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"Crazy Rap", also known as "Colt 45 and 2 Zig-Zags" or simply "Colt 45", is a song by American rapper Afroman. It was featured on his third album, Sell Your Dope, and was later included on his greatest hits album, The Good Times. It is often referred to as "Colt 45", as the hook states "Colt 45 and two Zig-Zags, baby that's all we need". The song failed to replicate the success of its predecessor but it nonetheless still charted across Europe, reaching the top 10 in the UK.

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Isabelle Gall, dite France Gall, est une chanteuse française, née le 9 octobre 1947 dans le 12e arrondissement de Paris et morte le 7 janvier 2018 à Neuilly-sur-Seine (Hauts-de-Seine).

Elle commence, enfant, à chanter et faire de la musique avec ses frères avant d'enregistrer son premier disque. Elle est le symbole d’une jeunesse gentiment irrévérencieuse avec des tubes tels que Sacré Charlemagne, repris par les chorales et les écoles. Sa popularité dépasse les frontières à partir de 1965, date à laquelle elle remporte le premier prix en tant que candidate du Luxembourg au Concours Eurovision de la chanson avec le titre Poupée de cire, poupée de son, écrite et composée par Serge Gainsbourg. Cette chanson est traduite dans de nombreuses langues et France Gall devient célèbre en Europe, comme en Italie, et surtout en Allemagne, où elle est très populaire au début des années 1970.

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"New Jack Hustler (Nino's Theme)" is a song written and performed by American recording artist Ice-T. It was released as a single from the soundtrack album to the 1991 film New Jack City and from the rapper's fourth studio album O.G. Original Gangster. It was recorded at Wide Tracks Recording Studio in Hollywood, California, produced by Alphonso "DJ Aladdin" Henderson and Tracy "Ice-T" Marrow, and released in 1991. Reaching a peak position of number 67 on the US Billboard Hot 100, the single remained on the chart for a total of 8 weeks. The single was nominated for Grammy Award for Best Rap Solo Performance at 34th Annual Grammy Awards but lost to LL Cool J's "Mama Said Knock You Out".

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Étienne Daho est un auteur-compositeur-interprète et producteur français, né le 14 janvier 1956 à Oran.

Issu de la vague du rock rennais du tout début des années 1980, il connaît le succès en France grâce à des titres pop (Le Grand Sommeil, Week-end à Rome, Tombé pour la France...), genre musical dont il devient l'une des références françaises avec les albums Pop Satori (1986), Pour nos vies martiennes (1988) et Paris ailleurs (1991). À la fin des années 1990, il choisit de moins s'exposer médiatiquement mais continue de connaître un succès aussi bien public que critique (Victoire de la Musique de l'album pop-rock de l'année pour L'Invitation en 2007, Grand Prix SACEM pour Les Chansons de l'innocence retrouvée en 2013).

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Étienne Daho est un auteur-compositeur-interprète et producteur français, né le 14 janvier 1956 à Oran.

Issu de la vague du rock rennais du tout début des années 1980, il connaît le succès en France grâce à des titres pop (Le Grand Sommeil, Week-end à Rome, Tombé pour la France...), genre musical dont il devient l'une des références françaises avec les albums Pop Satori (1986), Pour nos vies martiennes (1988) et Paris ailleurs (1991). À la fin des années 1990, il choisit de moins s'exposer médiatiquement mais continue de connaître un succès aussi bien public que critique (Victoire de la Musique de l'album pop-rock de l'année pour L'Invitation en 2007, Grand Prix SACEM pour Les Chansons de l'innocence retrouvée en 2013).

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"The Raven" is a narrative poem by American writer Edgar Allan Poe. First published in January 1845, the poem is often noted for its musicality, stylized language, and supernatural atmosphere. It tells of a distraught lover who is paid a mysterious visit by a talking raven. The lover, often identified as a student, is lamenting the loss of his love, Lenore. Sitting on a bust of Pallas, the raven seems to further antagonize the protagonist with its constant repetition of the word "Nevermore". The poem makes use of folk, mythological, religious, and classical references.
Poe wrote the poem as a narrative, without intentional allegory or didacticism. The main theme of the poem is one of undying devotion. The narrator experiences a perverse conflict between desire to forget and desire to remember. He seems to get some pleasure from focusing on loss. The narrator assumes that the word "Nevermore" is the raven's "only stock and store", and, yet he continues to ask it questions, knowing what the answer will be. His questions, then, are purposely self-deprecating and further incite his feelings of loss. Poe leaves it unclear whether the raven actually knows what it is saying or whether it really intends to cause a reaction in the poem's narrator. The narrator begins as "weak and weary", becomes regretful and grief-stricken, before passing into a frenzy and, finally, madness. Christopher F. S. Maligec suggests the poem is a type of elegiac paraclausithyron, an ancient Greek and Roman poetic form consisting of the lament of an excluded, locked-out lover at the sealed door of his beloved.

