Two "Roger That" pedals & the joy of dirty bass in stereo (no talk)

Any discussion about an interesting mono pedal will eventually devolve to: "If only pedal X was in stereo". To which some production savant will quickly reply "Just buy two!". Can it really be so simple?
Here we have a DB-01 running through the most excellent Boss GEB-7 bass EQ, then into a simple line splitter for the left and right "Roger That" pedals from Fairfield Circuitry, and finally into the Future Factory stereo delay from Free the Tone. No DAW audio processing.
There are 10 short audio examples. Each to their own but I'm now a convert to dirty stereo bass. Even when the two units are closely matched there are differences which no mono-only modulation can give.
Next time I'll try the two Rogers on some drums :)

0:00 Machine bass
1:22 Acid runner
2:33 Doom keys
3:37 Industrial drone
4:11 Fuzzy square
6:34 Poker echo
7:02 Sharpy arp
7:42 Two step
8:40 Fully rogered
9:12 The Scraper

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My website: https://richarddehove.com/
My other channel "IntraCosmos" of long-play dark ambient textures: https://www.youtube.com/@intracosmos