#schubert

Overture in D major, D. 12 by Franz Schubert

Schubert completed this overture for orchestra in 1811 whilst still under the tutelage of Antonio Salieri at Imperial Seminary of Vienna. This was likely one of the works the young Schubert was permitted to give to the Seminary orchestra for performance.

This work is comprised of a single movement.

5 days, 14 hours ago

String Quartet No. 5 in B-flat major, D. 68 by Franz Schubert

Austrian composer Franz Schubert completed this string quartet in 1813 at the age of 16. A movement from the work is unfortunately lost, leaving us with the first movement in Allegro and a final movement also in Allegro.

2 weeks, 1 day ago

Overture in D major to the comedy ‘Der Teufel als Hydraulicus’, D. 4 by Franz Schubert

In 1812, Schubert completed this overture to the comedy ‘Der Teufel als Hydraulicus (The Devil as Engineer) by German physician and playwright Johann Friedrich Ernst Albrecht. Schubert was only 15 at the time and being tutored by the Italian composer Antonio Salieri.

This overture is comprised of a single movement.

3 weeks, 4 days ago

String Quartet No. 4 in C major, D. 46 by Franz Schubert

Schubert completed this quartet for dual violin, viola and cello in 1813. This would be during the final year at the Stadtkonvikt in Vienna.

This quartet is comprised of four movements:
I. Adagio – Allegro con moto
II. Andante con moto
III. Menuetto: Allegro
IV. Allegro

1 month ago

Concerto in D major for violin and orchestra “Konzertstück”, D. 345 by Franz Schubert

Schubert completed this work for violin and orchestra in 1816 at the age of 19. At the time, Schubert was working as a violin instructor at the school his father operated. In addition to teaching the younger students the violin, Schubert also offered private lessons outside of his normal work schedule to supplement his income. Despite his busy schedule, Schubert would still find time to compose this concerto as well as several songs and other instrumental works.

This concerto is comprised of a single movement.

1 month, 2 weeks ago

Fantasy in G minor for piano duet, D. 9 by Franz Schubert

Schubert completed this work for piano four hands in 1811 at the age of 14. At this time Schubert was still studying at the Stadtkonvikt (Imperial Seminary) in Vienna under composer Antonio Salieri. Schubert impressed Salieri and the other tutors at the Stadtkonvikt considerably, and was allowed to conduct the Stadtkonvikt’s orchestra while still a junior student.

This fantasy is comprised of four sections:
I. Largo
II. Allegro
III. Tempo di marcia
IV. Largo

1 month, 3 weeks ago

String Quartet No. 3 in B flat major, D. 36 by Franz Schubert

Schubert completed this string quartet in 1813 during the final year of his scholarship at the Imperial Stadtkonvikt in Vienna. The work would not be published until 1893, 65 years after the death of Schubert.

This quartet is comprised of four movements:
I. Allegro
II. Andante
III. Menuetto
IV. Allegretto

2 months, 1 week ago

Rondo in A major for Violin and Strings, D. 438 by Franz Schubert

Schubert completed this Rondo in 1816, however the work would not be published until 1897. It is suspected that the work was composed for the purpose of allowing Schubert and his brother to perform as the soloist.

This Rondo is comprised of a single movement.

2 months, 2 weeks ago

Symphony No. 7 in E major, D. 729 by Franz Schubert

Schubert completed an initial draft of this symphony in 1821. While parts of the work were fully orchestrated, other sections have only the melodic line complete with counterpoint and bass. The work was likely not completed by Schubert due to the composer diverting his attention to his opera Alfonso and Estrella which would be finished in 1822. The work has been completed by other composers, with the Brian Newbould version of 1980 being regularly performed.

This symphony is comprised of four movements:
I. Adagio – Allegro
II. Andante
III. Scherzo: Allegro
IV. Allegro giusto

2 months, 3 weeks ago

String Quartet No. 2 in C major, D. 32 by Franz Schubert

Schubert completed this quartet for strings in 1812 while under the tutelage of fellow composer Antonio Salieri. The work was not published in its entirety until the first half of the 19th century due to the original score being scattered between a number of owners.

