Not my video.

Before the Apollo program would ever be able to make the journey across the cis-lunar void to the Moon, NASA's astronauts first needed to learn how to fly, work, and live in space. Between 1965 and 1966, NASA flew an aggressive series of two-man missions into low-Earth orbit, where they practiced and tested many of the flying techniques, spacecraft systems, science and living skills that would be required to ensure that the voyage to and from the Moon was conducted as safely as possible. The flight program that NASA implemented in order to accomplish these lofty goals was known as Project GEMINI. In a mere 20 months time, 16 NASA astronauts flew a total of 10 missions aboard the GEMINI spacecraft, orbiting the Earth over 600 times while acquiring a wealth of space experience that in the following years would serve to help make the upcoming Apollo lunar program such a resounding success. The GEMINI astronauts were some of the first men to explore this new ocean over our heads that is known as 'space', and they did indeed see some amazing sights up there during their flights. Aboard each GEMINI spacecraft was a piece of equipment known as the "Voice Tape Recorder" (VTR). The purpose of the VTR was to give the astronauts the ability to verbally record any thoughts, comments, or observations throughout the course of each flight, primarily during the periods when they were not in radio contact with one of the MSFN (Manned Space Flight Network) ground stations spread out at various locations around the Earth. After radio contact was re-established, the VTR recordings made during the black out periods could then be "dumped" (down-linked) to the MSFN ground station below. Although originally classified, the transcripts of these VTR recordings from all 10 GEMINI missions can today be found in the NASA archives. These documents contain some very intriguing and revealing astronaut conversations that relate to various anomalies they were observing outside their spacecraft during the flights. This presentation highlights just a few of the many comments from various GEMINI missions that I found interesting. Cheers, LC Please note that all transcript documentation shown in this presentation are official source. The online versions can be accessed @ http://www.jsc.nasa.gov/history/missi...

In this examination into NASA's "black box" transcripts, we will look at just a few of the many interesting and revealing comments made by the astronauts throughout the Apollo program that were captured by the CSM's DSE system, as well as touch on some of the scripting protocols employed during the various TV broadcasts made from the CSM during the journey to and from the Moon and while in lunar orbit. Contrary to what many think, those TV broadcasts were in fact elegantly scripted affairs, designed to rigidly control the amount of data that we, the general public, would have available to analyze. Because of this, the DSE and DSEA internal crew conversation transcripts can provide us, in the astronauts own words, an unscripted and less-guarded insight into some of the incredible things they really witnessed during their journey to and from the Moon. During the Apollo lunar landing program, NASA made use of two primary flight telemetry/voice recording systems aboard their spacecraft. One of these systems was inside the Command/Service Module, and the other was mounted within the Lunar Module. These two systems were known as the DSE (aboard the CSM) and the DSEA (aboard the LM). The "Data Storage Equipment" systems essentially served as Black Box cockpit voice recorders, designed to tape some of the internal conversations between the astronauts while they were out of radio contact with Mission Control in Houston. After contact was re-established during the flight, Mission Control could then dump (downlink) the recorded data from the CSM to Earth, where it would be analyzed. Unfortunately, NASA today claims that the original DSE Black Box tapes from the Apollo missions are missing and are presumed lost. However, these DSE recordings were transcribed shortly after the contents of the tapes were originally dumped from the CSM to the Earth, and several years after the Apollo program ended, these transcripts finally were declassified and then released to the NASA archives. In coming segments, we will examine many more impressive statements made by the NASA astronauts that were captured by the various cockpit voice recording systems utilized during not only the Apollo program, but during the earlier Gemini Earth-orbital flights as well. There is much more to come! Cheers, LunaCognita All the transcript pages shown in this presentation are official source documents, the online versions of which can be accessed @ http://www.jsc.nasa.gov/history/missi...

