Edit for headphones. Hurray ! The album has been reissued ! Check the album's site:
https://lightintheattic.net/releases/2385-the-family-of-apostolic
I like this music a lot, so I decided it deserves a place on Youtube.
The recordings I chose are a bit mono - though stereo - from a vinyl to mp3 source, so I decided to "enhance" them a bit. The reissue of the album is of great quality.

- John Townley: guitar, bass, drums, banjo, mandolin, recorder, Del Ruba, Krumhorn, Rauschpfeife, beather, vocals, piano
- Gilma Townley: fiddle, drum, tambourine, organ, bass, harmonium, piano
- Deirdre Townley: vocals harmonium (on: Taking me home)
- Jay Ungar: violin, mandolin, vocals
- Lyndon Hardy: vocal, tambourine
- Bob Berkowitz: piano, organ
- Peter Smith: bass, oud
- Richard Amster: bass
- Jerry Burnham: bass, drum, vocal, wind
- Randy Rand: Del Ruba
- Travis Jenkins: sax (ruudtes hates saxes)
- David Ames: clarinet
- Cyril Caster: trumpet, French horn
- Genie Ames: vocal, organ
- Nick Osborn: water, coughing, sniffling, yawning
- John Kilgore: water, coughing, sniffling, yawning
- Ben Syfu: water, coughing, sniffling, yawning
- Monica Boscia: weeping
- David Weiss: squalling
- J.K. Adams: chimes
- Ellson Standler: flute
- The Whole Family: party

Photography: John Townley - Gilma Townley
Engeneering: Randy Rand, Peter Atchley, John Kilgore, Matt Hoffman, John Townley
Recorded at: Apostolic Studios
Cover by: John Townley
Produced by: John Townley for Tenth Street Productions
Art direction: Jules Halfant

®© John Townley
®© therock&rollingsixties

(All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music.)

Edit for headphones. "Sister Morphine" is a song written by Marianne Faithfull, Mick Jagger and Keith Richards. Faithfull released the original version of the song as the B-side to her Decca Records single "Something Better" on 21 February 1969. A different version was released two years later by the Rolling Stones for their 1971 album "Sticky Fingers".

The personnel for the Faithfull version are Marianne on vocals, Jagger on acoustic guitar, Ry Cooder on slide guitar and bass guitar, Jack Nitzsche on piano and organ, and Charlie Watts on drums.

The original UK Decca single credited Faithfull as a co-writer, but when London Records issued the single in the United States, her name was omitted, as it was from the credit on "Sticky Fingers". After a legal battle Faithfull retained her rights as a co-author, acknowledged by the 1994 Virgin Records reissue of the Stones' album catalogue from "Sticky Fingers" through "Steel Wheels".

In the United Kingdom, Faithfull's single was withdrawn by Decca due to the drug reference in the title, after an estimated 500 copies had been issued, but in other countries the single remained in release. In some territories such as the Netherlands, Italy and Japan, "Sister Morphine" appeared on the A-side. In addition, the French, US and Netherlands editions of the single actually featured alternate versions of both sides to the UK release.

In New Zealand the single with "Broken English" as b-side charted #37 in 1982.

Here are some facts about the song:

Marianne Faithfull recorded this during The Stones' "Let It Bleed session"s (she was Mick Jagger's girlfriend at the time). Her version was released in 1969 and tanked. Decca Records pulled it after two weeks.

The song is about a man who gets in a car accident and dies in the hospital while asking for morphine.

Mick Jagger wrote the music in Rome in 1968. Marianne Faithfull wrote the lyrics, but The Stones did not give her an official songwriting credit until they released it on their 1998 live album "No Security". The Stones were very protective about songwriting credits - they made sure most of their songs were credited to Jagger/Richards.

Faithfull was not a heavy drug user when she wrote the lyrics, but became an addict in 1971, at the same time The Stones' version was released. She called this her "Frankenstein," consuming her and leading her into an abyss of drugs. In later years, she was able to break the habit resume a successful career as both a singer and an actress.

Some of the lyrics were inspired by the time Anita Pallenberg, Keith's girlfriend, was hospitalized and given morphine.

Ry Cooder played the bottleneck guitar on this track. He was filling in for the drug-addled Brian Jones, who died before this song was released, but after it was written. This was the only song on "Sticky Fingers" that Mick Taylor, who replaced Jones, didn't play on.

Edit for headphones, March 2022. This edit is a combination of the official release (the sung part) and a bootleg release (the instrumental part). Source is the first part of the song "Gomper" on the official album (Japanese mini lp uicy-93026) and the ENTIRE second part of the song "Gomper part 1 (take 2) (Olympic Sound Studios, London 10_08 to 7_09_67)" of the eight cd bootleg box set "Studio Outtakes & Rarities Vol. 3.2 Remastered By Teague Raw".
I like this bootleg's instrumental take, because the flute is not in it. (Alas, it lacks Brian Jones' mellotron, which gives the official release its magic atmosphere.)