The work is comprised of four movements:
I. Presto
II. Andante
III. Menuetto
IV. Allegro con spirito

3 months ago

Rondo in B minor for violin and piano, D. 895 by Franz Schubert

Schubert completed this work for piano and violin in 1826, with the premiere performance taking place in 1827 in Vienna. Schubert had composed the work specifically to be performed by Czech violinist Josef Slavik, and it was indeed Slavik on the violin for the premiere in 1827. It would sadly be one of the final works for chamber ensemble that Schubert would compose before his death in 1828.

3 months, 2 weeks ago

Prof. Dr. Dr. Christian Schubert, Psychoneuroimmunologie, Psychologie
Quelle:
Youtube: NEUE Videos auf unserer Website
https://www.youtube.com/watch?v=n3XV6eeH4NU
--------
Re-Upload / Sicherungskopie

3 months, 3 weeks ago

String Quartet No. 1 in mixed keys, D. 18 by Franz Schubert

Schubert likely completed this quartet in 1810 at the age of 13. The work was performed in 1812 by the Schubert family quartet, that being Franz Theodor (father of Franz Schubert), Ignaz and Ferdinand (brothers of Schubert) and Franz Schubert himself on the viola.

The work is comprised of four movements:
I. Andante – Presto vivace
II. Menuetto
III. Andante
IV. Presto

3 months, 3 weeks ago

Symphony No. 6 in C major, D. 589, “Little C Major” by Franz Schubert

Schubert completed this symphony in 1818 with the premiere performance being given in 1828 in Vienna. The name is derived from the fact that Schubert composed two symphonies in C major, with the 9th symphony being called the “Great C major” due to being longer than the 6th.

The work is comprised of four movements:
I. Adagio – Allegro
II. Andante
III. Scherzo: Presto
IV. Allegro moderato

4 months ago

Symphony No. 4 in C minor ‘Tragic Symphony’, D. 417 by Franz Schubert

Schubert completed this symphony in 1816 at the age of 19. The work did not receive a public premiere until November 1849, after the death of Schubert. It was Schubert that added the name ‘Tragic’ to the manuscript of the symphony, however it is unclear why.

The work is comprised of four movements:
I. Adagio molto
II. Andante
III. Menuetto Allegro vivace
IV. Allegro

4 months, 1 week ago

Symphony No. 2 in B-flat major, D. 125 by Franz Schubert

Schubert completed this symphony in 1815 and dedicated the work to the headmaster at his seminary school, Innocenz Lanz. The seminary school orchestra would perform the premiere of this work.

The symphony is comprised of four movements:
I. Largo – Allegro vivace
II. Andante
III. Menuetto: Allegro vivace
IV. Presto

4 months, 2 weeks ago

Symphony No. 3 in D major, D. 200 by Franz Schubert

Schubert completed this symphony in 1815 at the age of 18. At this time Schubert was both learning music, from composer Antonio Salieri, and working as teacher himself. This is one of the shortest symphonies Schubert would compose, with a number of musical details reminiscent of Joseph Haydn.

The work is comprised of four movements:
I. Adagio maestoso – Allegro con brio
II. Allegretto
III. Menuetto. Vivace
IV. Presto vivace

4 months, 2 weeks ago

Impromptu, Op. 90, D. 899, No. 4 in A♭ major by Franz Schubert

Schubert completed a series of eight solo impromptus for piano in 1827, just a year before his death in November 1828. The majority of the impromptus were published posthumously, with the second set being dedicated to the composer Franz Liszt.

4 months, 3 weeks ago

Symphony No. 1 in D major, D. 82 by Franz Schubert

Schubert completed this symphony in 1813 at the age of 16. This was during his final years at the Vienna Stadkonvikt (Imperial Seminary) while learning to become a school teacher under the tutelage of Antonio Salieri.

