Ethnographic films on non-Whites of the third world.

"They don't believe that the White man exists," explains Jean-Pierre Dutilleux within the first minute of the film. "And if they do, that makes me one of the living dead."

The footage in this combined, 3-part film is unedited. The only addition is the voice of Jean-Pierre Dutilleux. He is the man shown throughout the film making contact with the Toulambi tribe. An ethnographer, Jean-Pierre travelled with his cameraman during December of 1993 to the remote regions of Oceania to capture the incredible footage that would later comprise this stunning, low-resolution, ethnographic documentary.

Jean-Pierre Dutilleux was born in Belgium in 1949. He is an actor, filmmaker and author. He is most known for his 1978 award-winning documentary film titled "Raoni: The Fight for the Amazon". Like this film that came 20 years later, "Raoni" is an ethnographic documentary that showcases rare footage of primitive tribes in their natural habitat. "Roani" explores the living conditions and survival of the indigenous people of north central Brazil. Jean-Pierre is also the author of over half a dozen ethnographic books, the majority of which also centre around the Raoni people.

The tribe captured in this film are native to New Guinea. The tribe is known as the "Toulambi" and are members of an ethnic group called the "Angu" people. The Angu people are short and are often no taller than 5 feet. A primitive and low-IQ race, they survive in the wilderness without any contact with the outside world.

The first scene of the film shows the tribe warn the women to stay back as the men and young boys cautiously approach Jean-Pierre, the first White man they have ever laid eyes on. Puzzled and with child-like curiosity, they take turns feeling the texture of his hair and skin by running their hands across him.

Later, the footage shows their bewilderment as they're introduced to various objects for the first time: a mirror, matches, and the cameraman's camera. Jean-Pierre also offers the group a bowl of rice, which doesn't meet their approval until salt is added. They're also handed a spoon to eat with. Having no idea how to use it, they hastily abandon the spoon and return to their customary eating habit of stuffing the food in their face with their fingers.

The film is a rare and captivating collection of footage that very few have managed to capture on camera, let alone experience. It was originally aired as a 3 part series called "Tribal Journeys" that has been combined here as one.

If you enjoyed this film or other ethnographic films like it, here is a playlist of other documentary films exploring non-Whites in the third-world: https://www.bitchute.com/playlist/bGOsuIzkCHYS/

****Note: If you see a documentary film on my channel that you like and want to upload to a seperate channel or platform, feel free to do so. But please do so without stealing/ plagiarizing my original, written content I have included in the description****
**************************************************
For a thorough playlist of dozens of documentary films debunking the mainstream, Jewish narrative of the Holocaust, click the following link:
https://www.bitchute.com/playlist/CyAH41GlTTi6/
**************************************************
For a thorough playlist on documentary films exploring Whites in Africa, from farm murders in South Africa, to the anti-White atrocities of Zimbabwe's Mugabe, click the following link:
https://www.bitchute.com/playlist/c4yZoD6Wzd22/
**************************************************
For a playlist of Jewish lies, propaganda and hit-piece documentary films, for research and educational purposes or satirical, comedic viewing, click the following link:
https://www.bitchute.com/playlist/YxRFFeLsV4ut/
**************************************************
Visit and subscribe to the below channel for insightful and very wholesome, family-friendly and mature commentary and content for White, native Europeans.
A Perfect Day ~ Radio for Families on the Front
https://www.bitchute.com/channel/7LFfEmub8EUk/
**************************************************

"Everyone was horny..." explains one Paki pervert during one segment of the film, "so they fucked him in the ass."

Filmed mainly in Peshawar, Pakistan's Hidden Shame documents this sickening practice that victimizes countless innocent, pre-pubescent boys across Pakistan by evil Paki pederasts.

The majority of the victims are children coming from poverty or drug stricken families who have no place to sleep, or no money to eat. Many are intentionally hooked on heroin so they will continue returning to the men to get high in exchange for sex.

The majority of their predators are truck drivers or bus conductors. The film explains how a whopping 95% of men in this line of work have engaged in this sickening practice in one way or another.

The film also reveals how one study found that 1 in 10 of these child victims is murdered to avoid incriminating the men involved.

You can take a– ... monkey out of the jungle, but you can't take the jungle out of a monkey. The premise of this adage is true for Jews and other races like Arabs that are bio-spiritually incompatible with Westernkind. They're presence among Whites is simply unnatural (like love between faggots).