About this video:
directed by: Lucy Dawkins and Tom Readdy at Yes Please Productions
producers: Julian Klein, Michael Gochanour, Robin Klein, Sara Dempsey

GOMPER
(Jagger/Richards)

by the lake with lilly flowers
'while away the evening hours
to and fro she's gently gliding
on the glassy lake she's riding

she swims to the side
the sun sees her dried
the birds hover high
I'd stifle a cry

the birds hover high
she moans with a sigh

®© UMG on behalf of ABKCO Music and Records, Inc.
®© therock&rollingstones
(C) 2017 ABKCO Music & Records Inc.

Edit for headphones, March 2023. Edit of a song from the 1967 album "Headquarters" (2013 2 cd deluxe edition).
The official release is totally different, I like this demo best. (The official release - overproduced and with an annoying steel guitar - is on the album "Instant Replay" and added to this edit, with a warning!)

NINE TIMES BLUES
(Michael Nesmith)

there's a certain something in the way
you looked at me and said you'd stay
that let me know that I was out of line

but I didn't know what else to do
and like a fool I tested you
by demanding things of you which weren't mine

and now I feel like such a fool
for making you crawl back to me
but you did it with such love
that you're standing far above
me and all I did to you
I'm sorry now what can I do

I know that never in the world
could I have found me such a girl
who's there to pick me up before I fall

and if in the end we should go
both our separate ways
I know the lessons I've learned here is worth it all

and now I feel like such a fool
for making you crawl back to me
but you did it with such love
that you're standing far above
me and all I did to you
I'm sorry now what can I do

I know that never in the world
could I have found me such a girl
who's there to pick me up before I fall

and if in the end we should go
both our separate ways
I know the lessons I've learned here is worth it all

®© WMG on behalf of Rhino (Pure)
®© therock&rollingsixties

Edit 1 for headphones, of the mono version. A number one hit twice in Holland: in 1970, and in 1980 with the live version. #1 New Zealand, #2 UK, #2 Canada, #2 Germany, #4 Australia and # 9 in what's wrong with U, SA ?
Again the source file is from the great quality album "The Kinks Remastered" (1995 Castle cd # 268).

The line "You drink champagne and it tastes just like cherry cola" was recorded as "it tastes just like Coca-Cola." The BBC refused to play it because of the commercial reference, so Ray Davies flew from New York to London to change the lyric and get the song on the air.
(By the way: I like cherry cola the best.)

The Kinks were not the first to sing about Lola and Cola; an anti prohibition song from 1918 (amongst others sung by Edward Meeker) has the line: "At the table with Lola they will serve us Coca-Cola." The song is: "Ev'ry Day'll Be Sunday When The Town Goes Dry".

Ray Davies wrote the lyrics after the Kinks' manager got drunk at a club and started dancing with what he thought was a woman.

LOLA
(Ray Davies)

I met her in a club down in North Soho
Where you drink champagne and it tastes just like cherry cola
C-O-L-A cola

She walked up to me and she asked me to dance
I asked her name and in a dark brown voice she said, "Lola"
L-O-L-A Lola, lo lo lo lo Lola

Well, I'm not the world's most physical guy
But when she squeezed me tight she nearly broke my spine
Oh my Lola, lo lo lo lo Lola

Well, I'm not dumb but I can't understand
Why she walk like a woman and talk like a man
Oh my Lola, lo lo lo lo Lola, lo lo lo lo Lola

Well, we drank champagne and danced all night
Under electric candlelight
She picked me up and sat me on her knee
And said, "Little boy won't you come home with me?"

Well, I'm not the world's most passionate guy
But when I looked in her eyes
Well, I almost fell for my Lola
Lo lo lo lo Lola, lo lo lo lo Lola

Lola lo lo lo lo Lola lo lo lo lo Lola

I pushed her away, I walked to the door
I fell to the floor, I got down on my knees
I looked at her, and she at me

Well that's the way that I want it to stay
And I always want it to be that way for my Lola
Lo lo lo lo Lola

Girls will be boys, and boys will be girls
It's a mixed-up, muddled-up, shook-up world
Except for Lola, lo lo lo lo Lola

Well I left home just a week before
And I've never ever kissed a woman before
But Lola smiled and took me by the hand
And said, "Little boy, gonna make you a man"

Well I'm not the world's most masculine man
But I know what I am and I'm glad I'm a man
And so is Lola
Lo lo lo lo Lola, lo lo lo lo Lola

Lola, lo lo lo lo Lola, lo lo lo lo Lola... (times five)

®© UMG
®© [Merlin] PIAS

All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music.
This sound recording is administered by UMG. No copyright infringement is intended. The purpose of this upload is for viewer enjoyment and education, not for monetary gain.

