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Penny Nance is the CEO and president of Concerned Women for America (CWA), is the nation’s largest public policy women’s organization.
On March 1-4, The New American is attending Conservative Political Action Conference (CPAC) in Washington, D.C.
DISCLAIMER: Views and opinions expressed in this interview are solely those of the interviewee and do not necessarily represent those of The New American. TNA is not responsible for, and does not verify the accuracy of, any information presented.
For more great content, visit www.thenewamerican.com.
Persecution of Christians by God hating, Antichrist governments and their far left, liberal followers is only just beginning in the West.
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48 - B - black - algerian. movie maker !
Here's a video may IRRITATE most liberals - The Traditional HouseWife. What's your thought??
"House wives are the backbone of this great nation and always will be!!" -- KM IIA
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レーベル： ビクター VDRY 25026
フォーマット： CD
国 名： Japan
発売年： 1989
収録曲
01 - 早春賦
02 - 花
03 - 真白き冨士の嶺
04 - 城ヶ島の雨
05 - 浜辺の歌
06 - 浜千鳥
07 - さくら貝の歌
08 - 椰子の実
09 - 砂山
10 - 夏の思い出
11 - 茅渟の海
12 - 出船
13 - あざみの歌
14 - 宵待草
15 - この道
16 - からたちの花
17 - 白い花の咲く頃
18 - 北上夜曲
19 - 雪の降る街
20 - 北帰行
ミュージシャン：
・西脇久夫（トップテナー）
・大町正人（セカンドテナー）
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In this video I'll be revealing the truth about traditional, conservative, religious types of women and why they aren't actually wife material.
Other Resources:
Female Nature (Is Ubiquitous):
https://youtu.be/WM3v1qf2wU8
Game Hacks (Don't Work):
https://youtu.be/qRWasWIxEtc
Female Non-Monogamy:
https://youtu.be/WVZM5FIiDSU
Female Companionship (Sucks):
https://youtu.be/eKLJC80RZ50
Female Seduction (WATCH OUT!):
https://youtu.be/tqXzLdcv7YU
Relationship Venn Diagram:
https://youtu.be/-HdrumSVL14
Men's Vs. Women's Love:
https://youtu.be/sNi_aMr8Csw
Men's Self Development Book:
https://a.co/d/1Rl1ZVw
Complete Self Help Library:
https://truelifedevelopment.com/
Sex Ed For Men:
https://www.bitchute.com/channel/j6wzw6Z8TmqV/
Female On Male Sexism:
https://truelifedevelopment.com/2021/08/an-expose-of-the-paradigm-of-misandry-double-standards-against-men-in-the-gynocentric-socio-political-world/
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Are you homeschooling your children yet? The urgency is great to save them from being indoctrinated and brainwashed by elites run gov doctrines so their minds and bodies forget their purpose of being here in the physical realm.
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Timestamps
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https://tradition.vonabisw.de/project-practising-traditional-astrologers
Project for a new series for the channel –https://www.youtube.com/@kosmologie-mikronahrstoffe6663/videos – with practising Traditional Astrologers (without the outer planets). – The aim is, to provide insights into the practise of delineation of Traditional Astrologers today, comparable to S. Belle’s notebooks – An Astrologer at Work in Late Medieval France: The Notebooks of S. Belle – https://www.amazon.de/Astrologer-Work-Late-Medieval-France/dp/9004463372/ref=sr_1_5?crid=2CE4OLLW35ZQ8&keywords=helena+avelar&qid=1672675262&sprefix=%2Caps%2C73&sr=8-5 – Instead of a notebook – the idea is a delination-video per episode by the Astrologer, where the chart is completely delineated according to the tradition used. – The amount of time might be in the neighbourhood of 180 minutes per video. – We are looking to find English-speaking partners for this project. –
Traditional Astrologers in Portugal in the 21. Century - Dr. Helena Avelar and Dr. Luis Ribeiro
https://astrotalk.vonabisw.de/dr-luis-ribeiro-historical-research-astrological-techniques
https://history.vonabisw.de/50-2
https://history.vonabisw.de/51-2
https://history.vonabisw.de/on-the-heavenly-spheres-lehrbuch-der-traditionellen-astrologie
https://history.vonabisw.de/traditional-astrology-course-essential-concepts-interpretation-basics
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This remarkable Santa looks rather familiar ;)? Well he is delivering all the traditional goodies to a little boy who set his wishes to grow up as a boy despite being stuck in a Western European home raised as another undefineable gender.
