Malice in the Palace is the 117th short film released by Columbia Pictures in 1949 starring American slapstick comedy team The Three Stooges (Moe Howard, Larry Fine and Shemp Howard). The comedians released 190 short films for the studio between 1934 and 1959.

Disorder in the Court is the 15th short film released by Columbia Pictures in 1936 starring American slapstick comedy team The Three Stooges (Moe Howard, Larry Fine and Curly Howard). The comedians released 190 short films for the studio between 1934 and 1959.

The Devil Bat is a 1940 black-and-white American horror film produced by Producers Releasing Corporation (PRC) and directed by Jean Yarborough. The film stars Bela Lugosi along with Suzanne Kaaren, Guy Usher, Yolande Mallott and the comic team of Dave O'Brien and Donald Kerr as the protagonists. It was the first horror film from PRC.

Although described as a sequel, PRC's 1946 film Devil Bat's Daughter has no actors, characters or close plot elements from the 1940 film.

Manos: The Hands of Fate (stylized onscreen as "MANOS" The Hands of Fate) is a 1966 American independent horror film. It was written, directed, and produced by Harold P. Warren who also starred in the film. It is widely recognized as one of the worst films ever made. In 1993, the television comedy series Mystery Science Theater 3000 (MST3K), a show based on the premise of comedically mocking B movies, featured Manos: The Hands of Fate, helping the film develop a cult status.

The Great Flamarion is a 1945 film noir mystery film directed by Anthony Mann starring Erich von Stroheim and Mary Beth Hughes. The film, like many films noir, is shot in flashback narrative. The film was produced by Republic Pictures.

The Man with the Golden Arm is a 1955 American drama film with elements of film noir, based on the novel of the same name by Nelson Algren, which tells the story of a drug addict who gets clean while in prison, but struggles to stay that way in the outside world. Although the addictive drug is never identified in the film, according to the American Film Institute "most contemporary and modern sources assume that it is heroin", in contrast to Algren's book which named the drug as morphine. The film stars Frank Sinatra, Eleanor Parker, Kim Novak, Arnold Stang and Darren McGavin. It was adapted for the screen by Walter Newman, Lewis Meltzer and Ben Hecht (uncredited), and directed by Otto Preminger. The film's initial release sparked controversy due to its serious, in-depth treatment of the then-taboo subject of drug addiction.

It was nominated for three Academy Awards: Sinatra for Best Actor in a Leading Role, Joseph C. Wright and Darrell Silvera for Best Art Direction-Set Decoration, Black-and-White and Elmer Bernstein for Best Music, Scoring of a Dramatic or Comedy Picture. Sinatra was also nominated for best actor awards by the BAFTAs and The New York Film Critics. The film is in the public domain.

Indestructible Man is a 1956 American crime horror science fiction film, an original screenplay by Vy Russell and Sue Dwiggins for producer-director Jack Pollexfen and starring Lon Chaney, Jr., Ross Elliott and Robert Shayne.

The picture was produced independently by C.G.K. Productions, and distributed in the United States by Allied Artists Pictures Corporation. The film was distributed theatrically in 1956 on a double bill with World Without End.

The Last Man on Earth (Italian: L'ultimo uomo della Terra) Starring Vincent Price, Franca Bettoia, Emma Danieli is a 1964 American-Italian science-fiction horror film based on the 1954 Richard Matheson novel I Am Legend. The film was directed by Ubaldo Ragona and Sidney Salkow, and stars Vincent Price. The script was written in part by Matheson, but he was dissatisfied with the result and chose to be credited as "Logan Swanson". William Leicester, Furio M. Monetti, and Ubaldo Ragona were the other writers.

It was filmed in Rome, Italy, with some location shots taken at Esposizione Universale Roma. It was released theatrically in the United States by American International Pictures and the UK in 1966. In the 1980s, the film entered the public domain. MGM Home Video, the current owners of the AIP film catalog, released a digitally remastered widescreen print on DVD in September 2005.

Brideless Groom is the 101st short film released by Columbia Pictures in 1947 starring American slapstick comedy team The Three Stooges (Moe Howard, Larry Fine and Shemp Howard). The comedians released 190 short films for the studio between 1934 and 1959.

Bowery at Midnight is a 1942 American horror film directed by Wallace Fox and starring Bela Lugosi and John Archer.

God's Little Acre is a 1958 American film of Erskine Caldwell's 1933 novel of the same name. It was directed by Anthony Mann and shot in black and white by cinematographer Ernest Haller. Although the film was not released until August 1958, its production schedule is indicated as September 11 to late October 1957.

The film was as controversial as the novel, although unlike its source material there was no prosecution for obscenity. Though both book and film were laced throughout with racy innuendo calling into question the issue of marital fidelity, it was the film adaptation that may have been the more alarming because it portrayed a popular uprising, or workers' insurrection, in the Southern United States by laid-off millworkers trying to gain control of the factory equipment on which their jobs depended.

