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A romantic ballad from their "Street Called Desire" LP which they wrote together that became a #2 hit on the Billboard R&B charts in April of 1986.
Performing a song from their "Future Bound" LP which was released as a single in February 1978 reaching #20 on the UK pop charts and #48 on the Billboard R&B charts.
A Philly-produced dance track from his self-titled LP of 1974, released as a single in the winter of that year. It made it into the UK Top-40, peaking at #39 in the pop charts. In the U.S. it reached #5 on the Billboard dance charts and #42 on the R&B charts.
Released as a single from the disco/boogie group's "Have a Good Forever: LP in March 1985, this song reached #11 on the UK pop charts.
From the group's "Imagination" LP, this song was released as a single in November 1973, reaching #1 on the Billboard R&B charts and #4 on the Hot 100 pop charts.
Released as a single from his self-titled album of 1984, this ballad reached #6 on the UK pop charts, #13 on the Billboard Hot 100 pop charts and #14 on the R&B charts.
Performing a track from her "Turn On the Lights - Be Happy" LP which was released as a single in September 1977, reaching #10 on the Billboard R&B charts and #75 on the Hot 100 pop charts.
Atlantic Starr perform a classic romantic ballad from their "All in the Name of Love" LP which was released as a single in march 1987 and became a huge hit, climbing to Number 1 on both the Billboard Hot 100 pop charts and R&B charts and reaching #3 on the UK pop charts.
Released as a single from the group's "That's How Much I Love You" LP in November 1974, this Philly-produced ballad reached #7 on the Billboard R&B charts and #37 on the Hot 100 pop charts, which was the group's first single to make it into the Top-40 of the U.S. pop charts up until then.
Performing a song from her "Ooooooweeee!!! LP which was released as a single in October 1964, reaching #9 on the UK pop charts.
Performing the title track of her debut LP, which was released as a single in October 1986, reaching #5 on the Billboard R&B charts.
A catchy track from his excellent Willie Mitchell produced "Night and Day" album which was released as a single on the Mitchell's Waylo label and became a local hit in Memphis but did not chart nationally.
Rare footage of Brenda & The Tabulations performing a song from their self-titled album of 1969 which was released as a single at the end of that year reaching #12 on the R&B charts and #50 on the Hot 100 pop charts.
Written by the group's lead sing J. Blackfoot, this song from their "Genesis" album became a sizable hit in the Spring of 1972, reaching #4 on the Billboard R&B charts and #44 on the Hot 100 pop charts.
Performing a slowie from their "Together Again" LP which was released as a single in September 1987, reaching #3 on the Billboard R&B charts. It was a minor hit in the UK, reaching #90 on the pop charts.
Millie Jackson performs her first major hit. Released as a single from her self-titled debut album in March 1972, it reached #4 on the Billboard R&B charts and #27 on the Hot 100 pop charts.
Released as a single from their "As One: LP in the summer of 1982, this song reached #6 on the Billboard R&B charts, #14 on the Hot 100 pop charts, and #21 on the UK pop charts.
The Queen of Soul performs a song from her "Aretha Arrives" LP which was released as a single in July 1967, reaching #1 on the Billboard R&B charts and #4 on the Hot 100 pop charts.
Performing their first major international hit. Released as a single from their self-titled album in March 1975, it climbed to the top of both the Billboard R&B charts as well as the Hot 100 pop charts, and reached #21 on the pop charts in the UK.
Released as a single from his "This Is Clarence Carter" LP is July 1968, this song reached #2 on the Billboard R&B charts and #6 on the Hot 100 pop charts.
American Soul and R&B group Rose Royce are best known for several hit singles during the 1970s including "Car Wash," "I Wanna Get Next to You," "I'm Going Down", "Wishing on a Star", and "Love Don't Live Here Anymore". This episode of Unsung features the successes and internal bickerings of the group.
The title track of the group's 1975 album, released as a single in the UK in November 1975, reaching #16 on the UK pop charts.
Released as a single from Glenn Jones' self-titled album in August 1987, this song reached #2 on the Billboard R&B charts and #66 on the Hot 100 pop singles chart, making it his most successful single.
This Frederick Knight penned Southern Soul ballad was the follow-up single to her million-selling "Woman to Woman" hit, from the album of the same name. Released as a single in May 1975, it reached #32 on the Billboard R&B charts.
Performing a song from his "Watching You Watching Me" album which was released as a single in April 1985, reaching #22 on the Billboard R&B charts and #60 on the UK pop charts.
The purpose of this channel is to promote Soul music to what is becoming increasingly a soul-less generation, for whether we know it or not and whether we like it or not, the world as we have known it is coming to an end and a long planned, dystopian, technocratic future world will come into being if globalist think tank lobby groups such as the World Economic Forum, The Bilderberg Group, The Trilateral Commission and The Council on Foreign Relations are allowed to have their way. If we as a race allow this to happen then history will be re-written as it has been many times before, and future generations will know little or nothing about what it really means to be human. They will no longer have any reference point and the "new normal" where human beings are injected with substances constantly in order to totally control them in every conceivable way will be all they will ever know.
The purpose of RnBSoulMusic.com is to provide a musical time capsule for future generations whereby they will come to know what quality popular music was like in the second half of the 20th century and what a positive role RnB Soul music played in shaping society in the years up to 1990. The message of love for one another is so strong in this form of popular music that the globalists could not allow it to continue, and by the end of the 1990's the term "soul music" was pretty much a thing of the past.
The globalist agenda is to divide and conquer and to dehumanize the race in order to bring about a totalitarian one world system of governance which if allowed will be the very antithesis of the message of brotherly love carried by soul music, which is why it had to go, to be replaced largely by hip-hop and rap which in many cases carries an opposite message to that of soul music.
Soul music is called that for a reason - listening to it can have a very positive influence on an individual's thinking and outlook on life. No soul who listens carefully to the lyrics of Marvin Gaye's "What's Going On" and "Save the Children" or Timmy Thomas' "Why Can't We Like Together, or The Impressions' "Choice of Colors", or Lou Rawls' "What's the Matter with the World" (to name just a few) can fail to recognize the importance of their messages.
At the moment RnBSoulMusic.com features around 1100 videos, and soon after it reaches the 1500 mark the entire website will be made available on USB flash drives and micro SD cards that will include all the videos on it and will not depend on the internet at all. It will run on any computer or portable device with no internet connection needed therefore. You will then be able to obtain copies of it not only for your own personal enjoyment but to gift to others and most importantly to make available as time capsules for future generations. Even in the years to come there is bound to be devices available that can be used to run the usb drive/micro sd cards on.
If you are interested in obtaining some of these for yourself and others then please drop an email to [email protected].
As some of you will know, this is a relatively new Bitchute channel and although it is already arguably one of the best music channels on this platform it does not have much general visibility yet due to the relatively low number of subscribers, so if you like this channel do please take the time to subscribe and share it with others. It is important for the survival of Bitchute that it is not only a platform for those who have been banned from other platforms, but has genuinely good channels of its own that are equal to or better than anything found on YouTube and elsewhere. The more people that know about and use Bitchute the harder it will be for the globalist agents to get it taken down as there is strength in numbers as you know.
Thanks you for your time, and let's together try and make a crucial difference.
"You must be the change you wish to see in the world". (Mahatma Gandhi)
"You and me we can make it better, you and me we can make it right" (Lou Rawls - What's The Matter With The World)
Lastly, a big thanks to Ray for all the good work in providing this fine platform.