"Scott Walker: 30th Century Man" is a 2006 documentary film directed by Stephen Kijak that explores the life and career of the influential musician Scott Walker. David Bowie, who was a fan and admirer of Walker's work, served as an executive producer on the project.

The film features interviews with Walker himself, as well as with various musicians, artists, and collaborators who have been influenced by his music. It traces Walker's journey from his early days as a pop idol in the 1960s group The Walker Brothers, to his evolution into an avant-garde composer known for his experimental and challenging work.

whatever you think Kubrick was an amazing Director that truly believed in the medium of film and how info could be hidden in plain sight. The only Guy who got final cut so no one could screw around. Sadly as Eyes Wide Shut got finished he had a visit from the studio execs and hours later was dead. Eyes Wide Shut then got cut severely prior to release.

Kubrick part 3 and looking at the shining, this was the impetus behind the making of the conspiracy movie Room 27 to be made.

Apollo 11 moon landing in 1969 was faked by NASA with the help of filmmaker Stanley Kubrick. According to this theory, NASA lacked the technology to safely land astronauts on the moon, so they enlisted Kubrick to help them stage and film the landings on a secret set.

Proponents of the theory point to several "clues" they claim Kubrick left in his 1980 film "The Shining" as hints that he was involved in the alleged hoax:

The character Danny is seen wearing an Apollo 11 sweater.
Room 237 is said to be a reference to the moon's average distance of 237,000 miles from Earth.
The twin girls in the film are thought to symbolize NASA's Gemini space program.

Saga continues and you must decide

The Profumo affair was a major political scandal that rocked the British government in 1963. At the center of the scandal was John Profumo, the Secretary of State for War in Harold Macmillan's Conservative government. The scandal involved Profumo's sexual relationship with a young model and showgirl named Christine Keeler.

Christine Keeler, born in 1942, had a troubled childhood and began working as a model and showgirl as a teenager. She met Dr. Stephen Ward, an osteopath and socialite, who introduced her to high-society circles in London. Through Ward, Keeler met John Profumo in 1961 at a pool party at Cliveden, the Buckinghamshire mansion owned by Lord Astor.

Profumo and Keeler began a brief affair, which ended in 1962. However, Keeler was also involved with Yevgeny "Eugene" Ivanov, a Soviet naval attaché and suspected spy. This raised concerns about a potential security risk, as Profumo had access to sensitive government information.

Dr. Stephen Ward played a central role in the scandal. He was known for his connections to the wealthy and powerful, and he often introduced young women like Keeler to his high-profile friends. Ward was also a part-time MI5 informant and had a keen interest in politics.

In addition to her relationships with Profumo and Ivanov, Keeler was also linked to Aloysius "Lucky" Gordon, a Jamaican jazz singer and petty criminal. Gordon had a history of violence and had previously assaulted Keeler.

The scandal erupted in 1963 when Keeler's involvement with Profumo and Ivanov became public knowledge. Profumo initially denied any impropriety in the House of Commons but later admitted to lying and resigned from his position. The scandal led to a crisis in Macmillan's government and contributed to the Conservative Party's defeat in the 1964 general election.

Dr. Stephen Ward was arrested and charged with living off the earnings of prostitution. He took a fatal overdose the night before the final verdict in his trial. Christine Keeler and her friend Mandy Rice-Davies, who was also involved in the scandal, gained notoriety and became the subject of intense media scrutiny.

The Profumo affair highlighted the interconnected nature of sex, power, and espionage during the Cold War era. It also exposed the hypocrisy and double standards of the British establishment and had far-reaching consequences for the government and society as a whole.

Mark has put his finances and freedom on the line to do the right thing. A true policeman in every sense of the word but now not serving. He needs your support now as he continues to seek real justice for all those affected by the operation 'certificate of Vaccine I D 2019'

Outlining of indictment continues. Judge Judy eat your heart out.

it has been proved.

the charge sheet and opening statement outlining the 'Long Firm' set up.

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possibly the greatest early example of stop animation with plastercine from 1979 made for Frank Zappa. Lifted from ourr old VHS library so not able to remove credits from some shots. Aired on the Old Grey Whistle Test in late 1979.

The Residents are an American art collective and art rock band best known for their avant-garde music and multimedia works. Since their first official release, Meet the Residents (1974), they have released over 60 albums, numerous music videos and short films, three CD-ROM projects, and ten DVDs. They have undertaken seven major world tours and scored multiple films. Pioneers in exploring the potential of CD-ROM and similar technologies, the Residents have won several awards for their multimedia projects. They founded Ralph Records, a record label focusing on avant-garde music, in 1972.

Recommendations from David Bowie and Iggy Pop enabled Devo to secure a recording contract with Warner Bros. in 1978. After Bowie backed out of the business deal due to previous commitments, their first album, Q: Are We Not Men? A: We Are Devo! was produced by Brian Eno and featured re-recordings of their previous singles "Mongoloid" and "(I Can't Get No) Satisfaction".[24] On October 14, 1978, Devo gained national exposure with an appearance on the late-night show Saturday Night Live, a week after the Rolling Stones, performing "(I Can't Get No) Satisfaction" and "Jocko Homo".

In a February 20, 2023, article by the Akron Beacon Journal promoting the film Cocaine Bear, Mothersbaugh announced that 2023 would be celebrated as Devo's 50th anniversary, and that he had plans for Devo to remain active for 50 more years. He also stated that he, Gerald Casale and Bob Mothersbaugh were all interested in touring and jokingly wished for the remaining members of Devo to be buried in a car park near the Rock and Roll Hall of Fame.[100] Two weeks later, Devo announced that they would perform at London's Eventim Apollo on August 19 as part of their "farewell tour".[101] Other stops on the tour include the Øyafestivalen in Norway, Way Out West festival in Sweden, Flow Festival in Finland and Luna Fest in Portugal, throughout August 2023.[102] On March 1, a show at Green Man Festival in Wales was added to the tour

The name Devo comes from the concept of "de-evolution" and the band's related idea that instead of continuing to evolve, mankind had begun to regress, as evidenced by the dysfunction and herd mentality of American society.[10] In the late 1960s, this idea was developed as a joke by Kent State University art students Gerald Casale and Bob Lewis, who created a number of satirical art pieces in a devolution vein. At this time, Casale had also performed with the local band 15-60-75 (The Numbers Band). They met Mark Mothersbaugh around 1970, a talented keyboardist who had been playing with the band Flossy Bobbitt.[11] Mothersbaugh brought a more humorous feel to the band, introducing them to material like the pamphlet "Jocko Homo Heavenbound",[12] which includes an illustration of a winged devil labelled "D-EVOLUTION" and would later inspire the song "Jocko Homo".[13] The "joke" about de-evolution became serious following the Kent State massacre of May 4, 1970. This event would be cited multiple times as the impetus for forming the band Devo.[14] Throughout the band's career, they have often been considered a "joke band" by the music press.

Are we not Men
Devo's music and visual presentation (including stage shows and costumes) mingle kitsch science fiction themes, deadpan surrealist humor and mordantly satirical social commentary. The band's namesake, the tongue-in-cheek social theory of "de-evolution", was an integral concept in their early work, which was marked by experimental and dissonant art punk that merged rock music with electronics.

creepy ending

bright horses from Ghosteen

Thanks to JJ Cale for original but much props to Boatrawker for bringing up tp date

The frontmans pedigree

The frontmans pedigree

The frontmans pedigree

coming to a theatre near you soon

head to head between 2 who could see the matrix