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Ritter von Bearbeiten
"God Rest Ye Merry Gentlemen" on bass guitar
FAIR USE NOTICE
This video may make use of copyrighted material, the use of which has not always been specifically authorized by the copyright owner.
This constitutes a "fair use" of any such copyrighted material as provided for in section 107 of the U.S. Copyright law:
https://www.law.cornell.edu/uscode/text/17/107
In accordance with Title 17 U.S.C. Section 107, this video is offered publicly and without profit to the public users of the internet for comment and nonprofit educational and informational purposes.
Copyright Disclaimer Under Section 107 of the Copyright Act 1976: allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, or research.
Fair use is a use permitted by copyright statute that might otherwise be an infringement of copyright.
No copyright(s) is/are claimed to material copyrighted by others.
www.copyright.gov/fls/fl102.html
Music & MIDI sequencing ©2004, 2020 by Gordon W. Schaad
Film clips used in this video:
Shell Oil Company • 1975 • https://archive.org/details/oilwell_20160919
Soundfonts used:
Simon Tristan Papel • https://www.polyphone-soundfonts.com/documents/tag/9-papelmedia
Richard Roma • https://musescore.org/en/node/94941 (©2016 Marcin Dziembor) https://pphidden.wixsite.com/compifont
Shariq "Sharky" Ansari • http://soundfonts.darkesword.com/ (http://johannes.roussel.com)
Merlin Soundfont Banks • http://soundfonts.gonet.biz/ (©2000 Bob Greenwade & Grant Green)
Software used:
IDD Studio 2003 XP from Interactive Digital Design (MIDISoft): late, lamented music composition, sequencing, and notation software.
MuseScore music composition and notation software: https://musescore.org/en
Audacity audio software: https://www.audacityteam.org/
OpenShot video editor: https://www.openshot.org/
Handbrake video transcoder: https://handbrake.fr
FAIR USE NOTICE
This video may make use of copyrighted material, the use of which has not always been specifically authorized by the copyright owner.
This constitutes a "fair use" of any such copyrighted material as provided for in section 107 of the U.S. Copyright law:
https://www.law.cornell.edu/uscode/text/17/107
In accordance with Title 17 U.S.C. Section 107, this video is offered publicly and without profit to the public users of the internet for comment and nonprofit educational and informational purposes.
Copyright Disclaimer Under Section 107 of the Copyright Act 1976: allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, or research.
Fair use is a use permitted by copyright statute that might otherwise be an infringement of copyright.
No copyright(s) is/are claimed to material copyrighted by others.
www.copyright.gov/fls/fl102.html
Music & MIDI sequencing ©2004 by Gordon W. Schaad
Stock footage and film clips used in this video:
The Adventures of Rin Tin Tin, 1954, season 1, episode 1: Meet Rin Tin Tin https://www.imdb.com/title/tt0506191/
Virginia countryside videos:
https://archive.org/search.php?query=creator%3A%22C.+E.+Price%22 https://creativecommons.org/licenses/publicdomain/
Dog videos:
https://archive.org/search.php?query=creator%3A%22Ivan+Bridgewater%22 https://creativecommons.org/licenses/by/3.0/
Soundfonts used:
Simon Tristan Papel • https://www.polyphone-soundfonts.com/documents/tag/9-papelmedia
Richard Roma • https://musescore.org/en/node/94941
Laurelin • https://musescore.org/en/node/295617
Software used:
IDD Studio 2003 XP from Interactive Digital Design (MIDISoft): late, lamented music composition, sequencing, and notation software.
MuseScore music composition and notation software: https://musescore.org/en
Audacity audio software: https://www.audacityteam.org/
OpenShot video editor: https://www.openshot.org/
Handbrake video transcoder: https://handbrake.fr
FAIR USE NOTICE
This video may make use of copyrighted material, the use of which has not always been specifically authorized by the copyright owner.
This constitutes a "fair use" of any such copyrighted material as provided for in section 107 of the U.S. Copyright law:
https://www.law.cornell.edu/uscode/text/17/107
In accordance with Title 17 U.S.C. Section 107, this video is offered publicly and without profit to the public users of the internet for comment and nonprofit educational and informational purposes.
Copyright Disclaimer Under Section 107 of the Copyright Act 1976: allowance is made for "fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, or research.
Fair use is a use permitted by copyright statute that might otherwise be an infringement of copyright.
