What About Love" is a song originally recorded by Canadian rock band Toronto in 1982. It was later recorded by American rock band Heart in 1985 and was released as the first single from the band's self-titled album, Heart. The band's "comeback" single, it was the first Heart track to reach the top 40 in three years, and their first top 10 hit in five. The song was also their first hit single on their new record label, Capitol Records. Grace Slick and Mickey Thomas, co-lead vocalists of Starship at the time, provide additional background vocals on the song.

The song's sound marked a considerable change in the musical direction for Heart, moving from the hard rock and folk rock of their earlier work to a more polished, power ballad sound. "What About Love" received extensive airplay on MTV and returned Heart to the top-10 of the U.S. Billboard Hot 100 for the first time in five years, peaking at No. 10.

The song peaked at No. 14 on the UK Singles Chart upon its re-release in 1988. Exclusively in its UK release, "What About Love" was also featured in an extended version on 12" and CD single versions.

Cash Box said of the single that it "retains the punch of [Heart's] hard rock tinged mid-’70s successes with a new vocal and melodic pliability," also saying that it has "less emphasis on guitar solos and more songwriting focus."

"All She Wants to Do Is Dance" is a song written by Danny Kortchmar and performed by Don Henley, co-lead vocalist and drummer for Eagles. It was released as the second single from Henley's second studio solo album, Building the Perfect Beast (1984), and was Henley's sixth solo single overall. It was one of Henley's most commercially successful singles, peaking at No. 9 on Billboard Hot 100 and also became his third song to top the Top Rock Tracks chart.

The song critiques the US intervention in Central America, particularly in the then-ongoing Contra War, in which the Reagan administration funded the right-wing rebel group Contras to overthrow the socialist Sandinista National Liberation Front government in Nicaragua.

Backing vocals for the song was provided by Patty Smyth of the band Scandal, and Martha Davis, lead singer of the Motels.

When Kortchmar was asked about the song, he said, "I had the groove and the music going. That record was made back when the technology had just started to really take over in music. I had one of the first Yamaha DX7s, which was a keyboard that was used a ton in the '80s, but we ended up luckily getting one of the first ones in the United States. It's a synthesizer keyboard, and I used it to get that sound that you hear the record starting with."

"Cuts Like a Knife" is a song by Canadian rock musician Bryan Adams. It was released in May 1983 as the second single from his third studio album of the same name (1983). It peaked at number 6 on the Billboard Top Rock Tracks chart and number 15 on the Billboard Hot 100. The song has appeared on all of Adams' compilation albums with the exception of The Best of Me.

"Cuts Like a Knife" was released in 1983, peaking at number 15 on the Billboard Hot 100[2] and number 6 on the Hot Rock Tracks chart. The song reached number 12 on the Canadian singles chart and remained in the top twenty for seven weeks. "Cuts Like a Knife" was Adams' highest charting single to date in Canada while the previous single "Straight from the Heart" was the higher charting song on the US Hot 100 peaking at number 10. "Cuts Like a Knife" won the Procan Award (Performing Rights Organization of Canada) for Canadian radio airplay in 1983 and was nominated for a Juno Award for Single of the Year in 1984.

The music video for "Cuts Like a Knife" was directed by Irish director Steve Barron,[6] who filmed it inside an empty indoor swimming pool in Hollywood. The pool had been drained and out-of-use for several years.[1] It would also become the location for Adams's platinum album party. The music video for "Cuts Like a Knife" was in heavy rotation on MTV during 1983 and was one of that year's most popular.[1]

The woman seen in the video is a Penthouse magazine model named Raquel Pena. She later stated that she was chosen at the audition because "Steve Barron wanted someone with really long legs, and I wore a black bathing suit that he liked. I wore the same suit in the video. That's how low budget it was!"

"Pressure" is a 1982 song by American musician Billy Joel released as a single from the album The Nylon Curtain and reached #20 on the US Billboard Hot 100. The synthesizer-driven rock song tells about the pressure of creating and the pressure of being a provider.

In Night School, a show airing on MTV in 1982 that ran roughly a half-hour long, in which he answers questions posed by audience members, Billy Joel reveals that the pressure he was talking about in the song was something along the lines of writing pressure and pressure to provide.

When I was starting out and trying to get things going, the pressure was if you don't get things going, they're going to throw you out of this apartment. There was that kind of pressure. "I'm hungry," my stomach was going, "pressure, food." I think that's pretty intense pressure. The pressure I was writing about in this song wasn't necessarily music business pressure, it was writing pressure. ... At the time, I was saying, "Well, I gotta write some more stuff for the album"; I was about halfway through, and I said, "Well, what am I gonna do? I don't have any ideas, it's gone, it's dead, I have nothing, nothing, nothing. There's nothing." And then the woman who is my secretary came into the house at that point and said, "Wow, you look like you're under a lot of pressure. I bet you that'd be a good idea for a song." And I went, "Thank you!"

The music video of the song features the full version, instead of the shortened one. A common motif in the video is the use of water, whether splashed on Joel's shoes, rushing out from school desks, or flooding his apartment. The video was directed by Russell Mulcahy and made its premiere on MTV on September 9, 1982. Several scenes in the video make references to movies such as A Clockwork Orange, Poltergeist and, in the framing sequence, The Parallax View.

"Eyes Without a Face" is a song by English rock musician Billy Idol, from his second album Rebel Yell (1983). It was released in 1983 as the second single from the album. The song is softer and more ballad-like than most of the album's other singles. It reached No. 4 on the Billboard Hot 100, becoming Idol's first top-10 hit in the US.[4] The recording features the voice of Perri Lister—she appeared in the banned video for "Hot in the City"—who sings "Les yeux sans visage" (French for "Eyes without a face") as a background chorus. The title of the song refers to the English title of French director Georges Franju's 1960 film Les yeux sans visage.

The video was released in June 1984 and subsequently nominated for MTV Video Music Awards for "Best Editing" and "Best Cinematography". It was shot over an exhausting three-day period on a set with fog machines, lighting, and fire sources. Immediately after the shoot, Idol flew to perform in Arizona, where he discovered that his contact lenses had fused to his eyeballs, attributing it to the harsh video shoot and dry plane air. He was taken to a hospital where the lenses were removed and his eyes bandaged for three days, until his scraped corneas grew back.

Simply 80's wishes to present a classic from its' favorite band from the 80's. Yes, the boys from "down under" have "ALWAYS" been my favorite since I first heard them.

As a quintessential Gen X'er I can honestly say that these boys had it! The captured "lightning in a bottle" in 1980 as they scored numerous top 5 hits from 1980-1983. In fact, they matched a record set only by The Beatles with the most TOP 5 hits.

"Every Woman In The World" was released in October of 1980 from the Album "Lost In Love". The album produced 3 top 5 hits; Lost In Love, All Out Of Love, and Every Woman In The World. It has a bit of a country flair, but the Australian duo scored a HUGE hit!

The video shows the original band members from 1980. Members include: Graham Russell (Rhythm Guitar, Composer), Russell Hitchcock (Lead Vocals), Rex Goh (Lead Guitar), David Moyse (Lead Guitar), Ralph Cooper (Drums), David Green (Bass) and Frank Esler-Smith (Arrangement, Keyboards)

Don't underestimate this band from Australia as they have had multiple hits and have sold over 180 million records world-wide. In the Pan-Pacific they are the top-selling band of all time.