After receiving such a positive response to my first "NASA Alien Anomalies" compilation video, I decided I would do a follow-up effort, presenting a few more of my favorite anomalous audio soundbites, videos, and still images that I have archived during my years of research and investigation into this most monumental of all cover-ups. Hopefully, you will see some new evidence here in this video that you were not aware of, as I made sure to include a few less-publicized (though in my opinion still highly compelling) images in this presentation. I also include audio portions of another radio interview with Doctor Edgar Mitchell , Lunar Module Pilot for the Apollo 14 mission and the sixth man to walk on the Moon. This particular interview is from July of 2008, and as you will hear, Mitchell is VERY candid about the existence of intelligent extra-terrestrial life and of the long-term and on-going effort to conceal this information from the public. In addition to his fame as an Apollo astronaut, here is a brief look at some of Doctor Mitchell's other very impressive credentials. He is not exactly some "crazy hick farmer talking about swamp gas", now is he? Edgar Mitchell - BIOGRAPHY US Naval Aviator (carrier/research/test-qualified) Instructor at the Navy's research pilot school. Astronaut selection - 1966 Backup LMP for Apollo 10 LMP for Apollo 14 - lunar landing (Fra Mauro highlands) Bachelor of Science in Industrial Management from Carnegie Mellon University, Bachelor of Science from the U.S. Naval Postgraduate School, Doctor of Science in Aeronautics and Astronautics from MIT, Honorary Doctorates in engineering from New Mexico State University, the University of Akron, Carnegie Mellon University, and a Doctor of Science from Embry-Riddle University. Awarded the Presidential Medal of Freedom, the United States Navy Distinguished Medal, three NASA Group Achievement Awards. Inducted into the Space Hall of Fame in 1979 and the Astronaut Hall of Fame in 1998. Nominee for the Nobel Peace Prize in 2005. Member of Kappa Sigma fraternity Advisory Board Chairman of the Institute for Cooperation in Space, Co-founder of The Institute of Noetic Sciences (IONS) to encourage and conduct research on "human potentials". Also, I may as well draw attention to the fact that more than once in this interview, Dr. Mitchell mentions a "60-year" timeframe for this coverup (The "Roswell Incident" was in 1947 remember), and he confirms that the reverse-engineering of advanced alien technology has been going on since then. This is VERY important for many reasons, and knowing this, you must also realize and accept that what you think may be "State Of The Art" technology in the public realm is in fact DECADES behind the true "Beyond State Of The Art" technology the military industrial complex have covertly developed and have been playing with (paid for by all of you of course!).

This compilation includes many of my favorite NASA UFO encounters/sightings that I have archived over the years. All of these examples (with the exception of the second-to-last one) were captured on film by NASA astronauts or Russian Cosmonauts over the past half-century - showing many amazing examples from different eras - Gemini, Apollo, Apollo/Soyuz Test Project, Skylab, STS, the ISS, plus a couple Russian-source additions from their unmanned Zond and Mir Space Station programs as well thrown in to round things out. The second last example is the only one in the compilation that features footage that was not taken in space and is not official-source (NASA or Soviet/Russian Space Agency). That clip shows an LTP (Lunar Transient Phenomenon) event captured through a camera connected to the eyepiece of a terrestrial-based telescope that luckily was being focused on the Moon at the time. In this case, the LTP manifests as an object transiting across the face of the lunar disc. Many thanks to amateur astronomer Alberto Mayer of Italy for doing a wonderful job of filming this stunning event (and for stacking the footage for us all to see). While the examples you will see here captured on film can all be "officially" classified as "unidentified" objects, that absolutely does NOT mean that NASA, the DoD, and certain elements within the scientific community worldwide are completely in the dark as to what these things you are seeing are. Make no mistake: The Powers That Be are indeed aware of far more about our mysterious Universe than they are ever willing to admit to us. We, the plebeian masses of this planet, are being held in a state of enforced ignorance, deemed not worthy of knowing the full truth by those who are REALLY "running the show" down here on Earth. As this video shows over and over again however, there are indeed snippets of that amazing truth that have been left scattered about the official government archives over the decades, there for us to find so we may begin to educate ourselves about what is the most monumental coverup in human history - where the only thing more incredible than the lies is the truth! Also, be sure to check out Jose Escamilla's new motion picture documentary "MOON RISING", where we go into much further depth about what is, without exaggeration, the most monumental coverup in human history. You have NO idea what you have been missing! http://MoonRising-TheMovie.com

The previous upload seems to be buggy so I uploaded it again.
"If they lied about this, just imagine what else they lied to you about!"

