#filmmaking

serious cinematic experience intended to be viewed in fullscreen HD at high volumes

My video, where Jake Hits the Banister... Not
on YouTube: https://youtu.be/1yO61rDpZ10
on BitChute: https://www.bitchute.com/video/1yO61rDpZ10/

Source material for this video:
Twin Peaks, Season 1 Episode 2 "Zen, or the Skill to Catch a Killer"
Married... with Children, Season 5 Episode 10 "One Down, Two to Go"

Music:
Gamela by E's Jammy Jams
https://www.youtube.com/channel/UCWNL4hFgii7hoOGKgY7Dv7w/

Rule number two in my 12 Rules for Artists series is There Are No Rules... So Make Some and Stick To Them. It's a contradictory statement, I know but I needed to grab your attention because this is a rule I very much think everyone should be sticking to.

Be sure to follow me on my other social media...
Facebook: https://www.facebook.com/TotalMoonlightProductions
Instagram: https://www.instagram.com/christophermoonlight
Reddit: https://www.reddit.com/user/ChristopherMoonlight
Bitchute: https://www.bitchute.com/channel/7Xtj2DvclqeN/
Minds: https://www.minds.com/Christopher_Moonlight/
Rumble: https://rumble.com/c/c-966257

More videos at https://patreon.com/lowres

A showreel of films, music videos, and documentaries I directed, shot and edited, or did a combination of two of those three, during 2018-2020.

MUSIC: Anthony Lavilla - Moonlit Evening (Faqir Original Score)

VIMEO: https://vimeo.com/rizwanrahman

INSTAGRAM: https://www.instagram.com/mohriz.d/
CHANNEL'S INSTAGRAM: https://www.instagram.com/twist_visuals/

Taken from Episode 002 of After Dark: Niche Influential Films of the 20th Century. Full episodes exclusively on https://patreon.com/lowres

My good friend and Emmy Award-winning actor Bill Oberst, Jr. drops in to talk about how an actor can give his or her best possible video audition.

Facebook: https://www.facebook.com/TotalMoonlightProductions
Instagram: https://www.instagram.com/christophermoonlight/
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Groups
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Do you really need a gimbal or a camera crane? Maybe not! I'll show you how to use a monopod as a camera stabilizer and as a poor-man's camera crane or jib.

Yes, I know this video sucks. I'm sorry. This is one of the videos I made that really encouraged me to do a better job. I've left it up to show "where I came from." I'm not remotely proud of it. Be gentle, Senpai.

BitChute: https://www.bitchute.com/channel/jodybruchon/
Personal/programming site: https://www.jodybruchon.com/
Video production site: http://www.gazingcat.com/
Computer repair site: http://nctritech.com/

SUPPORT LINKS
Ko-Fi: https://ko-fi.com/L3L02069D
SubscribeStar: https://www.subscribestar.com/JodyBruchon
Flattr: https://flattr.com/@JodyBruchon
PayPal: https://paypal.me/nctritech

A person has a nightmare and decides to do something about it.

Admittedly, I think I could've done a lot better at communicating what I wanted to (creative anxiety for those wondering,) but whatever. I worked very hard on this and I hope it shows.

I'd love to hear feedback and criticism!

How Bruce Lee Changed Martial Arts Cinema with his Revolutionary Fighting Rhythm:

Bruce Lee fight scenes have a certain special rhythm to them, captivating audiences and choreographers alike. Many of his scenes could be taught as marital arts choreography lessons – a perfect example of how to make a fight scene realistic, captivating, and a joy to watch.

But Hong Kong fight scenes weren’t always all smooth moves and Jeet Kune Do rhythm. In fact, in the 1960s most were, well, um… let’s say there were marginally better than the seemingly unchoreographed bar brawls that populated Westerns at the time. Certainly not as exciting as lightsaber nunchucks. Still, they definitely lacked that sense of JKD rhythm we see so much in real life Jedi Bruce Lee fight scenes, as well as many others, in later years. I mean, even the actors seem mildly disinterested in what they’re doing. Instead of actively trying to, you know, fight one another, they seem more concerned with carrying out their vendettas against breakable objects and household furniture.

