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KATHERINE CHILJAN is an independent scholar who has studied the Shakespeare authorship controversy for over 30 years. Soon after graduating from UCLA (BA history), she saw a TV debate on the topic, and found that the traditional Shakespeare’s case for authorship weak, and the 17th Earl of Oxford’s case convincing. Afterward she started doing her own research. In 2003, she debated English professors on the authorship question at the Smithsonian. Eventually, she authored Shakespeare Suppressed: The Uncensored Truth About Shakespeare and His Works in 2011 (reprinted 2016); it earned her an award for distinguished scholarship from Concordia University, Portland, OR. Chiljan was a contributor to Contested Year (2016), which revealed serious errors in a book about King Lear by a prominent Shakespeare professor.
Chiljan regularly contributes articles to the Shakespeare Oxford Fellowship’s journal and newsletter, and currently is a board member for the Shakespeare Authorship Coalition.
Shakespeare Suppressed: The Uncensored Truth About Shakespeare and His Works (2016, 2nd edition) is available at Amazon.com, and at
www.shakespearesuppressed.com
Relevant websites:
www.shakespeareoxfordfellowship.org
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Created originally: Jul 6, 2012
Mirrored from one of my old YouTube channels: https://www.youtube.com/watch?v=75nbotrpe1w
كم أشدو بروعتك شكسبير 😍شكسبير للأبد🤩
I do not own this movie. It belongs to its respective owners.
Soliloquy of Prospero from "The Tempest" by William Shakespeare.
More about The Tempest: https://en.wikipedia.org/wiki/The_Tempest
Prospero: https://en.wikipedia.org/wiki/Prospero
"Our revels now are ended: These our actors—,
As I foretold you—, were all spirits and
Are melted into air, into thin air;
And, like the baseless fabric of this vision,
The cloud-capp'd towers, the gorgeous palaces,
The solemn temples, the great globe itself,
Yea, all which it inherit, shall dissolve
And, like this insubstantial pageant faded,
Leave not a rack behind: we are such stuff
As dreams are made on, and our little life
Is rounded with a sleep." — The Tempest, Act 4, Scene 1
One of the great voices for Shakespeare preserved on audio, Valentine Dyall reconciles France to English union as the Duke of Burgundy. A speech sometimes yielded ironically, as pleonastic (too wordy), Dyall and director Laurence Olivier rather find real poetry in its images of decay and rebirth.
How Shakespeare is connected to rosicrucianism and the free masons.
mirrored from: https://www.youtube.com/watch?v=XpJzi3Junuc&ab_channel=MediatimeNetwork
For heaven’s sake let us sit upon the ground
And tell sad stories of the death of kings.
Richard II (1979): BBC Shakespeare Collection
------------------------
Posted for educative purposes under THE FAIR USE NOTICE: These Videos may contain copyrighted (© ) material the use of which has not always been specifically authorized by the copyright owner. Such material is made available to advance understanding of ecological, political, human rights, economic, democracy, scientific, moral, ethical, and social justice issues, etc. It is believed that this constitutes a 'fair use' of any such copyrighted material as provided for in section 107 of the US Copyright Law. In accordance with Title 17 U.S.C. Section 107, this material is distributed without profit to those who have expressed a prior general interest in receiving similar information for research and educational purposes. For more information go to: http://www.law.cornell.edu/uscode "Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use." Disclaimer: 17 Notwithstanding the Provisions of Sections 17 U.S.C. @ 106 and 17 U.S.C. @ 106A, the Fair Use of a Copyrighted work for Educational Purposes- Not For Profit-Non-Commercial.
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“Let me have war, say I:
it exceeds peace as far as day does night;
it's spritely, waking, audible, and full of vent.
Peace is a very apoplexy, lethargy; mulled, deaf, sleepy, insensible;
a getter of more bastard children than war's a destroyer of men.”
“You were used to say extremity was the trier of spirits;
that common chances common men could bear;
that when the sea was calm all boats alike showed mastership in floating”
The Tragedy Of Coriolanus (1983): BBC Shakespeare Collection
#bbc-shakespeare-collection #shakespeare #the-tragedy-of-coriolanus
------------------------
Posted for educative purposes under THE FAIR USE NOTICE: These Videos may contain copyrighted (© ) material the use of which has not always been specifically authorized by the copyright owner. Such material is made available to advance understanding of ecological, political, human rights, economic, democracy, scientific, moral, ethical, and social justice issues, etc. It is believed that this constitutes a 'fair use' of any such copyrighted material as provided for in section 107 of the US Copyright Law. In accordance with Title 17 U.S.C. Section 107, this material is distributed without profit to those who have expressed a prior general interest in receiving similar information for research and educational purposes. For more information go to: http://www.law.cornell.edu/uscode "Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use." Disclaimer: 17 Notwithstanding the Provisions of Sections 17 U.S.C. @ 106 and 17 U.S.C. @ 106A, the Fair Use of a Copyrighted work for Educational Purposes- Not For Profit-Non-Commercial.