The Mari Lwyd (Y Fari Lwyd) is a Welsh wassailing tradition that appears around late December to mid January (Hen Galan, or Old New Year) in which a mysterious horse skull draped in bells, runes, and colored ribbons travels to local homes, accompanied by a group of merrymen, who request to be let in through song. The occupants are then expected to respond by denying them entry for various reasons, also through song. This musical exchange, known as the "pwnco", continues until the home's inhabitants run out of excuses and are required to finally allow the party entry -- providing them all with food, drink, and merriment.
To be visited by the Mari Lwyd, or even see it traveling from home to home, is considered to be good luck and blessings for a positive and fortuitous new year. The name "Mari Lwyd" translates to Grey Mare, Grey Mane, or Grey Mary and, though the tradition is commonly thought to originate from the ancient Celtic myth of a pale horse who is able to pass to the underworld, some historians believe the name to be a reference to the Blessed Mary and the tradition related to Mary and Joseph trying to find somewhere safe to give birth.
Music is "Y Fari Lwyd" performed by Sharron Kraus (dulcimer) and Harriet Earis (harp) at St. John's Church in Ysbyty Cynfyn, from the album "Winter Songs / Caneuon y Gaeaf" (2013). Image is "Peace Over Peacham" by Michael Blanchette.
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Nick Fuentes is a Traditional Man
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Love it or hate it, you cannot deny the youth of today are very different. This 3D printed sign comes with magnets in the back.
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Is There Truth To The Brand?
This week on A Podcast About Catholic Things, Eric (The Ambassador of Common Sense) discuss the misbranding of Catholic traditionalism and the traditionalist movement. Is there any truth to the label we at the TLM have been given as angry, stuck up snobs? Perhaps there's more to it than just misunderstanding.
In current events, we take a somewhat deep dive into the Kanye West comment about Nazis and Hitler.
In other current events, Ukraine about to outlaw churches? Is Twitter really for free speech? Price cap on Russian oil. Georgia voter fraud. Digital vaccine passports. Pro-lifer spiderman. Canadian bishop wants masks and jabs. Elon Musk to put chips in brain. Alberta claims sovereignty. Canadian and UK censorship bills. Vaccine claims. German bishop wants women to baptize. Supreme court hearing web designer's case. Is St. Lucy a fake? USCCB preaches about same sex marriage bill. DeSantis promises to make pharma pay.
In the land of nonsense, man runs for turkeys. Plane passengers escape to Spain. Nude photos of many people. Buddhist monks on meth.
Trivia question: Where did Satan fall from?
▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬
Hark! The Herald Angels Sing
Joy to the World
Away in a Manger
Good King Wenceslas
God Rest Ye Merry Gentlemen
O Come, All Ye Faithful (Arr. D. Willcocks for Choir & Organ)
It Came Upon a Midnight Clear
The First Noel
I Saw Three Ships (Arr. R. Jacques for Choir)
White Christmas
This week on A Podcast About Catholic Things, Eric (The Ambassador of Common Sense) and Dan (The Ambassador of Nonsense) discuss the emotional qualities of the Latin Mass. Is the TLM a 'feely Mass?' Shia LaBeouf seemed to think so in his recent interview with Bishop Barron (which, we both agree, was a great interview). Are most TLM goers 'thinkers' and not 'feelers'? Is there honestly any difference?
In current events, US throwing more money at Ukraine. Biden orders strikes on Russia-backed Syria. Afghanistan floods. Shooting in Arizona over eviction. Gas pump vandals in England. Wikileaks appealing decision to extradite Julian Assange. Mark Zuckerberg admits FBI meddled with election. Man in the Hole is dead. Madagascar people riot over kidnapped albino. Hail in Spain kills one. Sweden report dolphin with H5N1. US life expectancy drops again.
The the world of nonsense, pumpkin boats. Whipped cream requires permit in New York. Alligator pet plays in the water. Fisherman catches 90 million year old fish.
Trivia question: what are we for Christ?
While the Catholic Church has taken great care over the course of history to preserve spiritual music, very little is known of early Western music that is more secular in nature. The first secular music to receive substantial preservation was that of the troubadours, a group of lyrical poets who gained prominence in the region of Aquitaine during the early 12th century. The latter half of this century saw a rapid expansion of the troubadour tradition, from Aquitaine eastward into parts of Italy and southward into parts of Spain. This expansion is considered indicative of the “classical period” of troubadour performance, and from this time comes arguably the most important and well-known troubadour, Bernart de Ventadorn (c. 1130 - c. 1200).
