17:02 Rock It (Prime Jive)
21:35 Don't Try Suicide
25:28 Sail Away Sweet Sister
29:01 Coming Soon
31:52 Save Me

Queen
Freddie Mercury – lead vocals (1-5, 7, 9, 10), co-lead vocals (6, 8), backing vocals (all tracks), piano (1, 7, 8), synthesizer (1), acoustic guitar (5)
Brian May – electric guitar (all tracks), backing vocals (1, 2, 4-8, 10), acoustic guitar (7, 8, 10), synthesizer (8, 10), piano (10), lead vocals (8)
Roger Taylor – drums (all tracks), backing vocals (all but 3), electric guitar (6, 9), synthesizer (6, 9), lead vocals (6, "A Human Body"), co-lead vocals (9), percussion
John Deacon – bass guitar (all tracks), electric guitar (3), acoustic guitar (4), piano (3), percussion (3)

Additional musician
Reinhold Mack – synthesizer (6, 10)

+++ Description, Tracklist and Timecodes by Alexander4History +++

++ Great News! New Upload from Blue Paw Print - Alex +++
The Flying Fortress. A name that conjures up images of brave young men conducting daylight raids deep in enemy territory, far from home. The B-17 was bristling with defensive weapons and could also carry a heavy bomb load to distant locations. It rapidly became the symbol of US air power of early 1940s. We take you inside the B-17F to expose how it worked, how it was operated and the tactics that made it a formidable offensive and defensive weapon. It's reputation and achievements have made the B-17 one of the most iconic and recognizable aircraft in the history of aviation.

Chapters:
00:00 Intro
00:29 Airframe
04:41 The Crew
06:36 Armor
07:49 Armament
08:39 Targeting equipment
09:32 Defensive Armament. Part 1
10:42 War Thunder
11:42 Defensive Armament. Part 2
13:46 Engines
15:33 Fuel System
18:20 Hydraulic and Electrical Systems
19:00 Navigation
19:48 Starting the Engines
22:49 Conclusion

Source: Blue Paw Print
https://www.youtube.com/@BluePawPrint

-- This is shared without profit for educational and historical purposes ---

Rockpalast Cologne Germany March 14, 1980.

"Fools in Love" was written by Joe Jackson before he founded the Joe Jackson Band. At the time, he was a member of a band called Koffee & Kream, a band whose music he described as "schmaltz". As he recalled in his autobiography, Jackson wrote "Fools in Love" as a "rebellion" against his then-current band's music, citing the song as an instance of his new style emerging.

Over a looping reggae bassline, which I hoped was vaguely sinister, I catalogued all the sick and deluded things that lovers did to each other, but ended each chorus with a twist: "I should know because this fool's in love again". I wasn't in love, but the juxtaposition of the romantic and the cynical suited my new style to a tee.

— Joe Jackson

Joe Jackson and band playing tracks from his debut album, Look Sharp!. Excellent sound quality.

The Bottom Line
New York, New York

Setlist:
One More Time 0:00
Pretty Girls 2:58
Look Sharp 7:00
Sunday Papers 10:50
Baby Stick Around 16:15
It's Different For Girls 20:00
Fools In Love 24:15
Is She Really Going Out With Him? 29:00
Happy Loving Couples
I'm The Man
Throw It Away

The Look Sharp! album cover, featuring a pair of white shoes, ranked number 22 on Rolling Stone's list of the 100 greatest album covers of all time.

+++ Description, Setlist and Timecodes by Alexander4History +++

The complete session recorded by Siouxsie and the Banshees on 29 November 1977 for the John Peel show and broadcast on 5 December 1977.

Tracklist:
1. Love In A Void 0:07
2. Mirage 2:44
3. Metal Postcard 5:25
4. Suburban Relapse 9:00

+++ Description, Tracklist and Timecodes by Alexander4History +++

Kings of the Wild Frontier is the second album by English new wave band Adam and the Ants. It was released on 7 November 1980 by CBS Records in the UK and Epic Records internationally. The album was the UK number 1 selling album in 1981 (and the 48th best seller in 1980) and won Best British Album at the 1982 Brit Awards.