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“The lady doth protest too much, methinks.“
“This above all: to thine own self be true,
And it must follow, as the night the day,
Thou canst not then be false to any man.”
Hamlet: BBC Shakespeare Collection [1980]
------------------------
Posted for educative purposes under THE FAIR USE NOTICE: These Videos may contain copyrighted (© ) material the use of which has not always been specifically authorized by the copyright owner. Such material is made available to advance understanding of ecological, political, human rights, economic, democracy, scientific, moral, ethical, and social justice issues, etc. It is believed that this constitutes a 'fair use' of any such copyrighted material as provided for in section 107 of the US Copyright Law. In accordance with Title 17 U.S.C. Section 107, this material is distributed without profit to those who have expressed a prior general interest in receiving similar information for research and educational purposes. For more information go to: http://www.law.cornell.edu/uscode "Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use." Disclaimer: 17 Notwithstanding the Provisions of Sections 17 U.S.C. @ 106 and 17 U.S.C. @ 106A, the Fair Use of a Copyrighted work for Educational Purposes- Not For Profit-Non-Commercial.
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“The course of true love never did run smooth.”
“Lord, what fools these mortals be!”
“Love looks not with the eyes, but with the mind,
And therefore is wing’d Cupid painted blind.”
A Midsummer Night's Dream (1981): BBC Shakespeare Collection
------------------------
Posted for educative purposes under THE FAIR USE NOTICE: These Videos may contain copyrighted (© ) material the use of which has not always been specifically authorized by the copyright owner. Such material is made available to advance understanding of ecological, political, human rights, economic, democracy, scientific, moral, ethical, and social justice issues, etc. It is believed that this constitutes a 'fair use' of any such copyrighted material as provided for in section 107 of the US Copyright Law. In accordance with Title 17 U.S.C. Section 107, this material is distributed without profit to those who have expressed a prior general interest in receiving similar information for research and educational purposes. For more information go to: http://www.law.cornell.edu/uscode "Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use." Disclaimer: 17 Notwithstanding the Provisions of Sections 17 U.S.C. @ 106 and 17 U.S.C. @ 106A, the Fair Use of a Copyrighted work for Educational Purposes- Not For Profit-Non-Commercial.
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Thou art the Mars of malcontents.
(Pistol, Act 1 Scene 3)
Here will be an old abusing of God's patience and the King's English.
(Mistress Quickly, Act 1 Scene 4)
The Merry Wives of Windsor (1982): BBC Shakespeare Collection
------------------------
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“This is a way to kill a wife with kindness,
And thus I'll curb her mad and headstrong humour.
He that knows better how to tame a shrew,
Now let him speak. 'Tis charity to show.”
The Taming of the Shrew (1980): BBC Shakespeare Collection
------------------------
Posted for educative purposes under THE FAIR USE NOTICE: These Videos may contain copyrighted (© ) material the use of which has not always been specifically authorized by the copyright owner. Such material is made available to advance understanding of ecological, political, human rights, economic, democracy, scientific, moral, ethical, and social justice issues, etc. It is believed that this constitutes a 'fair use' of any such copyrighted material as provided for in section 107 of the US Copyright Law. In accordance with Title 17 U.S.C. Section 107, this material is distributed without profit to those who have expressed a prior general interest in receiving similar information for research and educational purposes. For more information go to: http://www.law.cornell.edu/uscode "Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use." Disclaimer: 17 Notwithstanding the Provisions of Sections 17 U.S.C. @ 106 and 17 U.S.C. @ 106A, the Fair Use of a Copyrighted work for Educational Purposes- Not For Profit-Non-Commercial.
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“Who lives that's not depraved or depraves?
Who dies, that bears not one spurn to their graves
Of their friends' gift?
I should fear those that dance before me now
Would one day stamp upon me: 't has been done;
Men shut their doors against a setting sun.”
“Timon will to the woods, where he shall find
Th' unkindest beast more kinder than mankind.
The gods confound - hear me, you good gods all -
Th' Athenians both within and out that wall!
And grant, as Timon grows, his hate may grow
To the whole race of mankind, high and low!
Amen.”
TIMON OF ATHENS: BBC Shakespeare Collection [1981]
------------------------
Posted for educative purposes under THE FAIR USE NOTICE: These Videos may contain copyrighted (© ) material the use of which has not always been specifically authorized by the copyright owner. Such material is made available to advance understanding of ecological, political, human rights, economic, democracy, scientific, moral, ethical, and social justice issues, etc. It is believed that this constitutes a 'fair use' of any such copyrighted material as provided for in section 107 of the US Copyright Law. In accordance with Title 17 U.S.C. Section 107, this material is distributed without profit to those who have expressed a prior general interest in receiving similar information for research and educational purposes. For more information go to: http://www.law.cornell.edu/uscode "Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use." Disclaimer: 17 Notwithstanding the Provisions of Sections 17 U.S.C. @ 106 and 17 U.S.C. @ 106A, the Fair Use of a Copyrighted work for Educational Purposes- Not For Profit-Non-Commercial.