A peasant’s son born in what is now Corrèze, Bernart learned the art of performance at an early age and, as so many of his contemporaries did, marketed his skills to wealthy patrons. He most likely learned the art of singing and writing from his protector, the viscount Eble III of Ventadorn, and it is long-rumored that Bernart composed his first poems to his patron's wife, Marguerite de Turenne. He is remembered for his mastery and popularization of the "trobar leu" style, as well as for his prolific cançons (45 known lyrics survive, 18 of them with accompanying music), which helped define the genre and establish the "classical" form of courtly love poetry.
Of these cançons, "Can vei la lauzeta mover", written in the Occitan language, is considered to be Bernart's oldest and best known. It is also one the oldest known examples of poetry to employ a first-person narrative style. The subject of the cançon begins with a lark flying and falling in joyful bliss and the narrator lamenting that he could never feel this same joy due to his fervent, unrequited love for a woman. After pining upon the disgrace and vanity of his futile devotion, and loss of all dignity, he vows to never again trust or defend women but to instead enter into a loveless life of solemn exile.
Music performed as "Quan Vey La Lauzeta" by Mediæval Bæbes from the album "Undrentide" (2000), image is of Rebecca from aclotheshorse.co.uk.
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This last Saturday night I have experienced the real life with my soul's brothers and sisters through a traditional folk dance!
«Each one of you is King of his temple and each King has for Queen
A thought, a flock of a bird that no one can capture.»
Translation of an excerpt of «Message d'un Roi» (Message from a King)
Words, music and voice: MaréeJozay LaVoie
Guitar: Luc Villeneuve
Brutal look at what it was like for me, on my first video since I was home from the hospital from STAGE IV CANCERS, yes, two of them ~ taken out, as well as both bladder and prostate, send you home with two bags on you and started my 587 day/night journey in the Lazy-Boy. That is wherd I would spend the bext year and a half (almost) in that chair. Until I could lie down flat for the first time, this past June 13 2022 ~ MEDICINE: INTENT.
"She Moved Through the Fair" (also known as "She Moves Through the Fair", "Our Wedding Day", "Out of the Window", and "Keayrt Dooyrt My Ghraih Veen Rhym") is a traditional Irish folk song. Its lyrics were first published in Herbert Hughes' songbook "Irish Country Songs" in 1909, though its mysterious origins are believed to be much older than that.
The subject of the song begins with a young man watching his lover move away from him while at a fair, after telling him that since her family will approve, "it will not be long, love, till our wedding day". In the final verse, she returns to him nightly as a ghost, echoing the words "it will not be long, love, till our wedding day", suggesting her untimely end and a potential reunion in an afterlife.
In a letter published in The Irish Times in 1970, Longford poet, Padraic Colum, stated that he, along with Irish composer, Herbert Hughes, had first heard the tune in County Donegal, and that he'd later authored all but the final verse of the lyrics which were published in Hughes' songbook in 1909. However, another music composer, Proinsias Ó Conluain, then contacted the The Irish Times and stated that he'd recorded an identical song called "She Went Through the Fair" that was taught to him by an old man who had said "the song was a very old one" and that he'd "learned it as a young man from a basket-weaver in Glenavy".
The traditional singer, Paddy Tunney, later clarified that Padraic Colum had documented the song for publication after returning from a gathering in Donegal with Herbert Hughes and others. However, it would be more accurate to say that Colum simply added some additional lyrics to what was already a traditional song which by then had "already generated many variations throughout Ireland". Since then, several variations of the song have been discovered throughout Ireland and Scotland.
The song's melody is in Mixolydian mode, leading musicologist John Loesberg to speculate in Ossian’s "Folksongs and Ballads Popular in Ireland - Volume I" (2005) that "from its strange, almost Eastern sounding melody, it appears to be an air of some antiquity". He doesn't define its age with any further precision, though suggests that the tune's true origins likely date as far back as Medieval times. [ Roud 861 ; Henry H141 ; Ballad Index K165 ; Mudcat 869 ; trad. adapted Padraic Colum / Herbert Hughes]
Music performed by Anne Briggs from the album "Edinburgh Folk Festival Vol. 1." (1963).
