“One of the most effective forms of industrial or military sabotage limits itself to damage that can never be thoroughly proven - or even proven at all - to be anything deliberate. It is like an invisible political movement; perhaps it isn't there at all. If a bomb is wired to a car's ignition, then obviously there is an enemy; if public building or a political headquarters is blown up, then there is a political enemy. But if an accident, or a series of accidents, occurs, if equipment merely fails to function, if it appears faulty, especially in a slow fashion, over a period of natural time, with numerous small failures and misfiring- then the victim, whether a person or a party or a country, can never marshal itself to defend itself.”
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I do not own this content. All credits go to its rightful owner.

Delta State is a French-Canadian adult animated television series, based on the comic by Douglas Gayeton featuring four amnesiac roommates with the ability to enter an ethereal realm known as the Delta State. They face the dual tasks of piecing together their past lives and battling a group of Delta State denizens called Rifters, who seek to control the human mind. The main characters are Claire (Ilona Elkin), Martin (Dusan Dukic), Luna (Lizz Alexander), and Philip (Nicholas Wright).

Claire, Luna, Martin and Philip are four "anti" super-heroes in their early twenties. Gifted with paranormal powers, they are the only ones who can rid humanity of the "Rifters", some mysterious entities seeking control of human minds... Their fight will essentially take place in a strange parallel universe called the "Delta State".

IMDB: Delta State has all the makings of a cult classic. Visually, Delta State has no peers on television. The animators make clever use of computer-aided rotoscoping, creating characters and backgrounds that have both a fluid, analog feel, and the punctuation of modern effects. Unusual camera angles retain Delta State's comic-book roots, and add an almost cinematic feel to the show. Thematically, Delta State mixes the melodrama of it's 20-something protagonists with lurking psycho-mystical threats that are well suited to the unique animation. Although some early episodes threatened to repeat the same plot every week, the show quickly revealed an escalating enemy plan and relationships between the protagonists that will require many episodes to explore. And even at it's worst, the 'heroes settle their interpersonal crises when their paranormal powers are called upon' stock episodes are still very watchable thanks to the snappy dialog, good voice acting, and of course, sheer visual novelty.
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Each episode of the series was shot in live-action first, and then animated using the rotoscoping technique. It is the first animated television series to be entirely rotoscoped.
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Episodes

S1.E1 ∙ First Contact
S1.E2 ∙ First Contact: Part 2
S1.E3 ∙ Case Study
S1.E4 ∙ The Reading
S1.E5 ∙ The Fusion
S1.E6 ∙ The Girlfriend
S1.E7 ∙ Vote Rifter
S1.E8 ∙ Cabin Fever
S1.E9 ∙ Mind Over Matter
S1.E10 ∙ Blast from the Past
S1.E11 ∙ Curse of the Undead
S1.E12 ∙ Awakening
S1.E13 ∙ Claire's Crack Up
S1.E14 ∙ Road Not Taken
S1.E15 ∙ Couch Time
S1.E16 ∙ Labyrinth
S1.E17 ∙ Mix-Up of Genres
S1.E18 ∙ Training Day
S1.E19 ∙ Sweet Dreams
S1.E20 ∙ Brain Scan
S1.E21 ∙ False Identities
S1.E22 ∙ The Orb
S1.E23 ∙ Restraining Order
S1.E24 ∙ Déjà vu
S1.E25 ∙ Full Circle
S1.E26 ∙ The Final Battle

Manly Hall Society https://iv.melmac.space/watch?v=1IJQ3KEfz0c
"Be Your Own Psychotherapist" was recorded live on Sunday, April 1, 1984 by Manly P. Hall.
Hall stresses the importance of self reflection and development of your own inner life. Many relevant statements are made, including his thoughts of computers and information media.

The CC subtitles reflect the official transcript which was made in 1984 and was personally edited by Mr. Hall for publication "Lecture Note 325", which is out of print. Very few corrections are made from the original, mainly small adjustments for clarity. Also, the story about the drunk driver was omitted. Therefore, they may not exactly line up with the audio of his voice, but we felt it was more important that the subtitles match Manly Hall's corrections.
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"The Crime of Vaccination" Dec. 1923
This is an article from 100 years ago when Manly Hall was 22 years old. Much has changed since then, but this was his viewpoint at the time, particularly regarding small pox. * Only to be taken in historical context *:

The Crime of Vaccination
by Manly P. Hall

How much longer will people have to pay to have small pox is the problem confronting a large number of people. They send their children to the public school and are forced to allow a pedigreed concept to pump smallpox into them under the refined heading of vaccination. It has been proven conclusively that a great train of ills, in body and in spirit, follow after vaccination. Many vaccinated people have succumbed to smallpox while many exposed to it have not taken it, although unvaccinated.

The karmic debt for vaccination is two·fold. First, to our bodies which we deliberately defile with smallpox serum and vaccine. Secondly to the animal who goes through untold suffering and is itself given smallpox in order that from the ulcers the drops of vaccine may be extracted and pumped into us.

The occultist is fighting tooth and nail to abolish vaccination and supplant it with good common sense. Smallpox is primarily a filth disease and if people would live right, bathe right and eat right they would not get it for the healthy body is perfectly capable of taking care of its germs.

We look forward with great hopes to the day when we will remove from the fair name of our race the blemish, mental and physical, the swollen glands, the tonsil trouble, the nervousness and ability, the rashes and outbreaks, not a small percentage of which can be traced to vaccine which kills the best in us in order to save the rest.

