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7.5/10 While this is my least favorite AC/DC album of the Bon Scott Era, it still boasts some classics that have become staples in AC/DC's massive catalogue of hard rock masterpieces.
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The songs in video, "Midnight/Tornado" by Skid Row and "Take Me Away" by Killswitch Engage are fair use under U.S. copyright law because they are (1) non-commercial, (2) transformative in nature, (3) uses no more of the original work than necessary for the video's purpose, and (4) does not compete with the original work and could have no negative affect on its market
8/10 Here we find much better cut of what would be released internationally, but Dirty Deeds Done Dirt Cheap nevertheless almost signaled the end of AC/DC due to an unhappy record label.
Release spread:
Dirty Deeds (1994 Atco Remaster) - All songs except Jailbreak and R.I.P.,
Dirty Deeds Done Dirt Cheap (International) - All songs except Dirty Deeds (full length), R.I.P., Ain't No Fun (full length), and Jailbreak
'74 Jailbreak - Jailbreak
Backtracks - R.I.P. (Rock In Peace), Full length versions of Dirty Deeds Done Dirt Cheap and Ain't No Fun (Waitin' 'Round To Be A Millionaire)
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The song in video, "Midnight/Tornado" by Skid Row is fair use under U.S. copyright law because they are (1) non-commercial, (2) transformative in nature, (3) uses no more of the original work than necessary for the video's purpose, and (4) does not compete with the original work and could have no negative affect on its market
6.5/10 The long awaited Armored Saint album has a very atmospheric and dark feel to it and retains the band's signature heaviness, however the redundant and repetitive nature of the songs here leave much to be desired.
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The song in video, "Midnight/Tornado" by Skid Row is fair use under U.S. copyright law because they are (1) non-commercial, (2) transformative in nature, (3) uses no more of the original work than necessary for the video's purpose, and (4) does not compete with the original work and could have no negative affect on its market
The time has come everyone. In this video I go into detail on why I'm leaving Youtube, and where you can find me from here on out. I posted a lengthy explanation on Tumblr as well, and will cite sources here in the description underneath my links. You will find all new content on rumble, bitchute, and Tumblr. I will try to update links as much as I can, thank you for understanding!
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Tumblr: https://midnightstrike3625.tumblr.com
Bitchute: https://bitchute.com/midnightstrike3625
Rumble: http://rumble.com/midnightstrike3625
Metal Gear Solid 2 S3 Plan explained:
https://www.youtube.com/watch?v=8sj_XrvrPng&t
The Quartering's video on the new race-based algorithms: https://www.bitchute.com/video/ae9xKNbhjYQ/
Youtube blog post on their censorship of topics they don't like: https://twitter.com/YouTubeInsider/status/1336672916088516614
9.5/10 I have NO IDEA why the band would snub this release in favor of the International version of High Voltage. This is where AC/DC truly found their signature sound and decided to run with it. This version features extended versions of High Voltage, It's A Long Way To The Top. Rocker also has an extended solo on the vinyl release. This album is Phil Rudd's AC/DC studio debut.
Release spread:
High Voltage [International] (Every song except Rocker, School Days, and the original length versions of High Voltage and It's A Long Way To The Top)
Dirty Deeds Done Dirt Cheap [International] (Rocker)
Bonfire (School Days, It's A Long Way To The Top original length)
Backtracks (High Voltage original length, Rocker Extended solo)
Tumblr: https://midnightstrike3625.tumblr.com
The song in video, "Midnight/Tornado" by Skid Row is fair use under U.S. copyright law because they are (1) non-commercial, (2) transformative in nature, (3) uses no more of the original work than necessary for the video's purpose, and (4) does not compete with the original work and could have no negative affect on its market
7.5/10 ACϟDC's debut album was only released in Australia, and featured a compilation of songs that sound very experimental. There are a few glimpses of the style ACϟDC would eventually tune-in on but for the most part the Australian version of High Voltage falls short of the albums that would succeed it. This may be due to the frequent lineup changes during this time period, but that's for you to decide.
Release spread:
High Voltage [International] (Little Lover/She's Got Balls)
'74 Jailbreak (You Ain't Got A Hold On Me, Baby Please Don't Go, Soul Stripper, Show Business)
Backtracks (Stick Around, Love Song)
Tumblr: https://midnightstrike3625.tumblr.com
The song in video, "Midnight/Tornado" by Skid Row is fair use under U.S. copyright law because they are (1) non-commercial, (2) transformative in nature, (3) uses no more of the original work than necessary for the video's purpose, and (4) does not compete with the original work and could have no negative affect on its market
7.5/10 This period in the band's history is typically ignored, often without justification. In this video we examine and review AC/DC's first single LP that features Dave Evans on vocals.