No copyright(s) is/are claimed to material copyrighted by others.
www.copyright.gov/fls/fl102.html
Music & Lyrics & MIDI sequencing ©2004, 2020 by Gordon W. Schaad
Film clips used in this video:
I Dream of Jeannie, 1965, season 1, episode 1: The Lady in the Bottle https://www.imdb.com/title/tt0609160/
Soundfonts used in this video:
Mitrofanis George Gemitros • https://www.polyphone-soundfonts.com/documents/14-guitars/247-studio-fg460s-ii-pro-guitar-pack
John Nebauer • https://sites.google.com/site/soundfonts4u/
Simon Tristan Papel • https://www.polyphone-soundfonts.com/documents/tag/9-papelmedia
Richard Roma • https://musescore.org/en/node/94941
Laurelin • https://musescore.org/en/node/295617
Software used in this video:
IDD Studio 2003 XP from Interactive Digital Design (MIDISoft): late, lamented music composition, sequencing, and notation software.
MuseScore music composition and notation software: https://musescore.org/en
Audacity audio software: https://www.audacityteam.org/
OpenShot video editor: https://www.openshot.org/
Handbrake video transcoder: https://handbrake.fr
FAIR USE NOTICE
This video may make use of copyrighted material, the use of which has not always been specifically authorized by the copyright owner.
This constitutes a "fair use" of any such copyrighted material as provided for in section 107 of the U.S. Copyright law:
https://www.law.cornell.edu/uscode/text/17/107
In accordance with Title 17 U.S.C. Section 107, this video is offered publicly and without profit to the public users of the internet for comment and nonprofit educational and informational purposes.
Copyright Disclaimer Under Section 107 of the Copyright Act 1976: allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, or research.
Fair use is a use permitted by copyright statute that might otherwise be an infringement of copyright.
No copyright(s) is/are claimed to material copyrighted by others.
www.copyright.gov/fls/fl102.html
Music & Lyrics ©1976 and MIDI sequencing ©2003, 2020 by Gordon W. Schaad
Film clips used in this video:
http://www.archive.org/details/ConeyIsl1940
Soundfonts used in this video:
Mitrofanis George Gemitros • https://www.polyphone-soundfonts.com/documents/14-guitars/247-studio-fg460s-ii-pro-guitar-pack
John Nebauer • https://sites.google.com/site/soundfonts4u/
Simon Tristan Papel • https://www.polyphone-soundfonts.com/documents/tag/9-papelmedia
Richard Roma • https://musescore.org/en/node/94941
Laurelin • https://musescore.org/en/node/295617
Software used in this video:
IDD Studio 2003 XP from Interactive Digital Design (MIDISoft): late, lamented music composition, sequencing, and notation software.
MuseScore music composition and notation software: https://musescore.org/en
Audacity audio software: https://www.audacityteam.org/
OpenShot video editor: https://www.openshot.org/
Handbrake video transcoder: https://handbrake.fr
FAIR USE NOTICE
This video may make use of copyrighted material, the use of which has not always been specifically authorized by the copyright owner.
This constitutes a "fair use" of any such copyrighted material as provided for in section 107 of the U.S. Copyright law:
https://www.law.cornell.edu/uscode/text/17/107
In accordance with Title 17 U.S.C. Section 107, this video is offered publicly and without profit to the public users of the internet for comment and nonprofit educational and informational purposes.
Copyright Disclaimer Under Section 107 of the Copyright Act 1976: allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, or research.
Fair use is a use permitted by copyright statute that might otherwise be an infringement of copyright.
No copyright(s) is/are claimed to material copyrighted by others.
www.copyright.gov/fls/fl102.html
Music & Lyrics ©1976 and MIDI sequencing ©2003, 2020 by Gordon W. Schaad
Film clips used in this video:
http://www.archive.org/details/ConeyIsl1940
Soundfonts used in this video:
Bill Peterson • http://geekfunklabs.com/software/ • https://www.polyphone-soundfonts.com/documents/7148-white2rnado/documents
Richard Roma • https://musescore.org/en/node/94941
Laurelin • https://musescore.org/en/node/295617
Software used in this video:
IDD Studio 2003 XP from Interactive Digital Design (MIDISoft): late, lamented music composition, sequencing, and notation software.
MuseScore music composition and notation software: https://musescore.org/en
Audacity audio software: https://www.audacityteam.org/
OpenShot video editor: https://www.openshot.org/
Handbrake video transcoder: https://handbrake.fr
FAIR USE NOTICE
This video may make use of copyrighted material, the use of which has not always been specifically authorized by the copyright owner.
This constitutes a "fair use" of any such copyrighted material as provided for in section 107 of the U.S. Copyright law:
https://www.law.cornell.edu/uscode/text/17/107
In accordance with Title 17 U.S.C. Section 107, this video is offered publicly and without profit to the public users of the internet for comment and nonprofit educational and informational purposes.
Copyright Disclaimer Under Section 107 of the Copyright Act 1976: allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, or research.