"Steal Away" is a song by American singer Robbie Dupree, from his 1980 debut album Robbie Dupree. Released as the first single from the album, it became his biggest hit, peaking at No. 6 on the U.S. Billboard Hot 100 and No. 5 on the Adult Contemporary chart.[1] In Canada, the song reached No. 14 on the Pop chart and spent three weeks at No. 2 on the Adult Contemporary chart.[2]

In 2009, VH1 ranked "Steal Away" placed at No. 64 on their retrospective list 100 Greatest One-Hit Wonders of the 80s. This is despite Dupree having had a second top 40 hit with his No. 15-peaking single "Hot Rod Hearts".

The song was released by Dupree in 1980. It immediately charted in the top 20, becoming a big hit during the summer of 1980 and the driving force on his debut album. John D'Agostino of the Los Angeles Times described the song as "a blatant, wimpy rip-off of the Michael McDonald/Kenny Loggins' composition "What a Fool Believes". The Washington Post noted similarities in both Dupree's vocal style and backing keyboards to "What A Fool Believes", mentioning that McDonald's publishers sought legal action, although McDonald himself did not accuse Dupree of stealing his song.

In 2017, the song was used in the American television crime drama series, Better Call Saul, in season 3, episode 10, titled "Lantern."

Robert Dupuis (born December 23, 1946), known professionally as Robbie Dupree, is an American singer best known for his hit songs "Steal Away" (No. 6 on the Billboard Hot 100) and "Hot Rod Hearts" (No. 15).

Robbie Dupree was born on December 23, 1946 in Brooklyn, as Robert Dupuis. While growing up, his biggest musical influences included R&B musicians Marvin Gaye and Sam Cooke.

"Baby Jane" is a 1983 song by British singer Rod Stewart. It was a significant hit worldwide and remains his final UK number one single to date.

Written by Rod Stewart and Jay Davis and produced by Stewart, Tom Dowd, George Cutko and Jim Cregan, the song was the lead single from his Body Wishes album and was his most successful single since "Da Ya Think I'm Sexy" in 1978.

"Baby Jane" peaked at No. 1 in the UK, remaining at the top of the chart for three weeks. In the US, the song was also a big hit, peaking at no. 14 on the Billboard Hot 100 chart. The single also charted highly in Australia, peaking at no. 10.

Sir Roderick David Stewart CBE is a British rock and pop singer and songwriter. Born and raised in London, he is of Scottish and English ancestry. With his distinctive raspy singing voice, Stewart is among the best-selling music artists of all time, having sold over 250 million records worldwide. He has had 10 number-one albums and 31 top ten singles in the UK, six of which reached number one. Stewart has had 16 top ten singles in the US, with four reaching number one on the Billboard Hot 100. He was knighted in the 2016 Birthday Honors for services to music and charity.

Stewart was inducted into the Rock and Roll Hall of Fame in 1994, presented by Jeff Beck. On 31 December 1994, Stewart played in front of 3.5 million people on Copacabana beach in Rio, and made it into the Guinness Book of World Records for staging the largest free rock concert attendance in history.

"The Safety Dance" is a song by Canadian new wave/synth-pop band Men Without Hats, released in Canada in 1982 as the second single from Rhythm of Youth. The song was written by lead singer Ivan Doroschuk after he had been kicked out of a club for pogo dancing.

The song entered the Canadian top 50 in February 1983, peaking at number 11 on May 14. In the meantime, "The Safety Dance" was released in the US on March 16, but did not enter the US charts for a few months. When it finally did, the record became a bigger hit than it had been in Canada, spending four weeks at its peak position of number 3 in September and October 1983, and staying on the Billboard Hot 100 for 24 weeks. It also reached number 1 on Cash Box, as well as number 1 on the Billboard Dance Chart. "The Safety Dance" found similar success in other parts of the world, entering the UK charts in August and peaking at number 6 in early November, and entering the New Zealand charts in November, eventually peaking at number 2 in early 1984. The song was also a massive success in South Africa, reaching No. 1 on the Springbok charts. The song has been inducted into the Canadian Songwriters Hall of Fame.

The writer/lead singer Ivan Doroschuk has explained that "The Safety Dance" is a protest against bouncers prohibiting dancers from pogoing to 1980s new wave music in clubs when disco was declining and new wave was coming in. Unlike disco dancing, which is done with partners, new wave dancing is done individually and involves holding the torso rigid while thrashing about; pogoing involves jumping up and down (the more deliberately violent evolution of pogoing is slamdancing). Clubgoers doing the newer pogo dance were perceived as posing a danger to disco dancers on the dance floor, and so club bouncers would tell pogoers to stop or be kicked out of the club. Thus, the song is a protest and a call for freedom of expression.

Men Without Hats are a Canadian new wave and synth-pop band, originally from Montreal, Quebec. Their music is characterized by the baritone voice of their lead singer Ivan Doroschuk, as well as their elaborate use of synthesizers and electronic processing. They achieved their greatest popularity in the 1980s with "The Safety Dance", a worldwide top ten hit (No. 3 in the United States), and "Pop Goes the World". After a hiatus for most of the 1990s and 2000s, Doroschuk reformed the band in 2010, and released Love in the Age of War (2012). The group, based in Vancouver, has continued to perform, including tour dates announced in support of the release of two studio albums, Men Without Hats Again (Parts 1 & 2), in 2021 and 2022 respectively.

New Moon on Monday" is the tenth single by the English new wave band Duran Duran, released on 23 January 1984 in the United Kingdom.

The second single to be taken from the band's third studio album Seven and the Ragged Tiger (1983), the song was another success, reaching the top ten on both the UK and US charts. On 11 February 1984, the single reached number nine on the UK Singles Chart and on 17 March, it reached number 10 on the US Billboard Hot 100, after entering on 14 January 1984 at number 56. It did not chart well in Australia and Scandinavia, territories where its predecessor, "Union of the Snake", had been a big hit. This trend was reversed with the next single, "The Reflex", which became a worldwide number-one hit.

In a contemporary review, Cash Box said that the song "follows the surefire hit formula" but "the loneliness-themed tune is more lyrical than usual."

In a retrospective review, "New Moon on Monday" was praised by AllMusic journalist Donald A. Guarisco, who wrote: "The music holds the unusual lyrics together by wedding effervescent verse melodies that bounce high and low to a triumphant-sounding chorus with a rousing feel."

The music video for "New Moon on Monday" was filmed by director Brian Grant during the morning of 7 December 1983 in the village of Noyers in France. It has a loosely sketched storyline in which the band appear as members of an underground resistance movement called "La Luna" (the name is one of the few connections between the video's content and the song lyrics), organizing a revolt against a modern (1980s-era computers are used) oppressive militaristic regime, apparently in France.

"We set out to make a little movie," recalled Grant. "I'm not sure we succeeded." He was not the first choice to shoot the video, as Russell Mulcahy, director of many of the band's other videos, was unavailable.

Duran Duran are an English rock band formed in Birmingham in 1978 by singer and bassist Stephen Duffy, keyboardist Nick Rhodes, and guitarist/bassist John Taylor. With the addition of drummer Roger Taylor the following year, the band went through numerous personnel changes before May 1980, when they settled on their most famous line-up by adding guitarist Andy Taylor and lead vocalist Simon Le Bon.

