Mention of the Reading in Part I - https://youtu.be/fclYju9HuBw?t=768
This is the first person account reading of Part II of Varieties of Fascism by Professor Eugen Weber. Reading 3A is written by Ferenc Szalasi himself in the lead up to the strugg…
Mention of the Reading in Part I - https://youtu.be/fclYju9HuBw?t=768
This is the first person account reading of Part II of Varieties of Fascism by Professor Eugen Weber. Reading 3A is written by Ferenc Szalasi himself in the lead up to the struggles that the Arrow Cross would face in taking power. Written in 1936 this creed is somewhat inchoate. Detailing the ideas of Hungarism and antisemitism Ferenc Szalasi speaks highly of the worker and the ideal programmatic and Hungarian dominated southern Europe that he sought to create.
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In 1964, the world approached the twentieth anniversary of the end of the Second World War. Eugen Weber, a Romanian born, French-educated, British Veteran, and now American professor, sat down to take in the impact of socialism, fascism, and national socialism on the 20th-century world. Having served with the British during the Second World War, Eugen Weber was no stranger to the violent upheaval these ideologies had, and indeed are having.
In the Narrator's opinion, the compilation of this work is invaluable in a current atmosphere of domestic ideological cleavings. Writing nineteen years after the Second World War, a war which Professor Weber fought in, this work has topical adjacency to the real physical manifestations of such phenomena. Additionally, written in the early sixties, the work does not suffer the estrangement and misdefinition of the terms it seeks to educate on.
Legal disclaimer: The literary work narrated herein is governed in the U.S.A. by the Copyright Act 1909 (not 1976) and has since fallen into the realm of public domain. However, the narration and any associated images and recordings accompanying or connected with the audio-visual narration are the copyright by due effort and novation/innovation and creation of Western Narration and may not be reproduced, sold, or otherwise used in a manner that is inconsistent with the holder's proprietary rights without e..