Disclaimer
All the pictures shown in this video are property of their respective owners. I don't hold any copyright about these pictures. These pictures have been collected from different public sources including different websites, considering to be in public domain.
If any one has any objection of displaying any picture here, just send an email and I will remove it immediately, after verification of the claim.

👉 https://drive.google.com/file/d/1wrHTZrWKJsfeygtMAeqtyeq4YjQnQJx_/view?usp=share_link 👈 that's the link to the film -
my apologies for the blurred part at the right: it's the logo that comes with the freeware version of the colorization program "Pixbim" that I have delogo-ed -

Wanna try Pixbim too? Well take this into consideration: on a Windows 11 machine it took more than 10 hours to colorized these two minutes of film ! Maybe it took so long because it is an old computer where Windows 11 is supposed NOT to be running on (processor: AMD A4-4000 code name Richland - memory: 6GB DDR3 - Windows 11 forced install with Rufus).

®© UMG on behalf of Universal Music Group International
®© therock&rollingstones

edit for headphones
this song was eleven years in the top 10 of the Dutch top 2000, is has three parts, part 2 starts at 4:28 part 3 at 6:57
this edit has some distortion here & there, for the song has tons of sounds, so it was quite difficult to sort out the bass et cetera

in 1977 and 1978 for five weeks a number 1 (single top 100) hit in Holland, no chart in England (England was asleep those years...) and # 39 in - backward at that time - US... and in 1988 in Holland again a hit, # 3 in the single top 100

Jim Steinman, text & music

Meat Loaf (vocal)(born Marvin Lee Aday on September 27, 1947 in Dallas, Texas)
Ellen Foley (vocal)
Kasim Sulton (instrument), Max Weinberg (instrument), Roger Powell (instrument), Rory Dodd (vocal), Todd Rundgren (vocal), Edgar Winter (instrument), Jim Steinman (instrument), Roy Bittan (instrument), Marvin Lee (vocal), Todd Rundgren (producer & arranger), Jim Steinman (arranger)
(if anyone can give more details about who played what, please let me know)

(p.s. Karla DeVito, the lady in the well known video, is not the lady that was recorded in the song, it was a dubbed video)

®© UMG
®© SME

(All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music.)

This sound recording is administered by SME/UMG. No copyright infringement is intended. The purpose of this upload is for viewer enjoyment and education, not for monetary gain.

Edit (Joe Loss) for headphones. Source file of the edit is on the cd "The Rolling Stones - Get Your Kicks" by World Production Of Compact Music (WPOCM cat.nr. 0289D018-2), which says: recorded June 26th, 1964, during a live performance in the London Alexandra Palace. But that's wrong, it was recorded on Friday 17th July 1964 during the Joe Loss Pop Show, a BBC radio show.

Back in 1964, to coincide with a new release from The Rolling Stones, the band’s fan club organised a huge 'All Night Rave' at London’s infamous Alexandra Palace.
While the Fab Four were still fresh-faced and fancy-free, The Rolling Stones represented the darker side of the pop invasion of the sixties. Founders Brian Jones, Mick Jagger, Keith Richards found themselves in front of a huge crowd, willing to go to war for the band.

®© UMG
®© ABKCO Music and Records, Inc.
®© Decca Music Group Ltd.

(All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music.)
This sound recording is administered by UMG/ABKCO Music and Records/Decca Music Group Ltd., Inc. No copyright infringement is intended. The purpose of this upload is for viewer enjoyment and education, not for monetary gain.

Edit for headphones.
The Pretty Things are an English rock band from London, who originally formed in 1963. They took their name from Bo Diddley's 1955 song "Pretty Thing".
The Pretty Things were preceded by "Little Boy Blue and the Blue Boys", which consisted of Dick Taylor, Keith Richards and Mick Jagger. When Brian Jones was recruiting for his own band, all three joined Brian and Ian Stewart and were dubbed "Rollin' Stones" by Brian Jones. Taylor would briefly play bass guitar in the arising Rolling Stones.

Taylor quit the Stones several months later and met Phil May and they formed the Pretty Things. They recruited Brian Pendleton on rhythm guitar, John Stax on bass and Pete Kitley, replaced by Viv Andrews and then by Viv Prince on drums.

Charted singles:

1964 "Rosalyn" uk # 41
1964 "Don't Bring Me Down" uk # 10
1965 "Honey I Need" uk # 13
1965 "Cry to Me" uk # 28
1966 "Midnight to Six Man" uk # 46
1966 "Come See Me" uk # 43
1966 "A House in the Country" uk # 50
1971 "October 26" nl # 29

®© UMG
®© [Merlin] Essential Music

(All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music.)