We were reminded of this recently, when after a lengthy silence from Europe's Muslim community, Islamic terror began to re-emerge in media headlines. On Oct. 16, a 47-year-old teacher in France was beheaded by an 18-year-old Muslim man. The teacher, Samuel Paty, was murdered after he showed his students an illustration of Muhammad. Hilariously, photos exist of the murdered teacher holding up a sign welcoming refugees to France. Looks like karma bit him in the ass–or the neck.

As the incident began to attract international attention, radical Muslims across Europe and the Islamic world erupted in anger. French leader Emmanuel Macron pushed back against their protests, defending French citizens right to free speech. In stark contrast and not surprisingly, Canadian Prime Minister Justin Trudeau cucked out, claiming to only support free speech that isn't offensive.

Chaos continued to erupt across France in the ensuing days. On Oct. 29, an angry Tunisian refugee stormed a church before beheading two women and seriously injuring another man. Cops shot his ass and took him into custody.

The same day, an armed Muslim was shot in the head after threatening a cop in a southern region of France, while a guard was attacked outside the French consulate in Jeddah, Saudia Arabia. Days later, another terrorist shooting took place outside of a synagogue in Austria by an Albanian Muslim claiming allegiance to ISIS. The nearby synagogue was not the target.

These attacks are nothing new to Europe. Radical, non-White Muslims have been flooding into White nations for decades. Jewish elites usher them in and leaders refuse to stop it.

This documentary shows how twelve illustrations released by a Danish newspaper in 2005, drew widespread fury from Muslims all over the world. Filmed across various areas of the Middle East, "Bloody Cartoons" reveals how angered Muslim leaders went as far as offering a million dollar reward to have the person responsible for the cartoons killed.

The documentary does raise a good point near the end. As one Muslim points out, Europe sure does like to pick and choose what they believe constitutes free speech. In many European countries, it's perfectly legal to draw offensive pictures of Mohammed's ugly face, but not to point out that the Holocaust never happened. Which is a good reminder of who's really pulling the strings behind the scenes. And it's these people, who through immigration and anti-White indoctrination, use these same Muslims–as well as niggers–as bullets against White people.

"It's all so tiresome..." goes the ubiquitous meme borrowed from this film and popularized within the dissident right and White-positive sphere in recent years. It refers to the frustration involved with having to live among, or work alongside primitive and low IQ African blacks. And that's precisely the theme that this documentary, Empire of Dust, explores as China sends their workers to the Congo to aid in the development of Africa.

Lao Yang and Eddy both work for a company called CREC (Chinese Railway Engineering Company). They have just set up camp near the remote mining town of Kolwezi in the Katanga province of the RDC. The goal of the company is to redo the road - covering 300km - that connects Kolwezi with the capital of the province Lubumbashi.

Lao Yang is head of logistics of the group. He is responsible for the equipment, building materials and food (mainly chickens) to arrive in the isolated Chinese prefab camp. The Congolese government was supposed to deliver these things but so far the team hasn't received anything.

With Eddy (a Congolese man who speaks Mandarin fluently) as an intermediate, Lao Yang is forced to leave the camp and deal with local Congolese entrepreneurs, because without the construction materials the road works will cease.

What follows is an endless, harsh, but absurdly funny roller coaster of negotiations and misunderstandings, as Lao Yan learns that the African bio-spirit is highly primitive and lacking when compared to that of the East Asian.

Documentary by Tanaz Eshaghian.

The Badam Bagh Women's Prison in Afghanistan is packed with convicts, but many of them are guilty of acts that would not be deemed crimes in America. This documentary looks into the histories of three such prisoners. They are Sabereh, an 18-year-old who was handed over to the authorities by her father for kissing a boy; Kareema, a 20-year-old who turned herself in for having participated in premarital sex; and Aleema, a divorced woman who was arrested when her roommate tried to sell her.

"Sex Changes for Iran's Faggots" is a documentary expose on the strange approach to tackling degeneracy in Iran.

The laws in Iran state homosexuality is punishable by death unless one of the participants receives subsidies from the government to have a doctor chop his cock off.

Documentary by Clover Films.

