2 Minimalist Masterpieces-Terry Riley- IN C, Steve Reich-Music for 18 Musicians

MUSICA EXOTICA~ 2 Minimalist Masterpieces-Terry Riley- IN C, Steve Reich-Music for 18 Musicians

Two Minimalist Masterpieces- T.Riley= IN C- S. Reich-Music for 18 Musicians

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In C is a musical piece composed by Terry Riley in 1964 for an indefinite number of performers. He suggests "a group of about 35 is desired if possible but smaller or larger groups will work". A series of short melodic fragments, In C is often cited as the first minimalist composition (though La Monte Young's drone compositions preceded it by several years, In C had a greater impact on public consciousness).

The piece was first performed by Steve Reich, Jon Gibson, Pauline Oliveros, Stuart Dempster, Morton Subotnick and others at the San Francisco Tape Music Center. It received its first recorded release in 1968 on CBS Records. Subsequent performances have been recorded many times since.

In 2022, the 1968 LP recording of In C was selected by the Library of Congress for preservation in the United States National Recording Registry as being "culturally, historically, or aesthetically significant."

Music for 18 Musicians is a work of minimalist music composed by Steve Reich during 1974–1976. Its world premiere was on April 24, 1976, at The Town Hall in New York City. Following this, a recording of the piece was released by ECM New Series in 1978.

Composition
In his introduction to the score, Reich mentions that although the piece is named Music for 18 Musicians, it is not necessarily advisable to perform the piece with that few players due to the extensive need for musicians to perform on multiple instruments.

The piece is based on a cycle of eleven chords. A small piece of music is based on each chord, and the piece returns to the original cycle at the end. The sections are named "Pulses", and Section I-XI. This was Reich's first attempt at writing for larger ensembles, and the extension of performers resulted in a growth of psychoacoustic effects, which fascinated Reich, and he noted that he would like to "explore this idea further". A prominent factor in this work is the augmentation of the harmonies and melodies and the way that they develop this piece. Another important factor in the piece is the use of human breath, used in the clarinets and voices, which help structure and bring a pulse to the piece. The player plays the pulsing note for as long as they can hold it, while each chord is melodically deconstructed by the ensemble, along with augmentation of the notes held. The metallophone (unplugged vibraphone), is used to cue the ensemble to change patterns or sections.