This sound recording is administered by UMG/[Merlin] Essential Music. No copyright infringement is intended. The purpose of this upload is for viewer enjoyment and education, not for monetary gain.

Edit for headphones, May 2022. A song from the double album "The Vaudeville Years Of Fleetwood Mac 1968 to 1970". Released in 1998 this was a compilation of outtakes and unreleased tracks from the band's early line up, none of which had previously been officially released.

TALK TO ME BABY
(Johnny Mercer/Robert Emmett Dolan)
(the cd says: (Elmore) James)

yeah
oh yeah

I just talked to my baby on the telephone
she said stop what you're doing come on home
I can't hold out, I can't hold out too long
I get a real good feeling talkin' to you on the phone

she said daddy you know I love you and you're my desire
you know I love you baby now I had to see you cry
can't hold out, I can't hold out too long
I get a real good feeling talking to you on the phone
oh yeah

oh yeah
mmm

she said daddy you can run walk or fly
you know I love you baby you're my own desire
can't hold out I can't hold out too long
I get a real good feeling talking to you on the phone
oh yeah talk to me baby, talk to me baby
talk to me baby, talk to me baby

I get a real good feeling talkin' to you on the phone
oh yeah

®© BMG Rights Management (Europe) GmbH
®© therock&rollingsixties

Edit 2b for headphones.
Recorded June 10 & 11, 1964. Can you believe that? 1964 ! Recorded in the one and only fantastic Chess Records Studio of genuine Jewish high fidelity quality. Released August 1964 in the UK on the EP "Five By Five", in the US on the album "12 x 5" in October 1964. In April 1971 it appeared (unauthorized by The Rolling Stones) on the UK album "Stone Age". And that's it ! What a shame! (I don't count the mono release on "The Rolling Stones In Mono", for that's a shame too.) It is on no other officially released album! The source file of this edit is from the album "12 x 5" (2006 remastered Japanese mini lp)(uicy-93014).

Electric guitars: Brian Jones (probably also harmonica) & Keith Richards. Vocals & harmonica (which I doubt): Mick Jagger. Bass: Bill Wyman. Drums: Charlie Watts. Piano: Ian Stewart.

CONFESSIN' THE BLUES
(Jay McShann/Walter Brown) Walter Brown (August 1917 - June 1956) was a blues shouter who sang with Jay McShann's band in the 1940s and co-wrote their biggest hit, "Confessin' The Blues". (A blues shouter is a blues singer, often male, capable of singing unamplified with a band.)

baby here I stand before you
with my heart in my hand
I put it to you mama
hoping that you'll understand

well baby
mama please don't dog me 'round
yeah, I would rather love you baby
than anyone else I know in town

this is my confession mama
and it's sung by all your song (?)(meaning?)
it proves that I'm in heaven mama when you
hold me in your arms

well baby
can I have you for myself
yeah, if I can't have you, baby
I don't want nobody else

well baby
a don't you want a man like me
well baby
don't you want a man like me
yeah, think about your future baby
forget about your used to be

®© BMG_Rights_Management
®© Sony ATV Publishing
®© UMPG Publishing
®© UMG

All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music. This sound recording is administered by UMG - BMG Rights Management , Sony ATV Publishing, UMPG Publishing . No copyright infringement is intended. The purpose of this upload is for viewer enjoyment and education, not for monetary gain.

All the pictures shown in this video are property of their respective owners. I don't hold any copyright about these pictures. These pictures have been collected from different public sources including different websites, considering to be in public domain. If any one has any objection of displaying any picture here, just send an email and I will remove it immediately, after verification of the claim.

Copyright disclaimer under section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal

Edit for headphones. Cover of The Ventures'** "Driving Guitars" (1961) by the US garageband "The Outcasts" in 1965/1966. Another nice live performance.
Jack Malken: rhythm guitar. Andrew Benjamin: lead guitar. Steve Lichtman: bass guitar. Bobby Diamond: drums.

** The Ventures' most impressive feat was charting 38 albums from 1960 to 1972. They had a great influence on the sixties music.

®© UMG
®© therock&rollingsixties

(All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music.)

edit for headphones. edit of an interesting instrumental song of the 2011 expanded release of "you're a big boy now" + "everything playing". Edsel Records ‎– EDSS 1049.

®© SME on behalf of BMG Special Products
®© therock&rollingsixties

Edit 2 for headphones, February 2014. Recorded August 3 - 11, 1966, released on "Between The Buttons" in February of 1967.
Organ: Brian Jones. Percussion: Brian Jones & Mick Jagger. Lead vocal: Mick Jagger. Drums: Charlie Watts. Electric guitars: Keith Richards. Piano: Ian Stewart. Bass: Bill Wyman. Backing Vocals: Keith Richards & Mick Jagger.

