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The "sequel" to the first Woodstock concert, during its 25th anniversary, featuring performances from Blues Traveler, Jackyl, Live, Collective Soul, Candlebox, Violent Femmes, Joe Cocker, Sheryl Crow, Blind Melon, Cranberries, Cypress Hill, Rollins Band, Traffic, Green Day, Melissa Etheridge, Crosby, Stills & Nash, Primus, Paul Rodgers, Nine Inch Nails, Salt N' Pepa, Metallica, Aerosmith, Porno For Pyros, Neville Brothers, Bob Dylan, Red Hot Chili Peppers, and Peter Gabriel.
The "sequel" to the first Woodstock concert, during its 25th anniversary, featuring performances from Blues Traveler, Jackyl, Live, Collective Soul, Candlebox, Violent Femmes, Joe Cocker, Sheryl Crow, Blind Melon, Cranberries, Cypress Hill, Rollins Band, Traffic, Green Day, Melissa Etheridge, Crosby, Stills & Nash, Primus, Paul Rodgers, Nine Inch Nails, Salt N' Pepa, Metallica, Aerosmith, Porno For Pyros, Neville Brothers, Bob Dylan, Red Hot Chili Peppers, and Peter Gabriel.
Artist:
Guns N' Roses
Concert:
Live At The Ritz
Recorded:
02/02/1988
Track Listing:
It's So Easy 1:32
Mr. Brownstone 5:16
Out Ta Get Me 10:15
Sweet Child O' Mine 15:10
My Michelle 22:07
Knockin' On Heaven's Door 27:20
Welcome To The Jungle 34:46
Nightrain 41:47
Paradise City 46:53
Mama Kin 55:20
Rocket Queen 59:42
Personnel:
W. Axl Rose – lead vocals
Slash – lead guitar
Izzy Stradlin – rhythm guitar, backing vocals
Duff "Rose" McKagan – bass, backing vocals
Steven Adler – drums
Licensed by:
UMG (on behalf of Geffen); UNIAO BRASILEIRA DE EDITORAS DE MUSICA - UBEM, PEDL, Guns N Roses Music, LatinAutorPerf, UMPG Publishing, ASCAP, LatinAutor - UMPG, UMPI, CMRRA, Global Music Rights LLC, LatinAutor - Warner Chappell, and 14 Music Rights Societies
(Re-upload with real duration)
The idea for building such a device, I got years earlier. Actually when I was invited to sail with the Stubnitz from Rotterdam to Rostock, back in 2000. The rattling sound of dinnerware in the kitchen cabinets, or a tray full of rattling glasses on the table intrigued me. I started to build towers of crockery, which began to resonate with the cadence of the ship's engine. So how wunderful is it to bring this sound back, years later, to where it originally came from.
The "Rauschmaschiene":
I so have long been fascinated by the phenomenon of "resonance". Especially the "quake-factor" or vibration behavior of iron objects, by doing so becoming in the audible spectrum. (Resonance:• in Mechanics the condition in which an object or system is subjected to an oscillating force having a frequency close to its own natural frequency.) I wanted to work out the more laboratory-like set-up of my previous installation to the more monumental shapes of this one.
Besides that I also like to mix things which are normally not destined to be placed together, highlighting how easy it is to break free of daily life conventions and showing how automatisms are fixed in our behavior without us being aware of any other possible options.
An ordinary archive cupboard which is used in an office seemed to be the perfect solution. The normally "silent" dossiers kept in this iron object, are replaced by an audible landscape of sound layers. Due to the size and character of this material it will amplify sounds at particular frequencies along with the construction itself, allowing more ''sound making objects'' to be placed in the unit, for example in the drawers. Also the physical aspects of playing with the drawers attracted me.
WHAT DID I DO?
The base of this sound-unit comes from 2 loudspeakers I put in the drawers, connected to my computer. Behind my computer I placed a midi controller with faders. With each one I can send an easy basic sinus audio-signal. The two parameters are the frequency with a range from 0.1 until 10.000 and the modulation (frequency carrier) with a range from 0.1 until 100. By moving these faders up and down, different modulations and rhythms become audible.
After the fader, the clean sinus goes directly into the cabinet, and thus will never be sinus again. The whole unit works as a filter in an opposite way (filter:• a device for suppressing electrical or sound waves of frequencies not required.) In this case: a device for amplifying sound-waves of required frequencies, caused by the energy of the wavefront of the sound-wave, the iron starts to quake at particular frequencies and produces sounds. In this case the typically "engine-room-environment-cadence" of a big motor ship
Additionally, I placed iron objects both in and on the instrument, for example some oven equipment, iron springs, big hi-hats and a metal bin. Dependent on the frequency, each time another object will participate in the composition.