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Épictète (en grec ancien : Ἐπίκτητος / Epíktêtos, qui signifie « homme acheté, serviteur »; Hiérapolis, Phrygie, 50 - Nicopolis, Épire 125 ou 130) était un philosophe de l’école stoïcienne.

Sa vie est relativement peu connue et il ne laissa aucune œuvre écrite de sa main. Son disciple Arrien assura la transmission de son œuvre en publiant les notes prises lors des leçons de son maître, en huit livres, dont la moitié sont aujourd'hui perdus, ainsi qu'un condensé de doctrine morale, le Manuel, textes qui eurent une influence certaine sur Marc Aurèle.

Épictète met fortement en avant la partie éthique de la philosophie. Bien qu'il enseigne également la logique stoïcienne, il insiste fortement sur la prépondérance de l'action et sa philosophie est avant tout pratique. Fidèle aux conceptions traditionnelles de l'école du portique, il présente l'Homme comme soumis à un destin rationnel (fatum stoicum) et inexorable, ordonné par les lois de la nature. Son enseignement se veut une méthode pour atteindre le bonheur en se concentrant uniquement sur ce qui dépend de nous et en acceptant tout décret du destin (dans le sens stoïcien). L'Homme doit donc accomplir son devoir en dépit des circonstances, en tenant compte de sa nature sociale et en considérant les autres de manière rationnelle et bienveillante.

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Abbott and Costello were an American comedy duo composed of comedians Bud Abbott and Lou Costello, whose work in radio, film, and television made them the most popular comedy team of the 1940s and 1950s, and the highest-paid entertainers in the world during the Second World War. Their patter routine "Who's on First?" is considered one of the greatest comedy routines of all time, a version of which appears in their 1945 film The Naughty Nineties.

The team's first known radio broadcast was on The Kate Smith Hour on February 3, 1938. At first, the similarities between their voices made it difficult for radio listeners (as opposed to stage audiences) to tell them apart during their rapid-fire repartee. As a result, Costello affected a high-pitched, childish voice. "Who's on First?" was first performed for a national radio audience the following month. They performed on the program as regulars for two years, while also landing roles in a Broadway revue, The Streets of Paris, in 1939.

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Dragnet is an American radio, television and film series, following the exploits of dedicated Los Angeles Police Department (LAPD) Detective Joe Friday and his partners, created by actor and producer Jack Webb. The show took its name from the police term "dragnet", a term for a system of coordinated measures for apprehending criminals or suspects.

Dragnet is perhaps the most famous and influential police procedural crime drama in American media history. The series portrayed police work as dangerous and heroic and helped shape public perception of law enforcement in the 20th century. Dragnet earned praise for improving the public opinion of police officers. Webb's aims in Dragnet were for realism and unpretentious acting.

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Father Knows Best is an American sitcom starring Robert Young, Jane Wyatt, Elinor Donahue, Billy Gray and Lauren Chapin. The series, which began on radio in 1949, aired as a television show for six seasons and 203 episodes. Created by Ed James, Father Knows Best follows the lives of the Andersons, a middle-class family living in the town of Springfield. The state in which Springfield is located is never specified, but it is generally accepted to be located in the Midwestern United States.
The series began on August 25, 1949. Set in the Midwest, it starred Robert Young as the General Insurance agent Jim Anderson. His wife Margaret was first portrayed by June Whitley and later by Jean Vander Pyl. The Anderson children were Betty (Rhoda Williams), Bud (Ted Donaldson) and Kathy (Norma Jean Nilsson). Others in the cast were Eleanor Audley, Herb Vigran, and Sam Edwards. Sponsored through most of its run by General Foods, the series was heard Thursday evenings until March 25, 1954.

