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Triumph of the Will (1935)
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Title: Triumph of the Will
Release date: 28 March 1935
Directed and produced by Leni Riefenstahl
Written by Leni Riefenstahl, Walter Ruttmann and Eberhard Taubert
Cinematography by Sepp Allgeier and Franz Weihmayr
Produced by Reichsparteitag-Film
Distributed by Universum Film AG
Running time - 110 minutes
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Recommended additional reading:
https://www.goodreads.com/book/show/36849097-the-oxford-illustrated-history-of-the-third-reich
https://www.goodreads.com/book/show/99395.The_Nazi_Seizure_of_Power
Both give a good account of how the leadership of the NSDAP co-opted many social outlets to create narratives and steer the direction of culture, of which Triumph of the Will is one component.
From Wikipedia: [https://en.wikipedia.org/wiki/Triumph_of_the_Will]
"Triumph of the Will (German: Triumph des Willens) is a 1935 Nazi propaganda film directed, produced, edited, and co-written by Leni Riefenstahl. It chronicles the 1934 Nazi Party Congress in Nuremberg, which was attended by more than 700,000 Nazi supporters.[1] The film contains excerpts from speeches given by Nazi leaders at the Congress, including Adolf Hitler, Rudolf Hess and Julius Streicher, interspersed with footage of massed Sturmabteilung (SA) and Schutzstaffel (SS) troops and public reaction. Hitler commissioned the film and served as an unofficial executive producer; his name appears in the opening titles. The film's overriding theme is the return of Germany as a great power, with Hitler as the leader who will bring glory to the nation. Because the film was made after the 1934 Night of the Long Knives (on 30 June), many prominent Sturmabteilung (SA) members are absent—they were murdered in that Party purge, organised and orchestrated by Hitler to replace the SA with the Schutzstaffel (SS) as his main paramilitary force.
"Triumph of the Will was released in 1935 and became a major example of film used as propaganda. Riefenstahl's techniques—such as moving cameras, aerial photography, the use of long-focus lenses to create a distorted perspective, and the revolutionary approach to the use of music and cinematography—have earned Triumph of the Will recognition as one of the greatest propaganda films in history. Riefenstahl helped to stage the scenes, directing and rehearsing some of them at least fifty times. Riefenstahl won several awards, not only in Germany but also in the United States, France, Sweden and other countries. The film was popular in the Third Reich, and has continued to influence films, documentaries and commercials to this day. In Germany, the film is not censored but the courts commonly classify it as Nazi propaganda which requires an educational context to public screenings."
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Category | Education |
Sensitivity | Normal - Content that is suitable for ages 16 and over |
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