When Duran Duran emerged they were generally considered part of the New Romantic scene.[5] Innovators of the music video, Duran Duran were catapulted into the mainstream with the introduction of the 24-hour music channel MTV.[6] The group was a leading band in the MTV-driven Second British Invasion of the US in the 1980s. Photographer Denis O'Regan, who captured the band during their 1984 tour, commented "Duran Duran in America was like Beatlemania." The band's first major hit was "Girls on Film" (1981), from their self-titled debut album, the popularity of which was enhanced by a controversial music video. A heavily edited form played in rotation on MTV. The band's breakthrough second album was Rio (1982), which peaked at number six in the US, number two in the United Kingdom, and number one in Australia and Canada. The songs "Hungry Like the Wolf" and "Rio" featured cinematic music videos directed by Australian film maker Russel Mulcahy and became two of their biggest hits. "Hungry Like the Wolf" won the inaugural Grammy Award for Best Music Video in 1984. Their follow-up third album, Seven and the Ragged Tiger, became their only UK number one album and featured the US and UK number one single "The Reflex". In 1985, the band topped the US charts with the single "A View to a Kill" from the soundtrack of the James Bond film of the same name.

According to Billboard, Duran Duran have sold over 100 million records. They achieved 30 top 40 singles in the UK Singles Chart (14 of them top 10) and 21 top 40 singles in the US Billboard Hot 100. The band have won numerous awards throughout their career: two Brit Awards including the 2004 award for Outstanding Contribution to Music, two Grammy Awards, an MTV Video Music Award for Lifetime Achievement, and a Video Visionary Award from the MTV Europe Music Awards. They were also awarded a star on the Hollywood Walk of Fame. The band was inducted into the Rock & Roll Hall of Fame as part of the class of 2022.

"The Lady in Red" is a song by British-Irish singer-songwriter Chris de Burgh. It was released on 20 June 1986 as the second single from the album Into the Light. The song was responsible for introducing de Burgh's music to a mainstream audience worldwide.

The song was written in reference to his wife Diane, who used to come and watch him perform at his parents' hotel. It was released on the album Into the Light. On the British TV series This Is Your Life, de Burgh said that the song was inspired by the memory of when he first saw Diane, and how men so often cannot even remember what their wives were wearing when they first met.

The song was a massive hit across the world, quickly becoming de Burgh's best-selling single and his signature song, transforming him from a cult artist into a household name in many countries. It reached the number one position in Canada, the United Kingdom, Ireland, Norway, and the Flanders region of Belgium. It reached number three in the United States during the spring of 1987. The song also propelled its parent album Into The Light to the number two position in the United Kingdom and success in other markets. The song was de Burgh's third UK hit single and first to reach the top 40.

Christopher John Davison (born 15 October 1948), known professionally as Chris de Burgh, is a British-Irish singer-songwriter and instrumentalist. He started out as an art rock performer, but subsequently started writing more pop-oriented material. He has had several top 40 hits in the UK and two in the US, but he is more popular in other countries, particularly Norway and Brazil. His 1986 love song "The Lady in Red" reached number one in several countries. De Burgh has sold over 45 million albums worldwide.

"Never" is a song by American rock band Heart, released as the second single from the band's eponymous eighth studio album (1985). It was written by Holly Knight, Gene Bloch and "Connie" (a pseudonym for Ann Wilson, Nancy Wilson, and Sue Ennis).

"Never" is a rock song with an uplifting lyric to a person who has been discouraged by love. Like the preceding "What About Love", the music video for "Never" received heavy rotation on MTV.

"Never" peaked at number four on the Billboard Hot 100, marking the first time that Heart earned consecutive top ten entries, and the first time a Heart album generated two top ten singles.

A reworking of the song appears on the Japanese version of Heart's live album The Road Home. "Only in that version of 'Never'," observed Nancy Wilson, "did the song get the rootsy vibe that stands up to time."

The song peaked at #4 on Billboards Hot 100 in December 1985.

Heart is an American rock band formed in 1973 in Seattle, Washington. The band evolved from previous projects led by founding members Roger Fisher (guitar) and Steve Fossen (bass guitar), including The Army (1967-1969), Hocus Pocus (1969-1970), and White Heart (1970-1973). By 1975, original members Fisher, Fossen, and Ann Wilson (lead vocals and flute), along with Nancy Wilson (rhythm guitar, vocals), Michael Derosier (drums), and Howard Leese (guitar, keyboards and backing vocals) formed the lineup for the band's initial mid- to late-1970s success period. These core members were included in the band's 2013 induction into the Rock and Roll Hall of Fame.

Heart rose to fame with music influenced by hard rock and heavy metal, as well as folk music. The band underwent a major lineup change as the 1970s transitioned into the 1980s; by 1982 Fisher, Fossen, and Derosier had all left and were replaced by Mark Andes (bass) and Denny Carmassi (drums). Though the band's popularity fell off during the initial years with the new lineup, they staged a comeback in the mid 1980s, buoyed by major radio hits that continued into the 1990s. Heart disbanded in 1998, though they have resumed touring and recording multiple times since then, with the Wilson sisters being the only consistent members. Heart's US Top 40 singles include "Magic Man" (1975), "Crazy on You" (1976), "Barracuda" (1977), "What About Love" (1985), "Never" (1985), and "All I Wanna Do Is Make Love to You" (1990), along with no. 1 hits "These Dreams" (1986) and "Alone" (1987).

Heart has sold over 35 million records worldwide, including approximately 22.5 million albums in the United States. They have placed top 10 albums on the Billboard 200 in the 1970s, 1980s, 1990 and 2010s. Heart was ranked number 57 on VH1's "100 Greatest Artists of Hard Rock" and ranked number 49 on Ultimate Classic Rock's Top 100 Classic Rock Artists.

"I'm So Excited" is a song by American vocal group the Pointer Sisters. Jointly written and composed by the sisters in collaboration with Trevor Lawrence, it was originally released in September 1982, reaching number 30 on the US Billboard Hot 100. This was followed by a remixed re-release in July 1984, reaching number 9 on the Billboard Hot 100. Billboard named the song number 23 on their list of "100 Greatest Girl Group Songs Of All Time".

The song was originally recorded for and appeared on the Sisters' 1982 album, So Excited!, and was subsequently released as a single. Upon its release, the single charted at No. 28 on the Billboard Dance Music/Club Play Singles chart, No. 30 on the Billboard Hot 100 and No. 46 on the Billboard R&B Singles chart. Billboard called it "sexy and fun".

Two years later, on the group's RIAA certified multi-Platinum album Break Out, a slightly remixed and edited version of the song was included and re released as a single. This time, it peaked at No. 9 on the Billboard Hot 100 and No. 25 on the Billboard Adult Contemporary chart.

In March 2001, the song was included in the RIAA and National Endowment for the Arts project Songs of the Century, a list intended to "promote a better understanding of America's musical and cultural heritage." The song was ranked #264 out of 365 songs.

