For those who didn’t know, Blade Runner 2049 is a sequel to the 1982 science fiction film directed by Ridley Scott set in a dystopian future Los Angeles of 2019, in which synthetic humans known as replicants are bio-engineered by the powerful Tyrell…
For those who didn’t know, Blade Runner 2049 is a sequel to the 1982 science fiction film directed by Ridley Scott set in a dystopian future Los Angeles of 2019, in which synthetic humans known as replicants are bio-engineered by the powerful Tyrell Corporation to work on space colonies. When a fugitive group of advanced replicants led by Roy Batty escapes back to Earth, burnt-out cop Rick Deckard reluctantly agrees to hunt them down. The sequel tells us much more about the world of 2017 (when it was made) or 2023 than about the future. The movie 2049 really has nothing to say about anything, but its surfaces tell us everything about ourselves, our civilization, our declining virtues and esthetics and a theatre on its lasts legs. This film review is therefore entirely "superficial", but in looking at the messaging, we are seeing the only thing of lasting value in this film.
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