First published at 00:07 UTC on February 28th, 2020.
Orson Welles, known for The Lady From Shanghai (1947), Touch of Evil (1958), and Citizen Kane (1941), directs and stars in this crime-noir film. Ex-Nazi Franz Kindler (Welles) seeks refuge in Connecticut at the end of WWII. There, he takes on the id…
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Orson Welles, known for The Lady From Shanghai (1947), Touch of Evil (1958), and Citizen Kane (1941), directs and stars in this crime-noir film. Ex-Nazi Franz Kindler (Welles) seeks refuge in Connecticut at the end of WWII. There, he takes on the identity of professor Charles Rankin and marries Mary (Loretta Young), a Supreme Court Justice’s daughter. Shortly after fashioning his new identity, the ghosts of Kindler’s past return.
Yes. This film, like all Hollywood productions concerning the events surrounding WW2, is anti-German propaganda. I hesitated about posting it, but I decided to anyway, because it is useful to those of us in the know for deciphering just how they work, and eventually can be helpful in assisting us in creating our own films to counter this propaganda.
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