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"Cowards die many times before their deaths;
The valiant never taste of death but once."
"The evil that men do lives after them,
The good is oft interred with their bones;
So let it be with Caesar."
Julius Ceasar: BBC Shakespeare Collection [1979]
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King Lear: BBC Shakespeare Collection [1982]
Have more than thou showest,
Speak less than thou knowest,
Lend less than thou owest,
Ride more than thou goest,
Learn more than thou trowest,
Set less than thou throwest;
Leave thy drink and thy whore,
And keep in-a-door,
And thou shalt have more
Than two tens to a score.
The Fool, ‘King Lear’.
https://archive.ph/B3hGP
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In honor of the upcoming Victoria Day (traditionally May 24th) the Desperado celebrates the “Sceptred Isle” with an analysis of Shakespeare’s famous “This England” speech. Long live the United Kingdom!
Things won are done, joy's soul lies in the doing.
That she beloved knows nought that knows nought this:
Men prize the thing ungained more than it is.
(Cressida, Act 1 Scene 2)
The end crowns all,
And that old common arbitrator, Time,
Will one day end it.
(Hector, Act 4 Scene 5)
Troilus and Cressida (1981)): BBC Shakespeare Collection
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This story shall the good man teach his son,
And Crispin Crispian shall ne'er go by,
From this day to the ending of the world,
But we in it shall be remembered;
We few, we happy few, we band of brothers.
For he to-day that sheds his blood with me
Shall be my brother.
(King Henry, Act 4 Scene 3)
Henry V (1989):
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He is the half part of a blessed man,
Left to be finished by such as she;
And she a fair divided excellence,
Whose fulness of perfection lies in him.
First Citizen (Act 2, Scene 1)
Well, whiles I am a beggar, I will rail,
And say there is no sin, but to be rich;
And, being rich, my virtue then shall be,
To say there is no vice, but beggary.
Philip the Bastard (Act 2, Scene 1)
The Life and Death of King John (1984): BBC Shakespeare Collection
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How say you?
My prisoner? Or my guest? by your dread 'Verily',
One of them you shall be.
(Hermione, Act 1 Scene 2)
The silence often of pure innocence
Persuades when speaking fails.
(Paulina, Act 2 Scene 2)
The Winters Tale (1981): BBC Shakespeare Collection
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Tis slander,
Whose edge is sharper than the sword, whose tongue
Outvenoms all the worms of Nile, whose breath
Rides on the posting winds, and doth belie
All corners of the world.
(Pisanio, Act 3 Scene 4)
Ambitions, covetings, change of prides, disdain,
Nice longing, slanders, mutability,
All faults that may be named, nay, that hell knows,
Why, hers, in part of all.
(Posthumus, Act 2 Scene 4)
Cymbeline (1983): BBC Shakespeare Collection
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All the world's a stage,
And all the men and women merely players;
They have their exits and their entrances,
And one man in his time plays many parts,
His acts being seven ages. At first the infant,
Mewling and puking in the nurse's arms.
Then, the whining school-boy with his satchel
And shining morning face, creeping like snail
Unwillingly to school. And then the lover,
Sighing like furnace, with a woeful ballad
Made to his mistress' eyebrow. Then, a soldier,
Full of strange oaths, and bearded like the pard,
Jealous in honour, sudden, and quick in quarrel,
Seeking the bubble reputation
Even in the cannon's mouth. And then, the justice,
In fair round belly, with a good capon lined,
With eyes severe, and beard of formal cut,
Full of wise saws, and modern instances,
And so he plays his part. The sixth age shifts
Into the lean and slippered pantaloon,
With spectacles on nose and pouch on side,
His youthful hose, well saved, a world too wide
For his shrunk shank, and his big manly voice,
Turning again toward childish treble, pipes
And whistles in his sound. Last scene of all,
That ends this strange eventful history,
Is second childishness and mere oblivion,
Sans teeth, sans eyes, sans taste, sans everything.
(Jaques, Act 2 Scene 7)
As You Like It (1978): BBC Shakespeare Collection
------------------------
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Farewell, faint-hearted and degenerate king,
In whose cold blood no spark of honour bides.
(Westmorland, Act 1 Scene 1)
Suspicion always haunts the guilty mind.
(Gloucester, Act 5 Scene 6)
Let me embrace the sour adversaries
For wise men say it is the wisest course.
(King Henry VI, Act 3 Scene 1)
Henry VI - Part III (1983): BBC Shakespeare Collection
------------------------
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Smooth runs the water where the brook is deep:
And in his simple show he harbours treason.