On the radio program, the character of Jim differs from the later television character. The radio Jim is far more sarcastic and shows he really rules over his family. Jim also calls his children names, something common on radio but lost in the TV series. For example, Jim says, "What a bunch of stupid children I have." Margaret is portrayed as a paragon of solid reason and patience, unless the plot calls for her to act a bit off; for example, in a Halloween episode, Margaret cannot understand how a table floats in the air. But that is a rare exception.

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"Tuff Enuff" is a song by the blues rock band The Fabulous Thunderbirds. It was written by Kim Wilson. The song was included on the album Tuff Enuff and was produced by Dave Edmunds. Released as a single in 1986, "Tuff Enuff" peaked at number 10 on the Billboard Hot 100 and number four on Billboard Mainstream Rock Tracks; it reached the top 20 in other countries and number 83 in Australia. It was the band's first single and has since become their signature song. It was ranked number 96 on VH1's "100 Greatest One Hit Wonders of the 80s"---although "Wrap It Up" was a minor hit.

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Vladimir Semyonovich Vysotsky (Russian: Владимир Семёнович Высоцкий, (25 January 1938 – 25 July 1980), was a Soviet singer-songwriter, poet, and actor who had an immense and enduring effect on Soviet culture. He became widely known for his unique singing style and for his lyrics, which featured social and political commentary in often humorous street-jargon. He was also a prominent stage- and screen-actor. Though the official Soviet cultural establishment largely ignored his work, he was remarkably popular during his lifetime, and to this day exerts significant influence on many of Russia's musicians and actors.

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Dragnet was an American radio series, enacting the cases of a dedicated Los Angeles police detective, Sergeant Joe Friday, and his partners. The show took its name from the police term "dragnet", meaning a system of coordinated measures for apprehending criminals or suspects.

Dragnet is perhaps the most famous and influential police procedural drama in media history. The series gave audience members a feel for the boredom and drudgery, as well as the danger and heroism, of police work. Dragnet earned praise for improving the public opinion of police officers.

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The Shadow is a fictional character published by magazine publishers Street & Smith and writer Walter B. Gibson. Originally created to be a mysterious radio show narrator, and developed into a distinct literary character in 1931 by writer Walter B. Gibson, The Shadow has been adapted into other forms of media, including American comic books, comic strips, serials, video games, and at least five feature films. The radio drama included episodes voiced by Orson Welles.

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Abbott and Costello were an American comedy duo composed of comedians Bud Abbott and Lou Costello, whose work in radio, film, and television made them the most popular comedy team of the 1940s and 1950s, and the highest-paid entertainers in the world during the Second World War. Their patter routine "Who's on First?" is considered one of the greatest comedy routines of all time, a version of which appears in their 1945 film The Naughty Nineties.

** I DO NOT OWN the rights to this video. ** NO INFRINGEMENT INTENDED. For entertainment purposes only! PLEASE SUPPORT THE ORIGINAL ARTISTS!

** I DO NOT OWN the rights for this podcast. ** NO INFRINGEMENT INTENDED. For entertainment purposes only! PLEASE SUPPORT THE ORIGINAL ARTISTS!

Dragnet was an American radio series, enacting the cases of a dedicated Los Angeles police detective, Sergeant Joe Friday, and his partners. The show took its name from the police term "dragnet", meaning a system of coordinated measures for apprehending criminals or suspects.

Dragnet is perhaps the most famous and influential police procedural drama in media history. The series gave audience members a feel for the boredom and drudgery, as well as the danger and heroism, of police work. Dragnet earned praise for improving the public opinion of police officers.

Actor and producer Jack Webb's aims in Dragnet were for realism and unpretentious acting. He achieved both goals, and Dragnet remains a key influence on subsequent police dramas in many media.

The show's cultural impact is such that after seven decades, elements of Dragnet are familiar to those who have never seen or heard the program. The ominous, four-note introduction to the brass and tympani theme music (titled "Danger Ahead"), composed by Walter Schumann, is instantly recognizable. It is derived from Miklós Rózsa's score for the 1946 film version of The Killers. Another Dragnet trademark is the show's opening narration: "Ladies and gentlemen: the story you are about to hear is true. Only the names have been changed to protect the innocent." This underwent minor revisions over time. The "only" and "ladies and gentlemen" were dropped at some point. Variations on this narration have been featured in subsequent crime dramas, and in parodies of the dramas (e.g., "Only the facts have been changed to protect the guilty").

The radio series was the first entry in a Dragnet media franchise encompassing film, television, books and comics.