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Echo from our debut album Abyss, available at talisk.co.uk/shop
Mohsen Amini - Concertina @Mohsen Amini
Hayley Keenan - Fiddle
Craig Irving - Guitar
Recorded by Barry Reid
Mastered by Richard Dowling
Filmed by Gus Stirrat
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"White Traditional Women Don't Exist"
This is Amazing 👏🏻
"Pretty Saro" is a traditional English ballad with roots tracing back to the early 1700s. It had become all but forgotten in England by the mid-eighteenth century, but an alternate version of the song was rediscovered in the early twentieth century in the Appalachian Mountains region of the United States, where it had been preserved through oral traditions. The song is another selection from the enormous collection of 1,700 tunes that Sharp compiled with Maud Karpeles while visiting North Carolina, Virginia, Kentucky, and Tennessee, in 1916-1918. [ Roud 417 ; Ballad Index R744 ; VWML CJS2/9/2358 ; Mudcat 15862 ; trad.]
Music performed by Iris DeMent (vocals) and David Mansfield (fiddle) from the album "Songcatcher - Music From And Inspired By The Motion Picture" (2001).
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"Dear Companion" is a traditional English lament whose original date of composition and author remain unknown, though it was likely penned sometime in the mid- to late 19th century. Its earliest documented performance was on August 8, 1916, when Rosie Hensley of Carmen, North Carolina, sang the song for Cecil Sharp. The song is a selection from the enormous collection of 1,700 tunes that Sharp compiled while visiting North Carolina, Virginia, Kentucky, and Tennessee, with Maud Karpeles in 1916-1918 and was first published in Volume 2 of "English Folk Songs from the Southern Appalachians". [Roud 411 ; Ballad Index R755 ; Old Songs "Dear Companion" ; VWML CJS2/9/2364 ; trad.]
Music performed by Meg Baird from the album "Dear Companion" (2007).
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Traditional, Thrash and Punk that is 100% Metal and Catchy
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Irish traditional music includes many kinds of songs, including drinking songs, ballads and laments, sung unaccompanied or with accompaniment by a variety of instruments. Traditional dance music includes reels (4/4), hornpipes and jigs (the common double jig is in 6/8 time). The polka arrived at the start of the nineteenth century, spread by itinerant dancing masters and mercenary soldiers, returning from Europe. Set dancing may have arrived in the eighteenth century. Later imported dance-signatures include the mazurka and the highlands (a sort of Irished version of the Scottish strathspey).
The Irish fiddle has been played in Ireland since the 8th century. The bagpipes have a long history of being associated with Ireland Great Irish warpipes were once commonly used in Ireland especially in battle as far back as the 15th century.
A revival of Irish traditional music took place around the turn of the 20th century. The button accordion and the concertina were becoming common. Irish stepdance was performed at céilís, organised competitions and at some country houses where local and itinerant musicians were welcome. Irish dancing was supported by the educational system and patriotic organisations. An older style of singing called sean-nós ("in the old style"), which is a form of traditional Irish singing was still found, mainly for very poetic songs in the Irish language.
From 1820 to 1920 over 4,400,000 Irish emigrated to the US, creating an Irish diaspora in Philadelphia, Chicago (see Francis O'Neill), Boston, New York and other cities. O'Neill made the first recordings of Irish music on Edison wax cylinders. Later, Irish musicians who were successful in the USA made commercial recordings which found their way around the world and re-invigorated musical styles back in the homeland. For example, American-based fiddlers like Michael Coleman, James Morrison and Paddy Killoran did much to popularise Irish music in the 1920s and 1930s, while Ed Reavy composed over a hundred tunes that have since entered the tradition in both Ireland and the diaspora.
** I DO NOT OWN the rights for this music.** NO INFRINGEMENT INTENDED. For entertainment and educational purposes only! PLEASE SUPPORT THE ORIGINAL ARTISTS!
Driftwood - Live Session At Radio Sunderland 1994
1. Driftwood
2. Window
3. Land Of Constant Change
4. Is There Love
5. For Hannah
6. What Put The Blood*
7. Tippin It Up To Nancy*
8. She Moves Through The Fair*
*Traditional Folk Songs
Track 1-5 Written By Rob Redhead
Rita Mcnulty [Vocals And Bodhran]
Mags Allred [Vocals And Fiddle]
Rob Redhead [Vocals And Guitar]
Diarmaid McGleenan [Vocals And Keyboard]
A Live Performance Recorded At Radio Sunderland In 1994
Seo Linn singing their version of traditional Irish song 'Óró Sé do Bheatha Bhaile'. Recorded for Seachtain na Gaeilge 2016
More videos from Seo Linn: https://www.youtube.com/c/SeoLinn/videos
Heartland on The Internet: "It betrays as much as it enlightens"
Lafcadio Hearn was a Greek born to a harsh childhood on the island of Lefkada. At the age of 19, he moved to Cincinnati and later New Orleans. Hearn then went on to Japan where he worked as a teacher, eventually marrying into a local samurai family. His writings, among the few at the time written by a Western author, offered his audience rare glimpses into the elusive Japanese culture.