Source file for the edit: us japan mini lp "between the buttons".

COMPLICATED
(Jagger/Richards)

(ah ha ha ha ha)
(ah ha ha ha ha)
she looks so simple in her way
does the same thing everyday
but she's dedicated
to having her own way
she's very complicated
(ah ha ha ha ha)
yeah
(ah ha ha ha ha)
(ah ha ha ha ha)

women seem to fill her mind
and many men in so short time
but she's underrated
she treats me oh so kind
she's very complicated
(ah ha ha ha ha)
yeah
(ah ha ha ha ha)
(ah ha ha ha ha)

we talk together and discuss
what is really best for us
she's sophisticated
my head's fit to bust
'cause she's so complicated

yeah

(ah ha ha ha ha)
(ah ha ha ha ha)

she knows just how to please her man
softer than a baby lamb
but she's educated
doesn't give a damn
she's very complicated
right

(ah ha ha ha ha)
na na na na na
(ah ha ha ha ha)
yeah
(ah ha ha ha ha)

she looks so simple in her way
does the same thing everyday
but she's dedicated
to having her own way
she's very complicated
right

hey
(ah ha ha ha ha)
na na come on baby
(ah ha ha ha ha)
na na na na na
(ah ha ha ha ha)
na na na na yeah
(ah ha ha ha ha)
oh come on babe
(ah ha ha ha ha)
oh come on babe
(ah ha ha ha ha)
come onm babe
(ah ha ha ha ha)

®© therock&rollingstones
®© UMG
®© ABKCO Music and Records, Inc.

(All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music.)

edit for headphones. a zappa masterpiece from the album "one size fits all". if the bass sounds distorted, then your headphones need replacement, sorry... but, i admit, it's near the edges, real in the red... originally, "sofa" was only performed in concert and was part of a longer composition around the flo (mark volman) and eddie (howard kaylan) era of zappa's music, when mark volman pretended to be a sofa. in 1975, sofa made its first album appearance on zappa's album "one size fits all" as an instrumental version and a vocal version (sofa no. 1 and sofa no. 2). "sofa" is one of the most referenced zappa songs throughout his discography.

guitar: frank zappa
bass: tom fowler
marimba, vibraphone, percussion: ruth underwood *
drums, sound effects: chester thompson

SOFA NO 1
(frank zappa)

*
she used both her birth name, ruth komanoff, and her married name professionally. in 1969 she married ian underwood, a fellow zappa musician. they divorced in 1986. she also appeared on drums with a rock group named the hamilton face band during 1969, appearing on some of their recordings.

®© UMG

All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music. This sound recording is administered by UMG. No copyright infringement is intended. The purpose of this upload is for viewer enjoyment and education, not for monetary gain.

Disclaimer
All the pictures shown in this video are property of their respective owners. I don't hold any copyright about these pictures. These pictures have been collected from different public sources including different websites, considering to be in public domain.
If any one has any objection of displaying any picture here, just send an email and I will remove it immediately, after verification of the claim.

"Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use."

Edit for headphones, June 2021. A Bob Dylan song. Source of this edit is the song on the 1968 Byrds album "Sweetheart Of The Rodeo" (1997 remaster + bonus tracks). The song was released by The Byrds in 1968, three years before Bob Dylan released it and was nr.45 in the UK charts, nr.74 in the USA. A later cover by ex-Byrds members Roger McGuinn and Chris Hillman reached the top 10 of the Hot Country Songs charts in 1989.

®© SME on behalf of Legacy Recordings

Edit 1b for headphones, February 2018. "Top of the Pops" 1971 on UK TV. The official video is missing the first chord of the opening guitar riff, and that's just plain stupid. I added it in this edit. For that first chord is what makes the riff the riff... yes, I made this one just for that first half of a second. I apologize for not being able to cut that dreadful sax'oh''oh'phone, it is something we have to live with... (it would sort of harm the video).

BROWN SUGAR
(Jagger/Richards)

gold coast slave you're bound for cotton fields
sold in the market down in New Orleans
scarred old slaver knows he's doin' all right
hear him whip the women just around midnight

brown sugar, how come you taste so good
brown sugar, just like a young girl should, now yeah

drums beatin' cold, English blood runs hot
lady of the house wonderin' where it's gonna stop
house boy knows that he's doin' all right
you should have heard him just around midnight

brown sugar, how come you taste so good
mmm, brown sugar, just like a young girl should

(cover your ears, the ugly sax now enters)

ahhh get down on your knees brown sugar, how come you dance so good
ahhh get down on the ground brown sugar, just like a young girl should

now I bet your mama was a p'tential queen,
and all her girlfriends were sweet sixteen
I'm no school boy but I know what I like
you should have heard me just around midnight

brown sugar, how come you taste so good
ahhh get down brown sugar, just like a young girl should
ahhh get down, get down brown sugar, how come ya, how come ya

I said, yeah, yeah, yeah, wooo
how come you, how come you dance so good
yeah, yeah, yeah
just like a, just like a young girl should
ahhh get down, get down, get down child
get down on your knees (...)