Philip Yordan was officially given credit for the screenplay, but it was actually by Ben Maddow. Since Maddow was blacklisted for his radical, and suspected, but unproven, Communist activities during the 1950s Red Scare, working without credit was the only way he could successfully submit screenplays. When it was first released, audiences under eighteen years of age were prohibited from viewing what were perceived to be numerous sexy scenes throughout, though in recent decades the film's scandalous reputation has diminished. After decades of neglect, the film was restored by the UCLA Film and Television Archive under the supervision of master restorer Robert Gitt. As part of Gitt's restoration, Yordan's name was replaced by Maddow's in the main title roll.

The Brain That Wouldn't Die (also known as The Head That Wouldn't Die) is a 1962 American science fiction horror film directed by Joseph Green and written by Green and Rex Carlton. The film was completed in 1959 under the working title The Black Door but was not theatrically released until May 3, 1962, when it was released under its renamed title as a double feature with Invasion of the Star Creatures.

The main plot focuses upon a mad doctor who develops a means to keep human body parts alive. He keeps his fiancé's severed head alive for days, and also keeps a lumbering, misshapened brute (one of his earlier failed experiments) imprisoned in a closet.

Cyrano de Bergerac is a 1950 drama romance film based on the 1897 French Alexandrine verse drama Cyrano de Bergerac by Edmond Rostand. It uses poet Brian Hooker's 1923 English blank verse translation as the basis for its screenplay. The film was the first motion picture version in English of Rostand's play, though there were several earlier adaptations in different languages.

The 1950 film was produced by Stanley Kramer and directed by Michael Gordon. José Ferrer received the Academy Award for Best Actor for his starring performance as Cyrano de Bergerac. Mala Powers played Roxane, and William Prince portrayed Christian de Neuvillette.

Gulliver's Travels is a 1939 American cel-animated Technicolor feature film, produced by Max Fleischer and directed by Dave Fleischer for Fleischer Studios about an explorer who helps a small kingdom who declared war after an argument over a wedding song. The film was released to cinemas in the United States on December 22, 1939 by Paramount Pictures, which had the feature produced in response to the success of Walt Disney's box-office hit Snow White and the Seven Dwarfs. The sequences for the film were directed by Seymour Kneitel, Willard Bowsky, Tom Palmer, Grim Natwick, William Henning, Roland Crandall, Thomas Johnson, Robert Leffingwell, Frank Kelling, Winfield Hoskins, and Orestes Calpini. This is Fleischer Studios' first feature-length animated film.

The film was the second animated feature film produced by an American studio, the first being Snow White and the Seven Dwarfs from Walt Disney Productions. The story is based very loosely on that of Lilliput and Blefuscu depicted in the first part of Jonathan Swift's 18th century novel, Gulliver's Travels.

A Bucket of Blood is a 1959 American black comedy horror film directed by Roger Corman. It starred Dick Miller and was set in beatnik culture. The film, produced on a $50,000 budget, was shot in five days and shares many of the low-budget filmmaking aesthetics commonly associated with Corman's work. Written by Charles B. Griffith, the film is a dark comic satire about a dimwitted, impressionable young busboy at a Bohemian café who is acclaimed as a brilliant sculptor when he accidentally kills his landlady's cat and covers its body in clay to hide the evidence. When he is pressured to create similar work, he becomes murderous.

A Bucket of Blood was the first of three collaborations between Corman and Griffith in the comedy genre, followed by The Little Shop of Horrors (which was shot on the same sets as A Bucket of Blood) and Creature from the Haunted Sea. Corman had made no previous attempt at the genre, although past and future Corman productions in other genres incorporated comedic elements. The film is a satire not only of Corman's own films but also of the art world and teen films of the 1950s. The film is noted as well in many circles as an honest, undiscriminating portrayal of the many facets of beatnik culture, including art, dance and style of living. The plot has similarities to Mystery of the Wax Museum (1933). However, by setting the story in the Beat milieu of 1950s Southern California, Corman creates an entirely different mood from the earlier film.

Zontar, the Thing from Venus (a.k.a. Zontar: The Invader from Venus) is a 1966, made for television science fiction film, directed by Larry Buchanan, and based on the teleplay by Hillman Taylor and Buchanan. It is a low-budget 16mm film color remake of Roger Corman's It Conquered the World (1956), which also featured an alien invader from Venus.

The film is arguably Buchanan's best known.

The Amazing Mr. X also known as The Spiritualist is a 1948 American horror thriller film noir directed by Bernard Vorhaus with cinematography by John Alton. Like Nightmare Alley (1947), this film tells the story of a phony spiritualist racket. The film is prominently featured in Alton's book on cinematography Painting with Light (1949).

