Paint it White
EVERYONE KNOWS THAT Whiteness is the quintessence of perfection and beauty. A quick look around will show anyone as much. The White race’s aesthetics and accomplishments put the other races to shame; and of course they know it. Which is why they need to go to such great and often lunatic lengths to try to downgrade Whiteness. It is the jealousy and resentment of the lesser breeds, led along by Jews and Whites who have defected. These types proliferate in the ranks of possessors of worthless PhDs.
I’ve just spent a week in a very white place. The snow fell solidly for two days, and everything was white – the air, the ground, the trees, the streets. And to complete the picture, the houses, in the little seaside town south of Oslo, blended in perfectly, being painted pure, brilliant white.
How paradisical! White, white everywhere; and nothing else to see. The very notion of heaven and paradise is saturated with Whiteness, and this is no accident. In ancient times the colored races must have always been in awe of White people; so advanced, so bold, so adventurous; it was always the White man embarking to where the colored man lives, and he must have appeared at first as a divine apparition. The idea that the White man was a god is perhaps a vestige of some ancient memory; or perhaps it is just a logical deduction from what witnesses saw with their own eyes. But either way, until very recently indeed it was the colored world that had to deal with the White world and never the other way around.
White was always a popular shade. In ancient Egypt and ancient Rome, priestesses wore white as a symbol of purity. Romans wore white togas to symbolize citizenship. White was the most common shade for new churches and government buildings from the 1800s onwards. It’s an important color in several religions, often symbolizing purity, innocence and virginity.
The irony is that everyone knows this; for all the talk of Wakanda and Kangz and Aztec “greatness,” the colored world fetishizes Whiteness. For them, light complexion and light anything is a status symbol. And why not? In their deepest recesses, the place that no ideology can penetrate, they know that Whiteness is the symbol and quintessence of beauty and perfection.
Officially, however, not everyone is on board. It would be one thing if these haters constituted only ill-willed grumblers or were like the dog that yaps at our ankles; but these people are loaded up with ruling-class backers and want nothing more than to slit our throats.
According to Norwegian academics, whiteness and white supremacy are terms to take literally, and the color white, in particular the white paint that is so commonly used on Norwegian houses, equals racism.
White paint? Oh yes, if there’s a disease out there circulating in the academy, they will gussy it up and give it the dignity (or indignity in their case) of a “theory” and an “ideology.” All it takes is some meaningless hundred-dollar words, a government grant, a smattering of footnotes, a bibliography, and the repetition of the bogey word “White” a thousand times. Some of these larvae have made worldwide reputations with less.
From the research project How Norway Made The World Whiter co-authored by Ingrid Haland, an associate professor at the University of Bergen, we learn that: “Whiteness is one of today’s key societal and political concerns. Within and beyond academia worldwide, actions of revolt and regret seek to cope with our racial past.”
Cope? They make it out like we are crippled. Our racial past is glorious. One day, each and every one of them will be picked up in the first wave of arrests.
In the pivotal works in whiteness studies within art and architecture history, whiteness is understood as cultural and visual structures of privilege. The new research project How Norway Made the World Whiter (NorWhite) funded by the Research Council of Norway addresses a distinctively different battleground for politics of whiteness in art and architecture.
Pivotal! One need not be a White nationalist to wonder whether there really is such an animal as a “pivotal work” in “whiteness studies” (but it helps). These texts outline in bold colors the “plight” of colored people in the richest society ever seen on Earth, one that they could never have created in a million years — and we know this because they didn’t. (All races have had the same amount of time, Sunshine.) They went from mud huts to spaceports and computers, and all they had to do was get on some boats to Whiteland. Pivotal!
Two core premises underpin the project: Whiteness is not only a cultural and societal condition tied to skin color, privileges, and systematic exclusion, but materializes everywhere around us. Second, one cannot understand…
Read more:
https://nationalvanguard.org/2023/02/paint-it-white/