The work is comprised of four movements:
I. Adagio – Allegro vivace
II. Andante
III. Menuetto. Allegro
IV. Allegro vivace

4 months, 3 weeks ago

Trio No. 2 in E-flat major for piano, violin and cello, D. 929 by Franz Schubert

Schubert complete this trio in 1827, with the premiere performance being given a private party in January 1828 in Vienna. It would be one of the last works Schubert would complete before his death in 1828.

The work is comprised of four movements:
I. Allegro
II. Andante con moto
III. Scherzo: Allegro moderato
IV. Allegro moderato

5 months ago

Symphony No. 5 in B♭ major, D. 485 by Franz Schubert

Schubert completed this symphony in 1816. The first public performance was not given until October 1841 in Vienna. The symphony is written ‘in the style of Mozart’, both according to Schubert himself and the several similarities between his symphony and various Mozart compositions.

The work is comprised of four movements:
I. Allegro
II. Andante con moto
III. Menuetto. Allegro molto
IV. Allegro vivace

5 months ago

Impromptu, Op. 90, D. 899, No. 3 in G♭ major by Franz Schubert

Schubert completed a series of eight solo impromptus for piano in 1827, just a year before his death in November 1828. The majority of the impromptus were published posthumously, with the second set being dedicated to the composer Franz Liszt.

5 months, 1 week ago

String Quintet in C major, D. 956, Op. posth. 163 ‘Cello Quintet’ by Franz Schubert

Schubert completed this quintet in 1828, two months before his death in November the same year. It would be his final work for chamber music. The work would not have a public premiere until 1850, several years after Schubert’s death. The term ‘Cello quintet’ was given to the work as the composition is scored for a standard string quartet plus an additional cello.

The work is comprised of four movements:
I. Allegro ma non troppo
II. Adagio
III. Scherzo. Presto – Trio. Andante sostenuto
IV. Allegretto

5 months, 1 week ago

Piano Quintet in A major, D. 667 ‘Trout Quintet’ by Franz Schubert

Schubert completed this quintet in 1819 at the age of 22. The quintet is unusual in that instead of the ensemble containing a piano and string quartet, the ensemble includes a piano, violin, viola, cello and double bass. The name for the quintet is due to the fact that the fourth movement is a variation on a theme of a song Schubert composed in 1817 to the text of the poem “Die Forelle” (the Trout) by German poet Christian Schubert.

The quintet is comprised of five movements:
I. Allegro vivace
II. Andante
III. Scherzo: Presto
IV. Andantino – Allegretto
V. Allegro giusto

5 months, 2 weeks ago

Symphony No. 9 in C major, D. 944 ‘The Great C major’ by Franz Schubert

Schubert likely completed his 9th symphony in 1828, with the premiere performance not being given until 1838, after the death of Schubert. The subtitle ‘The Great C major’ is likely due to the length of the symphony (which is longer than most) and also to differentiate it from the 6th symphony which was also in C major.

The work is comprised of four movements:
I. Andante – Allegro ma non-troppo – Più moto
II. Andante con moto
III. Scherzo. Allegro vivace
IV. Finale. Allegro vivace

5 months, 2 weeks ago

The Lady of the Lake: Ellens Gesang III, Op. 52, No. 6 ‘Ave Maria’ D. 839 by Franz Schubert

Austrian composer Franz Schubert composed a collection of seven songs based on the poem ‘The Lady of the Lake’ by Scottish poet Walter Scott. The work was composed in 1825, with the first performance likely given at the castle of Countess Sophie Weissenwolff in the Austrian town of Steyregg.

The full piece is comprised of seven songs:
I. "Ellens Gesang I"
II. "Ellens Gesang II"
III. "Bootgesang”
IV. "Coronach"
V. "Normans Gesang"
VI. "Ellens Gesang III"
VII. "Lied des gefangenen Jägers"

5 months, 2 weeks ago

Die so genannte Deutsche Messe (Originaltitel: „Gesänge zur Feier des heiligen Opfers der Messe“, D 872) ist ein geistliches Musikwerk des Komponisten Franz Schubert aus dem Jahre 1826.

Es umfasst acht Messgesänge und einen Anhang.

