This is a film portrait of the life and political career of Enoch Powell. Released in 1995, only three years before his death, the film's creator Michael Costello sat down with both Enoch and his wife to tell their story firsthand.
Powell was born in 1912 in England. In his early years, he served in the army, and reached Brigadier rank during his time enlisted during World War II. He's most known for being a controversial, "far right" politician.
Fade to Black
The darkening of our screens and its part in the theft of our past and our future
by Jack Antonio
YOU FLY into London on a British Airways plane on which you are shown an animated film about safety. It stars a cartoon Black man with his cartoon White wife and their cartoon mixed-race child. You pass through immigration control and are poked and probed by Brown people wearing hijabs and turbans who jabber at you in an unintelligible version of the English language. Heading for the tube you pass a poster that shows a Black woman dressed in Elizabethan garb beckoning you to the Globe Theatre. On the ride into town you see posters for the latest West End plays. There are productions of Shakespeare’s Richard II and Henry V starring Black women in the title roles. (The critics rave that these classic plays finally make sense.) There is also an Asian actor playing David Copperfield and Christmas pantos starring Blacks and Asians as Cinderella, Dick Whittington, and Snow White. Next to the entertainment ads are those for mortgages and mattresses all featuring Black men with White women. And, they are almost always blonde women.
You get home, put your feet up in front of the TV and notice that there are an unusually large number of Brown people on the streets of Victorian London as depicted in the BBC’s latest version of A Christmas Carol. And the villages of Midsomer are teeming with more people-of-color than your local benefits office. Even Doctor Who is suddenly a Black woman! You channel surf and are confronted by Black vikings, Black centurions, Black Tudors and an Asian King Arthur! The news is read by a Brown person. The weather is given to you by a Brown person. Your favorite gardening program is presented by a Brown person. The Brown person presenting your favorite wildlife program explains without a trace of irony the danger of extinction faced by native fauna and flora due to the invasion of alien species.
A typical example of the “colour-blind” casting was the 1997 Disney adaptation of Cinderella — in which a negress Queen (played by Whoopi Goldberg) — and a White king somehow managed to have a Filipino son, who ends up married to a negress Cinderella.
In disgust, you turn off your TV and browse through the latest brochure from the National Trust. But something is odd — most of the people shown wandering around the stately homes of England are Brown. The mothers of the large, happy families in the photos wear Muslim or Hindu garb. The only White faces are those of blonde women holding hands with Black men and their mixed-race children.
Meanwhile, your teenage son is in his room playing a new computer game set in World War I. But, in this version of the Great War, the trenches look like a Saturday night in Brixton and the game’s logo is the face of a Black Tommy. You wonder if you have slipped into an alternate universe or are dreaming. But you aren’t dreaming. You are living through a waking nightmare. And I can tell you why.
I’ve been a professional actor for fifty years. I’m also a proud member of that most despised of all groups — old White men. I’m not a star or even a semi-name but you have probably seen and heard me many times. I know the world of advertising and show business. And I know how, why, and by whom our screens are being darkened, I am being denied work, and our past and future are being stolen from us.
The answer is BAME. It stands for “Black, Asian, or Mixed Ethnicity.” And that acronym is now an essential part of every media company’s ethos. When a “brand” is hiring actors for a commercial or a production company is hiring actors for a play, movie, or TV program, they proudly trumpet the fact that they prefer to see or will only see performers who are BAME. (Imagine what would happen if someone advertised with a preference for White actors and actresses.)
The Cultural Marxist octopus has many tentacles and has been at work in all the arts for many decades. As a child in 1950s America, I saw early attempts at “color-blind” casting. But, in the 1960s, the prominent New York theatrical producer Joseph Papp started pushing non-Whites big time in his Shakespearean productions in Central Park. (You will not be surprised to learn that Papp was a Jew.) I suffered through many productions of Romeo and Juliet with a Black Romeo and a White Juliet. Or a Black Macbeth and White Lady Macbeth.
Read more:
https://nationalvanguard.org/2020/06/fade-to-black/
