Click to copy, then share by pasting into your messages, comments, social media posts and websites.
Click to copy, then add into your webpages so users can view and engage with this video from your site.
Report Content
We also accept reports via email. Please see the Guidelines Enforcement Process for instructions on how to make a request via email.
Thank you for submitting your report
We will investigate and take the appropriate action.
BRIAN ENO- 1) MUSIC FOR AIRPORTS 1978' 2) BEFORE AND AFTER SCIENCE 1977'
BRIAN ENO- 1) MUSIC FOR AIRPORTS 1978' 2) BEFORE AND AFTER SCIENCE 1977'
Ambient 1: Music for Airports is the sixth studio album by English musician Brian Eno, released in 1978 by Polydor Records. The album consists of four compositions created by layering tape loops of differing lengths, and was designed to be continuously looped as a sound installation, with the intent of defusing the tense, anxious atmosphere of an airport terminal.
Music for Airports was the first of four albums released in Eno's Ambient series, a term which he coined to describe music "as ignorable as it is interesting" that would "induce calm and a space to think."[2] Although it is not the earliest entry in the genre,[citation needed] it was the first album ever to be explicitly created under the label "ambient music". By the mid 1970s, Eno had begun to move beyond pop and glam rock stylings towards more quiet and unobtrusive music, as seen on the 1975 releases Evening Star (a collaboration with guitarist Robert Fripp) and Discreet Music. In the following year, Eno produced The Pavilion of Dreams by minimalist composer Harold Budd which also explored the genre.[3]
Eno's interest in ambience began in 1975. Judy Nylon met Eno in a hospital and played him an album; the sound was low and in tandem with the rain outside the room—according to Nylon, somewhat by design, thus to her "neither of us invented ambient music". She left and Eno, unable to adjust the volume, allowed the music to create an ambience aligned with his fluctuating attention.[4]
After spending several hours waiting for a flight at Germany's Cologne Bonn Airport and becoming annoyed by its uninspired atmosphere, Eno conceived of an album of music "designed for airports".[5][6] The music was designed to be continuously looped as a sound installation, with the intent of defusing the tense, anxious atmosphere of an airport terminal by avoiding the derivative and familiar elements of typical "canned music". To achieve this, Eno sought to create music that would "accommodate many levels of listening attention without enforcing one in particular; it must be as ignorable as it is interesting."[2] Rather than brightening and regularizing the atmosphere of an environment as typical background music does, Music for Airports is "intended to induce calm and a space to think."[2]
Music for Airports is the first instalment of Eno's Ambient series of albums of ambient music, conceived with the intent to "produce original pieces ostensibly (but not exclusively) for particular times and situations with a view to building up a small but versatile catalogue of environmental music suited to a wide variety of moods and atmospheres."[2]
Before and After Science is the fifth studio album by British musician Brian Eno. Produced by Eno and Rhett Davies, it was originally released by Polydor Records in December 1977 in the United Kingdom and by Island U.S. soon after. Musicians from the U.K. and Germany collaborated on the album,
Category | None |
Sensitivity | Normal - Content that is suitable for ages 16 and over |
Playing Next
Related Videos
Hidden History Of Zionism by Robert Sepehr
14 hours ago
Warning - This video exceeds your sensitivity preference!
To dismiss this warning and continue to watch the video please click on the button below.
Note - Autoplay has been disabled for this video.