#ballet

Step two between peter pan and tinkerbell
Our designs on stage

1 month ago

Classical ballet one of our passions

1 month, 2 weeks ago

Our costume designs for ballet in action on stage
tutus for two different variations

2 months ago

Sastrería para espectáculos, que desde 1.990 diseñamos y confeccionamos vestuario para Danza,Teatro, Flamenco, Patinaje, Ballet y todas las artes escénicas.
Durante todos estos años nos hemos consolidado como una de las mejores sastrerías de España y Europa.

3 months, 1 week ago

Official Music Video for Closer.

Starring Simona Martini and Matt Warneford

Directed and shot by Yohan Forbes of Kumo Films
https://www.instagram.com/kumofilms
http://www.twitter.com/kumofilms
Executive Producer Matt Warneford
Edited by Tom Howe and Yohan Forbes
Camera Tech Charlie Charman
Concept by Matt Warneford
Song written and produced by Matt Warneford
Co-produced and mixed and mastered by Karl Morey @Xflow

www.iamwarface.com
www.facebook.com/iamwarface
www.twitter.com/iamwarface
www.instagram.com/iamwarface
www.soundcloud.com/iamwarface

https://open.spotify.com/track/5lqVOOzjHjdsJrQAEH9jrP?si=vzECoMstQBmgzMW9OxQzGw

LYRICS -

Who, who am I?
I’m just living to die,
This old night,
when it comes,
I’ll be free,
Of these old bones,
And I don’t know,
What I’ll do,
It’s this old dog,
Holding me down,
Cos I used to,
Have a soul,
I just lost control,

And I’ll move,
Move closer,
Yes I’ll move,
Move closer to you.

Every day is just like the last,
I feel I’m walking on shattered glass,
This romance just has to end,
To reset, erase, begin again,
It’s all those words,
That they say,
Cut like a thousand razor blades,
I still recall each every line,
So I won’t waste your time.

And I’ll move
Move closer,
Yes I’ll move,
Move closer,
Oh I’ll move,
Move closer,
Yes I’ll move,
Move closer to you

https://www.youtube.com/user/maleficentmartini

http://www.twitter.com/MissMaleMartini

https://www.facebook.com/Maleficent6Martini

https://www.facebook.com/Miss.Simona.Martini

https://vimeo.com/simonamartini

https://www.instagram.com/simona_martini/

www.simonamartini.com

https://www.facebook.com/Miss.Simona.Martini

https://www.instagram.com/simona_martini/

https://www.tumblr.com/blog/simona-martini

https://plus.google.com/u/0/115323253795496889116

https://www.youtube.com/channel/UCgH1wAI-JUhXoL3X-CpU-cg

https://vimeo.com/simonamartini

https://twitter.com/simonamartini7

3 months, 2 weeks ago

Lo necesario para realizar su actividad de baile

3 months, 3 weeks ago

Lo necesario en prácticos packs para su actividad

4 months, 1 week ago

Aplausos diseñó este tutu para la variación de Esmeralda

4 months, 1 week ago

Lo necesario para realizar su actividad

4 months, 1 week ago

Another way of information with us

4 months, 1 week ago

We have been pioneers in designs and fabrics for Flamenco, Skating, Ballet, using our experience.
Our tailor shop has directed the costumes of the Carnival of Las Palmas de G.C for five consecutive years, putting the public standing before our work, which fills us with pride.