(Suffolk, Act 3 Scene 1)
The fox barks not when he would steal the lamb.
(Suffolk, Act 3 Scene 1)
Could I come near your beauty with my nails,
I'd set my ten commandments in your face.
(Eleanor, Act 1 Scene 3)
The commons, like an angry hive of bees
That want their leader, scatter up and down
And care not who they sting in his revenge.
(Warwick, Act 3 Scene 2)
Henry VI - Part II (1983): BBC Shakespeare Collection
------------------------
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I have heard it said, unbidden guests
Are often welcomest when they are gone.
(Bedford, Act 2 Scene 2)
No simple man that sees
This jarring discord of nobility,
This shouldering of each other in the court,
This factious bandying of their favourites,
But that it doth presage some ill event.
(Exeter, Act 4 Scene 1)
Henry VI - Part I (1983): BBC Shakespeare Collection
------------------------
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"‘Tis better to be lowly born,
And range with humble livers in content,
Than to be perked up in a glist’ring grief,
And wear a golden sorrow."
"Love thyself last: cherish those hearts that hate thee;
Corruption wins not more than honesty.
Still in thy right hand carry gentle peace,
To silence envious tongues. Be just, and fear not:
Let all the ends thou aim’st at be thy country’s,
Thy God’s, and truth’s; then if thou fall’st, O Cromwell,
Thou fall’st a blessed martyr!"
"Anger is like
A full-hot horse, who being allow’d his way,
Self-mettle tires him."
Henry VIII (1979): BBC Shakespeare Collection
------------------------
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Every subject’s duty is the king’s, but every subject’s soul is his own.
(King Henry, Act 4 Scene 1)
This story shall the good man teach his son,
And Crispin Crispian shall ne'er go by,
From this day to the ending of the world,
But we in it shall be remembered;
We few, we happy few, we band of brothers.
For he to-day that sheds his blood with me
Shall be my brother.
(King Henry, Act 4 Scene 3)
Henry V - BBC Shakespeare Collection [1979]
------------------------
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have no other, but a woman's reason:
I think him so because I think him so.
(Lucetta, Act 1 Scene 2)
They do not love that do not show their love.
(Julia, Act 1 Scene 2)
The Two Gentlemen of Verona: BBC Shakespeare Collect (1983)
------------------------
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Egypt, thou knew'st too well
My heart was to thy rudder tied by th'strings
And thou shouldst tow me after.
(Antony, Act 3 Scene 11)
She shall be buried by her Antony,
No grave upon the earth shall clip in it
A pair so famous.
(Caesar, Act 5 Scene 2)
O happy horse, to bear the weight of Antony!
(Cleopatra, Act 1 Scene 5)
Antony and Cleopatra (1981): BBC Shakespeare Collection
------------------------
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"He hath eaten me out of house and home."
"Thus we play the fools with the time, and the spirits of the wise sit in the clouds and mock us."
Henry IV: Part 2 (1979): BBC Shakespeare Collection
------------------------
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"Can Honour set to a leg? No. Or an arm? No. Or take away the grief of a wound? No. Honour hath no skill in surgery then? No. What is Honour? A word. What is that word ‘honour’? Air. "
"This sickness doth infect
The very life-blood of our enterprise."
Henry IV Part I (1979): BBC Shakespeare Collection
------------------------
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"And thus I clothe my naked villany
With old odd ends stolen out of holy writ;
And seem a saint, when most I play the devil."
“This is a way to kill a wife with kindness,
And thus I'll curb her mad and headstrong humour.
He that knows better how to tame a shrew,
Now let him speak. 'Tis charity to show.”
Richard III (1983): BBC Shakespeare Collection
------------------------
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"No legacy is so rich as honesty."
"All's well that ends well, still the fine's the crown;
Whate'er the course, the end is the renown."
"Even so it was with me when I was young.
If we are nature’s, these are ours. This thorn
Doth to our rose of youth rightly belong.
Our blood to us, this to our blood is born:
It is the show and seal of nature’s truth,
Where love’s strong passion is impressed in youth.
By our remembrances of days foregone,
Such were our faults, or then we thought them none."
All's Well That Ends Well - BBC Shakespeare Collection [1981]
------------------------
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Our doubts are traitors,
And make us lose the good we oft might win
By fearing to attempt.
If thou art rich, thou’rt poor; For, like an ass whose back with ingots bows, Thou bear’st thy heavy riches but a journey, And death unloads thee.”
Haste still pays haste, and leisure answers leisure,
Like doth quit like, and measure still for measure.
Measure For Measure: BBC Shakespeare Collection [1979]
------------------------
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The venom clamors of a jealous woman
Poisons more deadly than a mad dog’s tooth.