Zum Eingang („Wohin soll ich mich wenden“)
Zum Gloria („Ehre, Ehre sei Gott in der Höhe“)
Zum Evangelium und Credo („Noch lag die Schöpfung formlos da“)
Zum Offertorium („Du gabst, o Herr, mir Sein und Leben“)
Zum Sanctus („Heilig, heilig, heilig! Heilig ist der Herr!“)
Nach der Elevation, oder: Nach der Wandlung („Betrachtend Deine Huld und Güte“)
Zum Agnus Dei („Mein Heiland, Herr und Meister“)
Schlussgesang („Herr, Du hast mein Fleh’n vernommen“)
Anhang. Das Gebet des Herrn („Anbetend Deine Macht und Größe“)

5 months, 3 weeks ago

Original Video - https://www.youtube.com/watch?v=XpYGgtrMTYs

Luciano Pavarotti (1935–2007) performs Schubert's "Ave Maria", live in concert with The Three Tenors in Los Angeles in 1994. Watch the full performance, available in digital video: https://w.lnk.to/The3TenorsLY

The Three Tenors (José Carreras, Plácido Domingo, and Luciano Pavarotti) are joined by conductor Zubin Mehta, the L.A. Philharmonic, and the L.A. Music Center Opera Chorus.

A Tibor Rudas production.

__________

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1 year, 2 months ago

Der Terroranschlag vom Breitscheidplatz vor drei Jahren hat die Bundesrepublik aufgerüttelt. Zwölf Menschen sind gestorben, 55 wurden verletzt, einige davon schwer. Die Aufklärung des Falles ist bislang eher dürftig, und der Ex-Polizist Stefan Schubert zweifelt trotz des Untersuchungsausschusses an der Aufarbeitungsintensität. Schubert hat bereits zahlreiche Bücher zum Thema innere Sicherheit verfasst, sein jüngstes Werk heißt "Anis Amri und die Bundesregierung: Was Insider über den Terroranschlag vom Breitscheidplatz wissen".

Wie sich herausstellte, war Amri verschiedenen Geheimdiensten bereits lange Jahre bekannt. Schon in dem kleinen tunesischen Dorf Oueslatia, in dem er aufwuchs, waren viele junge Männer dem IS zugeneigt. Amri schloss sich den Extremisten an und kam 2011 nach Europa, zunächst nach Italien. Dort verbüßte er eine Haftstrafe, eine eigentlich vorgesehene Abschiebung wurde nicht vollzogen. Amri setzte daraufhin seine Reise nach Deutschland fort. Auch dort pflegte er enge Kontakte zu islamistischen Kreisen. All dies war dem Sicherheitsapparat bestens bekannt, aber nichts wurde unternommen, um den Gefährder aus dem Verkehr zu ziehen. So führt Schubert in seiner Analyse aus, dass Amri gezielt für die Informationsgewinnung eingesetzt wurde, um so IS-Terrorzellen in Libyen ausfindig zu machen. Also eine Geheimdienstoperation mit tödlichen Kollateralschäden? Eine Frage, der Jasmin Kosubek im Gespräch mit dem Ex-Polizisten und Autoren Stefan Schubert nachgeht.

Sicherung von:
https://www.youtube.com/channel/UCp9ci2cnPMUfDnmjEJeEUYQ

1 year, 9 months ago

**I DO NOT OWN the copyrights for this video**

Original video - https://youtu.be/I6Njg1LFxFk

FRANZ SCHUBERT (1797-1828)
*arrangement

"Schwanengesang" D957

Lieder: "Ständchen" (Serenade) orginally for tenor and piano, arranged for cello and piano in D minor

Performed by Anne Gastinel, cello
Claire Désert, piano

1 year, 10 months ago

Military March #1 is a classic Schubert composition you must hear before the end of The "Pit' highlight of Franz Schubert. This is arranged by P. Beiner as part of a classical compilation.