The Dancing Boys of Afghanistan explores a practice called 'Bacha Bazi' which is rampant among Afghanistan's overwhelmingly faggot population. It consists of underage boys being forced to dress up like queers in front of them to get their dicks hard. The kids who resist are often beaten and killed.

The police are also pedos and refuse to stop it. The majority of the rest of the population are also faggots and do nothing to help the children.

The film is an expose on how much the Taliban is required to restore law and order in the area and wipe these disgusting creatures off the face of the Earth.

Documentary by Sharmeen Obaid-Chinoy and Daniel Junge.

Saving Face is a 2012 film about Paki women being grotesquely and permanently disfigured by dirty Paki men, usually their husbands. Yet another glimpse into the brutal nature of the non-White animal.

In some cases, the women claim to be victims for not accepting the man's advances, while in at least one instance, the man claims the woman deserved it simply for having too many cocks stuffed inside her.

The film won an Emmy Award and the 2012 Academy Award for Best Documentary Short Subject, making its director, Sharmeen Obaid-Chinoy, Pakistan's first Oscar winner. The film was inspired from the life of acid victim Fakhra Younus, who committed suicide in 2012.

A Paki doctor travels to his homeland to fix their unsightly faces.

It's also no surprise that acid attacks in the UK are at an all-time high with so many Pakis flooding in.

This is a brilliant mondo shockumentary filmed by Tsurisaki Kiyotaka, a Japanese film maker and photographer of dead bodies.

The film contains no dialogue and is set to a 2005 album by Japanese doom metal band Corrupted for it's entirety.

The film consists almost entirely of footage from non-White, third-world nations. The majority of it showcases the squalor and decrepit living conditions these people live in.

In other scenes you will find dead brown people, Pakis poking needles through their face and cutting their tongues, and Palestinian protesters. In one scene, a certain non-White group can be seen engaging in what appears to be a Satanic sex ritual. Note the frizzy hair and Star of David next to the Baphomet in this segment.

A shocking documentary on Africa in the stormy transition from Colonialism to independent statehood including explicit animal poaching and violence, executions and slaughter.

'Nanook of the North' is a 1922 ethnographic documentary film, and the very first of it's kind. Ethnographic films are documentaries that explore the unique lifestyle and customs of foreign people, mostly within the third world. Decades after it's release, ethnographic films rose in popularity. Eventually, the subgenre began to implement a more controversial and explicit style using elements found in "shock" or "gore" films. Mid-20th century ethnographic films took on a more insensitive or exploitative nature in their candid, voyeuristic documenting of foreign races and tribes, and began being referred to as "mondo films" or "shockumentaries". Gore, nudity and other over-the-top, sensational subject matter lead to the popularity of cult classic ethnographic shockumentaries like 'Mondo Cane' and 'Africa Adio'. 'Nanook of the North' however, is atypical in this regard, as the filmmaker maintains a certain level of diplomatic professionalism towards the Eskimo race being documented. This high level of respect is maintained throughout the film despite being filmed numerous decades before the rise of Jewish political correctness.

It's generally agreed upon that once an individual encounters "race realism" and begins to fully understand the concept of the biological reality of race, many pieces fall into place. The world makes a lot more sense viewed through a racial lense, and it's very difficult to return back to a blue-pilled existence. Subsequently, race and genetics, and how Darwinian pressures would form the different races of mankind, becomes a pivotal question a recently red-pilled person seeks to answer. And the curiosity surrounding this truth kept hidden–or censored–from the mainstream can be satisfied thanks to the work of individuals such as Ed Dutton, Richard Lynn, Philippe Rushton, Charles Murray, and others.

This film explores the lifestyle of the Inuit people of Canada's northern Quebec region. This race of Eskimos initially inhabited Russia's Siberia, Alaska, northern Canada, and Greenland. Racially distinct from other indigenous American people found further south, the Inuit people are short and stocky and have an average IQ of 90. The scientists mentioned above have, on numerous occasions, theorized on how and why the intelligence and phenotypical characteristics of the Eskimos was selected for in the harsh and freezing temperatures their race has adapted to.

Certain scenes convey the projection of the Inuit bio-spirit as vastly different from that of Westerkind. In one scene, the Eskimos are scene attempting to make sense of a gramophone in an attempt to explain how "the White man's 'cans' his voice."