Although I am using some presets, the mix of sounds and movements are being made intuitively, and real time controlled.
This self-built living sculpture, annex noise-instrument (called Pneuma-Tix), consists of jumping air-tubes and pneumatic cylinders. The tubes are at one end connected to electronic valves (hand controlled via midi-controllers) and at the other end they turn and jump around wildly, because of the air that looks for an exit at 8 bar air pressure. The cylinders are connected to the valves (and real-time controlled) as well.
With the moving tubes and cylinders I create beats and soundscapes, amplified by microphones,which are fixed on the valves. In this way the 'left-over-air' blows directly from the valve-block into the microphones, so what you see is what you hear; the essence of the sounds is corresponding with the pneumatic movements. The pneumatic sound source (picked up by the mics) goes as well into my computer as sound input for digital sound processing.
I am playing with this installation moving back and forward; to and away from reality, from real pneumatic noise (directly linked to the visible dialogue between the cylinders and the valves) to virtual digital noise-layers out of my computer (triggered by live sound events). Both are live composed and connected. To highlight the behavior of the tubes I use black-lights combined with a stroboscope, so the traces of the tubes in the air, are made visible in the air and a complete experience is taking place.
Symphony No. 33 in B-flat major, K. 319
Symphony No. 39 in E-flat major, K. 543
Vienna Symphony Orchestra, cond. Karl Bohm
Symphony No. 28 in C major, K. 200/189k
Vienna Philharmonic Orchestra, cond. Karl Bohm
Symphony No. 36 in C major, K. 425 'Linz'
Symphony No. 1 in E-flat major, K. 16
Symphony No. 25 in G minor, K. 183
Symphony No. 31 in D major, K. 297
Symphony No. 38 in D major, K. 504
Vienna Philharmonic Orchestra, cond. Karl Bohm
Symphony No. 7 in C Major, Op. 105
Vienna Philharmonic Orchestra, conductor Leonard Bernstein
Recorded live at the Wiener Musikverein, late 1980s
Symphony No. 5 in E-Flat Major, Op. 82
Vienna Philharmonic Orchestra, conductor Leonard Bernstein
Recorded live at the Wiener Musikverein, late 1980s
Symphony No. 2 in D Major, Op. 43
Vienna Philharmonic Orchestra, conductor Leonard Bernstein
Recorded live at the Wiener Musikverein, late 1980s
Jean Sibelius: Symphony No. 1 in E Minor, Op. 39
Vienna Philharmonic Orchestra, conductor Leonard Bernstein
Recorded live at the Wiener Musikverein, late 1980s
For more Miley Cyrus connect at:
YouTube: https://www.youtube.com/user/mileyofficialonline
Twitter: https://twitter.com/mileycyrus
Instagram: https://www.instagram.com/mileycyrus
TikTok: https://mileyl.ink/tiktok
Facebook: https://mileyl.ink/facebook
Site: https://www.mileycyrus.com
(0:00 - 2:17) Intro
(2:18 - 6:00) Believe by Cher
(6:01 - 9:33) Miley's Speech
(9:34 - 13:22) True Colors (feat. Little Big Town)
(13:23 - 17:40) My Heart Beats For Love
(18:17 - 22:17) We Belong (feat. Brothers Osborne)
(22:53 - 29:54) Madonna Medley
(30:24 - 34:18) Cowboy Take Me Away (feat. Orville Peck)
(35:33 - 39:23)Dancing Queen (feat. Maren Morris)
(41:15 - 44:56) I'll Stand By You
(45:20 - 47:53) Heart Of Glass (feat. Mickey Guyton)
(51:00 - 54:56) The Climb
(57:03 - 1:00:58) Party In The USA
(1:01:29 - 1:08:16) Freedom
Heart - Crazy On You (Live)
Portland Place
Bath, Somerset, England
February 16, 1977
Fleetwood Mac - Rhiannon (Live)
The Midnight Special
Burbank, California, USA
April 9, 1976
The separation has begun, today it's a music concert tomorrow....................???
