"Last Child" ~ {AEROSMITH: 1976} ~ Just A Punk In The Street

Rock.

It was when men played music.
Not soy-boys and feels fags; not trannies; not under-arm-hair-sporting militant lesbians; not bi-curious losers; not cultural-Marxists: MEN.

Well-read, practicing, rehearsing, disciplined, talented, talent-pushing, critical, non-compromising, aggressive men.

Plus---obviously---the picture LOOKS cool.)

-------- If Your Dad or Grandpa had to look at record album covers whilst listening to songs/music, then YOU/I have to . . .
It'll put hair on your chest . . . --------

That's how/why it works. People used to put these records on, look at the "album covers," or not, and use their imaginations . . .

{nick*nackTRUTHattack PlayLists are here: click: https://www.bitchute.com/profile/MeV2H1QmPkYQ/ & scroll down a little . . .}

~~~ "I really look with commiseration over the great body of my fellow citizens, who---reading newspapers---live and die in the belief that They have known something of what has been passing in the world in their time." ---THOMAS JEFFERSON; 1807

~~~ "Every man has the right to utter what he thinks TRUTH, and every other man has the right to knock him down for It. Martyrdom is the Test." ---SAMUEL JOHNSON; 1780

Sub. Listen. Learn. Share. Expose. -----------------------------------------------> WIN <----------------------------------------------------------------------

{Steer me to some good content (videos, articles, books, ideas, . . . ) in the "COMMENT" section, please. (CLICK the BELL.)}

*********************************************************************** .LYRICS *****************************************************************

(I'm dreaming tonight . . .
I'm leaving . . . back Home . . .) RIGHT!

Take me back to 'uh South Tallahassee
Down 'cross the bridge to my Sweet Sassafrasee
Can't stand up on my feet in the city
Gotta get back to the real nitty-gritty

"Yes, sir; no, sir: don't come close"
To my Home, Sweet Home,
Can't catch no dose of my

[J. Paul Getty Museum. ? ]

Home Sweet Home

********* [Work in progress . . .] *********