4 months, 1 week ago

Aplausos desde 1990 diseñando y confeccionando vestuario para las artes escénicas

4 months, 1 week ago

Marca: sansha
Modelo: futura
Una punta ideal para coreografía especiales o dar un toque distinto sobre el escenario
es una punta muy blanda, lo que la convierte en ideal para iniciación o bailarinas con poco empeine
Al tener cordones sujeta muy bien el empeine

4 months, 1 week ago

BALLET; THE UNATTAINABLE DREAM ( NOVEL CONCEPT SHORTFILM 3)
A concept shortfilm based on the wip novel "During the Blue Hour," -about a teenage girl who discovers her ancestry belongs to a celestrial race of extinct wolves.
____________________________________________________
- All your life You were like everybody else
you hung out with friends
you celebrated birthdays
and most of all you strived to be the best you could be at what you loved .
You even had that one chance to become who everybody adored. But Then one day because of a book you found in your bag every aspect of your reality changed ballet became the unattainable dream. Soon you had nightmares about wolves with red eyes you found the dead body of your friend in the mountains you then had to suddenly search for your family who were taken by an unforseenable force Turned out those wolves with the red eyes that lurked in the shadows of your nightmare was not just a dream or mere fairytale but A secret revealed that was the real truth of your reality. the very secret that was hidden from you all your life A secret of a powerful transformation you tried to pull away from and resist. because if you dared to dance you would put everyone in danger . and become one of those wolves with red eyes; a werewolf creature called the Canineruh
_______________________________________________________________
Welcome to the Discover the Blue hour podcast Bitchue channel ; writing advice, thoughts & ramblings for a upcoming wip novel During the Blue Hour about a different type of werewolf.
SUBSCRIBE & LIKE to this channel to see more clips, podcast excepts and short films about the wip During the Blue Hour. Join the wolf pack on patreon to get get full length chapter previews , full podcast episodes and more.
Follow us & join the wolf pack here on patreon.com/discoveringthebluehour
Gab with us @ gab.com/duringthebluehour
Leave your comments and suggestions for the channel.

5 months, 3 weeks ago

shock him again!

6 months ago

One of the most remarkable (and yet least remarked upon) aspects of Jewish power is their control of high culture. Most are aware of their control of pop culture, but few realize how long they've had they're hooks in traditional theater, music, and dance productions. Fewer still are aware of the Jews domination of organized crime, precisely because their control of pop culture media (film, broadcasting, publishing, etc.) affords them the ability to scapegoat others. In the case of organized crime the scapegoats are, of course, the Sicilians. The problem of Jewish domination of high culture was so confounding by the middle of the 19th century that Richard Wagner wrote a book about it, venting his frustrations, published it 1850.

In this video, Peter Helland, the host of the public access television show ISRAEL, talks with his esteemed guest, E. Michael Jones, about the confluence of the two in the realm of the Cincinatti ballet, and what four ballerina's did about it.

LEARN MORE:
JEWISHNESS IN MUSIC by Richard Wagner: http://www.colchestercollection.com/titles/J/judaism-in-music.html
More books on Jewish media control: http://www.colchestercollection.com/subjects/arts.html
More books on Jewish Crime: http://www.colchestercollection.com/subjects/crime.html
More books on Jewishness in general: http://www.colchestercollection.com/subjects/jewishness.html

8 months, 2 weeks ago

THE NUTCRACKER is a ballet that has become a must see Christmas classic in America over the last century.

It is based on the short story, THE NUTCRACKER AND THE MOUSE KING, written in 1816 by Prussian author E. T. A. Hoffmann, in which a young girl's favorite Christmas toy, comes alive, and battles an evil Mouse King. In 1892, the Russian composer Pyotr Ilyich Tchaikovsky and choreographers Marius Petipa and Lev Ivanov turned Alexandre Dumas's adaptation of the story into the ballet The Nutcracker.

9 months, 1 week ago

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Panzer86

9 months, 2 weeks ago

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Panzer86

9 months, 2 weeks ago

None

9 months, 2 weeks ago

Please like, comment and subscribe to my channel.

For any video request,
You can message me on my videos.

For donations kindly send it to my XRP account.

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Thanks and God Bless from your fellow YouTube-Killer and Netflix-Destroyer,

Panzer86

9 months, 2 weeks ago

Performers practicing

11 months ago

Source:
https://www.spreaker.com/user/counterculturewise/memorial-day-and-mamas-vacay

Tonight's cohost is one of our favorite people in the whole world - Mary Tuomey - the badass ballerina herself! We'll talk about Memorial Day, Abby gives some great advice, Biden runs his newest ad, and The Ginger gives a commencement speach.