Fair use is a use permitted by copyright statute that might otherwise be an infringement of copyright.
No copyright(s) is/are claimed to material copyrighted by others.
www.copyright.gov/fls/fl102.html
50th Anniversary
Recording ©1970 by Warm Underneath (Joe Gulli & Gordon Schaad)
Music & Lyrics ©1970 by Gordon W. Schaad
Gordon Schaad: vocal, guitar, piano, trumpet, drums
Joe Gulli: bass
Film clips used in this video:
https://archive.org/details/frankenstein-1931
Engineering by Gordon W. Schaad using the sound-on-sound technique on a Tandberg 64 tapedeck for overdubs, which were mixed on-the-fly with each earlier track. No post-recording mixing is possible using this technique and it's always going to be mono. With each bounce, signal-to-noise ratio degrades. So much so that on some of these recordings with many overdubs, the noise becomes another instrument. This was several months before Gordon began working at Electric Lady Studios, where he discovered how little he had known about recording techniques previously.
Software used in this video:
Audacity audio software: https://www.audacityteam.org/
OpenShot video editor: https://www.openshot.org/
Handbrake video transcoder: https://handbrake.fr
FAIR USE NOTICE
This video may make use of copyrighted material, the use of which has not always been specifically authorized by the copyright owner.
This constitutes a "fair use" of any such copyrighted material as provided for in section 107 of the U.S. Copyright law:
https://www.law.cornell.edu/uscode/text/17/107
In accordance with Title 17 U.S.C. Section 107, this video is offered publicly and without profit to the public users of the internet for comment and nonprofit educational and informational purposes.
Copyright Disclaimer Under Section 107 of the Copyright Act 1976: allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, or research.
Fair use is a use permitted by copyright statute that might otherwise be an infringement of copyright.
No copyright(s) is/are claimed to material copyrighted by others.
www.copyright.gov/fls/fl102.html
Music & MIDI sequencing ©2004, 2020 by Gordon W. Schaad, Joseph A. Gulli
Film clips used in this video:
https://archive.org/details/frankenstein-1931
https://archive.org/search.php?query=creator%3A%22Steven+Lockstein%22
Sound Fonts used in this video:
John Nebauer • https://sites.google.com/site/soundfonts4u/
Simon Tristan Papel • https://www.polyphone-soundfonts.com/documents/tag/9-papelmedia
Software used in this video:
IDD Studio 2003 XP from Interactive Digital Design (MIDISoft): late, lamented music composition, sequencing, and notation software.
Sibelius music composition and notation software: https://www.avid.com/sibelius
MuseScore music composition and notation software: https://musescore.org/en
Kazam Screencaster https://launchpad.net/kazam
Audacity audio software: https://www.audacityteam.org/
OpenShot video editor: https://www.openshot.org/
Handbrake video transcoder: https://handbrake.fr
FAIR USE NOTICE
This video may make use of copyrighted material, the use of which has not always been specifically authorized by the copyright owner.
This constitutes a "fair use" of any such copyrighted material as provided for in section 107 of the U.S. Copyright law:
https://www.law.cornell.edu/uscode/text/17/107
In accordance with Title 17 U.S.C. Section 107, this video is offered publicly and without profit to the public users of the internet for comment and nonprofit educational and informational purposes.
Copyright Disclaimer Under Section 107 of the Copyright Act 1976: allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, or research.
Fair use is a use permitted by copyright statute that might otherwise be an infringement of copyright.
No copyright(s) is/are claimed to material copyrighted by others.
www.copyright.gov/fls/fl102.html
Probably the second recording of Warm Underneath (Jon Rich, Joe Gulli, Gordon Schaad, Jonathan Smead): an original song ©1967 Jonathan E. Rich.
Recorded live: one mic, a Wollensak tape recorder, and acoustic guitars in Jon's apartment.
Stock footage used in this video:
https://archive.org/search.php?query=director%3A%22Irving+Klaw%22
https://archive.org/search.php?query=creator%3A%22Steven+Lockstein%22
Film clips used in this video:
The Many Loves of Dobie Gillis, 1959, season 1, episode 1: Caper at the Bijou https://www.imdb.com/title/tt0641742/
The Many Loves of Dobie Gillis, 1960, season 1, episode 30: Soup and Fish https://www.imdb.com/title/tt1016931/
Software used in this video:
Audacity audio software: https://www.audacityteam.org/
OpenShot video editor: https://www.openshot.org/
Handbrake video transcoder: https://handbrake.fr
FAIR USE NOTICE
This video may make use of copyrighted material, the use of which has not always been specifically authorized by the copyright owner.