Dave Evans with AC/DC
Can I Sit Next To You Girl: https://www.youtube.com/watch?v=vIfxe1TUHss
Rockin' In The Parlour: https://www.youtube.com/watch?v=_FCPpjg-j9o
In The Beginning Bootleg: https://www.youtube.com/watch?v=QZkftVUAqjc
Tumblr: https://midnightstrike3625.tumblr.com
The song in video, "Midnight/Tornado" by Skid Row is fair use under U.S. copyright law because they are (1) non-commercial, (2) transformative in nature, (3) uses no more of the original work than necessary for the video's purpose, and (4) does not compete with the original work and could have no negative affect on its market
0:00 - Introduction and comments on album significance
6:12 - Band status from 2014-2017
11:24 - Power Up, track by track
19:23 - Package overview and closing comments
9/10 I came into this album expecting a rehash of Ballbreaker - Rock Or Bust, but that can't be farther from the truth. This album, the first released since the death of founding rhythm guitarist Malcolm Young, incorporates many of the same elements that made AC/DC's recent albums so appealing, but the songs pack a punch that we haven't seen since The Razor's Edge, if not Flick Of The Switch.
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The song in video, "Midnight/Tornado" by Skid Row is fair use under U.S. copyright law because they are (1) non-commercial, (2) transformative in nature, (3) uses no more of the original work than necessary for the video's purpose, and (4) does not compete with the original work and could have no negative affect on its market
8/10 One of AC/DC's most energetic live efforts, this "Deluxe" edition boasts 9 new tracks. As this is an extended version of the 1992 album, it suffers from the same problems plaguing the original release. The tracks included are not from a single set, but many recorded in 1990-1991. This means that we are getting the best cuts but there is a lack of cohesion that accompanies this fact.
Tumblr: https://midnightstrike3625.tumblr.com
Youtube: https://youtube.com/midnightstrike3625
The song in video, "Midnight/Tornado" by Skid Row is fair use under U.S. copyright law because they are (1) non-commercial, (2) transformative in nature, (3) uses no more of the original work than necessary for the video's purpose, and (4) does not compete with the original work and could have no negative affect on its market
9.8/10 AC/DC has truly outdone themselves here. Shot In The Dark showcases everything the band does well from the simple riffage to Brian Johnson's improved vocal ability. There isn't much left to be desired with this single!
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The song in video, "Midnight/Tornado" by Skid Row is fair use under U.S. copyright law because they are (1) non-commercial, (2) transformative in nature, (3) uses no more of the original work than necessary for the video's purpose, and (4) does not compete with the original work and could have no negative affect on its market
9.5/10 A live album celebrating the release of S&M back in 1999, the sequel fixes many problems the original had. However some of it may seem a bit derivative if listened to back to back from the original.
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Youtube: https://youtube.com/
The song in video, "Midnight/Tornado" by Skid Row is fair use under U.S. copyright law because they are (1) non-commercial, (2) transformative in nature, (3) uses no more of the original work than necessary for the video's purpose, and (4) does not compete with the original work and could have no negative affect on its market
PlayStation 2 Gameplay footage of the Scarface boss battle. This was captured from my PS2 using my Elgato Game Capture HD capture card. Enjoy!
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9/10 The definitive Live album that capped off Bon Scott's career wasn't released until nearly two decades after his death. This is a wonderfully produced album and has songs you won't find anywhere else in the Scott era, but some songs run on a bit too long with nothing really happening.
Twitter: https://twitter.com/midnight3625
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Youtube: https://youtube.com/midnightstrike3625
The song in video, "Midnight/Tornado" by Skid Row is fair use under U.S. copyright law because they are (1) non-commercial, (2) transformative in nature, (3) uses no more of the original work than necessary for the video's purpose, and (4) does not compete with the original work and could have no negative affect on its market
Bitchute: https://bitchute.com/midnightstrike3625
An update on how I haven't been feeling motivated to make videos lately, and my Bitchute account. Plus a little insight on my future plans with my channel.
Note: This is the original version that Youtube threw a fit about over copyright
9/ 10 The quintessential thrash metal debut that thrust the genre into the limelight. Does it hold up when compared to their later work? The answer is an unequivocal YES!
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Gameplay from the remake of Spyro 2 for PS4. In this video I play through Breeze Harbor.
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9.8/10 This is Dream Theater's most straightforward and musically consistent album. Distance Over Time does what the last three albums failed to do - provide fluid consistency while retaining the prog elements that they are famous for.
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Credit for concert footage:
Untethered Angel: Amine Petrucci
At Wits End: dtfreak
Youtube doesn't give a shit about increasing the viewership of smaller channels. Even in the face of so many telling Google the SAME THINGS about their actions, they continue to push policies of censorship, suppression, and corporatism. This started in 2009 and it is now 2020 - it has to stop.