Mark Felt is a 2017 biopic starring Liam Neeson as FBI Deputy Director Mark Felt, telling the story of his role in becoming a source for the Washington Post’s reporting on Watergate. Following on from recent episodes on John Paisley and the Weather Underground, I offer a deconstructive view of Mark Felt: The Man Who Brought Down the White House, and a critique of its historical inaccuracy and political deceit.
The CIA’s Office of Public Affairs (OPA) was established in the late 1970s and contains their entertainment liaison office. This week I go through an 8-page summary of the CIA’s Entertainment Liaison and Media Outreach activities covering 2014-16. This includes their relationships with journalists, their involvement in entertainment such as the Benghazi movie 13 Hours, and their relationship with deep state lawyer and Hollywood consultant Rich Klein.
The new Amazon series Tom Clancy’s Jack Ryan is the first TV show to film at CIA headquarters for several years, in keeping with the Agency’s long-time support for adaptations of Clancy’s work. In this episode I review and analyse the series, including the inevitable references to 9/11, the hallmarks of CIA input on the script and the question of whether the series acts as revenge fantasy for Islamist terrorists.
To unsuspecting movie audiences Pitch Perfect 3 is a piece of lighthearted family-friendly entertainment to be enjoyed and then forgotten almost immediately. Lurking beneath this neutrally-toned surface lies a work of military recruitment propaganda, intelligently crafted to appeal to demographics that the DOD usually has trouble reaching. In this episode I break down the film, what the military provided in support of the production, and how they rewrote the script (even making casting decisions) to suit their agenda.
Most government agencies sign contracts with Hollywood producers when they agree to provide support on a film or TV show. These are called Production Assistance Agreements, and set out the legal terms of the partnership between the government and the production company. In this episode I explore these contracts, how long they’ve been in effect, and the powers they grant to both parties. I use this as a basis for a case study of how the Pentagon has repeatedly broken the rules when it comes to the Transformers films.
Created 1 year, 1 month ago.
|Category||News & Politics|
Videos about government involvement in Hollywood - the CIA, Pentagon, FBI, Homeland Security and other agencies engaging in censorship and propaganda.