Tracklist:
01. 00:00 Dog Eat Dog
02. 03:11 Antmusic
03. 06:48 Feed Me to the Lions
04. 09:52 Los Rancheros
05. 13:22 Ants Invasion
06. 16:43 Killer in the Home
07. 21:05 Kings of the Wild Frontier
08. 25:02 The Magnificent Five
09. 28:09 Don't Be Square (Be There)
10. 31:42 Jolly Roger
11. 33:53 Making History
12. 36:52 The Human Beings

Adam and the Ants
Adam Ant – vocals, acoustic guitar, piano, harmonica
Marco Pirroni – electric guitar
Kevin Mooney – bass
Merrick (Chris Hughes) – drums, production
Terry Lee Miall – drums

+++ Description, Tracklist and Timecodes by Alexander4History +++

This well-researched video attempts to dive into the ancient Roman thought process of healing and medicine. By analyzing four different cases, each of different time periods, complexities, and social classes, we hope to present a vivid image of how the Romans approached healing. From low level dentists to personal physicians of emperors, and from superstitious treatments to the most scientific, the Romans did all they could to heal the ones they loved... Regardless of their efforts, however, the countless illnesses and their treatments always played a huge role in shaping the social, economic, and political spheres of ancient Rome!

Primary sources:
Aret. CD 2. 5. VII.
Cass. Dio. 53. 30. 1. - 53. 30. 3., 54. 3. ff.
Celsus, De Medicina 4. 15. 3, 5. 28. 127 - 5. 28. 128, 7. 12. 369 - 7. 12. 373.
Plin. Nat. 25. 16, 28. 49, 29. 2, 29. 6. - 29. 8.
Suet. Aug. 81. 1.

Secondary sources:
A Display of Surgical Instruments from Antiquity, Historical Collections at the Claude Moore Health Sciences Library, 2007.
https://exhibits.hsl.virginia.edu/romansurgical/

Al Hamdani, Muwaffak, and Marian Wenzel. “The Worm in the Tooth.” Folklore, 77, First Edition (1966): 60–64. Accessed March 15, 2024, http://www.jstor.org/stable/1258921.

Baker, R. "Medical Ethics, History Of." Third Edition. Encyclopedia of Applied Ethics (Second Edition), (2012): 61-69.
https://www.sciencedirect.com/science/article/abs/pii/B9780123739322001526?via%3Dihub

Becker, M. J. “Dentistry in Ancient Rome: Direct Evidence for Extractions at the Temple of Castor and Pollux in the Roman Forum.” International Journal of Anthropology, (2014) 29(4), 209-226.
https://digitalcommons.wcupa.edu/anthrosoc_facpub/29/

Calder Loth. ”The Corinthian of the Temple of Castor and Pollux: An Order for Special Occasions.” classicist.org. Institute for Classical Architecture and Art, 14 January 2014.
https://www.classicist.org/articles/the-corinthian-of-the-temple-of-castor-and-pollux-an-order-for-special-occasions/

Gerabek WE. “The tooth-worm: historical aspects of a popular medical belief.” Clinical Oral Investigations, (1999): 3(1):1-6. Gregory, Andrew D. “Magic, Curses, and Healing.” In A Companion to Science, Technology, and Medicine in Ancient Greece and Rome, First Edition. 418-432 Chichester, West Sussex: John Wiley & Sons, Inc. 2016.

Harpers Dictionary of Classical Antiquities, Second Edition. Harry, Peck, (New York, New York: Harper and Brothers, 1898, s.v. ”medicina”.

Jackson, Ralph. “Urban healers in the Roman empire.”Transactions of the Medical Society of London.” 125:97-116. 2008-2009.
Jocks, Ianto Thorvald. “Scribonius Largus’ Compounding of Drugs (Compositiones Medicamentorum): Introduction, Translation, and Medico-Historical Comments. Thesis, Glasgow Theses Service, 2014. 23-24.

Created by Historia Militum (formerly Filaxim Historia)
https://www.youtube.com/@HistoriaMilitum/featured

-- This is shared without profit for educational and historical purposes --

+++ Use Tracklist Timecodes to skip over the blank space between sides - Alex +++
Greatest Hits is a greatest hits album by British-American rock band Fleetwood Mac, released on 21 November 1988 by Warner Bros. Records. It covers the period of the band's greatest commercial success, from the mid-1970s to the late-1980s.