The Pointer Sisters are an American girl group from Oakland, California, which achieved mainstream success during the 1970s and 1980s. Their repertoire has included such diverse genres as R&B, pop, jazz, electronic music, bebop, blues, soul, funk, dance, country, and rock. The Pointer Sisters have won three Grammy Awards and received a star on the Hollywood Walk of Fame in 1994. The group had 13 US top 20 hits between 1973 and 1985.

The group had its origins when sisters June and Bonnie Pointer began performing in clubs in 1969 as "Pointers, a Pair". The line-up grew to a trio when sister Anita joined them. Their record deal with Atlantic Records produced several unsuccessful singles. The trio grew to a quartet when sister Ruth joined in December 1972. They then signed with Blue Thumb Records, recorded their debut album, and began seeing more success, winning a Grammy Award in 1975 for Best Country Vocal Performance for "Fairytale" (1974). Bonnie left the group in 1978 to commence a solo career with modest success.

The group achieved its greatest commercial success in the 1980s as a trio consisting of June, Ruth, and Anita. They won two more Grammys in 1984 for the top 10 hits "Automatic" and "Jump (For My Love)". The group's other U.S. top 10 hits are "Fire" (1979), "He's So Shy" (1980), "Slow Hand" (1981), the remixed version of "I'm So Excited" (1984), and "Neutron Dance" (1985).

June Pointer, the youngest sister, struggled with drug addiction for much of her career, leaving the group in April 2004 prior to her death from cancer in April 2006, at the age of 52. She was replaced by Ruth's daughter Issa Pointer. This trio had a number two hit in Belgium in 2005, covering "Sisters Are Doin' It for Themselves" with Belgian singer Natalia. Between 2009 and 2015, the group consisted of Anita, Ruth, Issa, and Ruth's granddaughter Sadako Pointer. While all four women remained in the group, they most often performed as a trio rotating the lineup as needed. In 2015, Anita was forced to retire due to ill health, leaving Ruth the sole member of the original sibling line-up.

In December 2016, Billboard magazine ranked them as the 80th most successful dance artists of all-time. In December 2017, Billboard ranked them as the 93rd most successful Hot 100 Artist of all-time and as the 32nd most successful Hot 100 Women Artist of all-time.

"If This Is It" is a song by American rock band Huey Lewis and the News. It was released as the fourth single from their number-one album Sports in 1984, and became their fifth top-ten and third consecutive number-six hit on the Billboard Hot 100. It also reached number five on the Adult Contemporary chart, and then became their first UK hit single, reaching number 39 on the UK Singles Chart. The song is written in 12/8 time signature.

he music video for "If This Is It" was filmed in Santa Cruz, California, in June 1984. Huey is seen trying to reconcile with his ex-girlfriend (Janet Cross). He sees her on the beach and at an amusement park with other men, and has a flashback of a romantic night with her. His ex's friend (Sandra Wilder) observes Huey's frustrations and feels sorry for him. After one last effort by Huey to win his ex back fails, he sits alone on the beach as the crowd fades. The ex's friend then appears, smiling at Huey, and they walk away together toward the boardwalk. The video ends with a family, who spent hours looking for an open space on the beach, finally locating one, only to be attacked by a shark underneath the sand that charges toward them.

The band appears in various scenes on the beach, one of which features them singing the chorus while buried in sand with only their heads visible. Comedian John Means appears as the Ball Toss Manager.

In an interview with the blog Noblemania, Cross recalled the challenges of playing Lewis' irritable ex-girlfriend. "Looking angry at Huey Lewis was tough," she said. "The whole filming was hilarious, one stunt after another and all the different boyfriends they gave me. When [Huey and I] were pretending to fight it was hard not to laugh."

Huey Lewis and the News are an American pop rock band based in San Francisco, California. They had a run of hit singles during the 1980s and early 1990s, eventually achieving 19 top ten singles across the Billboard Hot 100, Adult Contemporary, and Mainstream Rock charts. Their sound draws upon earlier pop, rhythm & blues and doo-wop artists, and their own material has been labeled as blue-eyed soul, new wave, power pop, and roots rock.

"You May Be Right" is a song written and performed by rock singer Billy Joel, released as a single from his 1980 album Glass Houses. The single reached No. 7 on the US charts and No. 6 in Canada. It failed to chart, however, in the UK unlike his preceding and succeeding singles "All for Leyna" (UK #40) and "It's Still Rock and Roll to Me" (UK #14). The Japanese single features "Close to the Borderline" as a B-side.

The song is the first track off the album and begins with the sound of broken glass, which is included to metaphorically signify the smashing of the glass house from which the album is named. "You May Be Right" is also on Billy Joel's Greatest Hits – Volume I & Volume II (on disc 2) and Live at Shea Stadium: The Concert albums.

Cash Box said that the song is "witty, urbane and energetic," and that the "hard guitar" playing is "reminiscent of Chuck Berry and the Rolling Stones."

William Martin Joel (born May 9, 1949) is an American singer, pianist and songwriter. Commonly nicknamed the "Piano Man" after his signature song of the same name,[5][6] he has led a commercially successful career as a solo artist since the 1970s, having released 12 pop and rock studio albums from 1971 to 1993 as well as one studio album of classical compositions in 2001. He is one of the best-selling music artists of all time,[7] as well as the seventh-best-selling recording artist and the fourth-best-selling solo artist in the United States,[8] with over 160 million records sold worldwide. His 1985 compilation album, Greatest Hits Vol. 1 & 2, is one of the best-selling albums in the United States.

Across the 20 years of his solo career, Joel produced 33 self-penned Top 40 hits in the U.S., three of which ("It's Still Rock and Roll to Me", "Tell Her About It", and "We Didn't Start the Fire") reached the top of the Billboard Hot 100 charts. Joel has been nominated for 23 Grammy Awards, winning 6 of them, including Album of the Year for 52nd Street. Joel was inducted into the Songwriters Hall of Fame (1992), the Rock and Roll Hall of Fame (1999), and the Long Island Music Hall of Fame (2006). In 2001, Joel received the Johnny Mercer Award from the Songwriters Hall of Fame. In 2013, Joel received the Kennedy Center Honors for influencing American culture through the arts. Since the advent of his solo career, Joel has had a successful touring career, holding live performances across the globe. In 1987, he became one of the first artists to hold a rock tour in the Soviet Union following the country's alleviation of the ban on rock music. Despite largely retiring from writing and releasing pop music following the release of River of Dreams, he continues to tour; he frequently performs at Madison Square Garden.

"Escape (The Piña Colada Song)" is a song written and recorded by British-born American singer Rupert Holmes for his album Partners in Crime. As the lead single for the album, the pop song was recommended by Billboard for radio broadcasters on September 29, 1979, then added to prominent US radio playlists in October–November. Rising in popularity, the song peaked at the end of December to become the final US number-one song of the 1970s.

The song speaks, in three verses and three choruses, of a man who is bored with his current relationship because it has become routine and he desires some variety. One day, he reads the personal advertisements in the newspaper and spots an ad that catches his attention: a woman seeking a man who, among other little things, must like piña coladas (hence it being known as "the piña colada song"). Intrigued, he takes out an ad in reply and arranges to meet the woman "at a bar called O'Malley's", only to find upon the meeting that the woman is actually his current partner. The song ends on an upbeat note, showing the two lovers realized they have more in common than they had suspected and that they do not have to look any further than each other for what they seek in a relationship.