THE ALL-SEEING EYE DEC. 1923 PAGE 33

Published on Jan 8, 2024, Legendary Motivation https://yt.drgnz.club/watch?v=3QPHXIM9DeM
▶Neville Goddard - OUT OF THIS WORLD - COMPLETE BOOK (On This Own Voice)
▶Welcome to Legendary Motivation Channel, join us as we listen to some of Neville Goddard’s greatest lectures, books and radio talk. Today we present his remarkable book: "Out Of This World"- by his own voice. Sit back and enjoy the masterpiece work of one of American greatest mystics – Neville Goddard.
▶SPEAKER CREDIT Neville Goddard
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Important Note: This video is meant for educational and commentary purposes. We do not intend to infringe upon any copyrights or claim ownership of the content used. This video has no negative impact on original work.
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Go to >> Hypermecha https://www.youtube.com/watch?v=SvbMpWrlcp0 for all 8 episodes. | "Light Years" aka "Gandahar" 1988 Animated movie by Isaac Asimov, Raphael Cluzel, directed by Rene Laloux, based on the novel "Metal Men Against Gandahar" by Jean-Pierre Andrevon. Ripped from personal VHS, the U.S. english version missing the "nest love scene." Uploading entire movie in 10-minute increments for youtube. Animation looks very dated now; heck, it looked dated in 1988, but it's still a cool sort of trippy otherworldly tale.
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Gandahar is a 1987 French animated science fantasy film written and directed by René Laloux, based on Jean-Pierre Andrevon's 1969 novel Les Hommes-machines contre Gandahar (The Machine-Men versus Gandahar).

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The peaceful people of Gandahar are suddenly attacked by an army of automata known as the Men of Metal, that march through the villages and kidnap their victims by turning them to stone. The resulting statues are collected and then transferred to their base. At the capital city of Jasper, the Council of Women orders Sylvain to investigate. On his journey, he encounters the Deformed, a race of mutant beings who were accidentally created via genetic experimentation by Gandahar's scientists. Despite their resentment, they are also threatened by the Men of Metal and offer to help Sylvain.

Sylvain later saves Airelle, a Gandaharian woman. Together they discover the Men of Metal's base, where the frozen Gandaharians are taken through a large portal and are seemingly assimilated into more Men of Metal. The two stow away on a nearby boat which heads towards the middle of the ocean where they encounter Metamorphis, a giant brain. Sylvain and Airelle are captured and confronted by Metamorphis, who tells them that although the Men of Metal believe that he is their leader, he did not create them nor order their attack. He states that he does not want to see Gandahar fall, and that he needs time to figure out the connection between him and the Men of Metal. He then returns Sylvain and Airelle to Jasper where they learn that Metamorphis, like the Deformed, was also an experiment by Gandaharian scientists. Due to his rapid growth and increasingly violent behavior, he was abandoned in the ocean. Sylvain is ordered to kill Metamorphis with a special syringe. Sylvain returns to Metamorphis, who maintains his innocence but reveals that the Men of Metal come from the future via the portal Sylvain saw earlier. He then urges Sylvain to kill him in a thousand years, as the syringe would have no effect on him now. A skeptical Sylvain agrees and Metamorphis puts him into stasis.

A thousand years later, Sylvain awakens just as they had agreed. He comes across the Deformed, who explain the true nature behind the Men of Metal: Due to Metamorphis's now advanced age, his cells can no longer regenerate, which drove him to create the Men of Metal and order them to go back in time to capture the Gandaharians so he could absorb their cells to continue living, killing the Gandaharians in the process. The metal comes from Metamorphis's dead cells metallizing with time. The Deformed, however, were abandoned as they were considered undesirable. Sylvain and the Deformed then agree to work together. The Deformed fight off the Men of Metal and rescue the remaining Gandaharians while Sylvain goes to face Metamorphis alone. The Deformed destroy the reservoir supplying Metamorphis with new cells, distracting him long enough to let Sylvain inject the syringe into Metamorphis which kills him. Sylvain, along with the Deformed and the Gandaharians escape through the portal back to their time.

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I do not own this content. All credits go to its rightful owner.
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Waking Life is a 2001 American animated film written and directed by Richard Linklater. The film explores a wide range of philosophical issues, including the nature of reality, dreams and lucid dreams, consciousness, the meaning of life, free will, and existentialism. It is centered on a young man who wanders through a succession of dreamlike realities wherein he encounters a series of people who engage in insightful philosophical discussions.

The entire film was digitally rotoscoped. It contains several parallels to Linklater's 1991 film Slacker. Ethan Hawke and Julie Delpy reprise their characters from the 1995 Before Sunrise in one scene.

Dune 1984 - I do not own this content. All credits go to its rightful owner.

In the distant year of 10191, all the planets of the known Universe are under the control of Padishah Emperor Shaddam IV and the most important commodity in the Universe is a substance called the spice "MELANGE" which is said to have the power of extending life, expanding the consciousness and even to "fold space" ; being able to travel to any distance without physically moving. This spice "MELANGE" is said to only be produced in the desert planet of Arrakis, where the FREMEN people have the prophecy of a man who will lead them to true freedom. This "desert planet"of Arrakis is also known as DUNE. A secret report of the space "GUILD" talks about some circumstances and plans that could jeopardize the production of "SPICE" with four planets involved: ARRAKIS, CALADAN, GIEDI PRIME and KAITAIN, a world at least visually very alike to Earth and house of the Emperor of the known Universe. The "GUILD" sends a third stage navigator to KAITAIN to ask details from the Emperor and to demand him the killing of young Paul Atreides, son of the Duke Leto Atreides of CALADAN