®© UMG

All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music. This sound recording is administered by UMG. No copyright infringement is intended. The purpose of this upload is for viewer enjoyment and education, not for monetary gain.

All the pictures/video footage shown in this video are property of their respective owners. I don't hold any copyright about these pictures. These pictures have been collected from different public sources including different websites, considering to be in public domain. If any one has any objection of displaying any picture here, just send an email and I will remove it immediately, after verification of the claim.

Copyright disclaimer under section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

The music/song and photos remain copyright of their respective owner

Not an edit. A song from John Sebastian's 1974 album "Tarzana Kid". Though the album was a commercial failure and did not chart it contains some amazingly beautiful precious gems you really wouldn't want to miss. Here is the first one on the album, a smashingly well done sound, proving John is a master in sound recording and a great musician. A genious. I heard a lot of sixties and seventies albums and the major part has a poor sound quality. John stands out from the crowd! A seventy four year old album that sounds like being recorded seventy four minutes ago... More songs will be published here...

Sitting in limbo means: you are unsure what is gonna happen. John has managed to catch that feeling far far better than Jimmy Cliff did in his performance of the song.

Considering the massive list of people who contributed to the album it must have been so very hard for John to deal with the fact that the album was a commercial failure... let this be a comfort: in the early sixties when the Beatles were introduced to the Dutch tv audience, some backward tv host's talent scouting program concluded that they didn't stand a chance... or: a commercial failure doesn't at all represent the fineness of an album...

Personnel on the album:

John Sebastian – vocals, guitar, harmonica, autoharp, banjo, marimba, harmonica, dulcimer
Phil Everly – backing vocals
Emmylou Harris – backing vocals
Ry Cooder – mandolin, slide guitar
The Pointer Sisters – backing vocals
Lowell George – slide guitar, guitar, harmony vocals
Jim Gordon – drums
Kenny Altman – bass
Milt Holland – drums
Amos Garrett – guitar
Russell DaShiell – guitar
Richie Olson – clarinet
Bobbye Hall – congas
Jerry McKuen – guitar
Buddy Emmons – pedal steel guitar
Kelly Shanahan – drums
David Lindley – fiddle
David Grisman – mandolin
Ron Koss – guitar

SITTING IN LIMBO
(Jimmy Cliff/Guilly Bright)

sitting here in limbo
but I know it won't be long

sitting here in limbo
like a bird without a song

yes there's been some resistance
but I know that my faith will lead me on

sitting here in limbo
waiting for the dice to roll

yes I'm sitting here in limbo
had some time to search my soul

yes there's been some resistance
but I know that my faith will lead me on

I don't know where life would lead me
but I know where I've been
I don't know what life will show me
but I know what I've seen
hd my share of love and friendship
but what's in the past is gone
this little boy is movin' on

sitting here in limbo
waiting for the tide to roll

yes I'm sitting here in limbo
knowing that I have to go

well there's been some resistance
but I know that my faith will lead me on

sitting here in a limbo
sitting here in a limbo
mmm...

®© WMG on behalf of Warner Catalog and O/H
®© therock&rollingsixties

Edit for headphones, July 2022. A song of the album "The Best Of Otis Redding". In 1962 "These Arms Of Mine" charted nr.20 on the US Billboard hot R & B. Awarded RIAA gold and BPI silver.

THESE ARMS OF MINE
(Otis Redding)

these arms of mine, they are lonely
lonely and feeling blue
these arms of mine, they are yearning
yearning from wanting you
and if you would let them hold you
oh, how grateful I will be
these arms of mine, they are burning
burning from wanting you
these arms of mine, they are wanting
wanting to hold you
and if you would let them hold you
oh how grateful I will be
come on, come on baby
just be my little woman
just be my lover, oh
I need me somebody, somebody to treat me right, oh
I need your arms, loving arms to hold me tight
and I, I, I need your, I need your tender lips, to hold me

®© WMG on behalf of Atlantic Label
®© therock&rollingsixties

Edit 1 for headphones. Dubbed video.
Recorded September 28 & 29, 1964. Dubbed video. Released on the 2nd UK studio album "The Rolling Stones No. 2", release date: January 15, 1965 and on the 2nd US studio album "12 X 5", release date: October 24, 1964.
Acoustic guitar & percussion: Brian Jones. Lead & backing vocals: Mick Jagger. Electric guitar & backing vocals: Keith Richards. Drums: Charlie Watts. Bass: Bill Wyman