The song shot up through the US charts, becoming the country's last number-one Billboard Hot 100 hit of 1979 and of the 1970s. "Escape" was knocked out of the top spot but returned to number one on the Billboard Hot 100 chart during the second week of 1980, having been displaced for a week by KC and the Sunshine Band's "Please Don't Go". It was the first pop song to ascend to #1 on the Billboard pop chart in two different decades. The song was the US's 11th-best-selling single of 1980 on the Billboard Hot 100.

David Goldstein (born February 24, 1947), better known as Rupert Holmes, is a British-American composer, singer-songwriter, dramatist and author. He is widely known for the hit singles "Escape (The Piña Colada Song)" (1979) and "Him" (1980). He is also known for his musicals The Mystery of Edwin Drood, which earned him two Tony Awards, and Curtains, and for his television series Remember WENN.

"You Can Call Me Al" is a song by American singer-songwriter Paul Simon. It was the lead single from his seventh studio album, Graceland (1986), released on Warner Bros. Records. Written by Simon, its lyrics follow an individual seemingly experiencing a midlife crisis. Its lyrics were partially inspired by Simon's trip to South Africa and experience with its culture. Released in August 1986, "You Can Call Me Al" became one of Simon's biggest solo hits, reaching the top five in seven countries.

The names in the song came from an incident at a party that Simon went to with his then-wife Peggy Harper. French composer and conductor Pierre Boulez, who was attending the same party, mistakenly referred to Paul as "Al" and to Peggy as "Betty", inspiring Simon to write a song.

"You Can Call Me Al" was recorded entirely at The Hit Factory in New York City in April 1986; it differs from much of Graceland in that regard, because most songs on the record were recorded in numerous locales worldwide.

Billboard said it was one of Simon's most intricate verbal tour de forces, and said that "the melody moves along to beguiling Afro-Caribbean polyrhythms."

In the United States, "You Can Call Me Al" initially fared poorly, reaching number 44 on the Billboard Hot 100 in September 1986. As sales and acclaim for Graceland grew, culminating in a win for Album of the Year at the 29th Annual Grammy Awards in February 1987, the single experienced a resurgence in sales and airplay. After making a second entry on the Billboard Hot 100 in March, the song rose to a peak of number 23 in May 1987. The song reached the top 10 of several European charts. In the UK, it became his biggest solo hit, spending five weeks in the top 10 and peaking at number four in October 1986. It has since been certified double platinum in the UK.

"Better Be Good to Me" is a song written by Mike Chapman, Holly Knight, and Nicky Chinn, recorded by Tina Turner for her solo record Private Dancer (1984) and released as a single in September 1984. The song was originally recorded and released in 1981 by Spider, a band from New York City that featured co-writer Knight as a member. Turner's version was successful in the United States and peaked at No. 5 on the Billboard Hot 100 and No. 6 on the then-Hot Black Singles charts. At the 27th Annual Grammy Awards in 1985, it won Best Rock Vocal Performance, Female, one of four Grammys awarded to Turner's Private Dancer album at that ceremony.

In the video, Turner is seen performing the song on stage, wearing a black leather jacket and black skin-tight, knee-length leather pants, with leopard print high heels and spikey blond hair. Towards the end, a man (Cy Curnin of the Fixx) appears on stage and grabs Turner's arms. She looks him in the eyes and sings the words, "Why can't you be good to me?", then pushes the man away. At the end of the video, Turner disappears under the stage in a puff of smoke. Both Curnin and the guitarist in the video, Jamie West-Oram (also of the Fixx), perform on the Private Dancer album.

Tina Turner (born Anna Mae Bullock; November 26, 1939) is an American-born and naturalized Swiss[a] retired singer and actress. Widely referred to as the "Queen of Rock 'n' Roll", she rose to prominence as the lead singer of the Ike & Tina Turner Revue before launching a successful career as a solo performer.

Turner began her career with Ike Turner's Kings of Rhythm in 1957. Under the name Little Ann, she appeared on her first record, "Boxtop", in 1958. In 1960, she debuted as Tina Turner with the hit duet single "A Fool in Love". The duo Ike & Tina Turner became "one of the most formidable live acts in history". They released hits such as "It's Gonna Work Out Fine", "River Deep – Mountain High", "Proud Mary", and "Nutbush City Limits" before disbanding in 1976.

In the 1980s, Turner launched "one of the greatest comebacks in music history". Her 1984 multi-platinum album Private Dancer contained the hit song "What's Love Got to Do with It", which won the Grammy Award for Record of the Year and became her first and only number one song on the Billboard Hot 100. At age 44, she was the oldest female solo artist to top the Hot 100. Her chart success continued with "Better Be Good to Me", "Private Dancer", "We Don't Need Another Hero (Thunderdome)", "Typical Male", "The Best", "I Don't Wanna Fight", and "GoldenEye". During her Break Every Rule World Tour in 1988, she set a then-Guinness World Record for the largest paying audience (180,000) for a solo performer. Turner also acted in the films Tommy (1975), Mad Max Beyond Thunderdome (1985), and Last Action Hero (1993). In 1993, What's Love Got to Do with It, a biographical film adapted from her autobiography I, Tina: My Life Story, was released. In 2009, Turner retired after completing her Tina!: 50th Anniversary Tour, which is the 15th highest-grossing tour of the 2000s. In 2018, she became the subject of the jukebox musical Tina.

Having sold over 100 million records worldwide, Turner is one of the best-selling recording artists of all time. She has received 12 Grammy Awards, which include eight competitive awards, three Grammy Hall of Fame awards, and a Grammy Lifetime Achievement Award. She is the first black artist and first woman to be on the cover of Rolling Stone. Rolling Stone ranked her among the 100 Greatest Artists of All Time and the 100 Greatest Singers of All Time.[8] Turner has a star on the Hollywood Walk of Fame and the St. Louis Walk of Fame. She has twice been inducted into the Rock and Roll Hall of Fame, with Ike Turner in 1991 and as a solo artist in 2021. She is also a 2005 recipient of the Kennedy Center Honors and Women of the Year award.

https://www.bitchute.com/video/UOcZ9I3WnpzD/

To complete our James Bond 007 run Simply 80's again promotes its' Simply 70's Channel with this amazing hit from Sir Paul McCartney with his band Wings with this exceptional hit from the 1973 James Bond film, "Live and Let Die".

"Live and Let Die" is the theme song of the 1973 James Bond film of the same name, performed by the British–American rock band Wings. Written by English musician Paul McCartney and his wife Linda McCartney, it reunited McCartney with former Beatles producer George Martin, who produced the song and arranged the orchestra. McCartney was contacted to write the song by the film's producers Harry Saltzman and Albert R. Broccoli before the screenplay was finished. Wings recorded "Live and Let Die" during the sessions for Red Rose Speedway in October 1972 at AIR Studios. It was also the first rock song to open a Bond film. Another version by B. J. Arnau also appears in the film.

Upon release, "Live and Let Die" was the most successful Bond theme up to that point, reaching No. 1 on two of the three major US charts (though it only reached No. 2 on the Billboard Hot 100) and No. 9 on the UK Singles Chart. The song also received positive reviews from music critics and continues to be praised as one of McCartney's best songs. It became the first Bond theme song to be nominated for the Academy Award for Best Original Song, but ultimately lost the award to Barbra Streisand's "The Way We Were". It was also nominated for the Best Arrangement Accompanying Vocalist(s) at the 16th Annual Grammy Awards in 1974.

