The trusty DB-01 teamed again with the Zen delay. What you see is what you hear - there's no other sound processing of the music, not even a final limiter. Nor is there any volume tweaking of different parts. It was all recorded in one pass alt…
The trusty DB-01 teamed again with the Zen delay. What you see is what you hear - there's no other sound processing of the music, not even a final limiter. Nor is there any volume tweaking of different parts. It was all recorded in one pass although it was cut down from about 5 minutes to three. The vocal samples are from a 1958 sci-fi movie "The Day the Sky Exploded" about a swarm of asteroids threatening the Earth and the world uniting to destroy them.
The silly title "It's not you it's me" refers to me having bought the Zen delay for the third time - a new record in the cycle of GAS and regret. But I'm reasonably confident I've finally accepted what I don't like about the Zen and the fact that I will never find the perfect delay - the "Zen" name adding a final dollop of irony to the whole thing.
The re-buy was also helped along by the sad story of my new "blackout" Line6 DL-4 delay. Imported it from Thomann in Germany and it was dead on arrival. Well, not quite dead, it would work for anywhere between 30 seconds and two minutes and then freeze. A shame because it sounded pretty good from the little previews I managed to hear.
You may notice I added another cable to the DB-01 rear from the clock out to the gate in. It adds little sixteenth note clicks. The waveform displays the interesting left-right variation created by the Zen.
In other news, it may be time to create a DB-01 "masters" school. Your rank will be determined by how much text from your interface has been rubbed away. At least with my two machines I can tell which one I bought first.
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My website: https://richarddehove.com/
My other channel "IntraCosmos" of long-play dark ambient textures: https://www.youtube.com/@intracosmos