I to the world am like a drop of water
That in the ocean seeks another drop,
Who, falling there to find his fellow forth –
Unseen, inquisitive – confounds himself.
The Comedy of Errors (1983); BBC Shakespeare Collection [1985]
------------------------
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“Never durst a poet touch a pen to write
Until his ink was tempered with love's sighs.”
“What is the end of study? let me know.
Why, that to know, which else we should not know.
Things hid and barr'd, you mean, from common sense?
Ay, that is study's godlike recompense.
Come on, then; I will swear to study so,
To know the thing I am forbid to know:
As thus,--to study where I well may dine,
When I to feast expressly am forbid;
Or study where to meet some mistress fine,
When mistresses from common sense are hid;
Or, having sworn too hard a keeping oath,
Study to break it and not break my troth.
If study's gain be thus and this be so,
Study knows that which yet it doth not know:
Love's Labours Lost; BBC Shakespeare Collection [1985]
------------------------
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“Why, as men do a-land; the great ones eat up the
little ones: I can compare our rich misers to
nothing so fitly as to a whale; a' plays and
tumbles, driving the poor fry before him, and at
last devours them all at a mouthful:”
Pericles, Prince of Tyre: BBC Shakespeare Collection [1984]
------------------------
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“I’ll find a day to massacre them all,
And raze their faction and their family,
The cruel father and his traitorous sons,
To whom I sued for my dear son’s life;
And make them know what ‘tis to let a queen
Kneel in the streets and beg for grace in vain.”
Titus Andronicus (1985); BBC Shakespeare Collection [1985]
------------------------
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“Hell is empty and all the devils are here.”
The Tempest: BBC Shakespeare Collection [1980]
------------------------
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“If I can get him once upon the hip,
I will feed fat the ancient grudge I bear him.”
"The quality of mercy is not strained;
It droppeth as the gentle rain from heaven
Upon the place beneath. It is twice blest;
It blesseth him that gives and him that takes:
'T is mightiest in the mightiest; it becomes
The throned monarch better than his crown:
His sceptre shows the force of temporal power,
The attribute to awe and majesty,
Wherein doth sit the dread and fear of kings;
But mercy is above this sceptred sway;
It is enthronèd in the hearts of kings,
It is an attribute to God himself;
And earthly power doth then show likest God's
When mercy seasons justice. Therefore, Jew,
Though justice be thy plea, consider this,
That, in the course of justice, none of us
Should see salvation: we do pray for mercy;
And that same prayer doth teach us all to render
The deeds of mercy. I have spoke thus much
To mitigate the justice of thy plea;
Which if thou follow, this strict court of Venice
Must needs give sentence 'gainst the merchant there."
“The man that hath no music in himself, Nor is not moved with concord of sweet sounds, Is fit for treasons, stratagems, and spoils; The motions of his spirit are dull as night, And his affections dark as Erebus. Let no such man be trusted. Mark the music.”
“An evil soul producing holy witness
Is like a villain with a smiling cheek,
A goodly apple rotten at the heart.
O what a goodly outside falsehood hath!”
The Merchant of Venice: BBC Shakespeare Collection [1980]
------------------------
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Videos not playing? Try this.....
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Tried something I never tried and took notes. So glad to share with you.
published 12/05/19
[NICK]
Oh, God, I hate Shakespeare
That's right, I said it
[NIGEL (spoken)]
No!
[NICK]
I do, I hate Shakespeare
[NIGEL (spoken)]
Why?
[NICK]
I just don't get it
How a mediocre actor from a measly little town
Is suddenly the brightest jewel in England's royal crown?
Oh, God, I hate Shakespeare
His plays are wordy, but
Oh, no, the great Shakespeare
That little turdy, he has no
Sense about the audience
He makes them feel so dumb
The bastard doesn't care that my
Poor ass is getting numb
[MALE ENSEMBLE]
How can you say that? How can you say that?
[NICK]
It's easy, I can say it 'cause it's absolutely true
[MALE ENSEMBLE]
Don't be a penis, the man is a genius
[NICK]
His genius is he's fooling all of you
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[NIGEL]
But he's brilliant, what majesty flows from his pen
His poetry soars like a sweet violin
God's own inspiration, like lightning doth strike him
And he captures my soul
[NICK (spoken)]
Aw, jeez, you sound just like him!
[NIGEL (spoken)]
Really? Thanks!
[NICK]
You should hate Shakespeare
[NIGEL]
Well, I don't, I try to emulate Shakespeare
[NICK]
Well, there's your problem, you're so blinded by The Bard
Who's such a pompous little man
[NIGEL]
Why is it a problem to admit that I'm a fan?
[NICK]
'Cause he's a hack with a knack
For stealing anything he can
[MALE ENSEMBLE]
How can you say that? How can you say that?