1 year, 3 months ago

DavidPFranceTV INTERVIEW #9
REBECCA MYLES STEWART
Dancer, Aspiring Ballerina
Glenn Dale, Maryland, USA

For his ninth interview, David speaks with his niece Rebecca Myles Stewart, a 14-year old dancer, aspiring ballerina from Glenn Dale, Maryland, USA.

Rebecca began her training at the age of four (4) in a variety of styles, including ballet, tap, jazz, hip hop, and lyrical. She has trained at various studios locally and has attended several summer programs, including the School of American Ballet’s New York City Summer Intensive. In addition to that, Rebecca has participated in numerous dance competitions, and has placed at many of them. She has won the title of 2018 Hope Award at Youth America Grand Prix (YAGP) semi-finals, 2019 Junior Female Outstanding Dancer at New York City Dance Alliance (NYCDA), 1st place Contemporary at YAGP 2019 and 2020 semi-finals, and 2nd place Classical at YAGP 2020 semi-finals.

Rebecca recently had the opportunity to play “Clara” in the Christmas Spectacular Starring the Radio City Rockettes in New York City, last November through January. She aspires to dance professionally in a ballet company one day, and she continues to study in all styles with a concentration in classical ballet.

1 year, 4 months ago

From Teatro alla Scala, Milan, 31 December 2007, Gala Tchaikovsky presented by Roberto Bolle, Etoile, and Premier danseur and Soloist of Teatro all Scala. International guest artists including Polina Semionova, Nadja Saidakova and Ronald Savkovic. Corps de Ballet and Orchestra of Teatro alla Scala, Conductor David Coleman.

1.Tchaikovsky: Swan Lake, Op. 20 (excerpts)
Polina Semionova, Roberto Bolle, Maurizio Licitra, Gianni Ghisleni and Flavia Vallone
Vladimir Bourmeister (Choreography & Staging) Roberta Guidi di Bagno (Sets & Costumes)

2.Tchaikovsky: Sleeping Beauty, Op. 66 (excerpts)
Marta Romagna, Antonino Sutera and Daniela Cavalleri
Marius Petipa (Choreography) Franca Squarciapino (Costumes)

3.Tchaikovsky: The Nutcracker Ballet, Op. 71 (Excerpts)
Nadja Saidakova and Ronald Savkovic
Patrice Bart (Choreography & Staging) Luisa Spinatelli (Costumes)

1 year, 7 months ago

From Mariinsky Theatre, December 2009.
Music by Ludwig Minkus also known as Léon Fyodorovich Minkus, choreography by Marius Petipa.

1. La Bayadère: The Kingdom of the Shades
Viktoria Tereshkina - Nikya
Leonid Sarafanov - Solor

2. Paquita: Mazurka des enfants

3. Paquita: Grand Pas Classique – Pas de Trois
Alina Somova – Paquita
Danila Korsuntsev – Lucien d’Hervilly

4. Paquita: Pas de trois - Yana Selina, Nadejda Gonshar, Aleksei Timofeev
Variations : Valeria Martinuk, Ekaterina kondaurova, Yana Selina, Anastasia Matvienko

1 year, 7 months ago

A 2019 NHK Arts Documentary.

Russia's Vaganova Academy is the world's leading ballet school, with students from all over the world. Follow the graduating class of boys who must have physical strength, technical excellence, and beauty.
They rehearse for a graduation show at the Mariinsky Theatre and audition for places at top companies. They're coached by disciplinarian Principal Nikolai Tsiskaridze, a famous ballet dancer. Revel in the delicate elegance of Russian ballet, and the extraordinary work required to dance it.

