Filipe Garcia
Researcher & Independent Curator
Fine Artist, Poet & Yogui
http://filipegarcia.org
[email protected]
https://vimeo.com/filipesantosgarcia

We know that the game’s of art is not only a game that understanding and creation walk together. Here, the game as a representation system, not oblivious to the knowledge that is constructive expression, is regulated internally by processes of poetic imagination, attentive to the dynamics of the cultural system which determines. The symbolization appears as a mode of apprehending reality. Sharing with science, the essential task for the same cognitive activity, creating symbol systems, the difference being in the symbolic processes used. Here the nonverbal system are of multiple, indirect and complex, and subject to nonconsensual interpretation.
Filipe Garcia voluntarily ambiguous problematizes fundamental issues within the cognitive research, in a deep semantic representation to determine their structures relationships, syntactically dense.
Find analogies in his work and resemblance to the atomic structure of the physical world and its laws of the psychic world. The issues that we find in the work allow the questioning of the heterogeneity of spatial experience and perception of time in close interaction, such as conditions of possibility of experience and its intelligibility. Reinterpret the relationships between local and global in a purely constructive combinatorial game. States the world of experience as an open totality. Its expression is not without ties a dialogue between free intuition and the formative laws of art that adds to the invention of his own rule. It is stated here a set of correspondences in the visible structure of the work and all the cultural work that precedes it. Thus the construction of truth to which it corresponds we find the symbolic structure of his version of all possible worlds.
The possibilities of existence of a structure, in which the notions of part and whole are interchanged, show us a relationship without privileged center, the forms themselves as patterns of forces that support the existence.
The expression is intense within the limits of visibility, multiple and articulated unit between the linear and pictorial, in dynamic contradictions where everything attracts or repels, is homogenized or heterogenizes.
The line modulates a spatiality that prior to metamorphosis requires, in its various degrees of updating and relative potentiation. Complex material, which grows into the plane of composition, areas of indeterminacy, of indescernibility that reveal the strengths and its becoming’s, in a heterogenesis that, restores the infinite.
In his way of forming enunciate-operating with intuition, the issues of building complexity and the requirement for a rethink on what you think as composed of multiplicities. Also the order of coexisting and the complex dynamics of what is produced continuously. The meeting of speculative with a real groping made of ruptures that tries to access a truth deposited in the world.
Filipe Garcia works in intellectual freedom that waives the classical logic of non-contradiction and the excluded middle. In this process he invents in the affirmative and experimental condition that requires the release of the possibilities already given, this deep vitalism that does not renounce its distance from the symbolic order. Mental thing, the material object that expresses the approximate trace is here. As for the language to which consciousness tends will be added to by the use and frequency of works of art and will always be relative to the direction (problematically understood), to what is involved in our lives, and here is the work of sensation.
L.C.C.