It is different from the similarly titled 1971 release by the Peter Green incarnation of the band and contains a different track listing. The 1988 album draws only on recordings from after Stevie Nicks and Lindsey Buckingham joined the group in 1975, omitting earlier hits such as "Albatross" and "Oh Well".

The album has proven to be a major success since the time of its release. It peaked at number 14 on the US Billboard 200 and sold steadily over the years since its release, and has to date been certified 8× platinum for shipping eight million copies there. In the United Kingdom, it reached number three upon release and has returned several times to the UK album chart and has been certified triple platinum for shipping 900,000 copies there.

Tracklist:
Side 1
0:05 Rhiannon
4:18 Don't Stop
7:31 Go Your Own Way
11:10 Hold me
14:56 Everywhere
18:40 Gypsy
23:06 You Make Loving Fun
26:39 As Long as You Follow

30:53 - blank space

Side 2
34:35 Dreams
38:52 Say you Love Me
43:07 Tusk
46:37 Little Lies
50:17 Sara
56:43 Big love
1:00:27 Over my Head
1:04:01 No Questions Asked

Fleetwood Mac
Lindsey Buckingham – lead and backing vocals, guitars, additional keyboards, percussion (except "As Long as You Follow" and "No Questions Asked"), banjo ("Say You Love Me")
Stevie Nicks – lead and backing vocals, additional keyboards ("Sara")
Billy Burnette – rhythm guitar, backing vocals ("As Long as You Follow" and "No Questions Asked")
Rick Vito – lead guitar, backing vocals ("As Long as You Follow" and "No Questions Asked")
Christine McVie – lead and backing vocals, keyboards, synthesizer
John McVie – bass guitar
Mick Fleetwood – drums, percussion

+++ Description, Tracklist and Timecodes by Alexander4History +++

The Other Side of the Mirror is the fourth solo studio album by American singer and songwriter Stevie Nicks. Released on May 30, 1989, through the Modern Records label, the album was recorded in California, New York, and Buckinghamshire in England, and is loosely based around the theme of Lewis Carroll's novel Alice's Adventures in Wonderland (1865).

The album was a commercial success. It reached No. 10 on the US Billboard 200, propelled by the hit single "Rooms on Fire" (US No. 16), and achieved Platinum status for selling in excess of one million units. The album reached No. 3 in the United Kingdom and was certified Gold there for sales in excess of 100,000 units. The Other Side of the Mirror is Nicks' highest charting album to date in various European countries including Germany, the Netherlands, Sweden, and the United Kingdom.

Tracklist:
01. Rooms on Fire 0:00
02. Long Way to Go 4:38
03. Two Kinds of Love 8:40
04. Ooh My Love 13:32
05. Ghosts 18:37
06. Whole Lotta Trouble 23:31
07. Fire Burning 28:26
08. Cry Wolf 31:43
09. Alice 35:52
10. Juliet 41:39
11. Doing the Best I Can (Escape from Berlin) 46:31
12. I Still Miss Someone (Blue Eyes) 52:07

Musicians
Stevie Nicks – vocals, percussion (1, 6), tambourine (2, 4, 5, 7, 10)
Rupert Hine – keyboards, percussion (1, 3, 4, 6), drum programming (3, 9, 11, 12), synth bass (9), bass (12)
Rick Nowels – guitars (1, 2, 4), acoustic guitar (1)
Jamie West-Oram – guitars (1-4, 6, 8, 9, 11)
Waddy Wachtel – acoustic guitar (3, 7, 9, 12), guitars (6, 7, 10)
Mike Campbell – guitars (5, 6, 7), slide acoustic guitar (6, 10)
Vail Johnson – bass (1, 4, 5, 7, 10)
Tony Levin – stick bass (2, 6, 11), bass (3, 8, 12)
Derek Murphy – bass (7)
Geoff Dugmore – drums (1, 8), keyboards (8)
Jerry Marotta – drums (2, 4-7, 10)
Kenny G – soprano saxophone (3), tenor saxophone (9)
Marc Russo – saxophones (6)
Larry Williams – saxophones (6)
Gary Grant – trumpet (6)
Jerry Hey – trumpet (6)
The L.A. Horns – additional brass (6)
Kelly Johnston – tin whistle (12)
Sharon Celani – backing vocals (1, 2, 3, 5-12)
Lori Perry-Nicks – backing vocals
Bruce Hornsby – vocals (3), acoustic piano (10), additional vocals (10), backing vocals (10)

+++ Description, Tracklist and Timecodes by Alexander4History +++

If you thought the Quetzalcoatlus was the baddest (I know that is not a word) Pterosaur around 66 MYA, you may have to think again, because here comes the Hatzegopteryx .

