Censorship and Cult of Personality Have Crippled The Natural Progression of Redpill Art

In this rant, I talk about how the censorship of grassroots redpill artists has resulted in a disparity between the first wavers who made it in pre-censorship internet (Sam Hyde, Jay Dyer, Red Ice TV, H3H3 etc.) and post-censorship era second/third wavers (Rubb, PRN, myself and others) who are struggling to make it. If conservativism is the new punk, its a phenomenon similar to a scenario in which punk became outlawed in the late 70s after the first wave of bands like Ramones and Sex Pistols. If this would've happened, punk wouldn't have morphed into post punk and alternative and new wave and indie rock and on and on. Nirvana and Joy Division would have never happened or they might've happened, but they would be complete unknowns and their impact on poopular music would be practically non-existant. The history of modern music as we know it would not exist. Popular festivals like Pitchfork and Bonaroo would be a figment of imagination. Now just substitute 'punk music' with 'Alt Right', 'New Right', 'Redpill', etc. And now you realize what we are dealing with. Censorship has completely crippled the evolution of an organic counter cultural movement, and turned its first wave innovators like Hyde and Vox Day into self-absorbed cult leaders instead of viewing them like how they would've been viewed had redpill entertainment been allowed to prosper and grow stronger: steps along the way of cultral evolution. Revered steps, but steps nonetheless.