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Father Knows Best is an American sitcom starring Robert Young, Jane Wyatt, Elinor Donahue, Billy Gray and Lauren Chapin. The series, which began on radio in 1949, aired as a television show for six seasons and 203 episodes. Created by Ed James, Father Knows Best follows the lives of the Andersons, a middle-class family living in the town of Springfield. The state in which Springfield is located is never specified, but it is generally accepted to be located in the Midwestern United States.
The series began on August 25, 1949 on NBC Radio. Set in the Midwest, it starred Robert Young as the General Insurance agent Jim Anderson. His wife Margaret was first portrayed by June Whitley and later by Jean Vander Pyl. The Anderson children were Betty (Rhoda Williams), Bud (Ted Donaldson) and Kathy (Norma Jean Nilsson). Others in the cast were Eleanor Audley, Herb Vigran, and Sam Edwards. Sponsored through most of its run by General Foods, the series was heard Thursday evenings on NBC until March 25, 1954.

On the radio program, the character of Jim differs from the later television character. The radio Jim is far more sarcastic and shows he really rules over his family. Jim also calls his children names, something common on radio but lost in the TV series. For example, Jim says, "What a bunch of stupid children I have." Margaret is portrayed as a paragon of solid reason and patience, unless the plot calls for her to act a bit off; for example, in a Halloween episode, Margaret cannot understand how a table floats in the air. But that is a rare exception.

Betty, on radio, is portrayed as a status-seeking, boy-crazy teenage girl. To her, every little thing is "the worst thing that could ever happen." Bud, on radio, is portrayed as an "all-American" boy who always seems to need "just a bit more" money, though he receives $1.25 (nearly $14.00 in 2021) per week in allowance. Bud is expected to always answer the phone, which he hates. He is also shown as a somewhat dim boy who takes everything literally; for example, Jim might say, "Go jump in the lake," to which Bud would reply, "Okay, Dad; which lake should I go jump into?" He also uses the phrase "Holy Cow!" to express displeasure. On radio, Kathy often is portrayed as a source of irritation. She whines, cries and complains about her status in the family. She often is a source of money for her brother and sister, although she is in hock several years on her own allowance.

In an interview published in the magazine Films of the Golden Age (Fall 2015), Young revealed about the radio program: "I never quite liked it because it had to have laughs. And I wanted a warm relationship show.... When we moved to TV I suggested an entirely new cast and different perspective."

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The music of Cuba, including its instruments, performance, and dance, comprises a large set of unique traditions influenced mostly by west African and European (especially Spanish) music. Due to the syncretic nature of most of its genres, Cuban music is often considered one of the richest and most influential regional music in the world. For instance, the son cubano merges an adapted Spanish guitar (tres), melody, harmony, and lyrical traditions with Afro-Cuban percussion and rhythms. Almost nothing remains of the original native traditions, since the native population was exterminated in the 16th century.

Since the 19th-century Cuban music has been hugely popular and influential throughout the world. It has been perhaps the most popular form of regional music since the introduction of recording technology. Cuban music has contributed to the development of a wide variety of genres and musical styles around the globe, most notably in Latin America, the Caribbean, West Africa, and Europe. Examples include rhumba, Afro-Cuban jazz, salsa, soukous, many West African re-adaptations of Afro-Cuban music (Orchestra Baobab, Africando), Spanish fusion genres (notably with flamenco), and a wide variety of genres in Latin America.

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Michel Charles Sardou (born 26 January 1947) is a French singer and occasional actor.

He is known not only for his love songs ("La maladie d'amour", "Je vais t'aimer"), but also for songs dealing with various social and political issues, such as the rights of women in Islamic countries ("Musulmanes"), clerical celibacy ("Le curé"), colonialism ("Le temps des colonies", "Ils ont le pétrole mais c'est tout") or the death penalty ("Je suis pour"). Another sometimes controversial theme found in some of his songs ("Les Ricains" and "Monsieur le Président de France" for example) is his respect and support for the culture and foreign policies of the United States of America. He has been accused of being a racist due to his 1976 song "Le temps des colonies", in which a former colonial soldier proudly tells his memories of colonialism, but Sardou has always claimed the song was sarcastic. His 1981 single "Les lacs du Connemara" was an international hit (especially in the Netherlands). A number of his hit songs were written in collaboration with Jacques Revaux and Pierre Delanoë, a few others (most notably "En chantant") with Italian singer Toto Cutugno.