0:00 Intro
1:25 Discovery & Naming
2:13 Size
3:41 How It Go So Big
4:27 Frankenstein Head & Neck
5:28 A Dinosaur Killer
6:21 Other Prey
6:37 Flight Capabilities
8:28 Hateg Island Environment
8:51 Animals It Lived With
9:55 Climate
10:08 Extinction

Source: ExtinctZoo
https://www.youtube.com/@ExtinctZoo

Live Killers is a double live album by the British rock band Queen, released on 22 June 1979. The album was recorded live during the European leg of Queen's Jazz Tour, between 26 January and 1 March 1979.

Tracklist:
Side One
0:00 We Will Rock You (Fast)
3:31 Let Me Entertain You
6:43 Death On Two Legs
10:05 Killer Queen
12:05 Bicycle Race
13:34 I'm In Love With My Car
15:36 Get Down, Make Love
20:07 You're My Best Friend
Side Two
22:26 Now I'm Here
31:02 Dreamer's Ball
34:45 Love of my Life
39:40 '39
43:05 Keep Yourself Alive
Side Three
47:10 Don't Stop Me Now
51:37 Spread Your Wings
56:24 Brighton Rock
Side Four
1:08:50 Bohemian Rhapsody (with "Mustapha" intro)
1:14:45 Tie Your Mother Down
1:18:30 Sheer Heart Attack
1:22:10 We Will Rock You
1:24:50 We Are The Champions
1:28:20 God Save The Queen

+++ Description, Tracklist and Timecodes by Alexander4History +++

This is the second episode on Ed McNeff in my Saving History series Ed was a P-51 Mustang pilot in the 355th Fighter Group in 1944 and 1945. This video is about two difficult missions with his wingmen, Ben Johnston and Norm Olson. It also includes a run in with skilled German FW-190 ace Heinz Bär.

Created by:
TJ3 History
https://www.youtube.com/@TJ3

For more info:
Heinrich Bär
https://en.wikipedia.org/wiki/Heinrich_B%C3%A4r

-- This is shared without profit for educational and historical purposes --

"Mama" is a song by the English rock band Genesis, released as the first single in 1983 from their self-titled album. It is recognisable for its harsh drum machine introduction composed by Mike Rutherford, which leads into minimalist synthesizer lines in a minor tonality and finally Phil Collins' reverb-laden voice. It remains the band's most successful single in the UK, peaking at No. 4 on the UK Singles Chart. It also made the top 10 in Switzerland, Austria, Norway, Ireland and the Netherlands.

Tracks:
00:00 Mama (long version)
07:27 It's Gonna get Better (long version)

This version of Keep Yourself Alive is originally sourced from Brian May's own Acetate which was recorded in December 1971 at De Lane Lea Studios, Engineers Way, Wembley, and later officially included on the 2011 Deluxe editions of the Queen I CD.

Scans of sleeves and inner labels provided by both QueenVault.com & Qliverecordings.tripod.com and later colourised by a friend of mine on Discord called 'Pan-Panda.

Written by: Brian May
Produced by: Queen, Louie Austin(?)
Musicians:
Freddie Mercury - lead and backing vocals
Brian May - guitars, backing vocals
John Deacon - bass guitar
Roger Taylor - drums, backing vocals

A Day at the Races is the fifth studio album by the British rock band Queen, released on 10 December 1976 by EMI Records in the United Kingdom and by Elektra Records in the United States. Recorded at The Manor, Sarm East, and Wessex Sound Studios in England, it was the band's first completely self-produced album, and the first completed without the involvement of producer Roy Thomas Baker; engineering duties were handled by Mike Stone. It serves as a companion to Queen's previous album, A Night at the Opera, with both taking their names from Marx Brothers films and having similar packaging and eclectic musical themes.