The film stars Turhan Bey, Lynn Bari, Cathy O'Donnell, and Richard Carlson. Eagle-Lion Films signed a contract with Carole Landis for the part played by Bari, but Landis committed suicide a few days before shooting began.

Africa Screams is a 1949 American adventure comedy film starring Abbott and Costello and directed by Charles Barton that parodied the safari genre. The title is a play on the title of the 1930 documentary Africa Speaks!. The supporting cast features Clyde Beatty, Frank Buck, Max Baer, Buddy Baer, Shemp Howard, and Joe Besser.

Captain Kidd is a 1945 adventure film starring Charles Laughton, Randolph Scott and Barbara Britton. It was directed by Rowland V. Lee and produced by Benedict Bogeaus and James Nasser. The music was conducted by Werner Janssen. The film was released by United Artists. It has entered the public domain because the producers neglected to renew the copyright in 1972. The film is also Lee's final one before his retirement. The film contains some historically incorrect material, including a London scene showing Tower Bridge - two hundred years before it was built. Kidd's London prisoner crew was removed before it sailed from England and Kidd was forced to find a new crew in New York City. Kidd returned to New York, not to London. In his memories, Nikita Khrushchev noted that this was one of Joseph Stalin's favorite films, who identified with the mischievous captain.

Detour is a 1945 American film noir directed by Edgar G. Ulmer starring Tom Neal and Ann Savage. It was adapted by Martin Goldsmith and Martin Mooney (uncredited) from Goldsmith's eponymous 1939 novel and released by the Producers Releasing Corporation (PRC), one of the so-called Poverty Row film studios in mid-twentieth century Hollywood.

In 1992, Detour was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".

The film is in the public domain and is freely available from online sources. There are many DVD editions.[citation needed]

A 4K restoration by the Academy of Motion Picture Arts & Sciences premiered in Los Angeles at the TCM Festival in April 2018. A Blu-Ray release is expected in 2019.

Blood on the Sun is a 1945 American drama romantic thriller war film directed by Frank Lloyd starring James Cagney and Sylvia Sidney. The film is based on a fictional history behind the Tanaka Memorial document.

The film won the Academy Award for Best Art Direction for a Black & White (Wiard Ihnen, A. Roland Fields) film in 1945

At War with the Army is a 1950 American musical comedy film directed by Hal Walker and starring the comedy team of Martin and Lewis and introducing Polly Bergen. It was filmed from July through August 1949, and released on December 30, 1950 by Paramount. It was re-released in 1958 by OMAT Pictures.

Although filmed before My Friend Irma Goes West, it was held back until the sequel to Martin and Lewis' smash film debut My Friend Irma was released.

Carnival of Souls is a 1962 American independent horror film written, produced, and directed by Herk Harvey, and starring Candace Hilligoss. Its plot follows Mary Henry, a young woman whose life is disturbed after a car accident. She relocates to a new city, where she finds herself unable to assimilate with the locals, and becomes drawn to the pavilion of an abandoned carnival; director Harvey also appears in the film as a ghoulish stranger who stalks her throughout.

Filmed in Lawrence, Kansas and Salt Lake City, Carnival of Souls was shot on a budget of USD$33,000, and Harvey employed various guerrilla filmmaking techniques to finish the production. It was Harvey's only feature film, and did not gain widespread attention when originally released as a double feature with The Devil's Messenger in 1962.

Set to an organ score by Gene Moore, the film has been contemporarily noted by critics and film scholars for its cinematography and foreboding atmosphere. The film has a large cult following and is occasionally screened at film and Halloween festivals, and has been cited as a wide-ranging influence on numerous filmmakers, including David Lynch and George A. Romero.

Angel and the Badman is a 1947 American Western film written and directed by James Edward Grant and starring John Wayne, Gail Russell, Harry Carey and Bruce Cabot. The film is about an injured gunfighter who is nursed back to health by a Quaker girl and her family whose way of life influences him and his violent ways. Angel and the Badman was the first film Wayne produced as well as starred in, and was a departure for this genre at the time it was released. Writer-director James Edward Grant was Wayne's frequent screenwriting collaborator.

Charade is a 1963 American romantic comedy mystery film directed by Stanley Donen, written by Peter Stone and Marc Behm, and starring Cary Grant and Audrey Hepburn. The cast also features Walter Matthau, James Coburn, George Kennedy, Dominique Minot, Ned Glass, and Jacques Marin. It spans three genres: suspense thriller, romance and comedy. Because Universal Pictures published the movie with an invalid copyright notice, the film entered the public domain in the United States immediately upon its release.

The film is notable for its screenplay, especially the repartee between Grant and Hepburn, for having been filmed on location in Paris, for Henry Mancini's score and theme song, and for the animated titles by Maurice Binder. Charade has received generally positive reviews from critics, and was additionally noted to contain influences of genres such as whodunit, screwball and spy thriller. It has also been referred to as "the best Hitchcock movie that Hitchcock never made".