Trivia:
Writer and director David Lynch has said he considers this movie the only real failure of his career. To this day, he refuses to talk about the production in great detail, and has refused numerous offers to work on a Special Edition DVD. Lynch had always claimed that revisiting the movie would be too painful an experience to endure. Many fans hoped that he would eventually come around and in an article published in Esquire during 2022, he did indeed say that a Director's Cut could happen.
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Dune, 50 years on: how a science fiction novel changed the world
https://www.theguardian.com/books/2015/jul/03/dune-50-years-on-science-fiction-novel-world

It has sold millions of copies, is perhaps the greatest novel in the science-fiction canon and Star Wars wouldn’t have existed without it. Frank Herbert’s Dune should endure as a politically relevant fantasy from the Age of Aquarius
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"About to turn 40, Herbert had been a working writer since the age of 19, and his fortunes had always been patchy. After a hard childhood in a small coastal community near Tacoma, Washington, where his pleasures had been fishing and messing about in boats, he’d worked for various regional newspapers in the Pacific northwest and sold short stories to magazines. He’d had a relatively easy war, serving eight months as a naval photographer before receiving a medical discharge. More recently he’d spent a weird interlude in Washington as a speechwriter for a Republican senator. There (his only significant time living on the east coast) he attended the daily Army-McCarthy hearings, watching his distant relative senator Joseph McCarthy root out communism. Herbert was a quintessential product of the libertarian culture of the Pacific coast, self-reliant and distrustful of centralised authority, yet with a mile-wide streak of utopian futurism and a concomitant willingness to experiment. He was also chronically broke. During the period he wrote Dune, his wife Beverly Ann was the main bread-winner, her own writing career sidelined by a job producing advertising copy for department stores.

Soon, Herbert’s research into dunes became research into deserts and desert cultures. It overpowered his article about the heroism of the men of the USDA (proposed title “They Stopped the Moving Sands”) and became two short SF novels, serialised in Analog Science Fact & Fiction, one of the more prestigious genre magazines. Unsatisfied, Herbert industriously reworked his two stories into a single, giant epic. The prevailing publishing wisdom of the time had it that SF readers liked their stories short. Dune (400 pages in its first hardcover edition, almost 900 in the paperback on my desk) was rejected by more than 20 houses before being accepted by Chilton, a Philadelphia operation known for trade and hobby magazines such as Motor Age, Jewelers’ Circular and the no-doubt-diverting Dry Goods Economist."...

I do not own this content. All credits go to its rightful owner.
My Neighbor Totoro (Japanese: となりのトトロ, Hepburn: Tonari no Totoro) is a 1988 Japanese animated fantasy film written and directed by Hayao Miyazaki and animated by Studio Ghibli for Tokuma Shoten. It stars the voices of Noriko Hidaka, Chika Sakamoto and Hitoshi Takagi, and focuses on two young sisters and their interactions with friendly wood spirits in postwar rural Japan.

The film explores themes such as animism, Shinto symbology, environmentalism and the joys of rural living.
Shinto (Japanese: 神道, romanized: Shintō) is a religion originating from Japan. Classified as an East Asian religion by scholars of religion, its practitioners often regard it as Japan's indigenous religion and as a nature religion. Scholars sometimes call its practitioners Shintoists, although adherents rarely use that term themselves. There is no central authority in control of Shinto, with much diversity of belief and practice evident among practitioners.
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In 1950s Japan, university professor Tatsuo Kusakabe and his daughters Satsuki and Mei (approximately ten and four years old, respectively) move into an old house close to the hospital where the girls' mother, Yasuko, is recovering from a long-term illness. The house is inhabited by small, dark, dust-like house spirits called susuwatari, that can be seen when moving from bright places to dark ones. The susuwatari leave to find another empty house. Mei discovers two small spirits that lead her into the hollow of a large camphor tree. She befriends a larger spirit, which identifies itself using a series of roars that she interprets as "Totoro". Mei thinks Totoro is the troll from her illustrated book Three Billy Goats Gruff. She falls asleep atop Totoro but when Satsuki finds her, she is on the ground. Despite many attempts, Mei cannot show her family Totoro's tree. Tatsuo comforts her, saying Totoro will reveal himself when he wants to.

The girls discover that a planned visit by their mother has been postponed because of a setback in her treatment. Mei is upset and argues with Satsuki. She leaves for the hospital to take fresh corn to their mother, but gets lost on the way. Mei's disappearance prompts Satsuki and the neighbors to search for her, thinking that Mei has died. In desperation, Satsuki pleads for Totoro's help. Totoro summons the Catbus, which carries Satsuki to Mei's location, and the sisters reunite. The bus then takes them to the hospital, where the girls learn that their mother has been kept in the hospital by a minor cold but is otherwise recovering well. The girls secretly leave the ear of corn on the windowsill, where their parents discover it.

Eventually, their mother returns home and the girls play with other children while Totoro and his friends watch from afar.

On planet Perdide, an attack of giant hornets leaves Piel – a young boy – alone in a wrecked car with his dying father. A mayday message reaches their friend Jaffar, an adventurer travelling through space. On board Jaffar’s shuttle are the renegade Prince Matton, his fiancée, and Silbad who knows the planet Perdide well. Thus begins an incredible race across space to save Piel.
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A man named Claude is driving a vehicle across the planet Perdide. He sends a message to his friend Jaffar, telling him that his wife Annie was killed by indigenous monster hornets. After a crash wrecks his vehicle and he cannot extricate himself, he lets his son Piel down from the wreckage and hands him an egg-shaped interstellar transceiver, telling him that it is named "Mike" and will talk to him, and to do whatever Mike tells him to do. After Claude sends his son to the Dolongs, a nearby coral-like forest which repulses the hornets, the crashed vehicle explodes.

