First published at 23:26 UTC on August 8th, 2019.
Mention of the Reading in Part I - https://youtu.be/O8BUacXJgSY?t=624
This is the first person account reading of Part II of Varieties of Fascism by Professor Eugen Weber. Reading 7B is an excerpt of uncertain capture, it is genuinely from the mout…
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Mention of the Reading in Part I - https://youtu.be/O8BUacXJgSY?t=624
This is the first person account reading of Part II of Varieties of Fascism by Professor Eugen Weber. Reading 7B is an excerpt of uncertain capture, it is genuinely from the mouth of eccentric Rexist leader Leon Degrelle, the question is whether this is from a speech or a piece of written propaganda. In any event, this reading is unique in two particular ways. The first is Degrelle's very Belgian rejection/disavow of the want for violence. Secondly, is Degrelle's reiteration, particularly among Rexists, of disdain for a "run-away" individualism.
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In 1964, the world approached the twentieth anniversary of the end of the Second World War. Eugen Weber, a Romanian born, French-educated, British Veteran, and now American professor, sat down to take in the impact of socialism, fascism, and national socialism on the 20th-century world. Having served with the British during the Second World War, Eugen Weber was no stranger to the violent upheaval these ideologies had, and indeed are having.
In the Narrator's opinion, the compilation of this work is invaluable in a current atmosphere of domestic ideological cleavings. Writing nineteen years after the Second World War, a war which Professor Weber fought in, this work has topical adjacency to the real physical manifestations of such phenomena. Additionally, written in the early sixties, the work does not suffer the estrangement and misdefinition of the terms it seeks to educate on.
Legal disclaimer: The literary work narrated herein is governed in the U.S.A. by the Copyright Act 1909 (not 1976) and has since fallen into the realm of public domain. However, the narration and any associated images and recordings accompanying or connected with the audio-visual narration are the copyright by due effort and novation/innovation and creation of Western Narration and may not be reproduced, sold, or otherwis..
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