This is Part 3 of a multi-part series - be sure to watch Part 1 and Part 2 first! This third segment of "The Truth Behind The Tones" begins to examine the various editing techniques that were used to disguise, obfuscate, and erase many of the quindar tones in the Apollo GCTA lunar surface television footage. Appreciating this component of the cover-up is vital to your understanding of the depth and magnitude of the Apollo TV lies. Back in Part 2, I conclusively demonstrated that NASA has indeed LIED to the world about the true purposes of the quindar tones you hear in the GCTA footage, and in Part 3 you will see examples showing the various editing techniques they exploited in order to erase or cover up the majority of the quindar tones that were actually being created by the digital editing system. The Truth Behind The Tones - this multi-part series will break down and present the truth about the incredible levels of manipulation and fakery that the Apollo lunar landing program TV footage was subjected to prior to being seen by public eyes. This is some rather complex subject matter, and cannot be even close to adequately explained in a brief 10 minute video. Because of this, I think the best way to present proof of this magnitude is to do so methodically, explaining various primary facets of the manipulation in parts. This and other presentations will cover many facets of the TV coverup, revealing not only how they did it, but why. To the skeptics - I am NOT cherry-picking scenes here, and am NOT showing you only a few coincidentals from the hours of footage available. I have THOUSANDS of examples cataloged, and can and will back up what I am showing over and over and over again as I dissect this television portion of the Apollo lie further. I will say right now that you have NO idea how deep the lies go, and you have NO idea what NASAs true technological capabilities REALLY were back then - let alone today. I have researched this subject matter for years, I have personally interviewed an individual directly involved in this coverup, and I can back up what I am saying and showing here with countless examples that conclusively demonstrate the validity of my claims. My intention is to show and tell you what is really going on so that you can begin to analyze the TV footage for yourself. This is as REAL (and FAKE, if you get my drift) as it gets! Be sure to check out Jose Escamilla's new motion picture documentary "MOON RISING", where we go into much further depth about what is, without exaggeration, the most monumental coverup in human history. You have NO idea what you have been missing! http://MoonRising-TheMovie.com

This is Part 2 of a multi-part series - be sure to watch Part 1 first! This second segment is an answer to some skeptics who have claimed that in Part One, all I did was cherrypick a few lucky coincidental examples that appeared to coincide with the quindar tones. The only way to adequately respond to that ridiculous charge is to demonstrate over and over and over again that the quindar tones CLEARLY are related to the video footage - directly contradicting NASA's official claims (outlined in Part One). I could easily have made this second segment far longer and shown MANY more basic astronaut recognition examples from the Apollo 17 mission alone, but YouTube time constraints have limited me here to 10 minutes. Still, I believe the point will be well made. The Truth Behind The Tones - this multi-part series will break down and present the truth about the incredible levels of manipulation and fakery that the Apollo lunar landing program TV footage was subjected to prior to being seen by public eyes. This is some rather complex subject matter, and cannot be even close to adequately explained in a brief 10 minute video. Because of this, I think the best way to present proof of this magnitude is to do so methodically, explaining various primary facets of the manipulation in parts. This and other presentations will cover many facets of the TV coverup, revealing not only how they did it, but why. To the skeptics - I am NOT cherry-picking scenes here, and am NOT showing you only a few coincidentals from the hours of footage available. I have THOUSANDS of examples cataloged from the Apollo GCTA footage, and can and will back up what I am showing over and over and over again as I dissect this television portion of the Apollo lie further. I will say right now that you have NO idea how deep the lies go, and you have NO idea what NASAs true technological capabilities REALLY were back then - let alone today. I have researched this subject matter for years, I have personally interviewed an individual directly involved in this coverup, and I can back up what I am saying and showing here with countless examples that conclusively demonstrate the validity of my claims. My intention is to show and tell you what is really going on so that you can begin to analyze the TV footage for yourself. This is as REAL (and FAKE, if you get my drift) as it gets! Be sure to check out Jose Escamilla's new motion picture documentary "MOON RISING", where we go into much further depth about what is, without exaggeration, the most monumental coverup in human history. You have NO idea what you have been missing! http://MoonRising-TheMovie.com

