Mention of the Reading in Part I - https://youtu.be/_ZzyLJFevqA?t=342
This is the first person account reading of Part II of Varieties of Fascism by Professor Eugen Weber. Reading 2C is written by Vidkun Quisling, from which the modern colloquial t…
Mention of the Reading in Part I - https://youtu.be/_ZzyLJFevqA?t=342
This is the first person account reading of Part II of Varieties of Fascism by Professor Eugen Weber. Reading 2C is written by Vidkun Quisling, from which the modern colloquial term for treachery is derived. Quisling, a Norwegian fascist more so than a national socialist, counseled Hitler in 1940 that invading Norway and installing him as the leader of said state would be a wise way to protect the Reich's northern frontier. In this article published a couple years before the war in Oswal Mosley's British Union Quarterly, Quisling reiterates an ideological fixation on race and propounds anti-semitism and a pan-germanic (nordic) federated desire as well as racial superiority.
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In 1964, the world approached the twentieth anniversary of the end of the Second World War. Eugen Weber, a Romanian born, French-educated, British Veteran, and now American professor, sat down to take in the impact of socialism, fascism, and national socialism on the 20th-century world. Having served with the British during the Second World War, Eugen Weber was no stranger to the violent upheaval these ideologies had, and indeed are having.
In the Narrator's opinion, the compilation of this work is invaluable in a current atmosphere of domestic ideological cleavings. Writing nineteen years after the Second World War, a war which Professor Weber fought in, this work has topical adjacency to the real physical manifestations of such phenomena. Additionally, written in the early sixties, the work does not suffer the estrangement and misdefinition of the terms it seeks to educate on.
Legal disclaimer: The literary work narrated herein is governed in the U.S.A. by the Copyright Act 1909 (not 1976) and has since fallen into the realm of public domain. However, the narration and any associated images and recordings accompanying or connected with the audio-visual narration are..