The film begins with a preface by it's creator Robert Flaherty: "This film grew out of a long series of explorations in the North which I carried out on behalf of Sir William Mackenzie from 1910 to 1916. Much of the exploration was done in journeys lasting months at a time with only two or three Eskimos as my companion. This experience gave me an insight into their lives and a deep regard for them". The preface then goes onto explain that he had no prior experience making movies, and after a number of accidents and hiccups, he left for home with enough footage to complete the film with. Following the editing process, the negative would catch fire, destroying the entirety of the film. Once again, he returned north for round two. This time, he brought equipment that would allow the Eskimos involved to view themselves during the filming process. Finally, in 1920, he had accumulated enough footage to head home and remake the film. He then reveals that approximately two years later during the year of it's release, Nanook, the star Eskimo of the film, had died during a hunting expedition.

In 1999, 'Nanook' was digitally remastered and released on DVD. It was originally released as a silent film with text slides describing scenes. The music score was later added. At the time of it's release, the documentary film genre was virtually unheard of. And it is the uncontested first-ever documentary of the ethnographic subgenre. This pioneering film is considered so important, that in 1989, the Library of Congress described it as "culturally, historically, or aesthetically significant". As a result, the film was selected for preservation in the United States National Film Registry. The film has been parodied or referenced in a number of movies and songs throughout popular culture since it's release.

If you enjoyed this film or other ethnographic films like it, here is a playlist of other documentary films exploring non-Whites in the third-world: https://www.bitchute.com/playlist/bGOsuIzkCHYS/

****Note: If you see a documentary film on my channel that you like and want to upload to a seperate channel or platform, feel free to do so. But please do so without stealing/ plagiarizing my original, written content I have included in the description

This film was directed by Jonas Nilsson. Jonas is a Swedish White advocate, as well as a journalist, author, and documentary filmmaker. He runs the Boer Project, an initiative created to aid in the plight of White South Africans. He is also the creator of the documentary 'South Africa: A Reversed Apartheid?', a film meant to raise awareness on White farm murders in South Africa. He has appeared on various podcasts and livestreams among various others within the White-sympathetic sphere. More recently, he was featured on 'The After Party' with No White Guilt and Jared George

His newest documentary 'The Witch Doctor's Curse' tackles the trend of highly superstitious blacks in South Africa hiring witch doctors to eliminate elements in their life that they perceive to be the result of negative, supernatural forces. These witch doctors are called "Sangomas". The blacks in the film claim things like blood and human organs can cure various ailments and diseases. To them, consuming a severed and pickled penis can often trump the effectiveness of traditional medicine. Nilsson exposes just how rampant and ubiquitious nonsensical, metaphysical beliefs are among South Africa's primitive black population, who possess an average IQ that hovers at around 71.

A White mortician interviewed for the film explains that blacks will often hire a White-owned funeral home to deal with their loved ones, because they're viewed as less superstitious and therefore more trustworthy. Blacks do not have to fear that a White mortician will dismember their grandfather's corpse for parts to sell on the black market. In some cases, blacks will attempt to rob an entire body from the casket. The mortician claims he once had to turn down a client who requested to remove the penis off a corpse so that he could sell the dink for extra cash!

In one tragic scene, Nilsson speaks to a husband and wife who were forced to flee South Africa for Sweden. They claim that supernatural beliefs held among black Africans were a dangerous threat to their innocent, White daughter's safety. According to them, many blacks believe the abhorrent act of having sex with a child can rid them of HIV or AIDS. These outrageous beliefs have resulted in her attempted kidnapping.

These antiquated and idiotic beliefs are not all that surprising when you consider they are coming from a population of people who have an elected politician who once shrugged off the need for White farmers, stating that "most South Africans just buy their food at ShopRite anyways". Race realist academic and anthropologist Gregory Cochran is known for pointing out that the superstitious belief in non-existent, other-worldy forces that are out to attack them are common in virtually all tribes throughout Africa. When these blacks are taken into the US, the fear of this hostile yet invisible threat out to get them is instead manifested in the form of so-called "White supremacy".