The Truth Behind The Tones - this multi-part series will begin to break down the truth about the incredible levels of manipulation and fakery that the Apollo lunar landing program TV footage was subjected to prior to being seen by public eyes. This is some rather complex subject matter, and cannot be even close to adequately explained in a brief 10 minute video. Because of this, I think the best way to present proof of this magnitude is to do so methodically, explaining various primary facets of the manipulation in parts. This first part of the presentation focuses primarily on the initial basics of discrete recognition or rejection of objects in scene, which was the most important component of the Apollo GCTA-TV lie (but certainly not the only component - not by a long shot). Other presentations will cover many facets of the TV coverup, revealing not only how they did it, but why. To the skeptics - I am NOT cherry-picking scenes here, and am not showing you only a few coincidentals from the hours of footage available. I have THOUSANDS of examples catalogued, and can and will back up what I am showing over and over and over again in coming presentations as I dissect this portion of the Apollo lie further. I will say right now that you have NO idea how deep the lies go, and you have NO idea what their true technological capabilities REALLY were back then - let alone today. I have researched this subject matter for years, I have personally interviewed an individual directly involved in this coverup, and I can back up what I am saying and showing here with countless examples. My intention however is not to overwhelm the viewer with examples (particularly due to the 10-minute-per-segment time constraints I am trying to adhere to), but rather it is to show and tell you what is really going on so that you can begin to analyze the TV footage for yourself. This is as REAL (and FAKE, if you get my drift) as it gets! Stay tuned for Jose Escamilla's new motion picture documentary "MOON RISING", where we will go into much further depth about what is, without exaggeration, the most monumental coverup in human history. You have NO idea what you have been missing! http://MoonRising-TheMovie.com

Since the dawn of the space age, NASA (in conjunction with the Department of Defense and elements attached to the Central Intelligence Agency) have been manipulating and even manufacturing the space imagery they show you. Here is just a bit of the proof that is available out there to demonstrate the fact that you are not being shown anything close to "everything" there was to see up there during the Apollo missions.

Most of these people are long dead by now. As always take everything with a grain of salt.

The brief segment of footage we will be examining here was shot back in 1991 during shuttle mission STS-48. In this case, the footage shows an unidentified object that initially enters the field-of-view at the bottom center of frame. The object in question that I focus on can be seen experiencing deviations in flightpath shortly after it becomes visible, so in order to better delineate those non-ballistic movements, I show several flightpath tracking and trace enhancements here that allow for an accurate look at the changes in velocity vector that the object experiences as it traverses across the FOV. Unfortunately, based on the limited evidence available to us, there is simply no possible way to make any kind of credible size or range estimations for the unidentified objects seen in this sequence. As you will see, it is pretty clear that the primary object I focus on does not maintain a purely ballistic trajectory, with the movement profile demonstrating there are indeed several changes in the velocity vector occurring. Any flightpath deviations of unidentified objects that we see in this NASA footage must be due to either some external force acting upon the object (push/pull), or alternatively, we must also consider that there could be an internal force or thrust being emitted from the object itself that accounts for the changes in trajectory/velocity observed (the second option could of course potentially denote some level of intelligent control being involved). Also please keep in mind, the fact is that there is simply no way for anyone to identify the object seen in this brief segment of footage, so therefore, by definition, that object must logically be classified as being "unidentified". Of course, the term "UFO" does not necessarily mean "Alien Spacecraft". These objects can be accurately referred to as being "UFOs" because that is exactly what they are. They are anomalous, unknown objects that are clearly flying free in space that cannot be identified as ..