Fair use as this is part of an educational set of programming on the pit

2 years, 7 months ago

Franz Schubert - Fantasy in C major D.760 (op.15) "Wanderer" - II. Adagio by Daniel Blanch

Daniel Blanch bio taken from http://www.danielblanch.com/biografia/

Schubert info:
Bibliographic details for "Fantasia in F minor (Schubert)"
Page name: Fantasia in F minor (Schubert)
Author: Wikipedia contributors
Publisher: Wikipedia, The Free Encyclopedia.
Date of last revision: 16 January 2019 05:55 UTC
Date retrieved: 20 January 2019 04:48 UTC
Permanent link: https://en.wikipedia.org/w/index.php?...
Primary contributors: Revision history statistics
Page Version ID: 878662748

This video is for educational purposes and is non profit. This is part of a month long highlight of Franz Schubert. We claim fair use.

2 years, 7 months ago

Die so genannte Deutsche Messe (Originaltitel: „Gesänge zur Feier des heiligen Opfers der Messe“, D 872) ist ein geistliches Musikwerk des Komponisten Franz Schubert aus dem Jahre 1826.

Es umfasst acht Messgesänge und einen Anhang.

Der Text stellt keine Übersetzung der tradierten lateinischen Vorlagen dar, sondern beruht vielmehr auf der Sammlung Geistliche Lieder für das heilige Messopfer des Auftraggebers J. P. Neumann aus dem Jahre 1826. Während die lateinischen Texte des katholischen Ritus großteils den Lobpreis Gottes in den Mittelpunkt stellen, rücken die Texte der Deutsche Messe eher den Menschen mit seinen irdischen Sorgen und Nöten ins Blickfeld und sollen auch als Messandachten dienen. Dem Römischen Ritus vor der Reform von 1969 folgend besteht die Messe aus folgenden Teilen:

Zum Eingang („Wohin soll ich mich wenden“)
Zum Gloria („Ehre, Ehre sei Gott in der Höhe“)
Zum Evangelium und Credo („Noch lag die Schöpfung formlos da“)
Zum Offertorium („Du gabst, o Herr, mir Sein und Leben“)
Zum Sanctus („Heilig, heilig, heilig! Heilig ist der Herr!“)
Nach der Elevation, oder: Nach der Wandlung („Betrachtend Deine Huld und Güte“)
Zum Agnus Dei („Mein Heiland, Herr und Meister“)
Schlussgesang („Herr, Du hast mein Fleh’n vernommen“)
Anhang. Das Gebet des Herrn („Anbetend Deine Macht und Größe“)

Das Werk wurde von dem Professor an der Wiener Technischen Hochschule Johann Philipp Neumann, der auch die Texte verfasste, in Auftrag gegeben. Von Schubert selbst gibt es zwei Fassungen, eine für vierstimmigen gemischten Chor mit Orgel sowie eine weitere, die zusätzlich je zwei Oboen, Klarinetten, Fagotte, Hörner und Trompeten, sowie drei Posaunen, Pauken und einen Kontrabass vorsieht. Daneben gibt es mehrere Bearbeitungen von Schuberts Bruder Ferdinand, darunter eine für drei Knabenstimmen mit Orgel sowie eine für vier Männerstimmen ohne Begleitung. Verbreitung gefunden hat das populäre Werk aber durch eine Vielzahl weiterer Bearbeitungen, die häufig auf die Bedürfnisse und Möglichkeiten der Pfarrgemeinden zugeschnitten wurden.

Ihren Namen hat die Deutsche Messe daher, dass sie, anders als die meisten geistlichen Werke der Zeit, die deutsche Sprache verwendet. Dies sowie die sehr freie, assoziative und romantisierende Übertragung und Interpretation des liturgischen Textes (s. u.) führte zur anfänglichen Ablehnung des Opus durch das Wiener Erzbischöfliche Konsistorium, erlangte jedoch bald weite Popularität, insbesondere durch die Verbreitung der deutschen Bet- und Singmesse in der ersten Hälfte des 20. Jahrhunderts.