On his spaceship Double Triangle 22, Jaffar receives Claude's last message. Before heading for Perdide, he decides to seek out his friend Silbad, as Silbad has experience in living on Perdide. Jaffar's passengers, Prince Matton and his sister, Princess Belle, have been deposed from their planet; they bring with them a treasure the Prince took along to fund his restoration. Matton is not at all happy about being diverted and makes no attempt to hide his displeasure. At the same time, a relationship begins to blossom between Jaffar and Belle.

Jaffar, Silbad, Matton and Belle begin communicating with Piel to give him advice. Whilst on Silbad's planet, they witness the metamorphosis of a water lily-like organism into dozens of empathic, sentient, primary-colored homunculi, two of whom, named Yula and Jad, stow away on Jaffar's spacecraft seeking adventure. Unknown to the Prince, Yula and Jad play with and then dispose of the treasure via the airlock. When Matton speaks with Piel, he nearly convinces the trusting boy to drown himself in a lake, but is discovered by Belle, who stuns him and talks Piel to safety.

Jaffar plans to use the gravitational pull of the Blue Comet to reach Perdide. In order to rendezvous with it, Jaffar pilots his craft to the planet Gamma 10. Prince Matton escapes in a shuttlecraft to the surface of Gamma 10, which is inhabited by faceless, identical white angels. They capture both Matton and Jaffar, who followed in a space lifeboat, and intend to throw them into the living, thinking amorphous being which controls the planet. Although they are unable to rescue Jaffar, Yula and Jad are able to forewarn him: As they contact the controlling being, its victims get dominated by it, lose all sense of individuality and become one of the faceless angels. They instruct Jaffar to resist being assimilated by exuding all the hate and contempt he can muster. When Jaffar tells the Prince about this, Matton leaps into the being and sacrifices himself, not only destroying the creature, but also causing the angels to revert to their original forms.

Rescued by Yula and Jad, the former captives are taken onboard the Double Triangle 22. Meanwhile, Piel befriends a local creature, a hyponiterix, which accompanies him. Soon afterwards, a patrol cruiser of the Interplanetary Reform catches up with the Double Triangle 22, pursuing the fleeing royals and the treasure Matton stole. Jaffar considers that the rescued spacefarers from Gamma 10 should hijack the Reform cruiser and take it for themselves. During the discussion of this plan, one of the rescued from Gamma 10, Onyx the Digeed of Gnaz, is revealed to be able to change his shape to resemble any object. As a consequence, Onyx will impersonate the missing treasure, allowing the escapees to access the Reformist ship.

Jaffar's vessel is boarded, and as he presents the "captured" pirates and the fake treasure to the Reform commander, none of the Double Triangle 22's crew is able to converse with Piel, who begins to wander without supervision. The crew attempts to contact him, but Piel has lost his transceiver and his hyponiterix companion inside a cave filled with predatory tentacles. Despondent, Piel wanders back to the lakeside, which takes him out of the forest, and he is attacked by the hornets which killed his parents. The Double Triangle 22 closes on her destination, but the planet is be

An undisclosed Asian government, presumably Mao Zedong's Communist China, based upon the description in the opening narration, plans to take over America by infiltrating and substituting officials at the White House. During the presidential campaign, William Lyons Selby, the candidate predicted to win the presidential election, is murdered and replaced by a lookalike, a doppelgänger. Selby is indeed elected, and the impostor assumes the office of President of the United States.

Though he fools the nation at large during his first few months in office, his daughter, Carol, soon begins to suspect that the man in the White House is not her father. Carol observes that Selby remembers dates and other publicly available information, but forgets private information, such as his food preferences and details of her husband's research projects. She voices her concerns to the Vice President, Ted Pearson, who disbelieves her, at first, until he is targeted for replacement by an assassin who breaks into his residence, is discovered lying in wait, and is chased off before he can effect the replacement, he being already in the guise of Pearson, which Pearson observes in disbelief.

Carol's husband, a physician and medical researcher, recalls that a peer-reviewed scientific journal disclosed Soviet experiments wherein a hominid animal's soft tissue had been successfully altered, and he speculated that the "serum" which was employed had been advanced significantly beyond that which was previously disclosed, to include human subjects, and he explained this to the Vice President. Now convinced that Carol's expressed concerns are plausible, Pearson informs Frank Summers—the head of the Secret Service detail assigned to the White House—of the plot, and his suspicion that Selby is actually an impostor, but Summers' team fails to confirm Selby's true identity using forensic science.

Prior to a planned summit meeting, the leader of the Asian government confers with his impostor at the White House, wherein the Asian reveals to Selby the second phase of his conspiracy—to replace various cabinet members (Labor, etc.) and numerous private industry chief executives (banking, broadcast and print media, oil, steel, etc.) in order to complete his takeover of America.

When Selby arranges a second attempt at replacing the Vice President, the conspirators, including the Vice President's doppelgänger, are captured, brought before the President and numerous invited guests during a state reception, and, along with Selby, are publicly exposed, with the real Pearson placing the doppelgänger Selby under arrest, charging him with murder (of the real Selby) and conspiring to overthrow the United States government.

Summers proposes an armed response against the Asian government, but Pearson, now as President, declines.

Fantastic Planet (French: La Planète sauvage; Czech: Divoká planeta, lit. 'The Wild Planet') is a 1973 French-language experimental independent adult animated science fiction art film, directed by René Laloux and written by Laloux and Roland Topor, the latter of whom also completed the film's production design. The film was animated at Jiří Trnka Studio in Prague.[4] The film was an international co-production between companies from France and Czechoslovakia. The allegorical story, about humans living on a strange planet dominated by giant humanoid aliens who consider them animals, is based on the 1957 novel Oms en série by French writer Stefan Wul.