The album reached the top of the charts in the UK, Japan, and the Netherlands. It reached number five on the US Billboard Top LPs & Tape chart and was Queen's third album to ship gold in the US, subsequently reaching platinum status in the country. In 2006, a listener poll conducted by BBC Radio 2 saw A Day at the Races voted the 67th greatest album of all time.

Tracklist:
Side one
1. Tie Your Mother Down 0:00
2. You Take My Breath Away 4:48
3. Long Away 9:54
4. The Millionaire Waltz 13:27
5. You and I 18:22
Side two
6. Somebody to Love 21:51
7. White Man 26:48
8. Good Old-Fashioned Lover Boy 31:47
9. Drowse 34:40
10. Teo Torriatte (Let Us Cling Together) 38:24

Queen
Freddie Mercury – lead vocals (1, 2, 4–8, 10), backing vocals (all but 9), gospel choir vocals (6), piano (2, 4–6, 8)
Brian May – electric guitar (all tracks), slide guitar (1, 9), guitar orchestration (1, 4, 10), harmonium (1 - intro, 10), piano (10), backing vocals (1, 3–8, 10), gospel choir vocals (6), lead vocals (3), acoustic guitar (9)
Roger Taylor – drums (all but 2), percussion (1-3, 8, 10), timpani (9), rhythm electric guitar (9), backing vocals (all but 2), gospel choir vocals (6), lead vocals (9)
John Deacon – bass guitar (all tracks), acoustic guitar (5), backing vocals (1)

Additional personnel
Mike Stone – additional vocals (8)

+++ Description, Tracklist and Timecodes by Alexander4History +++

During the Late Cretaceous, a giant Tyrannosaur lumbers about looking for its next victim. It has one of the most powerful bites ever seen and outsizes nearly every predator be it on land or in the water, sounds a lot like the T. rex right? Wrong! This is Tarbosaurus!

0:00 Intro
0:22 Discovery & Original Classification
2:19 True Classification
3:00 Similarities and Differences to T. rex
3:32 How Its Related to T. rex
4:00 Did Tarbosaurus Evolve Into T. rex?
4:33 Body Size
5:20 Giant Tarbosaurus Specimens
6:01 Bite force
6:33 Killer Teeth
7:07 The Dinosaurs It Hunted
7:40 Hunting Other Giant Theropods
8:40 Specifically Designed For Killing Sauropods
9:17 Speed
9:44 Was An Expert Scavenger Too
10:13 Smelling Capabilities
11:04 Visual Capabilities
11:27 Hearing Capabilities
11:50 What Its Skin Was Like (Feathers Or Scales?)
12:57 Range & Habitat
13:35 The Animals It Lived With
14:10 Other Tyrannosaurs That Competed With It
14:37 The Deadly Secret Of Tarbosaurus' Home
15:13 Extinction Or Evolution?

Source: ExtinctZoo

Business as Usual is the debut studio album by Australian new wave band Men at Work, which was released in November 1981 in Australia, and April 1982 in the United States. It spent nine weeks at the top of the Australian Kent Music Report Albums Chart from December 1981 through to March 1982. The Australian version had a black and white cover design; overseas releases had a similar design, but in a black and yellow colour scheme. Business as Usual was one of the most successful albums internationally by an Australian group. It spent an unprecedented 15 weeks at No. 1 on the US Billboard 200 from late 1982 to early 1983; and five weeks at No. 1 in the United Kingdom Albums Chart in early 1983. Business as Usual was also one of the highest selling Australian albums in the early 1980s, with 6 million copies shipped in the US.

Tracklist:
01. Who Can It Be Now? 0:00
02. I Can See It in Your Eyes 3:27
03. Down Under 6:59
04. Underground 10:45
05. Helpless Automaton 13:53
06. People Just Love to Play with Words 17:15
07. Be Good Johnny 20:48
08. Touching the Untouchables 24:28
09. Catch a Star 28:09
10. Down by the Sea 31:41

Men At Work
Colin Hay – guitar (all tracks), lead vocals (tracks 1–4, 6–13)
Greg Ham – flute, keyboards, saxophone, "fiddly things" (attributed in the liner notes) (all tracks), background vocals (tracks 1–4, 6–10, 12–13), lead vocals (tracks 5, 11)
Ron Strykert – guitar, background vocals (all tracks)
John Rees – bass, background vocals
Jerry Speiser – drums, background vocals

+++ Description, Tracklist and Timecodes by Alexander4History +++

Tattoo You is a studio album by the English rock band the Rolling Stones, released on 24 August 1981 by Rolling Stones Records. The album is mostly composed of studio outtakes recorded during the 1970s, and contains one of the band's most well-known songs, "Start Me Up", which hit number two on the US Billboard singles charts.