Part 2: https://www.bitchute.com/video/49l8PtKlmy17/

1 year, 7 months ago

Libretto by Ivan Vsevolozhsky and Marius Petipa
Music: Pyotr Ilyich Tchaikovsky
Choreography: Marius Petipa
New choreographic version: Yuri Grigorovich (2011)

Scenery: Ezio Frigerio
Music Director: Vassily Sinaisky
Costume Designer: Franca Squarciapino
Lighting Designer: Vinicio Cheli

Cast:
Svetlana Zakharova as Princess Aurora
David Hallberg as Prince Désiré
Alexey Loparevich as Evil Fairy Carabosse
Maria Allash as Lilac Fairy
Corps de ballet of the State Academic Bolshoi Theatre
Orchestra of the State Academic Bolshoi Theatre
Conductor Vassily Sinaisky

Synopsis: https://www.bolshoi.ru/en/performances/442/libretto/

1 year, 8 months ago

Libretto by Ivan Vsevolozhsky and Marius Petipa
Music: Pyotr Ilyich Tchaikovsky
Choreography: Marius Petipa
New choreographic version: Yuri Grigorovich (2011)

Scenery: Ezio Frigerio
Music Director: Vassily Sinaisky
Costume Designer: Franca Squarciapino
Lighting Designer: Vinicio Cheli

Cast:
Svetlana Zakharova as Princess Aurora
David Hallberg as Prince Désiré
Alexey Loparevich as Evil Fairy Carabosse
Maria Allash as Lilac Fairy
Corps de ballet of the State Academic Bolshoi Theatre
Orchestra of the State Academic Bolshoi Theatre
Conductor Vassily Sinaisky

Synopsis: https://www.bolshoi.ru/en/performances/442/libretto/

1 year, 8 months ago

Music by Pyotr Tchaikovsky. Libretto and stage plan by Marius Petipa adapted by Mihail Chemiakin after the tale by E. T. A. Hoffmann

Musical Director: Valery Gergiev
Production and Costume design by Simon Virsaladze
Choreography by Vassily Vainonev
Mariinsky Theatre Ballet Company Symphony Orchestra
Mariinsky Theatre Children´s Chorus

Cast:
Masha the Princess: Alina Somova
The Nutcracker Prince: Vladimir Shklyarov
Masha: Alexandra Korshunova
Stahlbaum: Vladimir Ponomaryov
His wife: Alexandra Gronskaya
Luisa: Alena Mashintseva
Franz: Pavel Miheyev
Drosselmeyer: Fyodor Lopukhov
The Grandmother: Lira Khuslamova
The Grandfather: Stanislav Burov
The Nanny: Valeria Karpina
The Nutcracker: Pavel Miheyev
Clown: Konstantin Ivkin
Doll: Yana Selina
Blackamoor: Alexei Popov
The Mouse King: Soslan Kulaev

Synopsys: https://www.mariinsky.ru/en/playbill/playbill/2012/1/3/1_1900

1 year, 8 months ago

A single movement orchestral piece by French composer Maurice Ravel premiering in Paris on November the 22nd 1928 A.D.

1 year, 8 months ago

Awesome performance of the waltz of the flowers by the NYCB

1 year, 8 months ago

The Ballet dancers & orchestra at the #ParisOpera have been striking against #Macron for 3 weeks (like the rest of #France)

Yesterday, they gave a free performance of "Swan Lake" in front of the opera to other people on strike

Step down Macron, nobody likes you
#MacronDemission

1 year, 8 months ago

Méditation is a symphonic intermezzo from the opera Thaïs by French composer Jules Massenet.
This is an extract from the Méditation dance performed at the Malibran Theater in Venice, November 2002.

