They are trying to recreate the Soviet Famine on a global scale from their same Jewish playbook as Europe is buying up farmland and they are creating a global food crisis. There must be Retribution!
The Holohoax Hologram
IT’S EXTREMELY IMPORTANT that Soviet war propaganda be preserved for whatever dwindling future generations the goyim are able to produce. My spellcheck still puts a red line under Holodomor, but the real issue is making sure the shkotzim continue to feel guilt for exaggerated and imaginary crimes committed by a country that will be a kaliphate in a decade or two. G*d knows, the amount of information and embarrassing fiction about the time the Jew was forced to work is unbelievably small, so much more needs to be done to ensure that every piece of unclean meat feels profound and suicidal guilt over events that, if you want to get super technical, didn’t actually happen. Fortunately technology is on the case, bringing back the heroes who survived being made into a living room set to lecture the non-chosen about the special and unique sufferink.
Pinchas Gutter goes out of his way to find me biscuits. In a sun-baked living room in his north London home, he opens a packet of Rich Tea, sits down and tells me about the Holocaust.
Oy, so humid in here! And such small biscuit portions. Ever hear of the Holocaust, you dumb gentile? Well, take a seat, this one’s a whopper.
Gutter was seven years old when the second world war broke out. He lived in the Warsaw ghetto for three and a half years, took part in its uprising, survived six Nazi concentration camps — including the Majdanek extermination camp — and lived through a death march across Germany to Theresienstadt in occupied Czechoslovakia.
Not only death camps, but also death marches! Those are the worst kind! The super efficient German killing machine was no match for a snot-nosed chosenite who repeatedly avoided the homicidal gas chambers, electric belts, gas ovens, killer condors, skull crushing machines, fire pits, random machine gunning, etc. Even more amazing, this worthless Jew was a partisan and as such it would have been perfectly within the rules of war to put it down, but the merciless and irredeemably evil nawrtzees couldn’t even be bothered with that, instead shuffling g*d’s favorite pre-teen around like the bad news no one wants to deliver.
“Remembrance is the secret of redemption, while forgetting leads to exile,” he says, quoting the Baal Shem Tov, the founder of Hasidic Judaism.
Never forgiving the hated cattle is at the very heart of my deeply spiritual faith that also promises that you’ll be my slave one day.
“For me this whole thing is about not forgetting. Because if you forget, you repeat it over and over again. To me, the great importance of testimony is not to forget what people are capable of.”
Sitting opposite him here in Hampstead, meeting his eyes and hearing his voice, the idea of forgetting this extraordinary story seems impossible.
Only the legendary Jewish reputation for total and complete honesty allowed me to swallow this obviously false and intentionally manipulative kosher waste matter.
One week later I am staring into Gutter’s eyes again. But these eyes are on a screen in the Alternate Realities strand of Sheffield’s international documentary festival. The version of Gutter projected on the monitor is a prototype for a responsive hologram that will be wheeled into classrooms, lecture halls and museums.
Finally a way to guilt the goyim without the hard work of repeating the deceitful drivel over and over. Now the “haters” can argue with a projected image, while I’m far away, counting the geld. This is the exciting new world of the holohoax shuck. Just wheel the electronic Jew into the classroom and pour guilt on the brown slaves promised by the talmud.
The idea is that the audience asks questions and pre-recorded memories from Gutter will respond — much as if you’re talking to the real person. This virtual Gutter meets my gaze and tilts his head when I speak into the microphone.
“Excuse me, Mr. Projected Jew, but did you know it can take ninety minutes or more to cremate an adult body and this requires about eight gallons of gasoline? Here’s a picture of a real gas chamber — it resembles a bank vault. Besides, wasn’t it fire pits? That was the original claim.” Smoke and sparks begins erupting out of the base, the malfunctioning chosen is quickly wheeled out of the room.
The project, called New Dimensions in Testimony, was thought up by concept developer Heather Maio, and was made in a collaboration between the University of Southern California’s Institute for Creative Technologies (ICT) and the Shoah Foundation — an organisation dedicated to making and archiving interviews with survivors and witnesses of genocide.
Continue reading:
https://nationalvanguard.org/2017/05/the-holohoax-hologram/