René Laloux was born on 13 July 1929 in Paris, France. He was a writer and director, known for Fantastic Planet (1973), The Masters of Time (1982) and Les escargots (1966). He died on 14 March 2004 in Angoulême, Charente, France.
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In the distant future, the gargantuan blue humanoid Traags[8] (in French and Czech spelling: Draag[9]) have brought human beings (who are called Oms as a play on the French word for "man", homme) from Earth to the planet Ygam, where the Traags maintain a technologically and spiritually advanced society. The Traags consider Oms animals, and while they keep some as pets, others live in the wilderness and are periodically slaughtered by the Traags to control their population. Traags have much longer lifespans than Oms, but reproduce much less.

When an Om mother is tortured to death by three Traag children, her orphaned infant is found by Master Sinh, a key Traag leader, and his daughter Tiwa, who keeps the boy as a pet and names him Terr. Tiwa loves Terr and is careful not to hurt him, but, in accordance with her parents' instructions, gives him a collar with which she can pull him in any direction. She brings Terr to sessions in which she receives her education using a headset that transmits knowledge into her mind; a defect in Terr's collar allows him to receive the knowledge too. Around the time that Tiwa grows into her teens and first performs Traag meditation, which allows the species to travel with their minds, she loses some interest in Terr, who has become a young man and acquired much Traag knowledge. He escapes into the wilderness, stealing Tiwa's headset.

There he runs into a wild female Om, who cuts off his collar and introduces him to her tribe, which lives in an abandoned Traag park full of strange creatures and landscapes. Terr shows them how to use the headset to acquire Traag knowledge and literacy, winning the right to do so in a duel. The literacy they gain allows them to read a Traag announcement that the park will be purged of Oms, and, when the purge comes, some are slaughtered by Traag technology while others escape, joining forces with another tribe. They are attacked by two Traag passers-by and manage to kill one of them before escaping to an abandoned Traag rocket depot, much to the outrage of Traag leaders.

They live there for years, joined by many other Oms. Due to the knowledge acquired from Terr's headset, they manage to replicate Traag technology, including two rockets; they hope to leave Ygam for its moon, the Fantastic Planet, and live there safe from Traags. When a large-scale Traag purge hits the depot and many Oms are slaughtered, a group led by Terr uses the rockets to flee to the Fantastic Planet, where they discover large statues that Traags travel to during meditation and use to meet beings from other galaxies in a strange mating ritual that maintains their species. The Oms destroy some of the statues, threatening the Traags' existence; the genocide of Oms is halted on Ygam, and, facing a crisis, the Traags negotiate for peace. The Oms agree to leave the Fantastic Planet to the Traags for their meditations, and in return, an artificial satellite is put into orbit around Ygam and given to the Oms as a new home. This leads to an era of peaceful coexistence between the two species, who now benefit from each other's way of thinking.
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Flatliners is a 1990 American science fiction psychological horror film directed by Joel Schumacher, produced by Michael Douglas and Rick Bieber, and written by Peter Filardi. It stars Kiefer Sutherland, Julia Roberts, William Baldwin, Oliver Platt, and Kevin Bacon. The film is about five medical students who attempt to find out what lies beyond death by conducting clandestine experiments that produce near-death experiences.
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Medical student Nelson Wright convinces classmates Joe Hurley, David Labraccio, Rachel Manus, and Randy Steckle to help him discover what lies beyond death. Nelson flatlines for one minute before his classmates resuscitate him. While "dead", he sees a boy he bullied as a child, Billy Mahoney. He merely tells his friends that he cannot describe what he saw, but something is there. The others follow Nelson's feat.

Joe flatlines next and experiences an erotic sequence linked to his promiscuous lifestyle. After arguing with Rachel and out-bidding her on the length of time that they are willing to remain “dead”, David is third to flatline on Halloween and sees a girl, Winnie Hicks, whom he bullied in grade school. The three men later start to experience hallucinations related to their visions. Nelson gets physically assaulted by Billy Mahoney twice. Joe, engaged to be married, is haunted by the women that he surreptitiously videotaped during his sexual dalliances, who taunt him with the same false promises he used on them. On a train, David is confronted by the 8-year-old Winnie, who taunts him the way he taunted her.

Rachel decides to flatline next. David rushes in, intending to stop the others from giving Rachel their same fate, but arrives too late. Rachel nearly dies when the power goes out and the men cannot shock her with defibrillator paddles. She survives, but she too is haunted by the memory of her father dying by suicide when she was young.

The three men reveal their harrowing experiences to one another, and David decides to put his visions to a stop. Meanwhile, Joe's fiancée, Anne, comes to his apartment and, having discovered his videos, ends their relationship. Joe's visions cease after Anne leaves him.

David goes to visit a now adult Winnie and apologizes. Winnie accepts his apology and thanks David, who feels a weight lifted off his shoulders. He then finds Nelson, who accompanied David to visit Winnie, beating himself with an axe. In Nelson's mind, Billy is again attempting to beat him to death. David stops him, and they return to town, where Rachel confronts Nelson about withholding the supernatural nature of the experiments from the rest of them, then storms off. David later instructs Joe and Randy to help Nelson find Billy.