This constitutes a "fair use" of any such copyrighted material as provided for in section 107 of the U.S. Copyright law:
https://www.law.cornell.edu/uscode/text/17/107
In accordance with Title 17 U.S.C. Section 107, this video is offered publicly and without profit to the public users of the internet for comment and nonprofit educational and informational purposes.
Copyright Disclaimer Under Section 107 of the Copyright Act 1976: allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, or research.
Fair use is a use permitted by copyright statute that might otherwise be an infringement of copyright.
No copyright(s) is/are claimed to material copyrighted by others.
www.copyright.gov/fls/fl102.html
Likely the very first recording of Warm Underneath (Jon Rich, Joe Gulli, Gordon Schaad, Jonathan Smead): an original song ©1967 Jonathan E. Rich.
Recorded live: one mic, a Wollensak tape recorder, and acoustic guitars in Jon's apartment.
Stock footage used in this video:
https://archive.org/search.php?query=creator%3A%22C.+E.+Price%22
https://archive.org/search.php?query=creator%3A%22Pixabay%22
Software used in this video:
GNU Image Manipulation Program (GIMP): https://www.gimp.org/
Audacity audio software: https://www.audacityteam.org/
OpenShot video editor: https://www.openshot.org/
Handbrake video transcoder: https://handbrake.fr
FAIR USE NOTICE
This video may make use of copyrighted material, the use of which has not always been specifically authorized by the copyright owner.
This constitutes a "fair use" of any such copyrighted material as provided for in section 107 of the U.S. Copyright law:
https://www.law.cornell.edu/uscode/text/17/107
In accordance with Title 17 U.S.C. Section 107, this video is offered publicly and without profit to the public users of the internet for comment and nonprofit educational and informational purposes.
Copyright Disclaimer Under Section 107 of the Copyright Act 1976: allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, or research.
Fair use is a use permitted by copyright statute that might otherwise be an infringement of copyright.
No copyright(s) is/are claimed to material copyrighted by others.
www.copyright.gov/fls/fl102.html
Demo recording ©1972 by Gordon W. Schaad using the sound-on-sound technique on a Tandberg 64 tapedeck for overdubs, which were mixed on-the-fly with each earlier track. No post-recording mixing is possible using this technique and it's always going to be mono. With each bounce, signal-to-noise ratio degrades. So much so that on some of these recordings with many overdubs, the noise becomes another instrument.
Film clips used in this video:
Telephone Courtesy, https://archive.org/details/Telephone_Courtesy
Software used in this video:
Audacity audio software: https://www.audacityteam.org/
OpenShot video editor: https://www.openshot.org/
Handbrake video transcoder: https://handbrake.fr
FAIR USE NOTICE
This video may make use of copyrighted material, the use of which has not always been specifically authorized by the copyright owner.
This constitutes a "fair use" of any such copyrighted material as provided for in section 107 of the U.S. Copyright law:
https://www.law.cornell.edu/uscode/text/17/107
In accordance with Title 17 U.S.C. Section 107, this video is offered publicly and without profit to the public users of the internet for comment and nonprofit educational and informational purposes.
Copyright Disclaimer Under Section 107 of the Copyright Act 1976: allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, or research.
Fair use is a use permitted by copyright statute that might otherwise be an infringement of copyright.
No copyright(s) is/are claimed to material copyrighted by others.
www.copyright.gov/fls/fl102.html
Recording & Music ©1976 by Jonathan E. Rich, Gordon W. Schaad
Jon Rich: acoustic guitar
Gordon Schaad: drums, piano, guitars, bass
Kristine Morris: bass
Music recorded by Gordon W. Schaad using a Teac A3340s 4-channel tapedeck (the old Tandberg 64 having been relegated to a tape-delay echo effect).
Software used in this video:
Audacity audio software: https://www.audacityteam.org/
OpenShot video editor: https://www.openshot.org/
Handbrake video transcoder: https://handbrake.fr
FAIR USE NOTICE
This video may make use of copyrighted material, the use of which has not always been specifically authorized by the copyright owner.
This constitutes a "fair use" of any such copyrighted material as provided for in section 107 of the U.S. Copyright law:
https://www.law.cornell.edu/uscode/text/17/107
In accordance with Title 17 U.S.C. Section 107, this video is offered publicly and without profit to the public users of the internet for comment and nonprofit educational and informational purposes.
Copyright Disclaimer Under Section 107 of the Copyright Act 1976: allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, or research.
Fair use is a use permitted by copyright statute that might otherwise be an infringement of copyright.