The man really knows how to write a bitchin' play
You wish you could pen one, we wish we were in one
[NICK]
I just wish that he would go away
[NIGEL (spoken)]
Well, that's not gonna happen because everybody I know says that he is the greatest writer that England has ever known
[NICK]
And that's another thing I hate about Shakespeare
Is all the twits who bloviate about Shakespeare
And how they prattle on
About his great accomplishments, well la-di-da-di-da
And once they start the gushing
There's no stopping them and then it's
Blah-blah-blah-blah-blah Shakespeare
And he walks in it's
Dum-de-dum-ta-da Shakespeare
He's holding court and they say
"Will, you're such a genius and your writing is divine
'A rose by any other name' is such a clever line"
And they're all "ooh" and he's all "stop"
And they're all "yay" and I'm all "*retch*!"
And I'm really getting sick of it
And oh, oh, oh
Oh, I hate Shakespeare
[MALE ENSEMBLE]
I think by now, we sort of know you hate Shakespeare
[NICK]
Shmakespeare!
The way he feigns humility
When all he does is gloat
The way he wears that silly, frilly
Collar 'round his throat
The poster child for why
No one should ever procreate
Let me make a shorter list
And I will give it to you straight
Every little thing about Shakespeare
Is what I hate
[MALE ENSEMBLE]
Hates, he hates
He clearly surely, really, truly
Hates Shakespeare
[NIGEL (spoken)]
Don't hate!
The Hollow Crown: Richard II
God Didn't Give Me a Week's Notice
https://en.wikipedia.org/wiki/God_Didn't_Give_Me_a_Week's_Notice
God Didn't Give Me a Week's Notice is a 15-minute documentary by Richard Dailey about Margaret Holloway, also known as "The Shakespeare Lady" of New Haven, Connecticut.[1]
Richard Dailey attended Bennington College at the same time as Margaret Holloway. He was three years behind her and their acquaintance was casual. She was very talented and well known on campus. When he found that she was homeless and performing for tips on Whitney Ave in New Haven, Connecticut, he asked if he could record her performances and she agreed. He and Holloway worked two weeks to produce a 15-minute documentary. He then spent the next six months editing the material from his home in Paris.
As reported in the Yale Daily News, December 7, 2001
Set to jazzy music, the film features Holloway dramatically reciting several pieces from Euripides, Shakespeare and Chaucer. Dailey also recorded Margaret speaking about her life. Interspersed through the documentary are candid and telling stills of Holloway in various locations in New Haven.
Dailey made a handshake agreement with Holloway that any revenue produced by the film would be divided equally between the two of them. The Yale Daily News reported that the Dec. 9 2001 benefit screening at York Square Cinemas on Broadway was an exception. All of the proceeds from that show would be donated to Holloway. It is unknown how much money was raised.
In the documentary, lines from Holloway's 1980 thesis run sporadically across the bottom of the screen.
"Many artists have aspired to a theater of hunger," Holloway wrote.
"Many were imprisoned, driven insane, etc. These artists know that there is no separation between the quest toward a theater of hunger and a quest toward a way of life. We continue in this quest."
Remembering Yale graduate and ‘Shakespeare Lady,’ Margaret Holloway
https://www.wtnh.com/news/connecticut/new-haven/remembering-yale-graduate-and-shakespeare-lady-margaret-holloway/
Margaret Holloway, known as New Haven’s ‘Shakespeare Lady,’ was one of Connecticut’s best-known performers. Last month, she died of COVID-19
https://www.courant.com/2020/07/01/margaret-holloway-known-as-new-havens-shakespeare-lady-was-one-of-connecticuts-best-known-performers-last-month-she-died-of-covid-19/
Saying goodbye to Margaret Holloway
A drama school alum who became known as the "Shakespeare Lady."
https://yalealumnimagazine.org/articles/5191-saying-goodbye-to-margaret-holloway
New Haven, Connecticut
https://en.wikipedia.org/wiki/New_Haven%2C_Connecticut
Yale University
https://en.wikipedia.org/wiki/Yale_University
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Proper enunciation is SOOOO important . . .
The melody was written by Thomas Morley, to the words of William Shakespeare, very likely for the original performance of As You Like It, as both evidently premiered in the year 1600. Performers:
Touchstone - James Bolam
Audrey - Marilyn Le Conte
Pages - Paul Phoenix, Barry Holden
New Series with Kazz Maynard
Join me on the Colonel Pride Review for history, literature and politics
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Are Shakespeare and Shakespeare enthusiasts plotting to overthrow the British government and establish a totalitarian state? Find out in this video! Certainly some in Britain's establish think that some very naughty non-progressive people are using Shakespeare for nefarious purposes. Prevent, a counterterrorism think tank in Britain, has labelled Shakespeare, Tolkien, Orwell and Joseph Conrad as right-wing radical reading material. In this video I investigate just how radical Shakespeare really is.