Hi again everyone. This presentation focuses on taking a closer look at a 23.5-second segment of 16mm DAC motion picture footage from the NASA archives that was originally exposed over 40 years ago during the Apollo 12 mission (November 1969). This footage was shot with the DAC mounted near a window in the Command/Service Module while the spacecraft was in lunar orbit above the Moon. Unfortunately, this raw footage, as it is officially archived by NASA, appears to have been over-exposed and accidentally ruined when the lens on the 16mm DAC aboard the spacecraft somehow became unintentionally fogged over shortly before filming began. Because of this, this film sequence only affords us a blurry, obfuscated view out the spacecraft window, showing an oblique look at the sunlit (and overexposed) lunar surface with a portion of the lunar limb also visible. While the raw footage is of poor quality, it does however still contain some viable image data that can be recovered and revealed thru enhancement. The application of various frame-stacking and averaging enhancement techniques can allow us to extract significantly more detail from the scene than the raw archive frames of footage alone appear to surrender. These stack enhancements will allow you to see what appears to be at least three unidentified objects transiting in front of the lunar disc that were actually caught on film here. Unfortunately, the lack of viable image data and over-exposed nature of the raw footage provides does not allow for a high-detail look at these three distinct contrast targets, so that raises the possibility that one of these moving contrast targets is actually a shadow from one of the undentified objects above being dropped onto the lurain. The high sun angle that we know was illuminating this scene at the time could certainly allow for that possibility, but would require us to make the unsupported assumption that these unidentified objects are very close to the Moon and are scooting just above the lunar surface. The reality is that there is simply no way to accurately determine or even estimate any range or size data for these unidentified objects shown. What we can say is that multiple objects can be seen transiting the lunar disc here and can be determined to at the time have been located somewhere in 3-D object space between the camera aboard the CSM spacecraft and the surface of the Moon. Cheers everyone, and thanks for watching! LunaCognita

This presentation takes a brief look at a few anomalies that can be found in a 16-second segment of video footage shot in low-Earth orbit in March 2008, back during NASA space shuttle mission STS-123 (Endeavour). This brief clip shows multiple unidentified objects that were visible outside the shuttle, including several that exhibit changes to their velocity vectors as they float across the field-of-view. The footage concludes as the camera is abruptly panned away. Unfortunately, based on the limited evidence available to us, there is simply no possible way for anyone to make any kind of credible size or range estimations for any of the unidentified objects seen in this sequence. As you will see, it is pretty clear that several of the objects do not maintain purely ballistic trajectories, with their movement profiles demonstrating there are indeed several subtle changes in their velocity vector occurring. One object that I focus on specifically near the end of this presentation exhibits a very dramatic change in flightpath trajectory. The object can be seen materializing into view (or into the sensitivity range of the camera system) in the lower right of screen shortly after the footage begins, and the flightpath deviation it exhibits is very abrupt and results in over a 90-degree change in the velocity vector. Any flightpath deviations must be due to either some external force acting upon the object (push/pull), or alternatively, we must also consider that there could be an internal force or thrust being emitted from the object itself that accounts for the changes in trajectory/velocity observed (the second option could of course potentially denote some level of intelligent control being involved). You will also witness some objects that appear to materialize and de-materialize directly into or out of the scene (or at least into or out of the sensitivity range of the low-lux imaging system that was being employed to shoot this footage). Also please keep in mind, the fact is that there is simply no way for anyone to identify the objects seen in this brief segment of footage, so therefore, by definition, those objects must logically be classified as being "unidentified". Of course, the term "UFO" does not necessarily mean "Alien Spacecraft". These objects can be accurately referred to as being "UFOs" because that is exactly what they are. They are anomalous, unknown objects that are clearly flying free in space that cannot be identified as being any form of known man-made structure or known celestial object. We do not know what they are, how they got there, where they came from, where they are going, or what they are doing there. By definition, that makes them "UFOs".