No copyright(s) is/are claimed to material copyrighted by others.
www.copyright.gov/fls/fl102.html
50th Anniversary
Recording ©1970 by Warm Underneath (Joe Gulli, Cengiz Yaltkaya & Gordon Schaad)
Music ©1970 by Joseph A. Gulli & Gordon W. Schaad
Joe Gulli: bass, tenor saxophone
Cengiz Yaltkaya: piano
Gordon Schaad: drums
Engineering by Gordon W. Schaad using the sound-on-sound technique on a Tandberg 64 tapedeck for overdubs, which were mixed on-the-fly with each earlier track. No post-recording mixing is possible using this technique and it's always going to be mono. With each bounce, signal-to-noise ratio degrades. So much so that on some of these recordings with many overdubs, the noise becomes another instrument. This was several months before Gordon began working at Electric Lady Studios, where he discovered how little he had known about recording techniques previously.
Software used in this video:
Audacity audio software: https://www.audacityteam.org/
OpenShot video editor: https://www.openshot.org/
Handbrake video transcoder: https://handbrake.fr
FAIR USE NOTICE
This video may make use of copyrighted material, the use of which has not always been specifically authorized by the copyright owner.
This constitutes a "fair use" of any such copyrighted material as provided for in section 107 of the U.S. Copyright law:
https://www.law.cornell.edu/uscode/text/17/107
In accordance with Title 17 U.S.C. Section 107, this video is offered publicly and without profit to the public users of the internet for comment and nonprofit educational and informational purposes.
Copyright Disclaimer Under Section 107 of the Copyright Act 1976: allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, or research.
Fair use is a use permitted by copyright statute that might otherwise be an infringement of copyright.
No copyright(s) is/are claimed to material copyrighted by others.
www.copyright.gov/fls/fl102.html
Recording ©1974 by Jon Rich, Gordon Schaad
Music & Lyrics ©1974 by Jonathan E. Rich
MIDI sequencing ©2004 by Gordon W. Schaad
Jon Rich: lead vocal, guitar, bkg vocals
Gordon Schaad: drums, bass, organ, bkg vocals
Kristine Morris: bkg vocals
Engineering by Gordon W. Schaad using two tapedecks, bouncing back and forth between them for overdubs while maintaining a stereo mix. Unfortunately, speeds of the two tapedecks were slightly different, which lowered the pitch from A to Ab by the time of the final overdub.
Film clips used in this video:
Gags and Gals, 1945 https://archive.org/details/gags_and_gals
Sheree Tiger Dance, 1953 https://archive.org/details/ShereeTigerD
Software used:
IDD Studio 2003 XP from Interactive Digital Design (MIDISoft): late, lamented music composition, sequencing, and notation software.
MuseScore music composition and notation software: https://musescore.org/en
Kazam Screencaster https://launchpad.net/kazam
Audacity audio software: https://www.audacityteam.org/
OpenShot video editor: https://www.openshot.org/
Handbrake video transcoder: https://handbrake.fr
FAIR USE NOTICE
This video may make use of copyrighted material, the use of which has not always been specifically authorized by the copyright owner.
This constitutes a "fair use" of any such copyrighted material as provided for in section 107 of the U.S. Copyright law:
https://www.law.cornell.edu/uscode/text/17/107
In accordance with Title 17 U.S.C. Section 107, this video is offered publicly and without profit to the public users of the internet for comment and nonprofit educational and informational purposes.
Copyright Disclaimer Under Section 107 of the Copyright Act 1976: allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, or research.
Fair use is a use permitted by copyright statute that might otherwise be an infringement of copyright.
No copyright(s) is/are claimed to material copyrighted by others.
www.copyright.gov/fls/fl102.html
50th Anniversary
Recording ©1970 by Warm Underneath (Jon Rich, Joe Gulli, Gordon Schaad)
Music ©1970 by Jonathan E. Rich, Joseph A. Gulli, Gordon W. Schaad
Lyrics ©1970 by Jonathan E. Rich
Jon Rich: vocal, guitar
Joe Gulli: bass, tenor saxophones
Gordon Schaad: drums, guitar, piano, trumpets
Film clips used in this video:
American Bandstand dance contestants May 23, 1970: https://archive.org/details/AmericanBandstandMay231970
Engineering by Gordon W. Schaad using the sound-on-sound technique on a Tandberg 64 tapedeck for overdubs, which were mixed on-the-fly with each earlier track. No post-recording mixing is possible using this technique and it's always going to be mono. With each bounce, signal-to-noise ratio degrades. So much so that on this recording with too many overdubs, the noise sounds like a bus. This was several months before Gordon began working at Electric Lady Studios, where he discovered how little he had known about recording techniques previously.