"Live and Let Die" was previewed in the 1973 television special James Paul McCartney, which aired on 16 April in the United States and 10 May in the United Kingdom. In the segment, McCartney and Wings were shown performing the song in his studio, while clips of the film were shown, before the film's US theatrical release on 27 June. In his contemporary review of the single for the NME, Ian MacDonald wrote: "McCartney's fairly reasonable solution to the given problem 'Write, in less than 25 bars, a theme-tune for the new James Bond movie' is to 'Let It Be' for the first half, wailing absently and with a curious notion of grammar, about this 'ever changing world in which we live in', before sitting back to let a 3,000-piece orchestra do a man-in-the-street's impression of John Barry. It's not intrinsically very interesting, but the film will help to sell it and vice versa." Billboard's contemporary review called it "the best 007 movie theme" to that time and one of McCartney's most satisfying singles, by combining sweet melody, symphonic bombast and some reggae into one song. Cash Box said that the song was "absolutely magnificent in every respect".

"Live and Let Die" reached No. 1 on two of the three major US charts, though only reached No. 2 on the US Hot 100 for three weeks. It was kept from the No. 1 spot each week by three different songs, "The Morning After" by Maureen McGovern, "Touch Me in the Morning" by Diana Ross, and "Brother Louie" by Stories. "Live and Let Die" also peaked at No. 9 in the UK. The single was certified Gold by the Recording Industry Association of America for sales of over one million copies.

Sir James Paul McCartney is an English singer, songwriter and musician who gained worldwide fame with the Beatles, for whom he played bass guitar and shared primary songwriting and lead vocal duties with John Lennon. One of the most successful composers and performers of all time, McCartney is known for his melodic approach to bass-playing, versatile and wide tenor vocal range, and musical eclecticism, exploring styles ranging from pre–rock and roll pop to classical and electronica. His songwriting partnership with Lennon remains the most successful in history.

McCartney has written or co-written a record 32 songs that have topped the Billboard Hot 100, and, as of 2009, had sales of 25.5 million RIAA-certified units in the US. His honors include two inductions into the Rock and Roll Hall of Fame (as a member of the Beatles in 1988 and as a solo artist in 1999), an Academy Award, a Primetime Emmy Award, 18 Grammy Awards, an appointment as a Member of the Order of the British Empire in 1965 and a knighthood in 1997 for services to music. As of 2020, he is one of the wealthiest musicians in the world, with an estimated fortune of £800 million.

"All Time High" is a song by American singer-songwriter Rita Coolidge that serves as the theme song to the James Bond film Octopussy (1983). Written by John Barry and Tim Rice and produced by Stephen Short and Phil Ramone, the song was released through A&M Records in 1983.

"All Time High" marked the return of regular James Bond theme composer John Barry after his absence from the For Your Eyes Only soundtrack for tax problems. He wanted to work again with Don Black, but his commitments to the musical Merlin forced Barry to seek another lyricist. Tim Rice quickly accepted the invitation. Barry's friend Phil Ramone produced the song, while recording and mixing of the track is credited to Stephen Short. The soundtrack for Octopussy was recorded over five days in early April 1983.

The movie's peculiar title negated the possibility of its theme song being based on its title, although Rice would later state: "I think it would have been more interesting if we had tried to write a song called 'Octopussy'". Instead Barry suggested that Rice submit six potential song titles, and it was from these that "All Time High" was selected. Rice was provided with a copy of the script for Octopussy and also viewed the shooting of some scenes from the movie at Pinewood Studios, Rice visiting Pinewood in mid-December 1982. The completed lyrics for "All Time High" would include the line "We're two of a kind" which in the movie is spoken by the Octopussy (played by Maud Adams) to James Bond (Roger Moore), and the title evidently refers to the key aerial sequences featured in the movie.

"All Time High" was the second theme song from a James Bond movie for which a video was made, the video consisting of footage of Coolidge – shot in soft focus – singing in an apparent Indian palace (in fact the Royal Pavilion at Brighton) intercut with scenes from the movie.

"All Time High" was used as catch phrase in the promotion for its parent movie with posters advertising Octopussy as "James Bond's all time high." Generally unmentioned in reviews for Octopussy, "All Time High" was cited by The Washington Post as "inane...its silly Tim Rice lyrics sung with deadly lethargy by Rita Coolidge."

In the US "All Time High" reached #36 on the Billboard Hot 100 in August 1983. Adult contemporary radio was much more receptive, with "All Time High" spending four weeks at #1 as ranked by Billboard magazine. Coolidge had previously topped the Adult Contemporary chart in 1977 with "We're All Alone".

Rita Coolidge (born May 1, 1945) is an American recording artist. During the 1970s and 1980s, her songs were on Billboard magazine's pop, country, adult contemporary, and jazz charts, and she won two Grammy Awards with fellow musician and then-husband Kris Kristofferson. Her recordings include "(Your Love Keeps Lifting Me) Higher and Higher," "We're All Alone", "I'd Rather Leave While I'm in Love" and the theme song for the 1983 James Bond film Octopussy: "All Time High".

"A View to a Kill" is the thirteenth single by the English new wave and synth-pop band Duran Duran, released on 6 May 1985. Written and recorded as the theme for the 1985 James Bond movie of the same name, it became one of the band's biggest hits. It remains the only James Bond theme song to have reached number one on the US Billboard Hot 100; it also made it to number two for three weeks on the UK Singles Chart while stuck behind Paul Hardcastle's "19".[1][2] The song was the last track recorded by the most famous five-member lineup of Duran Duran until their reunion in 2001 and was also performed by the band at Live Aid in Philadelphia, their final performance together before their first split.

The following year, composer John Barry and Duran Duran were nominated for the Golden Globe Award for Best Original Song for "A View to a Kill".

The song was written by Duran Duran and John Barry, and recorded at Maison Rouge Studio and CTS Studio in London with a 60-piece orchestra.

Duran Duran were chosen to do the song after bassist John Taylor (a lifelong Bond fan) approached producer Cubby Broccoli at a party and somewhat drunkenly asked, "When are you going to get someone decent to do one of your theme songs?" The band was then introduced to Bond composer John Barry, and also composer/producer Jonathan Elias (whom Duran Duran members would later work with many times). An early writing meeting at Taylor's flat in Knightsbridge led to everyone getting drunk instead of composing.

Duran Duran are an English new wave band formed in Birmingham in 1978. The group was a leading band in the MTV-driven Second British Invasion of the US in the 1980s. The group was formed by keyboardist Nick Rhodes and bassist John Taylor, with the later addition of drummer Roger Taylor, and after numerous personnel changes, guitarist Andy Taylor (none of the Taylors are related) and lead singer Simon Le Bon. These five members featured the most commercially successful line-up.

