THE SHADOW OF HERMES BY JÜRI LINA

Based on the book “Under the Sign of the Scorpion” by Jüri Lina. This film by Jüri Lina shows how the freemasons, the international bankers, and the communists joined forces in an unholy alliance and through the Bolshevik Revolution of November 1917 established in Russia the most brutal and dehumanising slave society the world has ever seen. The Russian writer Alexander Solzhenitsyn in 1974 admonished his countrymen: “Live wit-hout lies!” This applies equally to the West. The Truth in our time is in no-way self-evident. Most official facts about communism are not true. Solzhenitsyn emphasized: “In our country the lie has become not just a moral category, but a pillar of the state.” The facts have been suppressed both in the East and the West. The film “In the Shadow of Hermes” is an important documentation of those financial masonic forces that cold-bloodedly wor-ked behind the scenes through communism to profit from the suffering of others. The director, Jüri Lina, stresses that it is his duty to tell the truth about communism and its grey eminences, and not just superficially treat its psychopathic symptoms, while the truth today is not highly valued. History is made every day – but by whom? The answer is given in this film, the aim of which is to unmask the truth, despite the falsifications of history, so meekly reported by the media. To know the real history of communism is the best insurance against ideological impostors.
http://jyrilina.com/english/about-jyri-lina/
Jüri Lina was born in 1949 in Soviet-occupied Estonia. He was banned from journalistic work in 1975 and then worked as a night watchman until he was forced to emigrate in 1979 after repeated confrontations with the political police, KGB. Since 1979 he is a resident of Sweden. In 1985, according to documents recently made available, political charges were made in Soviet Estonia against Jüri Lina in his absence. He was accused of high treason in connection with the publication of two books – “Sovjet hotar Sverige” (“The Soviet Threat against Sweden”) and “Öised päevad” (“Nightly Days”). The KGB regarded him as one of the most anti-communist writers in Sweden.