Software used in this video:
MuseScore music composition and notation software: https://musescore.org/en
Audacity audio software: https://www.audacityteam.org/
OpenShot video editor: https://www.openshot.org/
Handbrake video transcoder: https://handbrake.fr
FAIR USE NOTICE
This video may make use of copyrighted material, the use of which has not always been specifically authorized by the copyright owner.
This constitutes a "fair use" of any such copyrighted material as provided for in section 107 of the U.S. Copyright law:
https://www.law.cornell.edu/uscode/text/17/107
In accordance with Title 17 U.S.C. Section 107, this video is offered publicly and without profit to the public users of the internet for comment and nonprofit educational and informational purposes.
Copyright Disclaimer Under Section 107 of the Copyright Act 1976: allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, or research.
Fair use is a use permitted by copyright statute that might otherwise be an infringement of copyright.
No copyright(s) is/are claimed to material copyrighted by others.
www.copyright.gov/fls/fl102.html
Music and Recording ©1971 by Joseph A. Gulli (bass) and Gordon W. Schaad (drums, guitar, organ)
Engineering by Gordon W. Schaad using the sound-on-sound technique on a Tandberg 64 tapedeck.
Video clips from the 1961 film "Sunday" by Dan Drasin: https://archive.org/details/youtube-3L9hsDsFkjg
In 1961 the Parks Department refused to issue permits for folk singers, sparking a protest demonstration on Sunday, April 9th, which resulted in several hundred musicians and supporters gathering in the park. Heavy-handed NYPD descended on the crowd, arresting several people. The events became known as the Beatnik Riot with newspaper headlines reading "3,000 Beatniks Riot in Village."
Software used in this video:
Audacity audio software: https://www.audacityteam.org/
OpenShot video editor: https://www.openshot.org/
Handbrake video transcoder: https://handbrake.fr
FAIR USE NOTICE
This video may make use of copyrighted material, the use of which has not always been specifically authorized by the copyright owner.
This constitutes a "fair use" of any such copyrighted material as provided for in section 107 of the U.S. Copyright law:
https://www.law.cornell.edu/uscode/text/17/107
In accordance with Title 17 U.S.C. Section 107, this video is offered publicly and without profit to the public users of the internet for comment and nonprofit educational and informational purposes.
Copyright Disclaimer Under Section 107 of the Copyright Act 1976: allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, or research.
Fair use is a use permitted by copyright statute that might otherwise be an infringement of copyright.
No copyright(s) is/are claimed to material copyrighted by others.
www.copyright.gov/fls/fl102.html
Demo recording ©1972 by Gordon W. Schaad using the sound-on-sound technique on a Tandberg 64 tapedeck for overdubs, which were mixed on-the-fly with each earlier track. No post-recording mixing is possible using this technique and it's always going to be mono with tape hiss aplenty.
Gordon Schaad: piano, bass, drums
Kristine Morris: vocal
Film clips used in this video:
Najiah Knight: bull riding
Software used in this video:
Audacity audio software: https://www.audacityteam.org/
OpenShot video editor: https://www.openshot.org/
Handbrake video transcoder: https://handbrake.fr
FAIR USE NOTICE
This video may make use of copyrighted material, the use of which has not always been specifically authorized by the copyright owner.
This constitutes a "fair use" of any such copyrighted material as provided for in section 107 of the U.S. Copyright law:
https://www.law.cornell.edu/uscode/text/17/107
In accordance with Title 17 U.S.C. Section 107, this video is offered publicly and without profit to the public users of the internet for comment and nonprofit educational and informational purposes.
Copyright Disclaimer Under Section 107 of the Copyright Act 1976: allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, or research.
Fair use is a use permitted by copyright statute that might otherwise be an infringement of copyright.
No copyright(s) is/are claimed to material copyrighted by others.
www.copyright.gov/fls/fl102.html
Demo recording ©1972 by Gordon W. Schaad using the sound-on-sound technique on a Tandberg 64 tapedeck for overdubs, which were mixed on-the-fly with each earlier track. No post-recording mixing is possible using this technique and it's always going to be mono. With each bounce, signal-to-noise ratio degrades. So much so that on some of these recordings with many overdubs, the noise becomes another instrument.
Film clips used in this video:
Civil Defense Alert in NYC, 1954 https://archive.org/details/LC-48654
Freedom Highway, 1956 https://archive.org/details/FreedomH1956
America For Me, 1953 https://archive.org/details/0655_America_For_Me
Software used in this video:
MuseScore music composition and notation software: https://musescore.org/en
Audacity audio software: https://www.audacityteam.org/
OpenShot video editor: https://www.openshot.org/
Handbrake video transcoder: https://handbrake.fr
FAIR USE NOTICE
This video may make use of copyrighted material, the use of which has not always been specifically authorized by the copyright owner.
