Click to copy, then share by pasting into your messages, comments, social media posts and websites.
Click to copy, then add into your webpages so users can view and engage with this video from your site.
Report Content
We also accept reports via email. Please see the Guidelines Enforcement Process for instructions on how to make a request via email.
Thank you for submitting your report
We will investigate and take the appropriate action.
William Dawson: Negro Folk Symphony in E-flat Major
William Levi Dawson (1899-1990)
Negro Folk Symphony in E-flat Major
I. The Bond of Africa: Adagio - Allegro con brio 0:00
II. Hope in the Night: Andante - Allegretto (Alla scherzando) 12:05
III. O Let me Shine!: Allegro con brio 24:46
ORF Vienna Radio Symphony Orchestra
Arthur Fagen, conductor
William Levi Dawson (1899 – 1990) was an American composer, choir director, professor, and musicologist. Of African American heritage, Dawson was born in Anniston, Alabama. A graduate of the Horner Institute of Fine Arts with a Bachelor of Music, William Dawson later studied at the Chicago Musical College with professor Felix Borowski, and then at the American Conservatory of Music where he received his master's degree. Early in his career he served as a trombonist both with the Redpath Chautauqua and the Civic Orchestra of Chicago (1927–1930). His teaching career began in the Kansas City public school system, followed by a tenure with the Tuskegee Institute from 1931–1956. During this period, he appointed a large number of faculty members who later became well known for their work in the field. Additionally, Dawson also developed the Tuskegee Institute Choir into an internationally renowned ensemble; they were invited to sing at New York City's Radio City Music Hall in 1932 for a week of six daily performances. Dawson began composing at a young age, and early in his compositional career his Trio for Violin, Cello and Piano was performed by the Kansas City Symphony. Besides chamber music, he is also known for his contributions to both orchestral and choral literature. His best-known works are arrangements of and variations on spirituals. His Negro Folk Symphony of 1934 garnered a great deal of attention at its world premiere by Leopold Stokowski and the Philadelphia Orchestra. The symphony was revised in 1952 with added African rhythms inspired by the composer's trip to West Africa. Dawson said that the composition was an attempt to convey the missing elements that had been lost when Africans came into bondage outside their homeland. His most popular spirituals include "Ezekiel Saw the Wheel", "Jesus Walked the Lonesome Valley", "Talk about a Child That Do Love Jesus" and "King Jesus Is a-Listening". Dawson was elected to the Alpha Alpha chapter of Phi Mu Alpha Sinfonia, the music fraternity, in 1977. He died, aged 90, in Montgomery, Alabama. Dawson's arrangements of traditional African-American spirituals are widely published in the United States and are regularly performed by school, college and community choral programs. According to Dominique-Rene de Lerma of Lawrence University, in notes to "The Spirituals of William L. Dawson" produced by The St Olaf Choir in 1997, "What is even more striking than the richness of Dawson's textures is the lushness of his sonorities, exhibiting his remarkable insight into vocal potentials."
Category | None |
Sensitivity | Normal - Content that is suitable for ages 16 and over |
Playing Next
Related Videos
Dorothy Howell: Piano Concerto in D minor (in one movement)
2 years, 11 months ago
Max d'Ollone: String Quartet in D Major
2 years, 11 months ago
Louis Théodore Gouvy: Symphony No. 1 in E-flat Major, Op. 9
2 years, 11 months ago
Warning - This video exceeds your sensitivity preference!
To dismiss this warning and continue to watch the video please click on the button below.
Note - Autoplay has been disabled for this video.