Later, in the 1970s, actors finally figured out that the purpose of a fight scene is to make it look like they want to hurt their opponent. Hooray! Sadly, they sacrificed fluidity for facial expressions and bodily contact. I mean, they’re great if you broke your metronome and all you have on hand to keep rhythm are a series of 1970s fight scenes, but not so much if you want to watch a fight scene that is more engaging, interesting, and full of rhythm.

Thankfully, Jedi Bruce Lee came along and influenced the genre with his sense of JKD rhythm. Fight scenes were transformed from metronomic hits into something better and more entertaining. Bruce Lee took that metronome and constructed a symphony of action around it, forever altering Hong Kong fight scenes for the best (and not just with his lightsaber nunchucks).

For more fight scene analysis, martial arts choreography lessons, and to get a general sense of happiness and well-being in your life, subscribe to my channel here. Or don’t and be miserable. Your call.
https://www.youtube.com/bigstinkymoose

None

Here are my goals for 2021. Also, I'll be shutting down my Patreon.

Be sure to join me across all my social media platforms.

Facebook: https://www.facebook.com/TotalMoonlightProductions
Instagram: https://www.instagram.com/christophermoonlight/
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Parler: https://parler.com/ChristopherMoonlight
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Gab: https://gab.com/TotalMoonlight

Groups
MeWe: https://mewe.com/group/5b69e120a5f4e538c3ebb4b5
Facebook: https://www.facebook.com/groups/1522380747989137

EPISODE 3: The minority you forgot about.

Welcome to my channel, where I talk about the future of movies, VOD, writing, comic books, special effects, design, and all things content creation. Subscribe and join the conversation.

Be sure to join me across all my social media platforms.

Facebook: https://www.facebook.com/TotalMoonlightProductions
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Groups
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If directing was easy, everyone would be doing it but that doesn't mean that you can't find your way to being a good one.

Get my book The Making of Harbinger Down - https://amzn.to/3lkUSUU

Be sure to join me across all my social media platforms.

Facebook: https://www.facebook.com/TotalMoonlightProductionsInstagram: https://www.instagram.com/christophermoonlight/Stage 32: https://www.stage32.com/profile/385834Parler: https://parler.com/ChristopherMoonlightMinds: https://www.minds.com/Christopher_Moonlight/
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Groups
MeWe: https://mewe.com/group/5b69e120a5f4e538c3ebb4b5Facebook: https://www.facebook.com/groups/1522380747989137

~Christopher Cooksey
YouTube: https://www.youtube.com/ChristopherMoonlightProductions
IMDB: https://www.imdb.com/name/nm3866276/?ref_=fn_al_nm_1

Blocked in the United States and most likely elsewhere on the shit show that is YouTube.

What to do about that pesky day job when you're trying to make art.

Get my book The Making of Harbinger Down - https://amzn.to/3lkUSUU

Help keep the discussion going by joining me on Patreon: https://www.patreon.com/ChristopherMoonlight or donate at https://paypal.me/ChristopherMoonlight

Join my Facebook community at https://www.facebook.com/groups/1522380747989137/

MeWe community at https://mewe.com/group/5b69e120a5f4e538c3ebb4b5

Follow me at https://www.facebook.com/TotalMoonlightProductions/ @christophermoonlight on Instagram

@TotalMoonlight on Twitter
and and

https://www.parler.com/profile/Christophermoonlightproduction/posts for Parler

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My friend, writer, director, actor, and musician Clint Carney returns to the show to talk about all the new ways an independent filmmaker can create and distribute their feature or series. We go over the pros and cons of open-source software like Blender and just how exciting we think they are. Is it really a home studio all in one free program? Will the big expenses of the industry eventually become obsolete?

Be sure to subscribe to Clint's YouTube channel at: https://www.youtube.com/c/SYSTEMSYN/featured

and you can see the Instagram post we talk about at this link: https://www.instagram.com/p/CIWfZsClrgi/

Help keep the discussion going by joining me on Patreon: https://www.patreon.com/ChristopherMoonlight
or donate at https://paypal.me/ChristopherMoonlight

Join my Facebook community at https://www.facebook.com/groups/1522380747989137/

MeWe community at https://mewe.com/group/5b69e120a5f4e538c3ebb4b5

Follow me at https://www.facebook.com/TotalMoonlightProductions/

@christophermoonlight on Instagram

@TotalMoonlight on Twitter and

and
https://www.parler.com/profile/Christophermoonlightproduction/posts for Parler

Discussing creators with dissenting elements.