When Duran Duran emerged they were generally considered part of the New Romantic scene, along with bands such as Spandau Ballet and Visage. The video age catapulted Duran Duran into the mainstream with the introduction of the 24-hour music channel MTV. Many of their videos were shot on 35 mm film, which gave a much more polished look than was standard at the time. They also collaborated with professional film directors to take the quality a step further, often teaming up with Australian director Russell Mulcahy for some of their most memorable video offerings. In 1984, the band was an early innovator with video technology in its live stadium shows. The band was one of the most successful acts of the 1980s, though by the end of the decade, membership and music style changes challenged the band before a resurgence in the early 1990s.

The group has never disbanded, but after the departures of Andy and Roger Taylor in 1986, the line-up changed to include two American musicians: former Missing Persons guitarist Warren Cuccurullo from 1989 to 2001 and drummer Sterling Campbell from 1989 to 1991. The reunion of the original five members in the early 2000s created a stir among the band's fans and music media. Andy Taylor left the band once again in mid-2006, and then guitarist Dominic Brown worked with the band as a session player and touring member.

Duran Duran has sold over 100 million records, making them one of the world's best-selling music artists. They achieved 30 top 40 singles in the U.K., 14 singles in the top 10 of the UK Singles Chart and 21 in the US Billboard Hot 100. The band have won numerous awards throughout their career: two Brit Awards including the 2004 award for Outstanding Contribution to Music, two Grammy Awards, an MTV Video Music Award for Lifetime Achievement, and a Video Visionary Award from the MTV Europe Music Awards. They were also awarded a star on the Hollywood Walk of Fame.

https://www.bitchute.com/video/Cc3iQEd2Xjdt/

Simply 80's, by way of promotion promotes its' Simply 70's channel with the smash hit from 1977, "Nobody Does It Better" from the soundtrack of "The Spy Who Love Me.

This is the 1st of 3 consecutive videos honoring the James Bond Series..."Simply Amazing!"

"Nobody Does It Better" is a power ballad and the theme song for the James Bond film The Spy Who Loved Me (1977). Composed by Marvin Hamlisch with lyrics by Carole Bayer Sager, the song was produced by Richard Perry and performed by Carly Simon. It was the first Bond theme song to be titled differently from the name of the film since Dr. No (1962), although the phrase "the spy who loved me" is included in the lyrics. The song was released as a single from the film's soundtrack album, and became a major worldwide hit.

Among the most successful Bond themes, the song spent three weeks at No. 2 on the US Billboard Hot 100, kept out of the top spot by Debby Boone's "You Light Up My Life". It hit No. 1 on the Billboard Easy Listening chart, where it stayed for seven weeks, becoming the No. 1 Adult Contemporary hit of 1977. The song was certified Gold by the RIAA, signifying sales of one million copies in the US. It also reached No. 7 on the UK Singles Chart, and was certified Silver by the BPI. The song received Academy Award and Golden Globe Award nominations for Best Original Song in 1978, losing both to "You Light Up My Life" from the 1977 film of the same title. At the 20th Annual Grammy Awards held in 1978, "Nobody Does It Better" received a nomination for Song of the Year, and Simon was nominated for Best Pop Vocal Performance, Female.

In 2004, "Nobody Does it Better" was honored by the American Film Institute as the 67th greatest film song as part of their 100 Years Series. In 2012, Rolling Stone ranked it the third-greatest James Bond theme song, while Billboard ranked it the second-greatest. In 2021, USA Today crowned "Nobody Does it Better" the greatest James Bond Theme Song. The song has been performed live by Celine Dion and Radiohead; indeed, Radiohead's lead singer, Thom Yorke, called it the "sexiest song ever written".

"Nobody Does It Better" is Simon's longest-charting hit, as well as the most successful hit of hers that she did not write herself. Her earlier hit "You're So Vain" spent three weeks at No. 1; however, its chart run was two months shorter than that of "Nobody Does It Better". The title of the theme was later used for Simon's 1999 greatest hits compilation, The Very Best of Carly Simon: Nobody Does It Better.

Lyrically, "Nobody Does It Better" is a "lust-drunk anthem" about James Bond's sexual prowess. In a 1977 documentary on the making of The Spy Who Loved Me, Marvin Hamlisch said that the decision to ask Simon to perform the song was made after lyricist Carole Bayer Sager remarked that the lyrics sounded "incredibly vain", in reference to Simon's 1972 song "You're So Vain".

Billboard Magazine described "Nobody Does It Better" as a "typically inventive and bombastic" James Bond theme song, stating that Simon sings it "as if she believed sincerely in the superhuman love powers of 007." Cash Box said that it is "strictly star material in every detail" and that it has "a good enough melody to stand on its own," even if it wasn't a James Bond theme song.

Carly Elisabeth Simon is an American musician, singer-songwriter, memoirist, and children's author. She rose to fame in the 1970s with a string of hit records; her 13 Top 40 U.S. hits include "Anticipation" (No. 13), "The Right Thing to Do" (No. 17), "Haven't Got Time for the Pain" (No. 14), "You Belong to Me" (No. 6), "Coming Around Again" (No. 18), and her four Gold-certified singles "You're So Vain" (No. 1), "Mockingbird" (No. 5, a duet with James Taylor), "Nobody Does It Better" (No. 2) from the 1977 James Bond film The Spy Who Loved Me, and "Jesse" (No. 11).

One of the most popular of the confessional singer/songwriters who emerged in the early 1970s, Simon has 24 Billboard Hot 100-charting singles and 28 Billboard Adult Contemporary charting singles. Among her various accolades, she has won two Grammy Awards (from 14 nominations), and was inducted into the Grammy Hall of Fame for "You're So Vain" in 2004. AllMusic called her "one of the quintessential singer-songwriters of the '70s". She has a contralto vocal range, and cited Odetta as a significant influence. Simon was inducted into the Songwriters Hall of Fame in 1994. She was honored with the Boston Music Awards Lifetime Achievement in 1995, and received a Berklee College of Music Honorary Doctor of Music Degree in 1998. In 2005, Simon was nominated for a star on the Hollywood Walk of Fame, but she has yet to claim her star. In 2012, she was honored with the Founders Award from the American Society of Composers, Authors and Publishers. On November 5, 2022, Simon was inducted into the Rock and Roll Hall of Fame.

"Rise" is an instrumental written by Andy Armer and Randy 'Badazz' Alpert, first recorded in 1979 by trumpeter Herb Alpert. Released as a single from Alpert's solo album Rise, the song reached #1 on the Billboard charts.

"Rise" was written by Herb Alpert's nephew Randy, in collaboration with Andy Armer. The A&R representative at A&M Records, Chip Cohen, knew Randy Alpert was into funk and disco music. He asked Randy to rework Tijuana Brass hits as funk tracks. Herb Alpert recalls, "I think we started by playing ‘A Taste of Honey’ or ‘Tijuana Taxi'. And it just felt like the wrong approach. I didn’t feel comfortable playing that way."

As Alpert and Armer were working on Cohen's assignment, they decided to write an original song for Herb as well. The result was "Rise". The song was originally upbeat, but Herb Alpert suggesting slowing it down. Randy reduced the tempo from 120 beats per minute to 100, and the track started to feel appropriately funky.