#shakespeare #england #history
John Kleiner is a professor of English at Williams College. He is a scholar of classical and medieval literature whose work has been supported by the Andrew Mellon Foundation, the Rockefeller Foundation, and the National Endowment for the Humanities. The author of Mismapping the Underworld: Error in Dante's "Comedy," he is at work on a new book, The Art of Losing: Versions of Failure from Virgil to Shakespeare. His articles and essays include "On Failing One's Teachers," "Criminal Invention," and "Diffusion of hydrogen in a' -VHx." He has taught courses on Shakespeare, expository writing, Chaucer, Dante, allegory, Hollywood film, journalism, and violence. He has a B.A. in religion and physics from Amherst College, an M.S. in physics from Cornell University, and an M.A. and Ph.D. in comparative literature from Stanford University.
A trailer for a play that's been filmed, but it's about a play where one of the characters realizes that they are in a play. Probably can't post this on YouTube. #ThePrince #Shakespeare #trans
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19th Century Poets rise from the grave in part 2. Shakespeare makes an appearance.
1. Daffodil 1
2. Daffodil 2
3. Violet 1
4. Violet 2
I hear the hounds of the past, they bark and howl from behind
A 2nd clip from Welles' timeless, not topical, Gothic treatment of Shakespeare's play Macbeth. The clip is selected to highlight Welles' great choice of players for the witches, or rather Weird Sisters (or Weyward Sisters, folio spelling playing on 'wayward', misled or misleading).
The Three:
Brainerd Duffield (also First Murderer)
Lurene Tuttle (also Gentlewoman)
Peggy Webber (also Lady Macduff)
Adaptations of Shakespeare's plays to temporal political agendas are a matter of artistic license, but we may criticize them for being faddish and gratuitous, as they so often are. Perhaps Welles did that once or twice himself, arguably, but here he relieves us with a richly Gothic realization of Macbeth, restoring the psychological and cosmic themes to central importance.
So...can the majesty, drama and subtlety of a William Shakespeare play be condensed into a 12 minute Silent film?
Well, early creator Percy Stow was determined to give it his best. Co-founder of the Clarendon Film Company, the director, influenced no doubt by Pathe Films and their effects-heavy shorts, translated the Bard's work from the long and dialogue-heavy scenes made for the stage into a more action-heavy, condensed work with dynamic camerawork and quick changes of scene. Despite a minuscule budget, the scenery is passable, the jump-cut effects decent and the acting, while still in 'play to the Cheap seats' mode, pretty good IMHO. There is easily enough of the original play left in this 12 minute film that one could easily write an accurate book report on the subject.
As a modern viewer and a fan of Shakespeare, I must admit to riffing a bit of the dialogue as I watched the Abbreviated play:
Ferdinand-Hey, a Hot girl!
Miranda-Oooh, a Hot guy! C'mere you...
Prospero-Too soon, too soon! Go move some logs!
Ferdinand-Er, say what now?
(yes, i'm easily amused...)
The audiences of the day certainly believed that Stow had done well-both the director and his company went on to create over 250 films before closing its doors in 1913-and this short survived the decades in near-pristine condition, ready to entertain new generations...B&W, Soundtrack.
It is well documented in Tony bushby's book The secret in the Bible, that the Egyptian initiated high priests would encryptically write dual meanings into things.
In Francis Bacon was ahead of his time; and cryptology was his specialty.
The story of the exiled Duke of Milan and his daughter who live on an enchanted island. Other inhabitants of the island are the savage and deformed Caliban and a sprite named Ariel who had been freed from imprisonment in a tree. One day the duke sees a ship at sea and calls up a tempest to wreck it and brings the survivors ashore to find they are relatives. He decides to get revenge on his brother who helped the King of Naples usurp the duke's throne.
The magician Prospero tosses and turns in his sleep while a violent storm tosses a ship on the ocean. Prospero awakens with a start as lightning strikes the ship, and summons his servant, the spirit Ariel. Ariel tells Prospero the details of the storm, which was an illusion he created at Prospero's command to lead the King of Naples (Alonso) and his crew to the island and trap them there.
The Tempest is a 1960 American TV movie based on the play by William Shakespeare. It was directed by George Schaefer, who said the play was ideal for TV because it could be easily done in 90 minutes
Maurice Evans as Prospero
Richard Burton as Caliban
Roddy McDowall as Ariel
Lee Remick as Miranda
Tom Poston as Trinculo
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9-19-22 Allen Cardoza Interviews Paula Marantz Cohen
https://drexel.edu/pennoni/center-for-civil-discourse/overview/
http://answers.network
An award-winning scholar and teacher explores how Shakespeare’s greatest characters were built on a learned sense of empathy.
While discussing Shakespeare’s plays in her university classroom, Paula Marantz Cohen discovered that they unlocked a surprising sense of compassion in both herself and her students. In this short and illuminating book, she shows how Shakespeare’s genius lay in his ability to arouse empathy, even when his characters exist in alien contexts and behave in reprehensible ways.