Samsung Galaxy Chromebook 2 XE530QDA-KA1US 13.3" Touchscreen 2 in 1 Chromebook - Full HD - 1920 x 1080 - Intel Core i3 (10th Gen) i3-10110U 2.10 GHz - 8 GB RAM - Fiesta Red
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Vocals: Mary McLaughlin
Guitar, Producer: William Coulter
Author: Thomas Costello
Woodwinds: Todd Denman
Harp: Shelley Phillips
Fiddle: Deby Benton Grosjean
Keyboards: Paul Machlis
Drums: Heidrun Hoffmann
Cello: Barry Phillips
Guitar: Martin Simpson
Bodhran: Theo Paige
----------------------------------------
Legend of Úna Bhán
MacDermott was the Chieftain of Moylurg, a Celtic Kingdom in North Roscommon. He had a beautiful daughter, Úna Bhán, - so named because of her long blonde hair. His neighbour was Tomás Láidir Costello, a good and sincere man, handsome and strong.
Úna Bhán and Tomás Láidir fell in love and wished to marry but MacDermot would not allow the marriage because he believed Tomás Láidir was not good enough for his daughter. Tomás Láidir was banished from the area and MacDermot had Úna Bhán confined on Castle Island, Lough Key, then called "The Rock", which was located in the centre of MacDermot territory.
Úna Bhán went into a deep melancholy and was dying of grief. Tomás Láidir, hearing of the situation went to see her and when he left, vowed that if MacDermot did not send a message for him to return before he reached the river, he would never go back. The messenger was sent, but did not reach Tomás Láidir until after he had crossed the river. Being a man of honour Tomás Láidir was unable to break his vow and did not return.
Úna Bhán died of a broken heart and was buried on Trinity Island, an island on Lough key. In his grief Tomás Láidir used to swim to the island every night to keep vigil at her grave. Eventually he got pneumonia and realising that he was dying requested that MacDermot allow him to be buried beside Úna Bhán. His request was granted and thus the two lovers were belatedly united.
Two trees grew up over their graves, entwining together to form a Lovers Knot, standing guard over the site.
Nora at Jalopy Theater - Brooklyn, NY Jan. 31 2018. This song comes from Knott County in Eastern Kentucky and was taught to her by Clifton Hicks who was taught by George Gibson who was taught by his neighbor John Sloan. She's on a fretless civil war replica banjo from Gardner's Dulcimer in Ohio. Video by www.cyrusmoussavi.com
Banjo prodigy Nora Brown
https://www.norabrownmusic.com
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Brutalism is Gay.
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"Willie O' Winsbury" (c. 1775) is a traditional Scottish ballad, known by several variations including "Johnie Scot", "Johnnie Barbour", "Tom the Barber", and "Lord Thomas of Winesberry". Its subject is a king who returns from Spain to find his daughter pregnant by the ballad's hero. The king orders the hero be hanged but, upon viewing the beauty of his fair complexion and blond hair, decides instead to offer the hero his daughter's hand and a lordship in his kingdom. The hero accepts the marriage proposal but refuses the land and title, suggesting they instead be bestowed upon his betrothed.
Music performed by Pentangle (1972), image is the oil on canvas painting "Cordelia's Farewell" (1898) by Edwin Austin Abbey.
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I wish Society would return to this.
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Templism is a traditionalist neo-Pagan religion reconciled with Christianity for the future of the West. Its texts are here:
It is partially reconstructionist, but primarily based upon ancient and modern philosophy.
"Angelica: So, in America they are not protected?
Justin: No. Absolutely not. The laws in America right now are pushing the LGBT movement. Children are assaulted with this ideology in music, TV commercials, and even in schools. Meanwhile, in Russia, it is forbidden. For me, this is most important."
"This evening we met with a married couple, Aaron and Danielle. They said they are leaving the United States, and they want to settle here in the Yaroslavl region.
Aaron: I think one of the things that motivated our move is that over the last 10 years in America, the culture has been moving in a very strange direction. Family values are being destroyed by the LGBT movement, and it has even gotten into the schools. Stories about transgender people are being imposed on young children, which is completely unnecessary. And if you resist it, then there are cases where people are losing their jobs."
https://russian-faith.com/video/american-families-living-praying-settling-rural-russia-n6570
Video source: https://vimeo.com/689805614