The credited members of the Rolling Stones for the album were vocalist Mick Jagger, guitarists Keith Richards and Ronnie Wood, bassist Bill Wyman and drummer Charlie Watts while older tracks feature former Stones guitarist Mick Taylor ("Tops"), keyboardists Nicky Hopkins and Billy Preston, Black and Blue session guitarist Wayne Perkins ("Worried About You") and founding member Ian Stewart.

The album proved to be both a critical and commercial success upon release, reaching the top of the US Billboard 200. To date, it is the final Rolling Stones album to reach the top position of the US charts, concluding the band's string of eight consecutive number-one albums there, dating back to 1971's Sticky Fingers.

In 1989, it was ranked No. 34 on Rolling Stone magazine's list of the 100 greatest albums of the 1980s. In 2003, the album was ranked number 211 on Rolling Stone's list of the 500 Greatest Albums of All Time, then re-ranked number 213 in the 2012 revised list. Peter Corriston, who was responsible for the album cover's concept origination, art direction and design, won a Grammy Award in the category of Best Album Package.

Tracklist:
Side one
1. Start Me Up 0:00
2. Hang Fire 3:32
3. Slave 5:53
4. Little T & A 12:25
5. Black Limousine 15:48
6. Neighbours 19:21
Side two
7. Worried About You 22:52
8. Tops 28:10
9. Heaven 31:56
10. No Use in Crying 36:19
11. Waiting on a Friend 39:44

The Rolling Stones
Mick Jagger – lead vocals (all but 4), backing vocals (all but 5); electric guitar (9 & 10); percussion (track 9)
Keith Richards – electric guitar (all but 9), backing vocals (2–4, 6, 7 & 10); lead vocals and bass guitar (track 4)
Ronnie Wood – electric guitar (1-2, 4-6, 10), backing vocals (2, 4, 6 & 10)
Bill Wyman – bass guitar (all but 4); guitars, synthesizer and percussion (track 9)
Charlie Watts – drums
Mick Taylor – electric guitar (8, 11)

+++ Description, Tracklist and Timecodes by Alexander4History +++

Desperate times call for desperate measures, and in the skies over Germany during 1944 and 1945 - the Luftwaffe desperately needed a way to counter the hordes of allied bombers that were bombing the nation into submission. When all other attempts failed to materialise in time, an attempt to turn a Ju 88 "Schnellbomber" into a late-war interceptor was worth a try?

Chapters:
0:00 Introduction
2:29 Initial Design Requirements
3:54 Initial Design Work
5:29 Prototype Stage and Testing
8:43 Conclusion

Sources:
Vernaleken, C., & Handig, M. (2006). Junkers Ju 388: Development, Testing and Production of the Last Junkers High-Altitude Aircraft. Schiffer Publishing, Limited.
Nowarra, Heinz J. (1993). Die Deutsche Luftrüstung 1933–1945 Vol.3 – Flugzeugtypen Henschel-Messerschmitt (in German). Koblenz: Bernard & Graefe Verlag.

Video Source: Aviation Deep Dive
https://www.youtube.com/@aviationdeepdive

For more info:
https://en.wikipedia.org/wiki/Junkers_Ju_388

-- This is shared without profit for educational and historical purposes -

Angel of Retribution is the fifteenth studio album by English heavy metal band Judas Priest, released in 2005. It is the band's first album since 1990's Painkiller to feature Rob Halford. The album debuted at No. 13 on the US Billboard 200 chart, which makes it the fourth highest charting Judas Priest album in the US. The album was produced by Roy Z, who co-wrote the song "Deal with the Devil". It won a 2005 Metal Hammer award for Best Album. In the 2005 Burrn! magazine Readers' Pop Poll, it was voted Best Album of the Year and Best Album Cover.

