You are about to action:

Object being modified by the action

Do you want to proceed?

Share Video Link

https://www.bitchute.com/video/Tnl9iFkPqbn3/

Click to copy, then share by pasting into your messages, comments, social media posts and websites.

Embed Video HTML

Click to copy, then add into your webpages so users can view and engage with this video from your site.

Share to Social Media

Share to social media by clicking on the quick share links.

Report Content

Reason

Please select the most appropriate reason from the list provided.

Note: For a more detailed description of each reason, see our Community Guidelines.

Additional Comments

Please add any additonal comments that will help with the assessment of your request.

Note: Copyright claims must contain all the items specified within the Copyright Policy.

Email Submissions

We also accept reports via email. Please see the Guidelines Enforcement Process for instructions on how to make a request via email.

Thank you for submitting your report

We will investigate and take the appropriate action.

Add to Playlist

First book of Préludes, No. 3: ‘Le vent dans la plaine: Animé’ - Claude Debussy

Next video playing soon

Click to cancel

Autoplay has been paused

Click to watch next video

First published at 12:33 UTC on August 24th, 2021.

#debussy
#classicalmusic

TheMusicBox

subscribers

Your platform for uncensored ideas. BitChute Premium.

BitChute Advertisement

First book of Préludes, No. 3: ‘Le vent dans la plaine: Animé’ (The Wind in the Plain) by Claude Debussy

Debussy complete his first book of Préludes in 1910. Unlike previous notable collections of preludes by composers such as Bach and Chopin, this…

First book of Préludes, No. 3: ‘Le vent dans la plaine: Animé’ (The Wind in the Plain) by Claude Debussy

Debussy complete his first book of Préludes in 1910. Unlike previous notable collections of preludes by composers such as Bach and Chopin, this collection is not intended to display a composition in each of the tonal keys. Each work in this collection is given an artistic title, however this title is provided at the end of the manuscript as Debussy wanted the performer to experience the piece without being influenced by the name of the work.

LESS