A behind-the-scenes look at the team @PhosphorusCreations making art :)

An inside look at the latest productions.

This little episode is done quite well and has many merits. Something for today's young film makers to study.

DavidPFranceTV INTERVIEW #10
ZOI FLOROSZ
Singer, Actress, Filmmaker
New York City

For his tenth interview, David speaks with Zoi Florosz, a singer, actress and filmmaker based in New York City. David and Zoi cover a variety of topics:

Zoi's origin, her upbringing in Hungary, her parents (Hungarian Mother/Greek Father visual artists), her training in various art forms and disciplines (acting, jazz, classical music), her move to New York City for further training in video and filmmaking and her challenges living as an artist in the city.

During this conversation, Zoi also gives us insight into process as a participant and winner of various filmmaking prizes in different festivals including the Marche du Film in Cannes.

Zoi also describes how critical "networking" as it is in Cannes and film festivals around the world -Monaco, Athens, Cyprus, New York, including Winter Film Awards where she would eventually meet the person who become the center and story of her directorial debut documentary feature film.

Zoi is an exceptional conversationalist. I hope you all enjoy.

Zoi's Bio:

Zoi Florosz is an award-winning filmmaker, also a versatile singer/actress/dancer. She studied classical music at Conservatory of Pecs, jazz voice at Liszt Ferenc Music Academy in Budapest, and Musical Theatre at American Musical and Dramatic Academy in New York City. Zoi concluded her studies at Digital Film Academy in NYC as a filmmaker.

From filmmaking to fine art music videos, dance films, documentaries, PBS specials, short and feature films, Zoi has worked as producer, director, director of photography, editor, choreographer. She also coordinated large camera crews on locations worldwide, leading multi-camera studio shoots, conducting exclusive interviews.

Zoi created the Film & Video Department at the legendary dance center New Dance
Group, New York, working as Film & Video Director, creating a weekly TV shows and
worked closely with choreographers.

Zoi's experience, passion and understanding for music and dance gives her special
perspective on how to choreograph for the camera, on how dance translates to digital
media. She loves the musical format.

Her credits includes:

GAMETIME -feature film, Choreographer/Assistant Director

BRUSHSTROKES – short, Director, Producer, Choreographer
/Awards- Independent Spirit Award @ Angel Film Awards Monaco International
Film Festival, Best Independent Film @ Winter Film Awards NYC

CHILDREN OF THE WIND- crossover music video, short, Singer/Actress,
Producer, Editor /Awards-Official selection @AFA Monaco International Film Festival, @Winter Film Awards, @World Peace Initiative - Peace and Tolerance Gala Cannes 2016,
@Cyprus International Film Festival, “ Best Live Performance Soundtrack”
award @Bridges International Film Festival Athens, Greece, 2017

DREAM OF A SHADOW-feature, Associate Producer, AD,
/Awards- Nostimon Imar Award @Cyprus International Film Festival, Best
Production design @Bridges International Film Festival

SYRINX-cellphone short, Director, DP, Editor, Music
/Awards-“Best Soundtrack for a film” @Global Short Film Awards Cannes 2019

BLUE BIRD OF HOPE-cellphone short, Director, DP, Editor, Producer
/Awards-“Best Documentary” @AFA World Peace Initiative Karl Bardosh
Humanitarian cellphone category, Cannes 2019

Featuring James

🎬 Pro Video Tips & Tricks from Behind The Scenes while I share my filming techniques Making the Video for the Area 51m part 2 (Best Gaming Laptop 2019)
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★★★ PT.2 ALIENWARE AREA 51M SETUP REVIEW VIDEO ★★★
🔥 Please see my highly popular Alienware Area 51m Desktop Setup & Review video:
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WATCH THE NEXT PRO VIDEO TIPS IN THE SERIES:

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🔴 This is the video we were rendering! behind the scenes filming a product review of the Area 51m - Loads of video tips & tricks, video editing tutorial, video production techniques and more - see me filming this Area 51m review:
https://youtu.be/x4UK2IU6Mwk

My Pro Video Tips / Tricks / How To's are a little like my 'Rambling Repairs' type videos, I have had lots of subscribers asking to see some behind the scenes footage and to share more techniques To Make Better YouTube Videos and learn Filming & Editing Techniques.
I have been a video producer, editor, director for hundreds of video shoots over the last 15 years. In this video, I let you in behind the scenes to see how I make my YouTube videos.