Prima Ballerina: Letizia Giuliani
Choreography: Gheorghe Iancu
Orchestra: La Fenice Opera House, Venice
Violín solo: Roberto Baraldi
Conductor: Marcello Viotti

The Méditation is an instrumental entr'acte performed between the scenes of Act II in the opera Thaïs.
The British choreographer Frederick Ashton created a balletic pas de deux from the Méditation.
Premiered on 21 March 1971, the piece was created on Antoinette Sibley and Anthony Dowell of The Royal Ballet and performed at the Adelphi Theatre as part of a Gala Performance. The piece is not related to the plot of the opera, but resembles a vision scene, with Thaïs resembling "a disembodied, weightless spirit".

1 year, 9 months ago

A passionate performance with Polina Semionova (Staatsballett Berlin) and Igor Zelensky (Mariinsky Ballet) from the ballet Manon, at the 2006 All Star Prague International Ballet Gala at the Prague State Opera.
Choreography by Kenneth McMillan, Music by Jules Massenet (arr. Leithon Lucas).

Act I, Scene 2: Des Grieux's lodgings in Paris
Des Grieux is writing a letter to his father but Manon interrupts by declaring her love for him.

L'histoire de Manon, generally referred to as Manon, is a ballet choreographed by Kenneth MacMillan to music by Jules Massenet and based on the 1731 novel Manon Lescaut by Abbé Prévost. The ballet was first performed by The Royal Ballet in London in 1974 with Antoinette Sibley and Anthony Dowell in the leading roles. MacMillan chose not to use music from Massenet's opera Manon, instead selecting other well-known pieces by the same composer such as Elegie and Méditation. The music, originally arranged and partially orchestrated by the British composer Leighton Lucas and re-orchestrated by the conductor Martin Yates in 2011, draws on thirteen operas and two oratorios as well as Massenet's orchestral suites, various mélodies and piano works.

Antoinette Sibley and Anthony Dowell were selected by MacMillan to create the roles of Manon and Des Grieux. The first performance was at the Royal Opera House, Covent Garden on 7 March 1974

1 year, 9 months ago

A ballet in two acts by Mauro Bigonzetti. Music by Bruno Moretti assembled and orchestrated from the work of Claudio Monteverdi.

Soloist:
Vladimir Malakhov
Polina Semionova
Beatrice Knop
Mikhail Kaniskin
Dmitry Semionov
Elisa Carrillo Cabrera
Shoko Nakamura
Michael Banzhaf
Leonard Jakovina

Staatskapelle Berlin
Conductor: Paul Connelly
TV Director: Andreas Morell
General Director: Vladimir Malakhov
Costume Director: Birgit Wentsch

1 year, 9 months ago

"Ivan the Terrible" is a Ballet in two acts. Libretto and Choreography by Yuri Grigorovich, music by Sergei Prokofiev. The world premiere took place on February 20, 1975 at the Bolshoi Theatre. The Revival premiere on November 8, 2012 at the Bolshoi Theatre.

Music: excerpts from music to the film Ivan the Terrible, Russian Overture, cantata Alexander Nevsky, The Third Symphony. Mikhail Chulaki’s version and additional music excerpts.

Cast:
Ivan IV: Mikhail Lobukhin
Anastasia, his wife: Anna Nikulina
Prince Kurbsky: Denis Rodkin

Orchestra of the State Academic Bolshoi Theatre
Children Chorus of the State Academic Bolshoi Theatre
Chorus Master: Yulia Molchanova, Anna Pestova
Conductor of Stage Orchestra: Vladimir Andropov

Music Director: Pavel Klinichev
Production Designer: Simon Virsaladze
Designer of costumes revival: Elena Merkurova
Lighting Designer: Mikhail Sokolov

Synopsis: https://www.bolshoi.ru/en/performances/576/libretto/

1 year, 9 months ago

A 2015 PBS Arts Documentary as part of PBS American Masters series.

Ric Burns’ documentary on the 75-year history of the preeminent ballet company combines rehearsal footage, virtuoso performances and interviews with ABT's key figures including Alicia Alonso and the late Donald Saddler and Frederic Franklin; Susan Jaffe and Julie Kent, Misty Copeland, Gillian Murphy, Marcelo Gomez, Hee Seo, choreographer Alexei Ratmansky and Artistic Director Kevin McKenzie.

