First published at 06:48 UTC on October 16th, 2022.
Episode 4: Gods, demons, drunks, lechers, silly old codgers, double-dyed villains - life on stage for the bass is rarely dull. The baritone, meanwhile, is the most common male voice type, and yet the parts he sings - especially in the operas of Verd…
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Episode 4: Gods, demons, drunks, lechers, silly old codgers, double-dyed villains - life on stage for the bass is rarely dull. The baritone, meanwhile, is the most common male voice type, and yet the parts he sings - especially in the operas of Verdi - are anything but.
Pappano explores the lowest male voice types, and the roles they play, in comedy as well as tragedy. How do basses sing so low? What different qualities does a baritone bring to a Schubert song? He meets the Russian 'oktavists', who sing a whole octave lower than the standard bass. With the help of leading practitioners - Bryn Terfel, John Tomlinson, Ferruccio Furlanetto, Christian Gerhaher, Alessandro Corbelli and Willard White - Pappano uncovers the tricks of the trade. He examines in detail some key performances from the legendary basses and baritones of the past - Feodor Chaliapin, Tito Gobbi, Paul Robeson, Dietrich Fischer-Dieskau, Boris Christoff , Nicolai Ghiaurov and Ezio Pinza.
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