If you think controlling the weather is just a fantasy out of science fiction or the fevered minds of conspiracy theorists, think again. It’s technically called “geo-engineering” and the U.S. government has been practicing it since the Vietnam War, when persistent rains were generated to fall on enemy positions (allegedly).

Guest host Craig “Pasta” Jardula and The Miserable Liberal Stef Zamorano discuss the way geo-engineering is typically sold as beneficial to the public but is actually used as a military tool.

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SHOCKING: COVID was pre-meditated domestic terrorism. First isolated in 1965 more than 50 years ago, it was an act of biological warfare perpetrated on the human race. It was a financial heist, a financial fraud. Science was hijacked, he says. WATCH

Chicago - Full Concert
Recorded Live: 7/21/1970 - Tanglewood (Lenox, MA)

Setlist:
0:00:00 - In The Country
0:06:51 - Free Form Piano
0:11:21 - Does Anybody Really Know What Time It Is?
0:15:14 - 25 or 6 to 4
0:22:17 - Poem for the People
0:27:56 - I Don't Want Your Money
0:33:02 - Mother
0:38:48 - It Better End Soon
0:53:27 - Beginnings
1:00:13 - Ballet For A Girl In Buchannon (Make Me Smile) / So Much To Say, So Much To Give
1:06:53 - Colour My World / Make Me Smile
1:13:05 - I'm a Man
1:21:33 - Bill Graham Closing Announcements

Personnel:
Robert Lamm - keyboards, lead vocals
Terry Kath - guitar, lead vocals
Peter Cetera - bass, lead vocals
James Pankow - trombone, percussion
Lee Loughnane - trumpet, percussio, background vocals
Walter Parazaider - woodwinds, percussion, background vocals
Daniel Seraphine - drums

This is from a concept album. The theme revolves around the spiritual journey, interpreted according to the meaning of the tarot cards, performed by an acolyte in his quest for self-knowledge.

The eighth card is the Hierophant (or High Priest) of the Greater Arcanum. This letter is related to teachings, knowledge, elucidation and instruction. The lyrics, sung by Sally Oldfield, however reveal that the (conscious) sun was eclipsed by the moon (unconscious). In other words, the acolyte's thinking was overshadowed by his feeling.

The cover image from inside the album shows the small spheres (life experience) penetrating a large sphere (protagonist's mind) and on top of this great sphere a worn-looking man is accommodated and inert. The Hierophant, symbol of thought, is in the shadows as the title of the band attests. This is the negative side of the letter, which represents the acolyte's inflexibility, stubbornness, and inertia in changing. In this way the acolyte's journey comes to an end.

According to a critical interpretation, it is reasonable to think that acolytes tend to seek the truth through faith (feeling) over reason (thought). The album's conclusion, however, showed that faith alone does not lead to truth or self-knowledge. This path depends on balance. As long as the acolyte allows the sun (thought, consciousness, reality, reason) to be eclipsed by the moon (feeling, unconscious, dream, faith), he is bound to empty dreams ("Melt in the dream void from which he can never run" ) and lost in thought ("Lost in thought in search of vision"). Thus he will be farther and farther from the path of truth.

Guitar, Vocals – Amanda Lehmann
Steve Hackett - Lead Guitar
Bass Guitar, Twelve-String Guitar, Guitar [Variax], Bass [Pedals] – Nick Beggs
Drums, Percussion – Gary O'Toole
Lead Keyboards – Roger King
Saxophone, Woodwind, Percussion, Vocals, Keyboard, Bass [Pedals] – Rob Townsend

In July 1969, just prior to Woodstock, Hallelujah, their fourth album was released. The Melody Maker wrote: "While less ambitious than some of their work, this is nonetheless an excellent blues-based album and they remain the most convincing of the white electric blues groups." The album contained mainly original compositions with lyrics relating to the band such as Wilson's "Time Was" and a few re-worked covers like "Sic 'em Pigs" (Bukka White's "Sic 'em Dogs") and the original "Canned Heat" by Tommy Johnson.

Within days of the album's release, Vestine left the group after an on-stage blow up at the Fillmore West between himself and Larry Taylor. The next night after Mike Bloomfield and Harvey Mandel jammed with Canned Heat, both were offered Vestine's spot in the band's line-up and Mandel accepted.[15] The new lineup played two dates at the Fillmore before appearing at Woodstock in mid-August.

Arriving via helicopter at Woodstock, Canned Heat played their most famous set on the second day of the festival at sunset. The set included "Going Up the Country" which became the title track in the documentary, even though the band's performance was not shown. The song was included in the first (triple) Woodstock album; while the second album, Woodstock 2, contained "Woodstock Boogie". The expanded 25th Anniversary Collection added "Leaving This Town" to the band's collection of Woodstock performances and "A Change Is Gonna Come" was included on the director's cut of the documentary film; leaving only "Let's Work Together" to be released.

"Everything in Its Right Place" is a song by the English rock band Radiohead, the opening track on their fourth album Kid A (2000). It features synthesiser, manipulated vocals, and lyrics inspired by the stress singer Thom Yorke experienced while promoting Radiohead's 1997 album OK Computer.

Yorke wrote "Everything in Its Right Place" on piano. Radiohead worked on it in a conventional band arrangement before transferring it to synthesiser, and described it as a breakthrough in the album recording. Though it alienated some listeners expecting more of Radiohead's earlier rock music, "Everything in Its Right Place" was named one of the best songs of the decade by several publications.

Procol Harum subsequently made a second promotional clip, using "Scopitone" technology.
By this time, Robin Trower and B.J. Wilson had replaced Royer and Harrison in the band, so only three of the five musicians on the recording are represented. No performance footage appears in this film – only scenes of the five musicians cavorting around London and running across fields. The same lineup, with Fisher wearing a monk's cowl, mimed to the song on Top of the Pops, although Brooker sang live. Black-and-white footage of the performance has been shown online. The song represents 1967 on the 2004 DVD release Top of the Pops 40th Anniversary 1964–2004.

U.K. were a British progressive rock supergroup originally active from 1977 until 1980. The band was composed of singer/bassist John Wetton (formerly of King Crimson, Roxy Music, Bryan Ferry's band and Uriah Heep), keyboardist/electric violinist Eddie Jobson (formerly of Curved Air, Roxy Music and Frank Zappa's band), guitarist Allan Holdsworth (formerly of Tempest, Soft Machine, The New Tony Williams Lifetime and Gong) and drummer Bill Bruford (formerly a full member of Yes and King Crimson, and also a tour drummer for Genesis), who was later replaced by drummer Terry Bozzio (formerly of Frank Zappa's band). UK reformed with John Wetton, Eddie Jobson and Terry Bozzio for a world tour in 2012.

Recorded at Club Citta Tokyo, Japan 2012 - Excellent audio!

1. "In the Dead of Night"
2. "By the Light of Day"
3. "Presto Vivace and Reprise"
4. "Danger Money"
5. "Thirty Years"
6. "Alaska"
7. "Time to Kill"
8. "Starless"
9. "Carrying No Cross"
10. "Drum Solo"
11."Violin Solo"
12. "Nevermore"
13. "One More Red Nightmare"
14. "Caesar's Palace Blues"
15. "The Only Thing She Needs"
16. "Rendezvous 6:02"

Eddie Jobson – keyboards, electric violin
John Wetton – vocals, bass
Alex Machacek – guitar
Marco Minnemann – drums