It reached number one on the U.S. Billboard Hot 100 in October of that year and remained in the top position for two weeks. Herb Alpert thus became the second artist to reach the top of the Hot 100 with a vocal performance ("This Guy's in Love with You", 1968) as well as an instrumental performance. "Rise" was also successful on other charts, peaking at number four on the R&B chart, number 17 on the disco chart and spending one week atop the adult contemporary chart. The recording also received a Grammy Award for Best Pop Instrumental Performance. Songwriters Armer and Alpert were nominated for a Grammy Award for Best Instrumental Composition.

"Rise" has been frequently requested as a sample by various artists. Randy Alpert declined most of them. When he heard the tape of Notorious B.I.G. rapping over "Rise" he was wildly enthusiastic about it and immediately approved the sample. He later gave Bel Biv DeVoe permission to sample the song, because he was a fan of the group. He declined to let The Sopranos use the song during a scene where someone was being beaten. Alpert also refused to let Pfizer use "Rise" in a campaign for Viagra which would have relied on the double entendre implied by the song's title.

Herb Alpert (born March 31, 1935) is an American trumpeter who led the band Herb Alpert & the Tijuana Brass in the 1960s. During the same decade, he co-founded A&M Records with Jerry Moss. Alpert has recorded 28 albums that have landed on the Billboard 200 chart, five of which became No. 1 albums; he has had 14 platinum albums and 15 gold albums. Alpert is the only musician to hit No. 1 on the U.S. Billboard Hot 100 as both a vocalist ("This Guy's in Love with You", 1968) and an instrumentalist ("Rise", 1979).

Alpert has reportedly sold 72 million records worldwide. He has received many accolades, including a Tony Award, and eight Grammy Awards, as well as the Grammy Lifetime Achievement Award. In 2006, he was inducted into the Rock and Roll Hall of Fame.

"The Warrior" is a song by American rock band Scandal featuring Patty Smyth, from the album Warrior, written by Holly Knight and Nick Gilder. The song went to number seven in the United States and number one in Canada, as well as number one on the US Rock Top Tracks chart, and won a BMI Airplay Award in 1984. It was also a hit in Australia, where it peaked at number six, and in New Zealand and South Africa, peaking in both countries at number eleven. The music video for the song was directed by David Hahn.

Scandal is an American rock band from the 1980s fronted by Patty Smyth. The band scored a hit in the United States with the song "The Warrior", which peaked at No. 7 in 1984. Other hits were "Goodbye to You" (1982 – No. 65 US), "Love's Got a Line on You" (1983 – No. 59 US), "Hands Tied" (1984 – No. 41 US), and "Beat of a Heart" (1985 – No. 41 US).

Scandal was formed in New York City in 1981 by guitarist Zack Smith. The other initial members included: bassist Ivan Elias (1950–1995), guitarist Keith Mack, keyboardist Benjy King (1953–2012), drummer Frankie LaRocka (1954–2005) (later replaced by Thommy Price), and singer Patty Smyth. Bon Jovi lead singer Jon Bon Jovi also briefly played guitar for the band in 1983.

Patricia Smyth (born June 26, 1957) is an American singer and songwriter. She first came into national attention with the rock band Scandal and went on to record and perform as a solo artist. Her distinctive voice and new wave image gained broad exposure through video recordings aired on cable music video channels such as MTV. Her debut solo album Never Enough was well received, and generated a pair of Top 100 hits. In the early 1990s she reached the top 10 with the hit single "Sometimes Love Just Ain't Enough," a duet with Don Henley of the Eagles. She performed and co-wrote with James Ingram the song "Look What Love Has Done" for the 1994 motion picture Junior. The work earned her a Grammy Award nomination for Best Song Written for Visual Media, as well as an Academy Award nomination for Best Original Song. Smyth married retired tennis player John McEnroe in 1997.

"Gemini Dream" is a 1981 single by the progressive rock band The Moody Blues. It reached number 12 on the US Hot 100, as well as number 1 on the Canada RPM Top 100 Singles chart. It is ranked as the 28th biggest Canadian hit of 1981.

The song was the first of three singles released from the Moody Blues’ 1981 album Long Distance Voyager, which also included "Painted Smile", another track from the album, on the B-side. Two more songs from Long Distance Voyager, "The Voice" and "Talking Out of Turn", were subsequently released as singles after the album's release.

"Gemini Dream" was written jointly by the band's lead guitarist Justin Hayward and bassist John Lodge, both of whom won an ASCAP songwriting award for it. While Hayward and Lodge had collaborated on a duet album outside of the Moody Blues in 1975 called Blue Jays, "Gemini Dream" was the first song performed by the Moody Blues that they had written together. On the studio recording, and most live performances, Hayward and Lodge sing lead vocals in harmony.

"Gemini Dream" was the first Moody Blues single to feature Patrick Moraz on keyboards. Moraz had replaced the original keyboardist Mike Pinder, who left the band shortly after completion of their previous album Octave for personal reasons. Moraz was hired to take Pinder's place in time for the Moody Blues' 1979 Octave World Tour. After the tour, Moraz was then retained as a permanent member of the band, and he recorded with them until 1991.

The Moody Blues were an English rock band formed in Birmingham in 1964, initially consisting of keyboardist Mike Pinder, multi-instrumentalist Ray Thomas, guitarist Denny Laine, drummer Graeme Edge and bassist Clint Warwick. The group came to prominence playing rhythm and blues. They made some changes in musicians but settled on a line-up of Pinder, Thomas, Edge, guitarist Justin Hayward and bassist John Lodge, who stayed together for most of the band's "classic era" into the early 1970s. Edge was the group’s sole continuous member throughout their entire history.

The Moody Blues' most successful singles include "Go Now", "Nights in White Satin", "Tuesday Afternoon", "Question", "Gemini Dream", "The Voice", "Your Wildest Dreams" and "I'm Just a Singer (In a Rock and Roll Band)". The band has sold 70 million albums worldwide, which includes 18 platinum and gold LPs.

The Moody Blues' "rich symphonic sound" influenced groups such as Yes, Genesis, the Electric Light Orchestra and Deep Purple. They also helped make synthesizers and philosophy "part of the rock mainstream".

The Moody Blues are members of the Vocal Group Hall of Fame. In 2013, readers of Rolling Stone voted for them as one of the ten bands that should be inducted into the Rock and Roll Hall of Fame. Ultimate Classic Rock called them "perennial victims of an unaccountable snubbing" and inducted them into its own Hall of Fame in 2014.

Writing for The Guardian in 2015, Rob Chapman described the band as "psychedelia's forgotten heroes". He stated: "Despite their success, rock critics rarely took the Moody Blues seriously, a pattern that continued for the next 45 years." He also wrote: "Despite the critical disapproval, the best of the Moody Blues music between 1967 and 1970 possessed grace and beauty. Like the Beatles, they understood how pop songs worked as ensemble pieces. None of them were particularly virtuosic or showy as musicians and their music is refreshingly free of the noodling longueurs that characterized the output of their more self-indulgent contemporaries."

In December 2017, the band were announced as inductees for the Rock and Roll Hall of Fame. On 14 April 2018, they were inducted as part of the 2018 class. During his acceptance speech in Cleveland, Ohio, Justin Hayward said, "If you didn't know already, well we're just a bunch of British guys, but of course to us and to all British musicians, this is the home of our heroes and we all know that..." acknowledging the inspirational role of America's rock and roll icons. During the ceremony, Ray Thomas was included as a star that was lost in the past year.