"Hi everyone, This brief presentation you will see here is just a bit of a teaser/trailer, showing a short segment from a larger video project I am currently in the process of working on. While the full presentation is still awhile away from being complete, I have received more than a few emails asking me about when my next video was going to come out, so I thought that in the interim, I would release this short segment just as a teaser to show a taste of some of the interesting visuals I plan to include in upcoming presentations where I will provide my own analysis of some of the Apollo-era films. All of the footage you will see here was captured on film during the Apollo missions to the Moon, shot by NASA astronauts. Originally exposed on 16mm film, this footage was taken using what was known as the "DAC" - the "Data Acquisition Camera". Hope you enjoy, Cheers! LunaCognita THE "DAC" The Maurer "DAC" cameras used to shoot this footage were modified variable frame rate 16mm motion picture film cameras that were used by the various Apollo crews throughout their missions to the Moon to film scenes of interest through the windows of the spacecraft, as well as to shoot exterior footage during lunar surface "moonwalk" operations and Trans-Earth-Coast EVA ops in cis-lunar space during that return-to-Earth phase of the missions. When it was being used in "automatic" mode, the DAC camera could be set by the astronaut to expose the film within it's magazine at one of three set frame-rates - 1, 6 or 12 frames-per-second. In the 1 fps mode, the DAC also could be (and occasionally was) used as a still picture camera to shoot single frames of film. When placed in "semi-automatic" mode, the DAC camera also offered a 24 fps filming capability, although that mode was used somewhat sparingly during the Apollo program as it only allowed for a maximum 3.7 minutes of run time before a film magazine change was required. More typically, one of the three different "auto" modes were used in order to take advantage of the frame-rate control capability to optimize film usage. These slower frame rate settings of course means that when filming in one of those modes, the DAC was functioning more as a sequential still camera rather than a true 24fps motion picture camera (I realize all motion picture film cameras are essentially stop-motion sequential still cameras, so I am referring to the frame-rate playback issues here). The DAC camera could be used as a hand-held movie camera or it could be hard-mounted to various points inside or outside the spacecraft (or to the LRV or the MET during lunar surface ops) in order to provide a stable platform and hands-free filming capability."

I am documenting all of LunaCognita's video's for posterity as they run a high risk of being censored and given their age and obscurity I doubt others have or are doing the same. Below is the quote from the original video description. Hi everyone, In recent months, NASA has released into their photographic archives a series of exceptional still-frame sequences that were shot in Earth orbit aboard the International Space Station by the crew of ISS Expedition 30. These sequential photographic stills were exposed during numerous "night side" orbital passes using a mounted Nikon D3S digital-SLR camera aimed out different windows aboard the space station, with the camera being set to expose at various stop-motion frame rates (the fastest being a 1fps exposure rate). I am sure many of you have already seen these video sequences on the web, as the space agency has already published many of these still-frame sequences in individual video format in their "Gateway to Astronaut Photography of Earth" online archives, but although those videos offered in that NASA archive are labeled as being "HD" quality, they are not published there in true HD format. The NASA Gateway "HD" video archive versions of these sequences are only rendered at 840x559, presumably to keep the files to a respectable size. Thankfully though, the NASA Gateway archives also contain all the original high-resolution (4256x2832) sequential photographs that the space agency used to create their "HD" video renderings, so I have simply downloaded some of those many high-resolution sequential still frames, animated them together and rendered them at 1080p in my first attempt to create a true high-definition video showing a series of these remarkable scenes. I think these sequences really are some of the most beautiful in the NASA archives, giving us a truly spectacular nighttime look at our planet Earth as it passes below the ISS, as well as views of stunning auroral displays and our Milky Way beyond. This video is my first attempt at rendering at 1080p that I have released on Youtube, and I thought these wonderful visual sequences would be an excellent test to see how my new computer handles rendering at this resolution. I hope you enjoy the visuals shown here as much as I do, because these really are exceptional scenes giving us a unique view of our beautiful planet as viewed from low-Earth orbit! Here is a link to NASA's "Gateway to Astronaut Photography of Earth archives - Crew Earth Observation Videos" page, where you can download both the individual NASA versions of these videos and the original high-resolution raw image files used to construct the sequences in case you wanted to make your own HD videos of these scenes. https://www.youtube.com/redirect?q=http%3A%2F%2Feol.jsc.nasa.gov%2FVideos%2FCrewEarthObservationsVideos%2F&v=JoGnUNZNXHo&event=video_description&redir_token=12YLr64PB3FRRxcmL5Eimuj0kjx8MTUyMjU1MzQ4NkAxNTIyNDY3MDg2