Tracklist:
01 Judas Rising 0:00
02 Deal with the Devil 3:54
03 Revolution 7:48
04 Worth Fighting for 12:17
05 Demonizer 16:33
06 Wheels of Fire 21:08
07 Angel 24:51
08 Hellrider 29:14
09 Eulogy 35:22
10 Lochness 38:20

Judas Priest
Rob Halford – vocals
K. K. Downing – guitars
Glenn Tipton – guitars
Ian Hill – bass
Scott Travis – drums

Cover Art:
"The new artwork has been selected and can be described as an ‘impressive iconography’. I think the artwork is gonna be another great classic moment for Priest. We’re noticed for British Steel or Sad Wings of Destiny or Screaming for Vengeance and I think that the artwork will come into the same degree of the qualities of those three. I think this new artwork has that kind of essence. It’s another unique moment. The artwork is always very, very important for this band. I think that what we wanted to try and do with this particular piece of artwork was try and capture all of the elements of the band in certain imagery, and we appear to have been able to have done that and we’re all kind of looking at it now in it’s final stages and nodding and agreeing."
— Rob Halford (2004)

+++ Description, Tracklist and Timecodes by Alexander4History +++

This version of Bohemian Rhapsody comes a mixture of sources, the studio out-takes at the beginning come from both "The Story Of Bohemian Rhapsody" 2004 documentary and "From Rags To Rhapsody" 2015 documentary. The rest comes from the Bohemian Rhapsody multitracks. None of these vocal takes made it into the final edit.

Written by: Freddie Mercury
Produced by: Queen and Roy Thomas Baker
Musicians:
Freddie Mercury - vocals, piano, operatic vocals
Brian May - guitars, operatic vocals
John Deacon - bass guitar
Roger Taylor - drums, timpani, gong, operatic vocals

A Night at the Opera is the fourth studio album by the British rock band Queen, released on 21 November 1975 by EMI Records in the United Kingdom and Elektra Records in the United States. Produced by Roy Thomas Baker and Queen, it was reportedly the most expensive album ever recorded at the time of its release.

Named after the Marx Brothers' film of the same name, A Night at the Opera was recorded at various studios across a four-month period in 1975. Due to management issues, Queen had received almost none of the money they earned for their previous albums. Subsequently, they ended their contract with Trident Studios and did not use their studios for the album (the sole exception being "God Save the Queen", which had been recorded the previous year). They employed a complex production that extensively used multitrack recording, and the songs incorporated a wide range of styles, such as ballads, music hall, sea shanties, dixieland, hard rock and progressive rock influences. Aside from their usual equipment, Queen also utilised a diverse range of instruments such as a double bass, harp, ukulele and more.

Tracklist:
Death On Two Legs (Dedicated To) 00:01
Lazy On A Sunday Afternoon 03:43
I'm In Love With My Car 04:51
You're My Best Friend 07:55
39 10:47
Sweet Lady 14:17
Seaside Rendezvous 18:20
The Prophet's Song 20:40
Love Of My Life 28:59
Good Company 32:38
Bohemian Rhapsody 36:01
God Save My Queen 41:54

Queen
Freddie Mercury – lead vocals (1, 2, 4, 6–9, 11), backing vocals (1–9, 11), Bösendorfer piano (1–3, 7, 9, 11), jangle piano (7)
Brian May – electric guitar (all but 7), backing vocals (1, 3–6, 8, 10, 11), acoustic guitar (5, 8, 9), lead vocals (5, 10), koto (8), harp (9), ukulele (10)
Roger Taylor – drums (1–4, 6–11), backing vocals (1, 3–8, 11), percussion (2, 5, 7, 9, 11, 12), lead vocals and additional electric guitar (3)
John Deacon – bass guitar (1–4, 6–11), electric piano (4), double bass (1, 5)

+++ Description, Tracklist and Timecodes by Alexander4History +++

This video uses Timgad - a Roman military colony in Algeria - to explore how Roman cities were laid out, functioned, and developed over time.

Chapters:
0:00 Introduction
1:00 Principles of urban planning
1:38 Streets and houses
2:19 The forum
4:07 The theater
5:04 Thorum
6:15 Urban expansion
6:47 The Capitolium
7:16 Markets
8:02 Baths
8:41 Churches
9:39 Late antiquity

Video created by Dr. Garrett Ryan (PhD in Greek and Roman history)
https://toldinstone.com/
https://www.youtube.com/c/toldinstone

-- This is shared without profit for educational and historical purposes --