Having an idea of what Rachel has experienced, David offers to let her stay with him and they go to bed together. While Rachel and David are together, Nelson takes Randy and Joe to a graveyard. Nelson killed Billy as a kid by throwing rocks until he fell out of a tree. The two try to tell Nelson that what he did was accidental, but Nelson does not listen. They are eventually stranded when Nelson storms off in Joe's Mustang.

David leaves Rachel to rescue Joe and Randy at the cemetery. While alone, Rachel goes to the bathroom and finds her father. He apologizes to Rachel, whose guilt over his death is lifted after he reveals he was addicted to morphine and his suicide was related to post-traumatic stress disorder stemming from his service in the Vietnam War. Nelson calls David's house, and when Rachel answers he tells her he needs to flatline again in order to make amends. He apologizes for involving her and their friends in his reckless plan.

The three men realize what he intends and race to stop Nelson, who has been dead for nine minutes when they arrive. Together with Rachel, the four friends work to save Nelson. In the afterlife, the boy Nelson is in the tree being stoned by Billy from the ground. Nelson dies from the subsequent fall. When almost all of his friends are about to give up on reviving Nelson, Billy forgives him. David gives Nelson one last shock, and this brings him back.

I do not own this content. All credits go to its rightful owner.

The Ni No Kuni film is an anime sequel to the game Ni no Kuni II: Revenant Kingdom. It was first released in Japan on 8 August, 2019, and on Netflix worldwide on 16 January, 2020.

On the roof of a hospital, an Old Man practices spell casting with his cane while standing on top of a radiator. He does this until nurse Miki implores him to stop. The spell the Old Man was trying to cast, was called Gateway, a spell that opens a doorway to an alternate world.

The scene skips to a high school gymnasium where star basketball player, Haru scores a basket. As he does this his wheelchair-bound friend, Yu watches from the sidelines and keeps track of the score and statistics behind the in-progress gameplay. Afterschool, Yu meets up with Haru and the two talk about the basketball game. The two of them are soon joined by Kotona, Haru's girlfriend and she joins the conversation. They all decide to go to a crepe shop that Kotona suggests, while unbeknownst to them they're tailed by a Black Hooded Man. Yu separates from the group once it's revealed the way to the Crepe shop is up a steep set of stairs. On his own, Yu returns home where he's greeted by his sister, Saki who is seen watering the flowers to the florist shop attached to their house. Immediately, Yu rides his wheelchair into his room and settles himself in his bed. In his bed, Yu reflects on his interactions with Kotona and then also with Haru. He then realizes the frustration he feels is mainly due to his jealousy of Haru and Kotona's relationship.

Meanwhile, Haru and Kotona are walking home together after coming from the Crepe shop. As they walk, Kotona notes that she feels bad for taking a route that made them exclude Yu. Haru then chimes in and suggests they take him along next time. The two then separate from each other and as Kotona walks home down a back alley, she's tailed by the Black Hooded Man. Fearful of her life, Kotona contacts Yu and begs him for help since Haru wouldn't answer his phone. Enlisting help from his Sister Saki, Yu is driven to Kotona's location, while Haru does a bit of shopping for Kotona's birthday. En route to Kotona's location, Yu tries to contact Haru, but to no avail and then fills Saki in of the situation. At Yu's request, he's dropped off at a book store and he asks Saki to continue trying to contact Haru. Tracing Kotona's steps, Yu finds Kotona struggling against the Black Hooded Man, who stabs her in her abdomen. Yu manages to break Kotona's fall as the Black Hooded Man escapes. It's at that moment that Haru arrives at the scene and in an agitated state, takes Kotona away from Yu and declares he'll take her to a hospital. Haru then takes the unconscious Kotona away from the scene and is soon chased after by Yu. They enter a busy street and Yu saves Haru and Kotona out of the way of a truck sacrificing his wheelchair in the process. Now stuck in between the street with fast-moving cars parallel to them, both Yu and Haru are transported to an alternate world.

Shizuku Tsukishima is a 14-year-old student at Mukaihara Junior High School, where she is best friends with Yūko Harada. She lives in Tokyo with her parents Asako and Seiya and older sister Shiho, and is keen on creative writing. One evening, she looks through the checkout cards in her library books and discovers they were all checked out previously by someone named Seiji Amasawa.

Over the next few days, she encounters a boy who annoys her by teasing her about "Concrete Roads", a set of original lyrics describing Tama New Town that Shizuku based on the song "Take Me Home, Country Roads". Finding a cat riding a train, Shizuku follows it to discover an antique shop run by Shirō Nishi. In the shop is a cat statuette nicknamed The Baron. Shizuku is ecstatic about finding "a place where stories begin".

Shizuku later encounters the boy again at the antique shop. He shows her the workshop, where she discovers that he is learning to make violins to pursue his dream of becoming a master luthier. She begs him to play the violin for her, and he agrees, but on the condition that she sings along. The pair perform "Take Me Home, Country Roads". The boy is revealed to be Seiji, Nishi's grandson, and Shizuku and Seiji finally befriend each other.

Seiji admits that he admires Shizuku's talents and that he had been checking out a large number of books in the hopes that she would eventually notice him. Days after, Seiji leaves for Cremona, Italy for a two-month study with a master violin-maker. Inspired by him pursuing his dream, Shizuku decides to pursue her writing seriously during the two months. She asks Nishi if she can write a story featuring the Baron, to which Nishi grants his consent in exchange for being the first to read her story.

Shizuku concocts a fantasy story featuring herself as the protagonist, the Baron as the male hero looking for his lost love, Louise, and the cat from the train (a neighborhood stray who is, among other names, known as "Moon" and "Muta") as the antagonist. Devoting her time to her writing, Shizuku stays up until early in the morning, and her school grades drop. She argues with her family over her grades and future. As she continues to push herself, her anxiety mounts.