I am documenting all of LunaCognita's video's for posterity as they run a high risk of being censored and given their age and obscurity I doubt others have or are doing the same. Below is the quote from the original video description. "This presentation is a simple compilation of some more anomalous photographs and 16mm DAC film footage that I have archived during my years of research and investigation looking into the activities of the National Aeronautics and Space Administration. The images and footage shown here were taken during the Apollo program, filmed by the astronaut flight crews during their journeys to and from the Moon. Most of what I show here involves "lunar transients" - unidentified objects in space that were captured on film as they transited in front of (or passed near) a celestrial body such as the Moon or Earth. I believe many of these objects are not on the lunar surface, but rather were above the lunar surface when captured on film. I also include several examples of NASA image obfuscation as well, just to help highlight the fact that the space agency also removes anomalous objects from frame in order to "sanitize" scenes prior to official archive release so as to ensure they do not reveal too much of the truth about what is really up there. Hope you enjoy! Cheers, LC Here are a few links to the last set of images I show, dealing with the detection of cropping obfuscation being employed to sanitize the scenes. NASA "Gateway" archive link to frame#AS11-36-5319 - shows object off the Earth's limb. http://eol.jsc.nasa.gov/scripts/sseop... NASA "LPI" archive version of #AS11-36-5319 that does not show the object (residue of the cropping is detectable under enhancement) http://www.lpi.usra.edu/resources/apo... Cropping proof - second last image shown (AS16-118-18873). ftp://nssdcftp.gsfc.nasa.gov/miscellaneous/planetary/apollo/a16_h_118_18873.tiff Cropping proof - Last image shown (AS13-60-8588). ftp://nssdcftp.gsfc.nasa.gov/miscellaneous/planetary/apollo/a13_h_60_8588.tiff

I am documenting all of LunaCognita's video's for posterity as they run a high risk of being censored and given their age and obscurity I doubt others have or are doing the same. Below is the quote from the original video description.

Yes, they went to the Moon, and yes, they also lied about it. And why did they need to lie? In order to hide the truth about what is REALLY up there. LINKS TO A FEW OF THE NASA IMAGES I SHOW HERE: The first image I use - what everyone calls the "green statue" or "plant" can be seen here. http://history.nasa.gov/alsj/a17/AS17... Note how you can plainly see the object partially hidden in the shadow in the ORIGINAL NASA frame. Here is the link to the "Geophone Rock/pyramid" image. Note the brutal noise issues this frame suffers from, though the shape of the pyramid is still barely discernible through the haze in the original frame BEFORE enhancement. http://history.nasa.gov/alsj/a17/AS17... A word on the NASA imagery: ALL NASA imagery was acquired from official U.S. Government archive sources (any ultra-high-resolution imagery was purchased in digital format directly from official NASA image providers). Stay tuned for Jose Escamilla's new motion picture documentary "MOON RISING", where we will go into much further depth about what is, without exaggeration, the most monumental coverup in human history. http://MoonRising-TheMovie.com. [email protected]

One of the most controversial segments of video footage in the NASA archives is the TSS-1R "tether incident" footage, shot back in early 1996 during shuttle mission STS-75. As compelling as that original raw video is however, the addition of flightpath/velocity tracking plots and the application of Image-Stabilization/Shake-Reduction techniques can provide a new and more revealing way of analyzing what is considered by many to already be some rather impressive evidence. For a brief description of the Flightpath/Velocity animations shown, please refer to the write-up I did that is attached to the earlier short demo version located here - http://www.youtube.com/watch?v=G4Xx66...

