First published at 05:00 UTC on July 19th, 2019.
Mention of the Reading in Part I - https://youtu.be/Z_iNCNMrv2Q
This is the first person account reading of Part II of Varieties of Fascism by Professor Eugen Weber. Reading 1A is a short excerpt from the earliest beginnings of Mussolini's soo…
MORE
Mention of the Reading in Part I - https://youtu.be/Z_iNCNMrv2Q
This is the first person account reading of Part II of Varieties of Fascism by Professor Eugen Weber. Reading 1A is a short excerpt from the earliest beginnings of Mussolini's soon to be known Fascist Party. Only a few paragraphs long, these words come directly from Mussolini and his closest cadres right after the period of the First World War. Composing mostly directives and hopes, Eugen Weber notes in its forward that the early directives clash with the later pragmatism that Mussolini would adopt some years later.
====================================================
In 1964, the world approached the twentieth anniversary of the end of the Second World War. Eugen Weber, a Romanian born, French-educated, British Veteran, and now American professor, sat down to take in the impact of socialism, fascism, and national socialism on the 20th-century world. Having served with the British during the Second World War, Eugen Weber was no stranger to the violent upheaval these ideologies had, and indeed are having.
In the Narrator's opinion, the compilation of this work is invaluable in a current atmosphere of domestic ideological cleavings. Writing nineteen years after the Second World War, a war which Professor Weber fought in, this work has topical adjacency to the real physical manifestations of such phenomena. Additionally, written in the early sixties, the work does not suffer the estrangement and misdefinition of the terms it seeks to educate on.
Legal disclaimer: The literary work narrated herein is governed in the U.S.A. by the Copyright Act 1909 (not 1976) and has since fallen into the realm of public domain. However, the narration and any associated images and recordings accompanying or connected with the audio-visual narration are the copyright by due effort and novation/innovation and creation of Western Narration and may not be reproduced, sold, or otherwise used in a manner that is inconsist..
LESS