Genre: Video Tips & Tricks
Camera: SONY XDCAM EX-1
Tripod: Monfrotto 503HDV
Camera Dolly: DIY (MDF, Brackets, Inline Skate Wheels, Curtain Poles)

THANKS FOR WATCHING THIS AREA 51M REVIEW VIDEO UNTIL THE END !!

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See my website for the product links for this Area 51m Review Video blog post:
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🌍 WEBSITE BLOG:
Check my Alienware Area 51m Review website blog for more info, video notes, behind the scenes photos / video, product links & more!
https://www.andology.com/alienware-area-51m/behind-the-scenes-area-51m-review-filming.html

I'm currently filming the video for the Area 51m Gaming Laptop Review - It's going to be a week later than i'd planned, in this video, I take you behind the scenes of me setting up a Dolly shot using my DIY custom Camera Dolly Platform.

My DIY Camera Dolly allows me to create more movement in the shots, which is important to maintain the viewers attention. I'll do a close up detailed review video of my DIY camera dolly including the 'tracks' (poles) and more tip & tricks for filming your YouTube videos. Make sure you subscribe so you don't miss out!

I will also be joing Gene from the Maverick Star Reloaded channel - We've been good friends for a while so i'm looking forward to bringing you a true 'fly on the wall' podcast at the weekend.

https://www.youtube.com/channel/UC5eyItTI4iIx0kVBcpyGpRw

Please THUMBS UP and SUBSCRIBE to my channel if you've not already - Thanks for your support my friends! :)

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https://www.paypal.me/andology
Support me & my channel:
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Other ways to help is to simply share your love, and this video everywhere you can! Thank You!
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Thanks for watching this Pro Video Tips & Tricks video, all comments & questions are welcome & strongly encouraged (but please be nice, it's a family show, and if you can’t be nice, at least try to be funny) :)

Cheers,

Andy
Andology - "Challenging Convention"

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#Alien3 #NewtLives #DavidFincher

Get into the Alien franchise including all the bonus materials through my affiliate Amazon links.

Alien Quadriligy: https://amzn.to/3ha4yzp
The Making of Alien: https://amzn.to/3ibh1Et
The Making of Aliens: https://amzn.to/3bDKu7q
Alien - The Archive: https://amzn.to/3ifCvQr

Get my book, The Making of Harbinger Down: https://amzn.to/33d3d5N

I'm on team #NewtLives, btw. In this video, I explain why the autopsy scene in Alien 3 wasn't there to service the story but in fact there to spite the audience... mostly.

To support my channel, go check me out on Patreon: https://www.patreon.com/ChristopherMoonlight

or donate at https://paypal.me/ChristopherMoonlight

Join my Facebook filmmaking group at https://www.facebook.com/groups/1522380747989137/

Follow me at https://www.facebook.com/TotalMoonlight

@christophermoonlight on Instagram
and @TotalMoonlight on Twitter

Bart has suffered from terrible headaches for years and years.
Doctors have failed to find the reason of his plight and even to simply manage the pain.
That day Bart fainted while driving. Luckily, there were no casualties or heavy damage, so he was rushed to hospital where his doctor told him there WAS a radical once and forever solution... but it would come for a price.
Bart has no choice, so he agrees to surgery...
>> A Flying Zayin film by Mark Vadim <<

Audrey's Granny gets angry when Audrey plays with her ashes.
A careless babysitter opens the urn... and here she is, the Granny is at the door, and she has her own key.
>> a Flying Zayin film by Mark Vadim <<

None

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There are great new features for adding in subtitles for your videos in DaVinci Resolve 15. You can easily add them in, customize the text, and line up your subtitles to your voice overs by following this tutorial.

Get Two Months FREE of Premium Video Courses when you Sign Up with My Link https://www.skillshare.com/r/user/christutorials

"Cheery Monday" Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 3.0 License
http://creativecommons.org/licenses/by/3.0/

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