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ADOLF HITLER ON FEMINISM (A PSYOP CREATED BY THE JEWS AGAINST WHITE WOMEN)
ADOLF HITLER ON FEMINISM (A PSYOP CREATED BY THE JEWS AGAINST WHITE WOMEN)
Jews created Feminism: Men, Women & Children – What a mess
Playboy Magazine was a PSYOP against White Men
WHITE TERROR, JEWISH PSYOP
The psychological operation of ‘White Terrorism’ and the Jewish Cabal
The late 70s and early 80s saw a ramping up of the culture of kosher satanism, a sensationalistic
culture of violent occultism which was designed to force the sheep back into the churches through
fearmongering. This the jewish controlled media and entertainment industry brought into being through
mass marketing selling their theatre of horror through the theatre of the real through creating a seemingly endless series of events designed to mind control the populace through trauma, and cow them into submission, justify the building up of draconian laws and strip the freedoms from them so as to more effectively put them under the yolk of their tyranny sending them to the churches to be fleeced for tithes and taxes for the priestly caste parasites and police state.
This psyop (a psyop which has been ongoing throughout probably the history of the jews) has never ended and in its crosshairs lies the greatest threat to jewish supremacy, namely the White Race which they are still attempting to eliminate from the earth so that they may take the world for themselves. At the time of its greater increase relative to the more benign culture which had existed previously such as exemplified in Alfred Hitchcock's movie 'Psycho', the populace had been subjected to the trauma of WW2 and yet were largely recovered from that period, the cabal therefore reckoning
that it was time to add some more traumatic heat to get the White populace back into the churches or
into a life of self-destructive pursuits (sex, drugs and rock n' roll etc.).
The Church of Satan was founded by the jew Howard Stanton Levy(aka. Anton Levy) and worked with the Hollywood pedophile jew Roman Polanski to create the movie "Rosemary's Baby", a vehicle of trauma that was mirrored in real life by the Manson Family as a means of inculcating into the minds of the populace the notion that art doesn't imitate life but life imitates art and thus
fearmongering them to take one or the other of the above two courses: either the 'moral high ground' of
jewish slavery in the church or the 'highway to hell' and self destruction. This movie was followed by such as 'Demian' and a series of others of the horror gore genre such as 'The Exorcist' and 'Halloween' which ushered in a more extreme form of fear porn to drive the timid masses into the church.
Apparently the movie 'The Exorcist' was funded by the Catholic Church itself and served them well in
swelling the ranks of their pews making diehards out of their milquetoast laity and spreading the gospel
of false love as justification for global tyranny and supremacy for the jew world order.
From this point the notion was placed in the mind of the populace that horror and acts of terror were something particularly White and that it was the white male especially who was a potential problem source and thus must be someone to watch as the loose screw in the machinery of the system when really it was he who was the most lawabiding and essential component in its functioning.
However it was for this very reason that the jewish oligarchs portrayed the white man as the major
problem-as he was and is the major obstacle in their takeover of white created society.
During this time (the late 70s and early 80s) the film and entertainment industry were producing a lot of content that attempted to humanize or glorify the culture and demographics of gangland while simultaneously and implicitly positing a christian moral stigma associated with it as a means of pandering to their christian demographic in such movies as 'The Godfather',etc. This and the horror movie industry paved the way for a kabbalistic black magic working of the theatre of the real where false flag orchestrated events the controlled media portrayed as occurring in real life were interwoven
with the threat of Hollywood theatricality.
Always the villain was a white male; a 'psychopath'(as in the movie 'Psycho' of Hitchcock) who, though played by a jewish actor at times, was always presented as the average-everyday white male, the 'powder keg' of berserker fury who would erupt at the slightest provocation or based upon some loose screws in his machinery, irrationally and in an unpredictable manner. This was a means of constructing the identity of the White male as a menace to society on the basis of some form of nebulous psychological defect which was like a hair trigger waiting to go off under certain unknown
conditions. The effect was to generate mistrust , ill will and attach a stigma to the white man who the jews' thereby cursed and demoralized.
The cryptic assault was designed to…
Category | News & Politics |
Sensitivity | Normal - Content that is suitable for ages 16 and over |
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