In her new book, On Human Kindness, Paul Cohen takes her readers through a selection of Shakespeare’s most famous plays, including Hamlet, Othello,King Lear, and The Merchant of Venice, to demonstrate the ways in which Shakespeare thought deeply and clearly about how we treat “the other.” Cohen argues that only through close reading of Shakespeare can we fully appreciate his empathetic responses to race, class, gender, and age. Wise, eloquent, and thoughtful, this book is a forceful argument for literature’s power to champion what is best in us.
How will you get those high paying jobs without a college "education"?
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A performance of William Shakespeare's Sonnet 54.
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Jared Taylor || African-American Shakespeare: Fat Black Lady Plays King Richard III
More AF- and AmRen-clips @ https://gab.com/Three_Spoons
Clip from "Important Lawsuit Goes Forward",
which aired 21st July 2022 on Amren.com
(https://www.amren.com/podcasts/2022/07/important-lawsuit-goes-forward/)
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Tags: Race, NewYork, Shakespeare, American Renaissance, Jared Taylor, clips
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Clip from "Important Lawsuit Goes Forward",
which aired 21st July 2022 on Amren.com
(https://www.amren.com/podcasts/2022/07/important-lawsuit-goes-forward/)
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Tags: Race, NewYork, Shakespeare, American Renaissance, Jared Taylor, clips
Talk August 2021: Who really wrote the plays? Whatever the answer, we’re coming up to the 400th anniversary of the World’s Greatest Literary Hoax. In 1623, when the plays were published, Ben Jonson wrote a preface intimating that an illiterate trader from Stratford-on-Avon called William Shakspeare – who could not read or write – was the author!
The entire Stratford-on-Avon tourist industry is a complete hoax!
Why did the Author(s) wish to maintain a low profile?
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Clip from "Property is Racist",
which aired 31st May 2022 on Amren.com
(https://www.amren.com/podcasts/2022/05/property-is-racist/)
✔️American Renaissance Website:
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Tags: Race, Shakespeare, Woke, American Renaissance, Jared Taylor, clips
A performance of William Shakespeare's Sonnet 138
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In this episode of the Curious Realm host Christopher Jordan welcomes Shakespeare scholar and researcher Katherine Chiljan to the show to discuss her book Shakespeare Suppressed: the Uncensored Truth about Shakespeare and his Works and the theory held by many that the so-called “Man from Avon” known to the World as William Shakespeare is in reality not the playwright that historical character all know and revere by the same name is actually a nom-de-plume for the 17th Earl of Oxford, Edward de Vere, also known as “The Spear Shaker”, a member of the English royal court and known poet and playwright himself.
In the second part of the show, we are joined by JL Carpenter, lead council for JL Carpenter Law, to discuss the case of Melissa Lucio, a Mexican-American mother who was forced into the confession of the murder of her children via the controversial “Reid Technique”. We also discuss the recent live streaming of the Johnny Depp v. Amber Heard defamation trial.
Join the Curious Realm as we delve into the topics of the Shakespeare authorship conspiracy with Katherine Chiljan as well as the execution of the innocent and live streamed court with JL Carpenter.
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Scop Ep. 2/7 RadEthelWynn
(Indie, Folk, Pagan, Traditional)
Lyrics- William Shakespeare...
Sometime a keeper here in Windsor forest
doth all the winter time at still midnight
walk roundabout an oak with great ragged horns
and there he blasts the tree and takes the cattle
and he makes a milch kine yield blood
and shakes a chain in a hideous dreadful manner
and now you've heard of such a spirit and well you know
the superstitious idle headed elder received
and did deliver to our age
this tale of Herne the Hunter for a truth...
Shakespeare 1597
RadEthelWynn
Stars: David Tennant, Patrick Stewart, Penny Downie
Director: Gregory Doran
Royal Shakespeare Company, 2009
Henry V is a 1989 British historical drama film adapted for the screen and directed by Kenneth Branagh, based on William Shakespeare's play of the same name about King Henry V of England. The film stars Branagh in the title role with Paul Scofield, Derek Jacobi, Ian Holm, Emma Thompson, Alec McCowen, Judi Dench, Robbie Coltrane, Brian Blessed, and Christian Bale in supporting roles. This film received worldwide critical acclaim and has been widely considered one of the best Shakespeare film adaptations ever made. For her work on the film, Phyllis Dalton won an Academy Award for Best Costume Design and Kenneth Branagh, in his directorial debut, received Oscar nominations for Best Actor and Best Director.
Richard III is a 1955 British Technicolor film adaptation of William Shakespeare's historical play of the same name, also incorporating elements from his Henry VI, Part 3. It was directed and produced by Laurence Olivier, who also played the lead role.