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Jacques Ellul (January 6, 1912 – May 19, 1994) was a French philosopher, sociologist, lay theologian, and professor who was a noted Christian anarchist. Ellul was a longtime Professor of History and the Sociology of Institutions on the Faculty of Law and Economic Sciences at the University of Bordeaux. A prolific writer, he authored more than 60 books and more than 600 articles over his lifetime, many of which discussed propaganda, the impact of technology on society, and the interaction between religion and politics.

The dominant theme of Ellul's work proved to be the threat to human freedom and religion created by modern technology. He did not seek to eliminate modern technology or technique but sought to change our perception of modern technology and technique to that of a tool rather than regulator of the status quo. Among his most influential books are The Technological Society and Propaganda: The Formation of Men's Attitudes.

Considered by many a philosopher, Ellul was trained as a sociologist, and approached the question of technology and human action from a dialectical viewpoint. His writings are frequently concerned with the emergence of a technological tyranny over humanity. As a philosopher and theologian, he further explored the religiosity of the technological society. In 2000, the International Jacques Ellul Society was founded by a group of former Ellul students. The society, which includes scholars from a variety of disciplines, is devoted to continuing Ellul's legacy and discussing the contemporary relevance and implications of his work.

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Sandokan is a 1976 Italian six-part television series directed by Sergio Sollima, based upon the novels of Emilio Salgari featuring the pirate hero Sandokan. It was followed the next year by a feature-length spin-off film, and another twenty years later by a sequel series named The Return of Sandokan, with Kabir Bedi reprising his role as Sandokan in both.

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Stoicism is a school of Hellenistic philosophy founded by Zeno of Citium in Athens in the early 3rd century BCE. It is a philosophy of personal virtue ethics informed by its system of logic and its views on the natural world, asserting that the practice of virtue is both necessary and sufficient to achieve eudaimonia (happiness, lit. 'good spiritedness'): one flourishes by living an ethical life. The Stoics identified the path to eudaimonia with a life spent practicing virtue and living in accordance with nature.

Alongside Aristotelian ethics, the Stoic tradition forms one of the major founding approaches to virtue ethics. The Stoics are especially known for teaching that "virtue is the only good" for human beings, and that external things, such as health, wealth, and pleasure, are not good or bad in themselves (adiaphora) but have value as "material for virtue to act upon". Many Stoics—such as Seneca and Epictetus—emphasized that because "virtue is sufficient for happiness", a sage would be emotionally resilient to misfortune. The Stoics also held that certain destructive emotions resulted from errors of judgment, and they believed people should aim to maintain a will (called prohairesis) that is "in accordance with nature". Because of this, the Stoics thought the best indication of an individual's philosophy was not what a person said but how a person behaved. To live a good life, one had to understand the rules of the natural order since they believed everything was rooted in nature.

Stoicism flourished throughout the Roman and Greek world until the 3rd century CE, and among its adherents was Emperor Marcus Aurelius. It experienced a decline after Christianity became the state religion in the 4th century CE. Since then, it has seen revivals, notably in the Renaissance (Neostoicism) and in the contemporary era (modern Stoicism).

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The music of Cuba, including its instruments, performance, and dance, comprises a large set of unique traditions influenced mostly by west African and European (especially Spanish) music. Due to the syncretic nature of most of its genres, Cuban music is often considered one of the richest and most influential regional music in the world. For instance, the son cubano merges an adapted Spanish guitar (tres), melody, harmony, and lyrical traditions with Afro-Cuban percussion and rhythms. Almost nothing remains of the original native traditions, since the native population was exterminated in the 16th century.

Since the 19th-century Cuban music has been hugely popular and influential throughout the world. It has been perhaps the most popular form of regional music since the introduction of recording technology. Cuban music has contributed to the development of a wide variety of genres and musical styles around the globe, most notably in Latin America, the Caribbean, West Africa, and Europe. Examples include rhumba, Afro-Cuban jazz, salsa, soukous, many West African re-adaptations of Afro-Cuban music (Orchestra Baobab, Africando), Spanish fusion genres (notably with flamenco), and a wide variety of genres in Latin America.

** I DO NOT OWN the rights for this music**. NO INFRINGEMENT INTENDED. For entertainment and educational purposes only! PLEASE SUPPORT THE ORIGINAL ARTISTS!

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