First published at 07:27 UTC on May 2nd, 2021.
Max d'Ollone (1875-1959)
String Quartet in D Major
I. Molto allegro 0:00
II. Adagio 5:50
III. Scherzo: Allegro 12:21
IV. Finale: Allegro 17:14
Quatour Athenaeum-Enesco
Maximilien-Paul-Marie-Félix d'Ollone (1875 – 1959) was a 20th-ce…
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Max d'Ollone (1875-1959)
String Quartet in D Major
I. Molto allegro 0:00
II. Adagio 5:50
III. Scherzo: Allegro 12:21
IV. Finale: Allegro 17:14
Quatour Athenaeum-Enesco
Maximilien-Paul-Marie-Félix d'Ollone (1875 – 1959) was a 20th-century French composer. Born in Besançon, d'Ollone started composing very early, entering the Paris Conservatoire at 6, winning many prizes, receiving the encouragement of Gounod, Saint-Saëns, Massenet, Thomas and Delibes. His teachers at the Conservatoire were Lavignac, Massenet, Gédalge and Lenepveu; he won the Prix de Rome in 1897. He was director of music in Angers, professor at the Paris Conservatoire and director of the Opéra-Comique. His work was part of the music event in the art competition at the 1912 Summer Olympics. In 1932 he wrote three important articles for Le Ménestrel (29 July, 9 and 16 December) arguing for a more populist approach to composition. D'Ollone produced a number of song cycles (including "Les Chants d'Ailleurs"; " Les Chants d'Exil"; "Impressions d'Automne"), which demonstrate a considerable mastery of the French mélodie. There are several works for orchestra, solo instrument and orchestra, and piano works.
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