UNDER THE BOARDWALK
(Kenny Young and Arthur Resnick)

when the sun beats down
and burns the tar up on the roof
and your shoes get so hot
you wish your tired feet were fireproof

under the boardwalk
oown by the sea
on a blanket with my baby
is where I'll be

(under the boardwalk) out of the sun
(under the boardwalk) we'll be having some fun
(under the boardwalk) people walking above
(under the boardwalk) we'll be making love
(under the boardwalk, boardwalk)

from the park you'll hear
the happy sound of a carousel
you can almost taste the hot dogs
and french fries they sell

under the boardwalk
down by the sea, yeah
on a blanket with my baby
is where I'll be

(under the boardwalk) out of the sun
(under the boardwalk) we'll be having some fun
(under the boardwalk) people walking above
(under the boardwalk) we'll be making love
(under the boardwalk, boardwalk)

oh, under the boardwalk
down by the sea
on a blanket with my baby
is where I'll be

(under the boardwalk) out of the sun
(under the boardwalk) we'll be having some fun
(under the boardwalk) people walking above
(under the boardwalk) we'll be falling in love
(under the boardwalk, boardwalk)

®© ABKCO Music and Records, Inc.
®© UMG
®© WMG
®© EMI Music Publishing
®© SOLAR Music Rights Management

(All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music.)
This sound recording is administered by UMG/ABKCO Music and Records, Inc. No copyright infringement is intended. The purpose of this upload is for viewer enjoyment and education, not for monetary gain.

Edit for headphones, April 2021. Source file of this edit is on cd one of the June 14, 2005 two-disc "Legacy Edition" of the album "Pearl". The second disc includes an expanded set from the Festival Express Tour, recorded between June 28 and July 4, 1970.
This song charted nr. 68 in the US Hot 100 in 1971.

GET IT WHILE YOU CAN
(Jerry Ragovoy and Mort Shuman)

in this world, if you read the papers, darling
you know everybody's fighting on with each other
you got no one you can count on, dear
not even your own brother

so if someone comes along
he's gonna give you some love and affection
I'd say get it while you can, yeah
honey, get it while you can yeah
hey, hey, get it while you can

don't you turn your back on love, no no
don't you know when you're loving anybody baby
you're taking a gamble on a little sorrow
but then who cares, baby

'cause we may not be here tomorrow, no
and if anybody should come along
he gonna give you any love and affection

I'd say get it while you can, yeah
hey, hey get it while you can
hey, hey get it while you can

don't you turn your back on love
no no no, no no no no no

oh, get it while you can
honey get it when you're gonna wanna need it dear, yeah yeah
hey hey, get it while you can

don't you turn your back on love
no no no, no no no no, get it while you can yeah
I said hold on to somebody when you get a little lonely, dear
hey hey, hold on to that man's heart
yeah, get it, want it, hold it, need it
get it, want it, need it, hold it
get it while you can
honey get it while you can, baby yeah
hey hey get it while you can

®© UMG

All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music. This sound recording is administered by UMG. No copyright infringement is intended. The purpose of this upload is for viewer enjoyment and education, not for monetary gain.

All the pictures shown in this video are property of their respective owners. I don't hold any copyright about these pictures. These pictures have been collected from different public sources including different websites, considering to be in public domain.
If any one has any objection of displaying any picture here, just send an email and I will remove it immediately, after verification of the claim.

Copyright disclaimer under section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

Edit of an early mono song from the album "Surf In The USA", cd made in Austria, a Spanish distribution.

®© EMI
®© IODA

(All rights reserved by the copyright owners. This nonprofit fan-made video is solely to promote awareness and interest in the artists and the music.)

This sound recording is administered by IODA/EMI. No copyright infringement is intended. The purpose of this upload is for viewer enjoyment and education, not for monetary gain.

Edit 3 (of version 1) for headphones. This is the Rolling Stones song I like the best...
Three versions. First version - this one - is the long, uncut one from "Aftermath", the album every Stones fan should buy. It has the chorus accompaniment centered.
Second version is the different mix from the album "Flowers": the chorus accompaniment at the right, and the song cut almost two minutes shorter.
Third version is on "Metamorphosis", the Andrew Loog Oldham skillfully messed up version...
Source cd of this edit: the 2006 Japanese remastered mini lp "Aftermath" (UK version)(uicy-93021).
Main artistic influence: Brian Jones. Marimbas & piano: Brian Jones. Background vocals: Brian Jones, Bill Wyman & Keith Richards. Lead vocals: Mick Jagger. Acoustic guitars: Keith Richards. Harpsichord: Jack Nitzsche. Organ: Ian Stewart. Drums: Charlie Watts. Bass: Bill Wyman.