When her story is complete, Nishi reads it and gives his honest assessment. Shizuku bursts into tears as the stress of the last two months turns into relief. Nishi consoles her and tells her the real-life story of the Baron. When he studied in Germany in his youth, he found his first love, a woman named Louise. Nishi discovered the twin statuettes of the Baron and his female companion in a cafe, but as the female one was away for repairs, the shopkeeper would only allow Nishi to buy the Baron if Louise agreed to hold onto its companion so they could be reunited. However, the two lovers and their cat statues were separated during World War II.

Kiki, a young witch, decides to go out on her own, which all young witches must do, taking her talking black cat, Jiji, with her. Her mother insists that she take her mother’s old, reliable broomstick. Kiki flies off into the night, searching for a new town to settle into. She encounters another witch and her cat who she finds pretentious but they cause Kiki to wonder what her special "skill" is. Kiki finds the town of Koriko and accidentally flies through traffic, causing disruptions. She is approached by a policeman but a boy named Tombo helps her escape.

Kiki looks for a place to live and work in her new town. She finds the Gutiokipanja bakery, owned by Osono and her husband, Fukuo, who are expecting a child. Osono invites her to live in a room above the bakery. Kiki opens a business delivering goods by broomstick, known as the "Witch Delivery Service". Her first delivery is of a small stuffed toy of a black cat that looks like Jiji. Along the way, she is caught in the wind and ends up in a forest filled with crows, which attack her, causing her to lose the toy. They come up with a plan in which Jiji pretends to be the toy until Kiki can retrieve the real one. She finds it in the home of a young painter, Ursula, who repairs and returns it. With the help of a dog, Kiki successfully retrieves Jiji and replaces him with the stuffed cat.

The next day, Tombo gives her an invitation to visit his aviation club. However, she gets busy with her deliveries, and when she gets caught in a thunderstorm on her way back, she decides not to go. She falls ill and Osono cares for her until she recovers. Osono secretly arranges for Kiki to see Tombo again by assigning her a delivery addressed to him. Kiki apologizes for missing the party, and Tombo takes her for a test ride on the flying machine he is working on, fashioned from a bicycle. Kiki warms up to him but is intimidated by Tombo's friends.

Kiki becomes depressed and discovers she can no longer understand Jiji. She has also lost her flying ability and is forced to suspend her delivery business. Ursula determines that Kiki's crisis is a form of artist's block. She suggests that if Kiki can find a new purpose, she will regain her powers.

Kiki witnesses an airship accident on television. Tombo is seen trying to help tie the dirigible to the ground, but a gust of wind pushes the aircraft away with him clinging to the rope. Kiki rushes to the scene and asks to borrow a broom from a local shop-owner. She manages to regain her flying power so she can rescue Tombo. She recovers her confidence, resumes her delivery service, and writes a letter home saying that she and Jiji are happy.

Agrippa's Diary https://yt.cdaut.de/watch?v=BVoyismp02g
The Chymical Wedding of Christian Rosenkreuz, first released in 1616 stands as one of the most enigmatic and puzzling works ever produced. Among those captivated by its significance was Carl Gustav Jung, the pioneering figure in the field of analytical psychology. Jung found the text particularly fascinating due to its connections with alchemical practices and its implications for human psychological processes. He perceived a deep and intricate relationship between this work and the principles of alchemy, a field that he believed was not just about physical transformation but also about profound psychological insights, which would lead the seeker toward completing the individuation process.
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Support Agrippa's Diary: patreon.com/agrippasinnersanctum

Sources:

- Jung, C.G. (1921). Psychological Types: Collected Works of C.G. Jung (Volume 6). Routledge, London.
- Andreae, Johann Valentin. (1616). Chymische Hochzeit Christiani Rosencreutz. Anno 1459. Lazarus Zetzner, Straßburg.
- Jung, C. G. (1963). Memories Dreams and Reflections. Pantheon Books, NY.
- Jung, C.G. (1968). Psychology and Alchemy: Collected Works of C. G. Jung (Volume 12). Routledge.
- Jung, C.G. (1968). Alchemical Studies: Collected Works of C.G. Jung (Volume 13). Routledge.
- Jung, G.G. (1969). Archetypes and the Collective Unconscious: Collected Works of C.G. Jung (Volume 9). Princeton University Press.
- Jung, C.G. (1976). Letters Volume II 1951-1961 (pp. 246-247). Routledge. (Letter to Karl Theens)
- Smith, T.W.D. VII. The Chymical Wedding of Carl Gustav Jung. S.R.I.A.
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⌛ Chapters:

0:00 Intro
0:19 What is the Chymical Wedding of Christian Rosenkreuz?
5:04 The Psychology of the Chymical Wedding
10:21 The symbolism of the Chymical Wedding
15:49 The Process of finding your Inner Gold
16:17 Conclusion and Outro
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INFJ - Carl Jung Interview - High Quality Footage [THEBARRACUDA57]
https://bitchute.com/video/K7z6idgHwWoT/

Manly P. Hall: Etidorhpa | The End of Earth
https://bitchute.com/video/f9FfH7KiHoNT/

Jewel at Red Rocks Amphitheatre in Denver, CO
https://bitchute.com/video/PqiBpR18gYtk/

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Manly Hall Society https://invidious.slipfox.xyz/watch?v=AIPkqh992R4
For the first time, Manly Hall's 1959 lecture on the book, Etidorpha, can now be heard. This newly re-mastered audio recording was digitized directly from the original 1/4" magnetic analog audio tape.

