Run Silent, Run Deep is a 1958 American black-and-white war film from United Artists. It was produced by Harold Hecht, directed by Robert Wise, and starred Clark Gable and Burt Lancaster. The film is based on the novel of the same name by Commander …
Run Silent, Run Deep is a 1958 American black-and-white war film from United Artists. It was produced by Harold Hecht, directed by Robert Wise, and starred Clark Gable and Burt Lancaster. The film is based on the novel of the same name by Commander (later Captain) Edward L. Beach Jr.. The title refers to "silent running", a submarine stealth tactic. The story describes World War II submarine warfare in the Pacific Ocean, and deals with themes of vengeance, endurance, courage, loyalty, and honor and how these can be tested during wartime.
The film contains several accurate depictions of torpedo attacks being arranged with periscope sightings, range and bearing calculations, and use of a Torpedo Data Computer to achieve a shooting solution. On the surface, the Captain uses a Target Bearing Transmitter mounted on the bridge to acquire a target visually and mark its bearing input for the shooting party inside the conning tower. This depicted the preferred tactic of night surface attack, taking advantage of both the submarine's greater speed and maneuverability using its diesel engines, and the use of its SJ radar in making accurate range and bearing calculations, although with greater risk of being sunk by bombs and shell fire. The director, Robert Wise, had real submariners working with the cast until they could realistically depict the complexities of these torpedo attacks. Submarine veterans of World War II who viewed the film remarked on the accuracy of these scenes, and the scenes now provide modern-day audiences with a view of what life was like aboard World War II submarines.
Bosley Crowther, writing in The New York Times, called Run Silent, Run Deep "a straight tale of undersea adventure, all-male and all-submarine ... [that] has the hard, cold ring of truth", with "dangerous adventures [that] are severely, nail-bitingly tense" until "the ultimate showdown ... that keeps one forward on the chair." To the extent that the events depicted might appear hard to believe, he cited the credentials of the novel's author and noted that "they look more like the real thing in good old black-and-white."
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