This constitutes a "fair use" of any such copyrighted material as provided for in section 107 of the U.S. Copyright law:
https://www.law.cornell.edu/uscode/text/17/107
In accordance with Title 17 U.S.C. Section 107, this video is offered publicly and without profit to the public users of the internet for comment and nonprofit educational and informational purposes.
Copyright Disclaimer Under Section 107 of the Copyright Act 1976: allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, or research.
Fair use is a use permitted by copyright statute that might otherwise be an infringement of copyright.
No copyright(s) is/are claimed to material copyrighted by others.
www.copyright.gov/fls/fl102.html
Demo recording ©1972 by Gordon W. Schaad using the sound-on-sound technique on a Tandberg 64 tapedeck for overdubs, which were mixed on-the-fly with each earlier track. No post-recording mixing is possible using this technique and it's always going to be mono. With each bounce, signal-to-noise ratio degrades. So much so that on some of these recordings with many overdubs, the noise becomes another instrument.
Film clips used in this video:
Arizona Days, 1928, https://archive.org/details/ArizonaDays
Software used in this video:
Audacity audio software: https://www.audacityteam.org/
OpenShot video editor: https://www.openshot.org/
Handbrake video transcoder: https://handbrake.fr
FAIR USE NOTICE
This video may make use of copyrighted material, the use of which has not always been specifically authorized by the copyright owner.
This constitutes a "fair use" of any such copyrighted material as provided for in section 107 of the U.S. Copyright law:
https://www.law.cornell.edu/uscode/text/17/107
In accordance with Title 17 U.S.C. Section 107, this video is offered publicly and without profit to the public users of the internet for comment and nonprofit educational and informational purposes.
Copyright Disclaimer Under Section 107 of the Copyright Act 1976: allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, or research.
Fair use is a use permitted by copyright statute that might otherwise be an infringement of copyright.
No copyright(s) is/are claimed to material copyrighted by others.
www.copyright.gov/fls/fl102.html
50th Anniversary
Recording ©1970 by Warm Underneath (Jon Rich, Joe Gulli, Gordon Schaad)
Music ©1970 by Joseph A. Gulli and Gordon W. Schaad
Lyrics ©1970 by Jonathan E. Rich
MIDI sequencing ©2003 by Gordon W. Schaad
Joe Gulli: bass, tenor saxophones
Gordon Schaad: drums, guitar, organ
Jon Rich: vocals, percussion
Engineering by Gordon W. Schaad using the sound-on-sound technique on a Tandberg 64 tapedeck for overdubs, which were mixed on-the-fly with each earlier track. No post-recording mixing is possible using this technique and it's always going to be mono. With each bounce, signal-to-noise ratio degrades. So much so that on some of these recordings with many overdubs, the noise becomes another instrument. This was several months before Gordon began working at Electric Lady Studios, where he discovered how little he had known about recording techniques previously.
Film clips used in this video:
Wagon Train, 1957, season 1, episode 3: The John Cameron Story https://www.imdb.com/title/tt0743155/
Software used in this video:
IDD Studio 2003 XP from Interactive Digital Design (MIDISoft): late, lamented music composition, sequencing, and notation software.
Audacity audio software: https://www.audacityteam.org/
OpenShot video editor: https://www.openshot.org/
Handbrake video transcoder: https://handbrake.fr
FAIR USE NOTICE
This video may make use of copyrighted material, the use of which has not always been specifically authorized by the copyright owner.
This constitutes a "fair use" of any such copyrighted material as provided for in section 107 of the U.S. Copyright law:
https://www.law.cornell.edu/uscode/text/17/107
In accordance with Title 17 U.S.C. Section 107, this video is offered publicly and without profit to the public users of the internet for comment and nonprofit educational and informational purposes.
Copyright Disclaimer Under Section 107 of the Copyright Act 1976: allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, or research.
Fair use is a use permitted by copyright statute that might otherwise be an infringement of copyright.
No copyright(s) is/are claimed to material copyrighted by others.
www.copyright.gov/fls/fl102.html
50th Anniversary
Recording ©1970 by Warm Underneath (Jon Rich, Joe Gulli, Cengiz Yaltkaya & Gordon Schaad)
Music & Lyrics ©1970 by Jonathan E. Rich
Jon Rich: vocal, acoustic guitar
Joe Gulli: bass, bkg vocal
Cengiz Yaltkaya: piano
Gordon Schaad: drums, harmonica, bkg vocal
Engineering by Gordon W. Schaad using the sound-on-sound technique on a Tandberg 64 tapedeck for overdubs, which were mixed on-the-fly with each earlier track. No post-recording mixing is possible using this technique and it's always going to be mono. With each bounce, signal-to-noise ratio degrades. So much so that on some of these recordings with many overdubs, the noise becomes another instrument. This was several months before Gordon began working at Electric Lady Studios, where he discovered how little he had known about recording techniques previously.
