MORE
Tab-O + Ferris Beuller's Day Off
https://www.bitchute.com/video/4JpsYOLAFCte/
https://www.bitchute.com/video/o4lWINfqmffp/
https://www.bitchute.com/video/cinjMQQyWoRK/
Tab-O + Total Rekall (same, mixcraft version)
https://www.bitchute.com/video/lpVocbOCTVEw/
https://www.bitchute.com/video/oZfyEdJzyKVT/
https://www.bitchute.com/video/q3qA72wnZSra/
Tab-O + Total Rekall (orig wmm version)
https://www.bitchute.com/video/rJ7ORKtjMx1T/
https://www.bitchute.com/video/zwZeEq3gjOd7/
https://www.bitchute.com/video/8LJZvJVAxQIx/
4096-128
This 40 min MM8 was jumpy...
Acoustica's Mixcraft has a no frills vid-ed w true 1/1000th incrementality and the audio power the Mixcraft Studio is known for, and produces quality 40min videos from the same sources. W a frame accurate preview, precise audio editing, and renders up to unlimited bitrates, Mixcraft can even serve as a reason to have a 64 bit computer! Render options are as customizable as WMM8 while the editor is traditional timeline, unlike 8's wonky wrapping tl. Zooms w scroll wheel, cuts and roll trims are treated the same so clips can be cut and unrolled. Renders a 40 min vid w no jumpy. Any herkies in this vid are from the source screens.
Unlike MM8, Mixcraft 7+ seems to slow web browsing while rendering 30+ min. Local media and file managment are unaffected. Simple edge-joins are lacking, touching edges have to be set by hand or w .020 snap-to gridding since object clips are naturally transparent and overlap. That's ok for video since there are 30 increments to land in on a Mixcraft timeline within the space of one MM6 increment so fast loose or needless perfectionism styles can be employed since the scale is too small for any difference to be noticed. Object editing is more like 'posters that might overlap' than 'boxes that slide next to each other' but the scale is 30 times smaller. Editing feels airy and untaxing while being way more precise than WMM6's demanding woodcutting. Edge snap-to and digital input for clip positions would be nicer, but an end-edge playback button provides quick clip measuring with the cue readout.
Audio tracks do have textual click-to-edit position and offset readouts, so synchro adjustment is as dial-in as any other editor. Building multi-source video is less construction task and more like giftwrapping and just as fast for splicing clips together, while audio synchronization is the most fluid and precise exercise; the Mixcraft preview window is basically the synchers adjustable playback dream. Upgrading to M7 from WMM6 and WMM8 is trading in a fan-boat and para-ski rig for a LSA Bond vehicle. There's no fancy transitions or effects just straight diamond cutting w stained glassed window output. Familiarity with WMM's interface and render flaws reveals Mixcraft's Quality. Acoustica's longtime quality audio mixer can make better synchro videos than MS 'movie' software lol
The look of MM8's 360 >480p WMV is still the best in terms of a color and softness balance of a glass tv and fits this film. The difference w Mixcraft is tiny all tho slightly higher bitrates and file sizes make for comparable image quality or colors becoming patchy fields might be more noticed, a side effect that the softening of MM8 upping resolution tends to reduce. Where the goal is to make the lowest quality high quality video as possible, the smallest files sizes that produce clean not hard to watch vid. Best quality versions of these Mixcraft renders 5gb but 1gb+ per 40m vid is comparable to MM8 and anything bigger is just no fun to upload or keep ahold of. This is only 360p and traditional irl synchro has always been makeshift rigs and old tvs, bootleg vhs and bad recordings. At a certain theatrical quality the essence of the diy experience alienates the core audience and is pretense when compared to interest in combo output and decent audio. As long as theres captions or basic discernible images, and the music sounds good..synching to a fuzzy b&w might be the best time ever. Or a 30yold VHS of Road Warrior w bad tracking. Synchros are mostly at-home live or recorded creations. Cheap. Good music and accurate presentation make up for the fact that its just TV or a SLP recording. Who's ever actually synched in a theatre? MM8 jumpiness just looks like laggy streaming. Everyones used to that. Noone wants to synch in 4k.
Mixcraft was great 15 years ago and in 2020 Mixcraft 9 is pretty epic, free for a month and legacy versions are lower than $50 Mixcraft is definitely one of the good things of reality for decades now making it possible for a 9 year old at his crayola desk w a computer and giftcard money to produce audio on parr w 'professionals' in a big rack commercial studio. Someone should produce a 10k studio song while simultaneously producing it in Mixcraft on a $300 lt just to see if anyone can tell the difference. between Mixcraft and Blender a clique could make Avatar 3 for the price of coffee and a few thousand man hours