Die Gesänge der Deutschen Messe sind im kirchlichen Alltag, insbesondere in Österreich und in Süddeutschland, bis zum heutigen Tag sehr verbreitet und populär. Einzelne Lieder aus der Messe sind im Stammteil des katholischen Gebets- und Gesangbuches Gotteslob enthalten, nämlich Wohin soll ich mich wenden (GL 145), Ehre, Ehre sei Gott in der Höhe (GL 413) und Heilig, heilig, heilig ist der Herr (GL 388); die vollständige Messe ist in mehreren Regionalanhängen des Gotteslob abgedruckt, so z. B. in der österreichischen Ausgabe unter der Nummer 711.

Musikalisch ist die Deutsche Messe von schlicht-eingängiger, diatonischer Melodik und gleichmäßiger Rhythmik geprägt; Modulation wird weitgehend vermieden, wodurch sie für jedermann leicht singbar ist. Ihre acht strophisch gehaltenen und homophon gesetzten Teile erinnern in ihrer schlicht-syllabischen Deklamation an den Gemeindegesang und verraten deutlich, dass ihr Schöpfer seinen Weltruhm insbesondere als Liedkomponist errungen hat. Dabei stützt er sich zudem eindeutig auf das Vorbild des Deutschen Hochamtes von Michael Haydn, eines Komponisten, den er sehr schätzte.

https://de.wikipedia.org/wiki/Deutsche_Messe_(Schubert)

2 years, 8 months ago

The "Pit" Presents this short synopsis of life Franz Schubert as part of our Jan-Feb 2019 highlight of his work. This is the first documentary installment for 2019. This is a new format which is much shorter and this does not cover his life in-depth. Not to worry as we will continue to look into his life releasing more information and education on Franz Peter Schubert in the music videos you are used to seeing in companion with each highlighted artist. We will be telling his story through his music with loads of info on each piece, info on the performers in those recordings and highlights from his personnel life during the time the compositions were written. Thanks for joining us and look out for the next Schubert video!
Music in this brief documentary:

Serenade (excerpt) arranged by Phill Szabo

Franz Schubert - Fantasy in C major D.760 (op.15) "Wanderer" - II. Adagio by Daniel Blanch is licensed under a Public Domain License.

Franz Schubert- " Ave Maria"Mirusia Louwerse & André Rieu
Licensed to YouTube by
Audiam (Label); UBEM, UMPG Publishing, SODRAC, ARESA, and 11 Music Rights Societies. Claiming fair use for educational purposes as allowed by Statement of the release.

Schubert, Franz: “Erlkönig” (“Erl King”)
Franz Schubert's “Erlkönig” (“Erl King”), D. 328; from a 1936 recording by bass Alexander Kipnis and pianist Gerald Moore.
© Cefidom/Encyclopædia Universalis

Schubert- Marche Militaire NR 1 (arranged by P Breiner) Best of Classical Music
Military march #1
Famous marches
Licensed to you tube by Naxosof ameria (on behalf of Naxos), and 4 Music rights societies

Britanica work cited:
Contributor: Betswy Schwarm
Title:
Ave Maria!
Website:
Encyclopaedia Britannica
Publisher:
Encyclopaedia Britannica, inc.
Date Published: Aug. 6, 2013
URL:
https://www.britannica.com/topic/Ave-Maria-song-by-Schubert

2 years, 8 months ago

This is a fair use of Franz Schubert's "Ave Maria" the original German title " Ellens Gesang" performed by Andre' Rieu and The Johann Strauss Orchestra Feat. Mirusia Louwerse as part of this months highlighted artist Schubert intended to educate on the life and music of Franz Peter Schubert. This is a beautiful version that will help the viewers this month understand Schubert's command of melody and his style of creating harmonies derived from the base melody. Credits in the video including brief descriptions of the soloist Louwerse and Conductor Rieu. Also included in the video and Britannica entry with citation from Betsy Schwarm. This video is in companion to the short documentary of Schubert's life that will be released 1/17/2019 on The "Pit" We would like to thank Andre' Rieu for allowing fair use for nonprofit educational purposes and believe this is continuance with his mission of spreading this music to the people.

https://www.britannica.com/topic/Ave-Maria-song-by-Schubert

Murisia Louwerse represents the Australian Children's Music Foundation:
http://acmf.com.au/

2 years, 8 months ago