I am documenting all of LunaCognita's video's for posterity as they run a high risk of being censored and given their age and obscurity I doubt others have or are doing the same. Below is the quote from the original video description.

Apollo 10's amazing encounter with a VERY bizarre anomaly while behind the far side of the Moon. This segment will give you an up-close look at an astounding audio transcript from the Apollo 10 mission that has never before been publicly analyzed - and that NASA and the Apollo 10 astronauts to this day still refuse to talk about. You will follow Tom Stafford, Gene Cernan, and John Young as they become only the second crew in history to journey behind the lunar far side. During this period of "LOS" (Loss Of Signal), the astronauts encounter something truly incredible - they discover MUSIC behind the Moon! *THE DSE and DSEA* Throughout the Apollo program, the CSM and LM spacecraft carried what were known as DSE and DSEA "black box" flight data recorders. These instruments recorded the internal LM and CSM crew conversations while the astronauts were around the lunar far side and out of radio contact with Earth. Although NASA has never made the actual DSE/DSEA audio recordings public, transcripts of these far side conversations are available in the NASA archives, and as you will see, they offer up some truly AMAZING surprises! Here is a link to the Apollo 10 DSEA voice transcript (in PDF format) for those who are interested. http://www.jsc.nasa.gov/history/missi... Stay tuned for Jose Escamilla's new motion picture documentary "MOON RISING", where we will go into much further depth about what is, without exaggeration, the most monumental coverup in human history. http://MoonRising-TheMovie.com. [email protected]

I am documenting all of LunaCognita's video's for posterity as they run a high risk of being censored and given their age and obscurity I doubt others have or are doing the same. Below is the quote from the original video description. "Hello everyone. Since I received such a positive reaction to my last video - http://www.youtube.com/watch?v=7FI_ZF... - I decided to continue the compilation theme here with this new production, highlighting a few more Apollo image anomalies that I have cataloged over my years of researching this incredible subject matter. Hope you enjoy! LunaCognita"

I am documenting all of LunaCognita's video's for posterity as they run a high risk of being censored and given their age and obscurity I doubt others have or are doing the same. Below is the quote from the original video description. "This presentation is a simple compilation of some more anomalous photographs and 16mm DAC film footage that I have archived during my years of research and investigation looking into the activities of the National Aeronautics and Space Administration. The images and footage shown here were taken during the Apollo program, filmed by the astronaut flight crews during their journeys to and from the Moon. Most of what I show here involves "lunar transients" - unidentified objects in space that were captured on film as they transited in front of (or passed near) a celestrial body such as the Moon or Earth. I believe many of these objects are not on the lunar surface, but rather were above the lunar surface when captured on film. I also include several examples of NASA image obfuscation as well, just to help highlight the fact that the space agency also removes anomalous objects from frame in order to "sanitize" scenes prior to official archive release so as to ensure they do not reveal too much of the truth about what is really up there. Hope you enjoy! Cheers, LC Here are a few links to the last set of images I show, dealing with the detection of cropping obfuscation being employed to sanitize the scenes. NASA "Gateway" archive link to frame#AS11-36-5319 - shows object off the Earth's limb. http://eol.jsc.nasa.gov/scripts/sseop... NASA "LPI" archive version of #AS11-36-5319 that does not show the object (residue of the cropping is detectable under enhancement) http://www.lpi.usra.edu/resources/apo... Cropping proof - second last image shown (AS16-118-18873). ftp://nssdcftp.gsfc.nasa.gov/miscellaneous/planetary/apollo/a16_h_118_18873.tiff Cropping proof - Last image shown (AS13-60-8588). ftp://nssdcftp.gsfc.nasa.gov/miscellaneous/planetary/apollo/a13_h_60_8588.tiff

Marjory Stoneman Douglas High School teacher Stacy Lippel said the gunman was dressed in full SWAT gear firing down the same hallway she was rescuing kids from. She was grazed by a bullet from that shooter’s rifle. You can see the scar on her arm confirming her testimony. She also claimed the rifle was unlike any she's ever seen before, NOT an AR-15. Probably an experimental rifle of the US government.

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