To view Jonas Nilsson's documentary 'South Africa, A Reversed Apartheid?', click here: https://www.bitchute.com/video/gWlPvzqSqGdV/

****Note: If you see a documentary film on my channel that you like and want to upload to a seperate channel or platform, feel free to do so. But please do so without stealing/ plagiarizing my original, written content I have included in the description****
**************************************************
For a thorough playlist of dozens of documentary films debunking the mainstream, Jewish narrative of the Holocaust, click the following link:
https://www.bitchute.com/playlist/CyAH41GlTTi6/
**************************************************
For a playlist of Jewish lies, propaganda and hit-piece documentary films, for research and educational purposes or satirical, comedic viewing, click the following link:
https://www.bitchute.com/playlist/YxRFFeLsV4ut/
*************************************************
For a thorough playlist of documentary films exploring Whites in Africa, from farm murders in South Africa, to the anti-White atrocities of Zimbabwe's Mugabe, click the following link:
https://www.bitchute.com/playlist/c4yZoD6Wzd22/

For those interested in anthropology, race realism and human bio-diversity, 'Ten Thousand Years Older' is a short, 12-minute mini documentary by award-winning filmmaker Werner Herzog. It is an ethnographic film briefly documenting the primitive, indigenous tribes of Brazil who remained uncontacted until only a few short decades ago.

Near the last couple minutes, these little fuckers laugh about their most likely fictitious sexual escapades with White broads.

If you enjoyed this film or other ethnographic films like it, here is a playlist of other documentary films exploring non-Whites in the third-world: https://www.bitchute.com/playlist/bGOsuIzkCHYS/

****Note: If you see a documentary film on my channel that you like and want to upload to a seperate channel or platform, feel free to do so. But please do so without stealing/ plagiarizing my original, written content I have included in the description****
**************************************************
For a thorough playlist of dozens of documentary films debunking the mainstream, Jewish narrative of the Holocaust, click the following link:
https://www.bitchute.com/playlist/CyAH41GlTTi6/
**************************************************
For a thorough playlist on documentary films exploring Whites in Africa, from farm murders in South Africa, to the anti-White atrocities of Zimbabwe's Mugabe, click the following link:
https://www.bitchute.com/playlist/c4yZoD6Wzd22/
**************************************************
For a playlist of Jewish lies, propaganda and hit-piece documentary films, for research and educational purposes or satirical, comedic viewing, click the following link:
https://www.bitchute.com/playlist/YxRFFeLsV4ut/

Documentary by William B. Treutle.

This is an old film so there is a small amount of annoying clipping in the audio and footage.

'Karamoja' is a 1954 ethnographic documentary film. Ethnographic films are documentaries that explore the unique lifestyle and customs of foreign people, mostly within the third world. This subgenre often implements a more controversial and explicit style using elements found in "shock" or "gore" films. Mid-20th century ethnographic films took on a more insensitive or exploitative nature in their candid, voyeuristic documenting of foreign races and tribes, and began being referred to as "mondo films" or "shockumentaries". Gore, nudity and other over-the-top, sensational subject matter lead to the popularity of cult classic ethnographic shockumentaries like 'Mondo Cane' and 'Africa Adio'.

This shockumentary depicts African niggers in a region of Uganda called Karamoja—from where the film derives it's title—behaving in the same manner they did centuries and centuries ago, being too dumb, lazy and shifty to create or achieve anything no matter how much time they're given.

As the narrator Dr. Treutle—who is also the film's director—states during the opening scene, all the footage presented here takes place during one of the strangest honeymoons anyone could imagine. Before the trip, Dr Treutle, a dentist by profession, was diagnosed with only six months to live. While in the Belgian Congo, he met an American woman who would join him on a trip to Karamoja. "When at last we had reached Karamoja, it was as if we had been transported back to the beginning of time."

Different scenes throughout the film show these stinky, dirty, uncivilized bastards dancing and chanting to songs and engaging in various acts of ritualistic self-mulitation in which their primatively low-IQ seemingly lends itself the inability to feel pain. Or perhaps these savages are deriving some sort of perverse sexual satisfaction from tattooing, cutting, piercing and maiming each other's bodies. But given the fact they possess an entirely distinct biospirit, with brains that are wired entirely different than us, we will never truly be able to ask the question of what is going through their heads or why they behave the way they do.

Other scenes depict the niggers crafting various items like a spear. Although not surprisingly, this takes place in the 1950's and they still have not managed to create a hammer or anvil. Other scenes display their hunting practices on animals. One unique and impressive talent they exhibit is the ability to create objects that they insert into their own face that make them even uglier than they were beforehand—an act that one would presume to be impossible.