The Doors - The End (Live)
O'Keefe Centre
Toronto, Ontario, Canada
October 16, 1967
Powered by Magnum ice cream, for the first time ever, Miley Cyrus performs a very special virtual concert mastered in 8D sound to show the world that Pleasure Has More Than One Layer. The Miley In Layers performance will see the Multi-Platinum selling recording artist, songwriter and trailblazer play some of her biggest hits from her recent album ‘Plastic Hearts’ as well as an exclusive cover of 80’s hit ‘Midas Touch’ by Midnight Star re-mastered as Miley’s Touch.
The performance mastered in the immersive 8D sound technology creates the sensation that Miley is live in the room with you, when played through a set of headphones. Grab your headphones for the full experience!
If you want to continue the experience and lip sync to "Miley's Touch” go to https://lipsync.magnumicecream.com/ and check https://www.mileybymagnum.com for behind the scenes.
For more on Magnum:
https://www.instagram.com/magnum/
https://twitter.com/Magnumglobal
Recorded at the Olympia Theatre in Paris, France on Dec 20, 1970. War Pigs missing but that shouldn't be too hard to find on Bitchute already.
01:57 Paranoid
05:20 Hand of Doom
12:05 Rat Salad
13:50 Iron Man
22:08 Black Sabbath
37:14 Behind the Wall of Sleep
43:17 Luke's Wall
Humble Pie - The Sad Bag Of Shaky Jake (Live)
Beat-Club
Bremen, West Germany
January 31, 1970
The Animals - House of The Rising Sun (Live)
Ed Sullivan Theatre
New York, USA
October 18, 1964
1.Intro
2.Prophet Denial, Doom Arrival
3.This Is The Day (New Song)
4.New Idea 1
5.Uppenbarelseboken Säger Oss
6.New Idea 2
7.New Idea 3
8.New Idea 4
9.Hurry Up? (Extended Version)
Christmas Celebration At ATLAH - 17 December 2017 At 12 Noon
Eagles - Rocky Mountain Way (Live)
Capital Centre
Washington, D.C. USA
March 21, 1977
America - Ventura Highway (Live)
Musikladen Beat Club Studio
Bendorf, Germany
February 6, 1975
Yes - Roundabout (Live)
Rainbow Theatre
London, England
December 15, 1972
Supertramp - School (Live)
Pavillon de Paris
Paris, France
November 29, 1979
The Rolling Stones - Sympathy For The Devil (Live)
Rock and Roll Circus
London, England
December 11, 1968
Dire Straits - Wild West End (Live)
Rockpalast
North Rhine-Westphalia, Germany
February 16, 1979
Neil Young - A Man Needs A Maid (Live)
The London Symphony Orchestra
Barking Town Hall
London, England
February 1971
Rory Gallagher - Walk On Hot Coals (Live)
The Old Grey Whistle Test
BBC Television Theatre
London, England
February 13, 1973
Album Title: Blueprint
Album Release Date:
February 18, 1973
The Who - Baba O'Reily (Live)
Shepperton Studios
Surrey, England
May 25, 1978
Keith Moon's Final Performance.
The Who played this gig @ Shepperton Studios on May 25th 1978 in front of a hand-picked audience of 500. This was the last time Keith Moon played with the group; he died a few months later on September 7th.
The Beatles - Let It Be (Live)
Apple Studio
London, England
January 31, 1969
The Moody Blues - Nights In White Satin (Live)
Office De Radiodiffusion Television Francaise (ORTF)
Paris, France
July 13, 1968
Led Zeppelin - No Quarter (Live)
Madison Square Garden
New York City, USA
July 27, 1973
The Marshall Tucker Band - Can't You See (Live)
Grand Opera House
Wilmington DE. USA
September 10, 1973
Tom Petty & The Heartbreakers - Breakdown (Live)
Winterland Arena
San Francisco, CA. USA
December, 30 1978
Does anyone know what this is suppose to be?
Date: Monday 17th May 2021
Filming location: Morriston, Swansea, Wales, Great Britain, United Kingdom.
Also on YouTube.
https://youtu.be/IMHXf1-UelU
Procol Harum - A Whiter Shade Of Pale (Live)
Palais des Festivals
Cannes, France
January 27, 1968
Peter Frampton - Lines On My Face (Live)
Capitol Theatre
Passaic, New Jersey, USA
February 04, 1976
Emerson, Lake & Palmer - Watching Over You (Live)
Mid-South Coliseum
Memphis, TN, USA
November 20, 1977
Fleetwood Mac (Peter Green) - Oh Well (Live)
Aoelian Hall
London, England
October 6, 1969