Film clips used in this video:
The Avengers, 1966, season 4, episode 21: A Touch of Brimstone https://www.imdb.com/title/tt0516805/
Software used in this video:
Audacity audio software: https://www.audacityteam.org/
OpenShot video editor: https://www.openshot.org/
Handbrake video transcoder: https://handbrake.fr
FAIR USE NOTICE
This video may make use of copyrighted material, the use of which has not always been specifically authorized by the copyright owner.
This constitutes a "fair use" of any such copyrighted material as provided for in section 107 of the U.S. Copyright law:
https://www.law.cornell.edu/uscode/text/17/107
In accordance with Title 17 U.S.C. Section 107, this video is offered publicly and without profit to the public users of the internet for comment and nonprofit educational and informational purposes.
Copyright Disclaimer Under Section 107 of the Copyright Act 1976: allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, or research.
Fair use is a use permitted by copyright statute that might otherwise be an infringement of copyright.
No copyright(s) is/are claimed to material copyrighted by others.
www.copyright.gov/fls/fl102.html
50th Anniversary
Recording ©1970 by Warm Underneath (Jon Rich, Joe Gulli, Cengiz Yaltkaya & Gordon Schaad)
Music & Lyrics ©1970 by Jonathan E. Rich
MIDI sequencing ©2003 by Gordon W. Schaad
Watercolors by Jane Green.
Jon Rich: vocal, acoustic guitar, maracas
Joe Gulli: bass
Cengiz Yaltkaya: piano
Gordon Schaad: drums, organ
Engineering by Gordon W. Schaad using the sound-on-sound technique on a Tandberg 64 tapedeck for overdubs, which were mixed on-the-fly with each earlier track. No post-recording mixing is possible using this technique and it's always going to be mono. With each bounce, signal-to-noise ratio degrades. So much so that on some of these recordings with many overdubs, the noise becomes another instrument. This was several months before Gordon began working at Electric Lady Studios, where he discovered how little he had known about recording techniques previously.
Software used in this video:
IDD Studio 2003 XP from Interactive Digital Design (MIDISoft): late, lamented music composition, sequencing, and notation software.
Audacity audio software: https://www.audacityteam.org/
OpenShot video editor: https://www.openshot.org/
Handbrake video transcoder: https://handbrake.fr
FAIR USE NOTICE
This video may make use of copyrighted material, the use of which has not always been specifically authorized by the copyright owner.
This constitutes a "fair use" of any such copyrighted material as provided for in section 107 of the U.S. Copyright law:
https://www.law.cornell.edu/uscode/text/17/107
In accordance with Title 17 U.S.C. Section 107, this video is offered publicly and without profit to the public users of the internet for comment and nonprofit educational and informational purposes.
Copyright Disclaimer Under Section 107 of the Copyright Act 1976: allowance is made for "fair use' for purposes such as criticism, comment, news reporting, teaching, scholarship, or research.
Fair use is a use permitted by copyright statute that might otherwise be an infringement of copyright.
No copyright(s) is/are claimed to material copyrighted by others.
www.copyright.gov/fls/fl102.html
50th Anniversary
Recording ©1970 by Warm Underneath (Joe Gulli & Gordon Schaad)
Music ©1970 by Joseph A. Gulli and Gordon W. Schaad
Joe Gulli: guitar, bass, tenor saxophones
Gordon Schaad: drums, piano, trumpets, whistle
Engineering by Gordon W. Schaad using the sound-on-sound technique on a Tandberg 64 tapedeck for overdubs, which were mixed on-the-fly with each earlier track. No post-recording mixing is possible using this technique and it's always going to be mono. With each bounce, signal-to-noise ratio degrades. So much so that on some of these recordings with many overdubs, the noise becomes another instrument. This was several months before Gordon began working at Electric Lady Studios, where he discovered how little he had known about recording techniques previously.
Software used in this video:
Audacity audio software: https://www.audacityteam.org/
OpenShot video editor: https://www.openshot.org/
Handbrake video transcoder: https://handbrake.fr
Parody film ©1976 Dennis Lanson
Music ©1976 by Jonathan E. Rich, Gordon W. Schaad
Jon Rich: acoustic guitar
Gordon Schaad: drums, piano, guitar
Kristine Morris: bass
Music recorded by Gordon W. Schaad using a Teac A3340s 4-channel tapedeck (the old Tandberg 64 having been relegated to a tape-delay echo effect).