"'Etidorhpa: The End of Earth' - The Strangest of all Esoteric Novels" was spoken on Wednesday night, December 9th, 1955 at the Philosophical Research Society. The lecture was accompanied with slides of images from the book, drawn by illustrator J. Agustus Knapp, the artist of the color panels in Manly Hall's magnum opus, 'The Secret Teachings of All Ages'.
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Etidorhpa is a strange tale of a journey to the middle and even the end of the earth, which symbolically represents a personal journey into the underworld of our own inner lives.

MPH 591219 Etidorhpa | The End of Earth
©2023 Manly Hall Society
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Etidorhpa, or, the end of the earth: the strange history of a mysterious being and the account of a remarkable journey is the title of a scientific allegory or science fiction novel by John Uri Lloyd, a pharmacognocist and pharmaceutical manufacturer of Cincinnati, Ohio.[1] Etidorhpa was published in 1895.

The word "Etidorhpa" is the backward spelling of the name "Aphrodite." The first editions of Etidorhpa were distributed privately; later editions of the book feature numerous fanciful illustrations by John Augustus Knapp. Eventually a popular success, the book had eighteen editions and was translated into seven languages.[2] Etidorhpa literary clubs were founded in the United States, and some parents named their infant daughters Etidorhpa.[3]
Concept
The book purports to be a manuscript dictated by a strange being named I-Am-The-Man to a man named Llewyllyn Drury. Drury's adventure culminates in a trek through a cave in Kentucky into the core of the earth. Ideas presented in Etidorhpa include practical alchemy, secret Masonic orders, the Hollow Earth theory, and the concept of transcending the physical realm.
Following a framing device, the book's first chapter begins the story of how Drury met the mysterious I-Am-The-Man, who reads his own manuscript account of his adventures to Drury over many sessions. The mysterious stranger, also known as The-Man-Who-Did-It, relates events that supposedly occurred thirty years earlier, during the early part of the 19th century.

By his account, the speaker is kidnapped by fellow members of a secret society, because he is suspected to be a threat to their secrecy. (This was likely based on the 1826 kidnapping of William Morgan and the start of the Anti-Masonry movement.) I-Am-The-Man is taken to a cave in Kentucky; there he is led by a cavern dweller on a long subterranean journey. It becomes an inner journey of the spirit as much as a geographical trip through underground realms. The book blends passages on the nature of physical phenomena, such as gravity and volcanoes, with spiritualist speculation and adventure-story elements (like traversing a landscape of giant mushrooms). The whole ends with a summary from I-Am-The-Man and a conclusion from Drury. Subsequent editions of the book added various prefatory and supplementary materials.
https://archive.org/details/etidorhpaorend00lloy

OeraLinda https://www.bitchute.com/channel/oeralinda/
ecording of a chat about the Yule ('jol') and its celebration in Codex Oera Linda (and some related topics) by Bruce Stafford and Jan Ott, recorded Thursday December 21. With reading of various fragments in the Fryas language and their translations into English by Bruce and Jan.

00:00 Introduction
01:48 Reading Fryas fragments and translations
02:35 Yule & Christmas, letters
05:40 Different interpretations
07:10 Venerable Bede about 'Giuli' and 'mother's night'
08:55 Name 'Julius' possible origin
09:20 Description of Yule shape?
10:45 Missing illustration on page 72
11:48 What do we know about Yule celebration history?
13:50 Yule on Tolkien's Shire Calendar
14:54 What year is it after Atland's sinking?
17:47 References to time in OL
19:59 The point of celebration Yule
21:32 Fragment of ch. 13e "the circling of the Yule"
24:02 Verb, adjective and girl's name derived from 'Jol'
26:30 See video Saved from the Flood: Part 2d
26:57 Closing words

Links:
https://wiki.oeralinda.org/
https://forum.oeralinda.org/
https://oeralinda.org/

Read the entire article on viroliegy.com: https://zero-sum.org/the-path-paved-by-dr-stefan-lanka/

During this current “pandemic,” Dr. Lanka decided to carry out and recreate for “SARS-COV-2” the control experiments he had done during the measles trial. The experiments were conducted in three phases:

Phase 1 – The cytopathic effect
In the first control experiment, Dr. Stefan Lanka showed that what virologists attribute to the presence of a pathogenic virus can be achieved without infectious material.

Phase 2 – Construction of the SARS-CoV-2 genome
In the second control experiment, Dr. Lanka showed that what virologists call “viral genetic material actually comes from a healthy human tissue.

Phase 3 – Structural analysis of sequency data in virology
In the third control experiment, we show that with the same technique that virologists use and using nucleic acids, which are not from supposedly infectious material but from healthy human tissue, animals and plants, can construct the genome of any “virus.”

Phase 1: The Cytopathic Effect
Phase 1 of Dr. Lanka’s experiments was designed to show that the cytopathogenic effect, the very criteria used to determine a “virus” is present in a cell culture, can be caused by the experimental conditions themselves without “infectious” material present. The article linked above contains the study by the independent laboratory testing the cytopathogenic effect for Dr. Lanka. It is in German but it can be easily translated into English.

Read the entire article: https://zero-sum.org/the-path-paved-by-dr-stefan-lanka/

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The virus misconception (Dr. Lanka's papers)
https://viroliegyhome.files.wordpress.com/2022/08/wissenschafftplus-the-virus-misconception-part-1.pdf
https://viroliegyhome.files.wordpress.com/2022/08/wissenschafftplus-the-virus-misconception-part-2.pdf
https://viroliegyhome.files.wordpress.com/2022/08/wissenschafftplus-the-virus-misconception-part-3.pdf