Photos at 3:36 - 3:37 are of Brian and model Penelope Tree, presumably from spring 1969. Taken by David Bailey. 3:49 has Brian Jones in the same clothes, also a Bailey photo.

OUT OF TIME
(Jagger/Richards)

you don't know what's going on
you've been away for far too long
you can't come back and think you are still mine
you're out of touch my baby
my poor discarded baby
I said, baby, baby, baby you're out of time

well, baby, baby, baby you're out of time
I said, baby, baby, baby you're out of time
you are left out
out of there without a doubt
'cause baby, baby, baby you're out of time

the girl that wants to run away
discovers that she's had her day
it's no good you're thinking that you are still mine
you're out of touch my baby
my poor unfaithful baby
I said, baby, baby, baby you're out of time

well, baby, baby, baby you're out of time
I said, baby, baby, baby you're out of time
yes you are left out
out of there without a doubt
'cause baby, baby, baby,you're out of time

you thought you were a clever girl
giving up your social whirl
but you can't come back and be the first in line, oh no
you're obsolete my baby
my poor old-fashioned baby
I said baby, baby, baby you're out of time

well, baby, baby, baby you're out of time
I said, baby, baby, baby you're out of time
yes, you are left out
out of there without a doubt
'cause baby, baby, baby you're out of time

sing the song....

baby, baby, baby you're out of time
I said baby, baby, baby you're out of time
ahhh... baby, baby, baby you're out of time

you don't know what's going on
you've been away for much too long
but you can't come back and think you are still mine
you're out of touch my baby
my poor discarded baby
I said, baby, baby, baby you're out of time

well, baby, baby, baby you're out of time
I said baby, baby, baby you're out of time
yes you are left out, ah yes you are
I said you're a left a out of there without a doubt
'cause baby, baby, baby you're out of time

allright,
I said baby, baby, baby you're out of time
I said baby,

Not an edit. It's a big shame that the singer messed up this song, for wow, what a great set of musicians working here!
Enjoy the real great guitar work! It may be difficult, but try to ignore the vocals on this one... the idiot sounds like he's drunk...

Not an edit, not necessary, it's of a real great recording quality!

The Fireballs were formed in Raton, New Mexico, in 1957, and got their start as an instrumental group featuring the distinctive lead guitar of George Tomsco.

The song was written and recorded by Tom Paxton. The Fireballs' version reached nr.9 on the Billboard Hot 100 in 1967. It also reached nr.3 in South Africa. The song appeared on their 1967 album, with the "surprising" title "Bottle of Wine". It was for six weeks in Holland's Tip Parade, but alas, it didn't chart there, and that with so awfully many many alcoholists in this country ! ! ! (you might expect they would have loved this drunk asshole singing ;-).

The Fireballs, sometimes billed as Jimmy Gilmer (yes, the asshole) and the Fireballs, were an American rock and roll group, particularly popular at the end of the 1950s and in the early 1960s. The original line-up consisted of George Tomsco (lead guitar), Chuck Tharp (vocals), Stan Lark (bass), Eric Budd (drums) and Dan Trammell (rhythm guitar).

Personnel on "Bottle Of Wine" (the single, not the bottle): Jimmy Gilmer (vocals), George Tomsco (lead guitar), Doug Roberts (drums) & Stan Lark (bass).

To cover up the singing I gave you some nice Jugendstil photos, didn't I ?

®© Believe Music, WMG, PIAS on behalf of G Records

Edit for headphones, March 3, 2023. A song from the 1969 album "Laughing Cavalier" (a special 1998 release by Magic Records release with 23 songs, catalog number 3930197).
"Daydream" charted #1 in Belgium and also charted in twenty other countries.

DAYDREAM
(David Mackay/Raymond Vincent/Sylveer Van Holmen)

daydream, I fell asleep amid the flowers
for a couple of hours on a beautiful day

daydream, I dreamed of you amid the flowers
for a couple of hours, such a beautiful day

I dreamed of the places I've been with you
how we sat with the stream flowing by

and then when I kissed you and held you so near
tell me why, tell me why you're so shy

daydream, I fell asleep amid the flowers
for a couple of hours on a beautiful day

daydream, come share a dream amid the flowers
for a couple of hours on a beautiful day

I dreamed of the places I've been with you
how we sat with the stream flowing by

and then when I kissed you and held you so near
tell me why, tell me why you're so shy

daydream, I sing with you amid the flowers
for a couple of hours, singing all of the day

(and a 194 times the famous international word "na")

®© WMG
®© therock&rollingsixties