With thanks to MVGroup: https://docuwiki.net/index.php?title=American_Ballet_Theatre:_A_History

1 year, 10 months ago

A 2006 TV5 Arts Documentary, written and directed by Bertrand Normand, narrated by Diane Baker.

In the grand tradition of the Ballets Russes comes a portrait of five Russian ballerinas from the Mariinsky Theatre (also known as the Kirov), this film gives insight to the lives of five ballerinas, all at different points in their careers. Looking at the operations of the Vagonova Academy and the Mariinsky Theatre, the life of a ballerina is disclosed.

Behind any great ballerina lies the discipline and rigour that comes from decades of training and practice. Superstars like Nijinsky, Baryshnikov and Pavlova established the reputation of Russian dancers as the best in the world. The five dancers profiled in this revealing film are tough, insightful and exceptionally talented; onstage they reveal no hint of the sweat, pain and hard work of the rehearsal studio.

From Swan Lake to Romeo and Juliet, from the backstage studio to performing on stages around the world, Ballerina captures the sublime beauty of ballet, in all its resplendent glory.

Featuring:
Altynai Asylmuratova: Artistic Director Vaganova Ballet Academy (at the time)
Valery Gergiev: Mariinsky Theater Artistic Director
Makhar Vaziev: Director Mariinsky Theater Ballet Company
Manuel Legris: Paris National Opera Principal Dancer
Pierre Lacotte: Choreographer
Ludmila Safronova: Teacher at Vaganova Ballet Academy
Olga Chenchilova: Ballet Master
Olga Moiseyeva: Ballet Teacher

Andrian Fadeyev: Principal Dancer
Igor Zelensky: Principal Dancer
Diana Vishneva; Ballerina
Svetlana Zakharova: Ballerina
Ulyana Lopatkina: Ballerina
Alina Somova: Ballerina
Evgenia Obraztsova: Ballerina
Alina Somova: Ballerina
Jayme Ratzer: Ballerina

1 year, 10 months ago

A 2015 BBC Arts Documentary hosted by David Bintley.

This documentary looks at how Louis XIV not only had a personal passion and talent for dance, but supported and promoted key innovations, like the invention of dance notation and the founding of the world's first ballet school, that would lay the foundations for classical ballet to develop.

Presented by David Bintley, choreographer and director of the Birmingham Royal Ballet, the documentary charts how Louis encouraged the early evolution of ballet - from a male-dominated performance exclusive to the royal court to a professional artform for the public featuring the first female star ballerinas. The film also looks at the social context of dance during Louis XIV's reign, where ballets were used as propaganda and to be able to dance was an essential skill that anyone noble had to have. As well as specially shot baroque dance sequences and groundbreaking recreations of 17th-century music, it also follows Bintley as he creates an exciting new one-act ballet inspired by Louis XIV.

Danced by 15 members of the Birmingham Royal Ballet, The King Dances features an original score by composer Stephen Montague, designs by Katrina Lindsay and lighting by Peter Mumford and receives its world premiere on television directly after the documentary.

1 year, 10 months ago

Performance of ballet recorded live at Teatro alla Scala, January 2000, with Alessandra Ferri and Angel Corella, choreography by Kenneth MacMillan.

Romeo and Juliet Op. 64, is a ballet by Sergei Prokofiev based on William Shakespeare's play Romeo and Juliet.