There's one thing that this film makes certain to it's viewers: that these uncivilized beasts are without question, biospiritually incompatible with Western civilization. It is abundantly clear from their animalistic behaviour that their presence among Westernkind—that is, White people—is simply unnatural, like love between faggots.

We should also be highly appreciative of modern technology. Without it, we would never be able to view these shocking scenes from the comfort of our own homes, with the luxury of not having to get a whiff of these niggers' nauseating body odours in person.

If you enjoyed this film or other ethnographic films like it, here is a playlist of other documentary films exploring non-Whites in the third-world: https://www.bitchute.com/playlist/bGOsuIzkCHYS/

****Note: If you see a documentary film on my channel that you like and want to upload to a seperate channel or platform, feel free to do so. But please do so without stealing/ plagiarizing my original, written content I have included in the description****
**************************************************
For a thorough playlist of dozens of documentary films debunking the mainstream, Jewish narrative of the Holocaust, click the following link:
https://www.bitchute.com/playlist/CyAH41GlTTi6/
**************************************************
For a thorough playlist on documentary films exploring Whites in Africa, from farm murders in South Africa, to the anti-White atrocities of Zimbabwe's Mugabe, click the following link:
https://www.bitchute.com/playlist/c4yZoD6Wzd22/
**************************************************
For a playlist of Jewish lies, propaganda and hit-piece documentary films, for research and educational purposes or satirical, comedic viewing, click the following link:
https://www.bitchute.com/playlist/YxRFFeLsV4ut/

1974 documentary by National Geographic.

This hour-long, made-for-TV, ethnographic film is a National Geographic Society special which originally aired on television in 1974. It was directed by John Marshall and Robert M. Young. The writing is credited to an individual named Bud Wiser, although that sounds like one hell of a pseudonym! It is narrated by Leslie Neilson.

The Kalahari Bushmen or San people are found in regions of Southern Africa. They are one of two ethnic groups comprising the Khoisan people. When White people arrived in what is currently South Africa, the only people who occupied it were a small and sparse population of Khoisan people. The Bantu people from the greater sub-Saharan race travelled South and killed off many Khoisan people whom they came in contact with.

According to dissident right, race realist Richard Lynn, the Kalahari Bushmen ethnic group exists completely separate from average niggers. Like Pygmies, they belong to their own genetically distinct racial group from sub-Saharan Africans.

The Khoisan racial group whom the Kalahari Bushmen belong to, possess an astonishingly low IQ of 55, according to Lynn. For comparison, the average IQ of sub-Saharan Africans is around 70, and even that is considered mentally retarded by North American standards. The only racial group even close to being as primitive is the Australoid people with an average IQ of 59. However, according to racial realists, the practices involved in hunter-gathering are not correlated with intelligence.

These people are incredibly short, with males averaging only 1.5 metres tall. They also possess a yellowish complexion. They live in small bands and speak using a rare "click" language.

In 'Bushmen of the Kalahari', the film's director John Marshall, an anthropologist, travels to meet the Kalahari Bushmen. This ethnographic special serves as a sequel to a 1958 study conducted by Marshall that involved African people caught between the past and modern world. Marshall arrives to explore the lifestyle and customs of this unique racial group that is currently estimated to have just over 100,000 people.

If you enjoyed this film or other ethnographic films like it, here is a playlist of other documentary films exploring non-Whites in the third-world: https://www.bitchute.com/playlist/bGOsuIzkCHYS/

****Note: If you see a documentary film on my channel that you like and want to upload to a seperate channel or platform, feel free to do so. But please do so without stealing/ plagiarizing my original, written content I have included in the description****
**************************************************
For a thorough playlist of dozens of documentary films debunking the mainstream, Jewish narrative of the Holocaust, click the following link:
https://www.bitchute.com/playlist/CyAH41GlTTi6/
**************************************************
For a thorough playlist on documentary films exploring Whites in Africa, from farm murders in South Africa, to the anti-White atrocities of Zimbabwe's Mugabe, click the following link:
https://www.bitchute.com/playlist/c4yZoD6Wzd22/
**************************************************
For a playlist of Jewish lies, propaganda and hit-piece documentary films, for research and educational purposes or satirical, comedic viewing, click the following link:
https://www.bitchute.com/playlist/YxRFFeLsV4ut/