This video used footage from the short film of the same name as well as some footage from my live performance at the Cubby Bear North in Chicago. The song features guitar from Doug Campbell and trombone from Larry Swift. Eventually I wound up using this song in my album Dark Matter.
Originally uploaded to YouTube on October 26, 2012.
My early DAЯK MATTEЯ stuff was kind of silly, wasn’t it? This was my attempt at writing a love song despite only being 15 and never having been in love before. I remember we called in a friend of ours, Suzy Bowman, to play my girlfriend in the video.
Shooting this was quite fun. It helped that I had played the song in enough bars around town that it was already a fan favorite, so I decided to release it as a single and include it on my debut album, Dark Matter.
'Twilight Zone' by Golden Earring scores the (New) Robotech Animation I came across.
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Also for entertainment and educational purposes. All rights to the original works go to those that hold them, no copyright infringement intended.
All material used falls under fair use of the Digital Millennium Copyright Act (1998). (for commentary, criticism, education and satire.)
The first and most fecund glimpse of our foul, felonious foursome! See them frolic about the verdure as they howl their worship of all things pasty clad and meat swollen. Quail and quiver as you meet Generalissimo Gristle, The Count Von Crimpdoom, Baron Bloodsausage and Lord Tenderloin. They are BLACK PASTY!
The murk-cloaked minstrels of Black Pasty are trained in the eldritch arts and, with souls as bleakly crimped as their under gussets, this quartet of quag are our last hope to fend off the minions of Beelzebub's fan assisted oven!
Song: The Lost Battalion Author: Sabaton Movie: The Lost Battalion, A Very Long Engagement, Passchendaele
"Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use."
Music is used for entertainment purposes ONLY. Copyright infringement not intended. Used on a non-profit video.
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Ryan Pennington: Lead Vocals, Music Video Thelonius Fabdul: Vocals, All Instruments, and Audio Production.
This darkness, I'm Atlas...This is my stone. They call me... The king-- of sorrow.. This crown-- Of thorns... Haunts tomorrow Waiting in limbo Losing everything I know
Falling down, I cannot escape The pressure builds And suffocates all my feelings of joy Evaporate into stagnant air That clings to my face I want to be free from all that this world Has wrought on me And bathe in the light of the memories But now they seem so empty But I can rekindle the flame And change The faults can be rearranged into something new Into something true, there's no going back to the old point of view
So familiar, yet so unknown I claw and carve a hole Using everything I know To let light into where I should go This darkness, I'm Atlas, And this is my stone.
I bleed in ways that you can't see And every day... Takes a bit out of me. Every day... I bleed in ways that you can't see... And every day... Takes a bit out of me. And every day... Takes a bit out of me. Every day... Takes a bit out of me.
I don't mean to sound defeated 'Cause even though it wears on me And shadows swallow me alive I come back stronger Every time And that's one more time That I can find The things that remind When I think I'm past The "finished" line My purpose renewed In the spirit of you
Im Musikvideo streift tomeque in britischer Songwriter-Manier durch die Straßen Hamburgs - auf der Suche nach englischen Spuren, die ihn bis ins Mark der Hansestadt führen: - von der ehemaligen britischen Kaufmannssiedlung am Michel - dem Jenischpark im englischen Landschaftsgartenstil - vorbei am Flak-Bunker, der die düstersten Zeiten der britisch-deutschen Beziehungen anmahnt - der Laeiszhalle als vormaliger Sitz des British Forces Networks in der Nachkriegszeit - der Wirkungsstätte der Beatles an der Großen Freiheit - bis zum England-Terminal in den Altonaer Docklands, wo die Fährverbindung nach Harwich längst gekappt wurde
Let me take you to "1980" where robots and humans are grooving together with no fears.
I really like this song! And hey I did some crazy animation using video I took of myself and JJ. In Adobe After Effects, as usual. I was going for 80’s (because I am the 80’s), and this will remind you of many things. But don’t forget: it’s ALL JOE SPARKS.
This is definitely a period piece and for a an older feel, I used an old cheap pink Canon point-n-shoot from 2009. I love the look! (and 720p processes faster).
Music, Animation and Video by Joe Sparks. Performed by Joe Sparks and JJ Sparks.
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“Put Your Headphones on” song and animated music video COPYRIGHT 2019 Joe Sparks of joesparks.com