The Dancers:
Angel Corella: Romeo
Alessandra Ferri: Giulietta (Juliet)
Michele Villanova: Mercutio
Gianni Ghisleni: Tebaldo (Tybalt)
Alessandro Grillo: Benvolio
Bryan Hewison: Paride (Paris)
Maurizio Licitra: Solista Mandolino
Bruna Radice: Lady Capuleti (Lady Capulet)
Matteo Buongiorno: Lord Capuleti (Lord Capulet)
Danilo Tapiletti: Il Duca
Lavia Vallone: Rosalinda
Laura Costa: La nutrice (The Nurse)
Sergio Sanvito: Frate Lorenzo (Friar Lawrence)

Director: Tina Protasoni
Writing: Sergei Radlov & Sergei Prokofiev
Costume Design: Franca Squarciapino
Production Design: Ezio Frigerio
Conductor: David Garforth
Kenneth MacMillan: Choreographer (original)
Georgina Parkinson: Choreographer (reprise)

1 year, 11 months ago

The internationally acclaimed Italian prima ballerina Alesandra Ferri stars in La Scala's gloriously traditional new production of this much-loved classic, the most celebrated ballet of the Romantic era. Massimo Murru takes the role of Albrecht, whose duplicity drives Giselle to madness and causes her to die of a broken heart.

Choreographed by Patrice Bart of the Paris Opera Ballet, this production recreates in Angelo Sala's sets and costumes the designs of the great Alexexandre Benois, famous for his work with Diaghilev and the Ballets Russes.

Giselle (French: Giselle, ou les Wilis) is a romantic ballet in two acts, and is considered a masterwork in the classical ballet performance canon. It was first performed by the Ballet du Théâtre de l'Académie Royale de Musique at the Salle Le Peletier in Paris, France on 28 June 1841, with Italian ballerina Carlotta Grisi as Giselle. The ballet was an unqualified triumph. Giselle became hugely popular and was staged at once across Europe, Russia, and the United States.

Librettists Jules-Henri Vernoy de Saint-Georges and Théophile Gautier took their inspiration for the plot from a prose passage about the Wilis in De l'Allemagne, by Heinrich Heine, and from a poem called "Fantômes" in Les Orientales by Victor Hugo.

The prolific opera and ballet composer Adolphe Adam composed the music. Jean Coralli and Jules Perrot created the original choreography. The role of Giselle was intended for Carlotta Grisi as her debut piece for the Paris public, and she was the only ballerina to dance it at the Paris Opera for many years. The traditional choreography that has been passed down to the present day derives primarily from the revivals staged by Marius Petipa during the late 19th and early 20th centuries for the Imperial Ballet in St. Petersburg. One of the world's most-often performed classical ballets, it is also one of its most challenging to dance.

Synopsis:
The ghost-filled ballet tells the tragic, romantic story of a beautiful young peasant girl who falls for the flirtations of the deceitful and disguised nobleman Albrecht. When the ruse is revealed, the fragile Giselle dies of heartbreak, and Albrecht must face the otherworldly consequences of his careless seduction.

The second act is largely dominated by the Wilis, the spirits of maidens who died after being betrayed by their lovers, and take revenge in the night by dancing men to death by exhaustion (a popular theme in Romantic-era ballets). Led by Myrtha, the Queen of the Wilis, they summon Giselle from her grave and target her lover for her death, but Giselle's great love frees him from their grasp.

The Dancers:
Alessandra Ferri as Giselle
Massimo Murru as Albrecht
Isabel Seabra as Myrtha
Maurizio Vanadia as Hilarion

Director: Alexandre Tarta
Writers: Jules-Henri Vernoy de Saint-Georges, Théophile Gautier
Producers: François Duplat

1 year, 11 months ago

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2 years, 8 months ago

In which there is walking, oh god so much walking, but we finish on an absolute high!

I believe in a value-for-value model so if you liked what you saw, maybe buy me a coffee? https://www.paypal.me/SierraKiloBravo

Music
Song: Right Place Right Time
Artist: Silent Partner
Link: https://youtu.be/mcVEobrErMM

Gear
Shot On: Sony A5000 (16mm to 50mm lens) / iPhone 6
Edited On: Final Cut Pro X

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2 years, 9 months ago

Spandau Ballet - Through The Barricades

3 years, 1 month ago